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  • Roberto Alomar was not just a five-tool Hall of Famer; he was a magician on the diamond, a generational talent whose defensive wizardry left teammates and opponents breathless. Yet, despite his twelve All-Star selections and ten Gold Glove awards, he has remained one of the most contentious and enigmatic characters in baseball’s history.Roberto Alomar: The Complicated Life and Legacy of a Baseball Hall of Famer (Roman & Littlefield, 2024) is the first complete, balanced biography of arguably the greatest second baseman in the history of Major League Baseball. It covers Alomar’s impressive career, his altercation with umpire John Hirschbeck and their eventual friendship, the allegations stemming from Alomar’s personal life, never-before-heard stories about his conflicts with both minor and major league teammates, and his global influence.When Roberto Alomar retired in 2005, his place as one of baseball’s all-time greats was unquestioned. But the controversies that always seem to follow him make Alomar’s legacy far from clear. Drawing on dozens of personal interviews with Alomar’s former teammates and opponents, Roberto Alomar pulls back the curtain on one of the most significant, divisive, and perplexing figures in baseball history.Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

  • In a world of border walls and obstacles to migration, a lottery where winners can gain permanent residency in the United States sounds too good to be true. Just as unlikely is the idea that the United States would make such visas available to foster diversity within a country where systemic racism endures. But in 1990, the United States Diversity Visa Lottery was created to do just that.
    Dreamland: America's Immigration Lottery in an Age of Restriction (UNC Press, 2023) tells the surprising story of this unlikely government program and its role in American life as well as the global story of migration. Historian Carly Goodman takes readers from Washington, D.C., where proponents deployed a colorblind narrative about our "nation of immigrants" to secure visas for white immigrants, to the African countries where it flourished and fostered dreams of going to America. From the post office to the internet, aspiring emigrants, visa agents, and others embraced the lottery and tried their luck in a time of austerity and limits. Rising African immigration to the United States has enriched American life, created opportunities for mobility, and nourished imagined possibilities. But the promise of the American dream has been threatened by the United States' embrace of anti-immigrant policies and persistent anti-Black racism.
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  • In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito’s. The two murders merited a few local news stories, and then the rest of the world moved on.
    But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito’s half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito’s murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way.
    Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace.
    Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter.
    Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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  • The postwar migration of Puerto Rican men and women to Chicago brought thousands of their children into city schools. These children's classroom experience continued the colonial project begun in their homeland, where American ideologies had dominated Puerto Rican education since the island became a US territory. Mirelsie Velázquez tells how Chicago's Puerto Ricans pursued their educational needs in a society that constantly reminded them of their status as second-class citizens. Communities organized a media culture that addressed their concerns while creating and affirming Puerto Rican identities. Education also offered women the only venue to exercise power, and they parlayed their positions to take lead roles in activist and political circles. In time, a politicized Puerto Rican community gave voice to a previously silenced group--and highlighted that colonialism does not end when immigrants live among their colonizers.
    A perceptive look at big-city community building, Puerto Rican Chicago: Schooling the City, 1940-1977 (U Illinois Press, 2022) reveals the links between justice in education and a people's claim to space in their new home.
    Mirelsie Velázquez, PhD, is an associate professor of Latina/o Studies. As an interdisciplinary scholar, her work centers history of education, women's history, Puerto Rican studies, gender and sexuality, and teacher education.
    Max Jacobs is a PhD student in education at Rutgers University. He currently sits on the Graduate Student Council for the History of Education Society.
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  • Marisol LeBrón’s new book, Policing Life and Death: Race, Violence, and Resistance in Puerto Rico (University of California Press, 2019), examines the rise of and resistance to punitive governance (tough on crime policing policies) in Puerto Rico from the 1990s to the present. As in the United States, LeBrón shows how increased investment in policing did not respond to a spike in crime. It actually emerged as a strategy to shore up the local political and economic establishment mired in the crisis of the archipelago’s postwar colonial development policy “Operation Bootstrap,” spiking unemployment, lack of U.S. investment, and a growing informal economy which included the drug trade. Puerto Rican elites hoped to reinvent themselves as models for tough on crime policing and gatekeepers for the United States to Latin America. Beginning with the mano dura contra el crimen (iron fist against crime) policy of commonwealth Governor Pedro Rosselló in 1993, police increasingly targeted lower income, predominantly Black public housing complexes (caseríos) as sources of criminality and lawlessness. Using Justice Department reports, social media research, newspapers, and oral interviews to create a “police archive,” LeBrón demonstrates that while police killings, brutality, surveillance, and harassment were hallmarks of mano dura, the policy also reinvented popular understandings of the “who” and “where” of crime that endure to the present. In doing so, she shows how presumptions about race, class, gender, and sexuality linked to certain places (public housing, sex work neighborhoods, schools, and universities) created notions of victims and criminals who “deserved” life or death. The book’s second half explores critiques of and resistance to punitive governance by looking at underground rap, university student activism, social media debates, and non-punitive anti-violence activism. These case studies show the growing resistance to policing as policy instead of social investment, but also the tenacity of the discourses of criminality activists must wrestle with today.
    LeBrón is also the author of the forthcoming Aftershocks of Disaster: Puerto Rico Before and After the Storm (Haymarket Books) and the co-creator of the Puerto Rico Syllabus.
    Jesse Zarley will be an assistant professor of history at Saint Joseph’s College on Long Island, where in Fall 2019 he will be teaching Latin American, Caribbean, and World History. His research interests include borderlands, ethnohistory, race, and transnationalism during Latin America’s Age of Revolution, particularly in Chile and Argentina. He is the author of a recent article on Mapuche leaders and Chile’s independence wars. You can follow him on Twitter.
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  • In A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad (Duke UP, 2022), Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands’ importance for him and other Latinx kids and discusses their frequent identification with these bands’ glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond’s lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations.
    Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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  • California’s wine country conjures images of pastoral vineyards and cellars lined with oak barrels. As a mainstay of the state’s economy, California wines occupy the popular imagination like never before and drive tourism in famous viticultural regions across the state. Scholars know remarkably little, however, about the history of the wine industry and the diverse groups who built it. In fact, contemporary stereotypes belie how the state’s commercial wine industry was born amid social turmoil and racialized violence in eighteenth- and nineteenth-century California.
    In The Grapes of Conquest: Race, Labor, and the Industrialization of California Wine, 1769–1920 (University of Nebraska Press, 2023) Dr. Julia Ornelas-Higdon addresses these gaps in the historical narrative and popular imagination. Beginning with the industry’s inception at the California missions, Dr. Ornelas-Higdon examines the evolution of wine growing across three distinct political regimes—Spanish, Mexican, and American—through the industry’s demise after Prohibition. This interethnic study of race and labour in California examines how California Natives, Mexican Californios, Chinese immigrants, and Euro-Americans came together to build the industry.
    Dr. Ornelas-Higdon identifies the birth of the wine industry as a significant missing piece of California history—one that reshapes scholars’ understandings of how conquest played out, how race and citizenship were constructed, and how agribusiness emerged across the region. The Grapes of Conquest unearths the working-class, multiracial roots of the California wine industry, challenging its contemporary identity as the purview of elite populations.

    This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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  • In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism. 
    While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.
    Aimee Loiselle is assistant professor of history at Central Connecticut State University.
    Caleb Zakarin is the Assistant Editor of the New Books Network.
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  • Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. In The Afro-Latino Memoir: Race, Ethnicity and Literary Interculturalism (University of North Carolina Press, 2023) Masiki argues that these memoirs expand on the meaning of racial identity for both Latinos and African Americans. 
    Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the African American experience as a model for articulating their Afro-Latinidad. African American literary production, expressive culture, political ideology, and religiosity shaped Afro-Latino subjectivity more profoundly than typically imagined between the post-war and post-soul eras. Masiki recovers this neglected history by exploring how and why Black nationalism shaped Afro-Latinidad in the United States.
    Trent Masiki is assistant professor of Africana Studies at Worchester Polytechnic Institute. 
    Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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  • The presence of Latinx people in the American South has long confounded the region's persistent racial binaries. In Making the Latino South: A History of Racial Formation (UNC Press, 2023), Cecilia Márquez uses social and cultural history methods to assess the racial logics that have shaped the Latinx experience in the region since the middle of the twentieth century. Structuring her argument around several major themes that frequently signpost the history of the South and of race relations in the United States--the rise of an increasingly mobile middle class, the civil rights movement and fight over school integration, the growth global connection of the region's economy, and political conflict over immigration--Márquez reveals how Latinx people in the South have confronted both whiteness and antiblackness, and how cultural boundaries to exclude Black people from full participation in the life of the region and nation have been essential to the construction of Latinx as a category.
    Anna E. Lindner (Ph.D., Communication) is an Assistant Professor of Teaching at Wayne State University. On Twitter.
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  • Racial capitalism, invisible but threaded throughout the world, shapes our lives. Focusing on the experiences of white, Black, and Latinx residents of Cincinnati, Sarah Mayorga argues that residents' interpretations of their circumstances, what she calls urban specters, are often partial recognitions of the exploitation and dehumanization produced by racial capitalism. 
    In Urban Specters: The Everyday Harms of Racial Capitalism (UNC Press, 2023), much scholarly work on racial capitalism has necessarily focused on historical, theoretical, and macro-level accounts. Mayorga takes these vital insights and applies them to two contemporary working-class neighborhoods, centering the lives of working-class and poor people. Using data from interviews with 117 residents, Mayorga maps how racial capitalism creates the everyday harms people know all too well. Chronic underdevelopment, private property, and policing, she shows, have produced these harms. In this enlightening book, Mayorga identifies small windows into abolitionist possibilities that create different types of relations, ones based on care and connection. This is a guide for anyone trying to understand urban inequality, but also more importantly, for how we might create a different world.
    Richard E. Ocejo is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).
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  • Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art (U Texas Press, 2022) relates a journey that remains silenced and largely unknown.
    Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees.
    An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.
    Marisel C. Moreno is the Rev. John O'Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland. 
    Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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  • Carmen Haydée Rivera and Jorge Duany's edited volume Cuba and Puerto Rico: Transdisciplinary Approaches to History, Literature, and Culture (U Florida Press, 2023) is the first systematic, comparative study of Cuba and Puerto Rico from both a historical and contemporary perspective. In these essays, contributors highlight the interconnectedness of the two archipelagos in social categories such as nation, race, class, and gender to encourage a more nuanced and multifaceted study of the relationships between the islands and their diasporas. Topics range from historical and anthropological perspectives on Cuba and Puerto Rico before and during the Cold War to cultural and sociological studies of diasporic communities in the United States. 
    The volume features analyses of political coalitions, the formation of interisland sororities, and environmental issues. Along with sharing a similar early history, Cuba and Puerto Rico have closely intertwined cultures, including their linguistic, literary, food, musical, and religious practices. Contributors also discuss literature by Cuban and Puerto Rican authors by examining the aesthetics of literary techniques and discourses, the representation of psychological space on the stage, and the impacts of migration. Showing how the trajectories of both archipelagos have been linked together for centuries and how they have diverged recently, Cuba and Puerto Rico offers a transdisciplinary approach to the study of this intricate relationship and the formation of diasporic communities and continuities. 
    Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
    Anna E. Lindner (Ph.D., Communication) is an Assistant Professor of Teaching at Wayne State University. On Twitter.
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  • In The House on G Street: A Cuban Family Saga (NYU Press, 2023), award-winning author Lisandro Pérez tells Cuba’s story through the lens of a single family: his own. His book relays the tales of two officers who fought against the Spanish for Cuban independence; a plantation owner who smuggles himself onto a ship; families divided by political loyalties; an orphaned boy from central Cuba who would go on to amass a fortune; a fatal love triangle; violence; and the ever-growing presence of the United States. It all culminates with an unforgettable portrait of a childhood spent in a world that was giving way to another one. The House on G Street is a unique depiction of one of the most consequential events of the twentieth century, told through generations of ancestors whose lives were shaped by dramatic historical forces.
    Pérez disentangles the complex history by following his family’s thread, imbuing political events with personal meaning. Their story begins with emigration to Cuba and follows the waning years of the colony. The end of Spanish rule gives way to pervasive American influence, and Perez’s family turned to New York as they adapted to the realities of a new republic with compromised sovereignty: privileged educations in boarding schools in Long Island and the Hudson Valley; a family business that took tobacco leaves from the soil of central Cuba to the docks of the East River; and grandparents who met and fell in love one night in the Upper West Side of Manhattan. His family learned to navigate the uneasy relationship between the United States and Cuba, a relationship that was destined to end in dramatic fashion.
    More than sixty years later, the Cuban Revolution resists receding into the past, sparking continued discussion, debate, and reinterpretation. There is a great deal that is known about the broad historical conditions that inexorably pushed Cuba towards revolution, but much less is known about the people who lived that dramatic history. It is a story that, if not recovered and told, will be lost, for Pérez’s ancestors lived in a world that no longer exists, swept away by a tide of revolutionary change.
    The House on G Street follows a family whose lives mirror the history of a nation. The result is a compelling blend of memoir and in-depth historical research, a remarkable new view of the path to revolution as seen from the first person.
    Lisandro Pérez is Professor in the Department of Latin American and Latinx Studies at John Jay College, City University of New York and author of Sugar, Cigars, and Revolution: The Making of Cuban New York. He is also the founding director of the Cuban Research Institute at Florida International University.
    Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.
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  • “[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, Warring Genealogies: Race, Kinship, and the Korean War (Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War. 
    Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020).
    Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected].
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  • In Dreams in Double Time: On Race, Freedom, and Bebop (Duke UP, 2023), Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made it possible for those like Araki, Salinas, and Wing who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew.

    "Dreams of Autumn" on Spotify.

    "Dreams of Autumn on Apple Music.

    Nathan Smith is a PhD candidate in Music Theory at Yale University Email: [email protected]
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  • Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 
    Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
    Caleb Zakarin is the Assistant Editor of the New Books Network.
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  • On August 3, 2019, a far-right extremist committed a deadly mass shooting at a major shopping center in El Paso, Texas, a city on the border of the United States and Mexico. In Unsettling, Gilberto Rosas situates this devastating shooting as the latest unsettling consequence of our border crisis and currents of deeply rooted white nationalism embedded in the United States.
    Tracing strict immigration policies and inhumane border treatment from the Clinton era through Democratic and Republican administrations alike, Rosas shows how the rhetoric around these policies helped lead to the Trump administration's brutal crackdown on migration—and the massacre in El Paso. Rosas draws on poignant stories and compelling testimonies from workers in immigrant justice organizations, federal public defenders, immigration attorneys, and human rights activists to document the cruelties and indignities inflicted on border crossers.
    Borders, as sites of crossings and spaces long inhabited by marginalized populations, generate deep anxiety across much of the contemporary world. Rosas demonstrates how the Trump administration amplified and weaponized immigration and border policy, including family separation, torture, and murder. None of this dehumanization and violence was inevitable, however. The border zone in El Paso (which translates to "the Pass") was once a very different place, one marked by frequent and inconsequential crossings to and from both sides—and with more humane immigration policies, it could become that once again.
    Gilberto Rosas is an associate professor of anthropology and Latina/o studies at the University of Illinois Urbana-Champaign. He is the author of Barrio Libre: Criminalizing States and Delinquent Refusals of the New Frontier.
    Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban life, futurity, care, and migration. You can find her on Twitter @alizearican.
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  • The past decades have borne witness to the United Farm Workers' (UFW) tenacious hold on the country's imagination. Since 2008, the UFW has lent its rallying cry to a presidential campaign and been the subject of no less than nine books, two documentaries, and one motion picture. Yet the full story of the women, men, and children who powered this social movement has not yet been told.
    Based on more than 200 hours of original oral history interviews conducted with Coachella Valley residents who participated in the UFW and Chicana/o movements, as well as previously unused oral history collections of Filipino farm workers, bracero workers, and UFW volunteers throughout the United States, The Strikers of Coachella: A Rank-And-File History of the UFW Movement (UNC Press, 2023) spans from the 1960s and 1970s through the union's decline in the early 1980s. Christian O. Paiz refocuses attention on the struggle inherent in organizing a particularly vulnerable labor force, especially during a period that saw the hollowing out of virtually all of the country's most powerful labor unions. He emphasizes that telling this history requires us to wrestle with the radical contingency of rank-and-file agency--an agency that often overflowed the boundaries of individual intentions. By drawing on the voices of ordinary farmworkers and volunteers, Paiz reveals that the sometimes heroic, sometimes tragic story of the UFW movement is less about individual leaders and more the result of a collision between the larger anti-union currents of the era and the aspirations of the rank-and-file.
    David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.
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  • Fernando Valenzuela was only twenty years old when Tom Lasorda chose him as the Dodgers' opening-day starting pitcher in 1981. Born in the remote Mexican town of Etchohuaquila, the left-hander had moved to the United States less than two years before. He became an instant icon, and his superlative rookie season produced Cy Young and Rookie of the Year awards--and a World Series victory over the Yankees.
    Forty years later, there hasn't been a player since who created as many Dodgers fans. After the Dodgers' move to Los Angeles from Brooklyn in the late 1950s, relations were badly strained between the organization and the Latin world. Mexican Americans had been evicted from their homes in Chavez Ravine, Los Angeles--some forcibly--for well below market value so the city could sell the land to team owner Walter O'Malley for a new stadium. For a generation of working-class Mexican Americans, the Dodgers became a source of great anguish over the next two decades.
    However, that bitterness toward the Dodgers vanished during the 1981 season when Valenzuela attracted the fan base the Dodgers had tried in vain to reach for years. El Toro, as he was called, captured the imagination of the baseball world. A hero in Mexico, a legend in Los Angeles, and a phenomenon throughout the United States, Valenzuela did more to change that tense political environment than anyone in the history of baseball. A new fan base flooded Dodger Stadium and ballparks around the United States whenever Valenzuela pitched in a phenomenon that quickly became known as Fernandomania, which continued throughout a Dodger career that included six straight All-Star game appearances.
    Daybreak at Chavez Ravine: Fernandomania and the Remaking of the Los Angeles Dodgers (University of Nebraska Press, 2023) retells Valenzuela's arrival and permanent influence on Dodgers history while bringing redemption to the organization's controversial beginnings in LA. Through new interviews with players, coaches, broadcasters, and media, Erik Sherman reveals a new side of this intensely private man and brings fresh insight to the ways he transformed the Dodgers and started a phenomenon that radically altered the country's cultural and sporting landscape.
    Erik Sherman is a baseball historian and the New York Times best-selling author of Kings of Queens: Life beyond Baseball with the '86 Mets and Two Sides of Glory: The 1986 Boston Red Sox in Their Own Words. 
    Caleb Zakarin is the Assistant Editor of the New Books Network.
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