Afleveringen
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“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.
Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London.
He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.
In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.
https://maxcooper.net
https://osterfestspiele.at/en/programme/2024/electro-2024
https://meshmeshmesh.net
www.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.
Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London.
He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.
In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”
https://maxcooper.net
https://osterfestspiele.at/en/programme/2024/electro-2024
https://meshmeshmesh.net
www.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
Zijn er afleveringen die ontbreken?
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"So, I am a data reporter at Grist. And what does that mean? I'm building statistical models of phenomena. I'm writing web scrapers and building data visualizations, right? I have quite a technical job in terms of my relationship with the field of journalism. I just don't think that those tools ought to be put on some kind of pedestal and framed as the be-all end all of the possibility of the field, right? I think that data science, artificial intelligence, and the advent of these new LLMs they're useful tools to add to the journalistic toolkit. We don't know what the ultimate effect of AI is going to be on journalism, but I think journalism is maybe going to look a little bit different in 20 years."
Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change.
https://claytonaldern.com
www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern
https://csde.washington.eduwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How does a changing climate affect our minds, brains and bodies?
Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change.
"So, I am a data reporter at Grist. And what does that mean? I'm building statistical models of phenomena. I'm writing web scrapers and building data visualizations, right? I have quite a technical job in terms of my relationship with the field of journalism. I just don't think that those tools ought to be put on some kind of pedestal and framed as the be-all end all of the possibility of the field, right? I think that data science, artificial intelligence, and the advent of these new LLMs they're useful tools to add to the journalistic toolkit. We don't know what the ultimate effect of AI is going to be on journalism, but I think journalism is maybe going to look a little bit different in 20 years."
https://claytonaldern.com
www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern
https://csde.washington.eduwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
“The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."
Dustin O’Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola’s Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry’s “Into Me You See” from her album Witness and appears on Leonard Cohen’s 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.
https://dustinohalloran.com/
www.deutschegrammophon.com/en/artists/dustin-o-halloran
www.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O’Halloran and Deutsche Grammophon
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?
Dustin O’Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola’s Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry’s “Into Me You See” from her album Witness and appears on Leonard Cohen’s 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.
“The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading – the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."
https://dustinohalloran.com/
www.deutschegrammophon.com/en/artists/dustin-o-halloran
www.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_smMusic courtesy of Dustin O’Halloran and Deutsche Grammophon
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
"There's no more empowering act for me than simply turning the devices off. The simple rule that I'm not allowed to browse in the morning until I've done my reading has opened up worlds. So much of tech and the net are designed to capture our attentions, to turn us into consumers rather than citizens, to fan our base passions and emotions, and to send us down rabbit holes. That the best thing we can do is to turn it off.
'The pictures in our minds,' I guess that was Walter Lippmann, are confirmed by the enlightenment empiricists like John Locke, who insists that our reality is shaped by our external sensations and what we put into our minds. And then, of course, we are what we think. Life shaped by the mind, as The Dhammapada states. And then, the great injunction that my dad used to quote from Paracelsus, 'As we imagine ourselves to be, so shall we be.' “
Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.
https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen
www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476
https://constitutioncenter.org/news-debate/podcastswww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
What is the true meaning of the pursuit of happiness? What can we learn from the Founding Fathers about achieving harmony, balance, tranquility, self-mastery, and pursuing the public good?
Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.
"There's no more empowering act for me than simply turning the devices off. The simple rule that I'm not allowed to browse in the morning until I've done my reading has opened up worlds. So much of tech and the net are designed to capture our attentions, to turn us into consumers rather than citizens, to fan our base passions and emotions, and to send us down rabbit holes. That the best thing we can do is to turn it off.
'The pictures in our minds,' I guess that was Walter Lippmann, are confirmed by the enlightenment empiricists like John Locke, who insists that our reality is shaped by our external sensations and what we put into our minds. And then, of course, we are what we think. Life shaped by the mind, as The Dhammapada states. And then, the great injunction that my dad used to quote from Paracelsus, 'As we imagine ourselves to be, so shall we be.' “
https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen
www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476
https://constitutioncenter.org/news-debate/podcastswww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
"I am deeply concerned about the digital world. My deep concern about the handheld is it's casting everybody to be in a trance, and it's taking from them the only thing we have, which is the present moment. Everyone's walking around in a state of continuous partial attention."
Andre Dubus III’s nine books include the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His work has been included in The Best American Essays and The Best Spiritual Writing anthologies. His novel, House of Sand and Fog was a finalist for the National Book Award and was made into an Academy Award-nominated film starring Ben Kingsley and Jennifer Connelly. His most recent books are the novel, Such Kindness and a collection of personal essays, Ghost Dogs: On Killers and Kin.
Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, two Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. His books are published in over twenty-five languages, and he teaches at the University of Massachusetts Lowell.www.andredubus.com
www.andredubus.com/ghost-dogs
www.andredubus.com/house-of-sand-and-fog
www.andredubus.com/such-kindnesswww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
What can reading teach us about loss, healing, and survival? How can we transform anger into empathy? What can we learn from the creative act about turning personal setbacks into opportunities for self-discovery and growth?
Andre Dubus III’s nine books include the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His work has been included in The Best American Essays and The Best Spiritual Writing anthologies. His novel, House of Sand and Fog was a finalist for the National Book Award and was made into an Academy Award-nominated film starring Ben Kingsley and Jennifer Connelly. His most recent books are the novel, Such Kindness and a collection of personal essays, Ghost Dogs: On Killers and Kin.
Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, two Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. His books are published in over twenty-five languages, and he teaches at the University of Massachusetts Lowell."I am deeply concerned about the digital world. My deep concern about the handheld is it's casting everybody to be in a trance, and it's taking from them the only thing we have, which is the present moment. Everyone's walking around in a state of continuous partial attention."
www.andredubus.com
www.andredubus.com/ghost-dogs
www.andredubus.com/house-of-sand-and-fog
www.andredubus.com/such-kindnesswww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
"So it's what you do with the invention that's important. And with AI, it's exactly the same. If you make deep fakes, I think you can just destroy trust and confidence in the world because you will never know what is true and what is false, but if you use AI to balance the grid, to incorporate renewable energies that are intermittent, the storage, the usage by consumers, then you begin to be much more efficient because you use energy at the right moment, in the right way, at the right place, for the right people, you will save a lot of energy. So, in the end, it's always human behavior that decides if an invention is good or not. What I would really like to avoid is AI being used for useless things."
Bertrand Piccard is a notable Swiss environmentalist, explorer, author, and psychiatrist. His ventures include being the first to travel around the world in a non-stop balloon flight and years later in a solar-powered airplane. He is regarded as a pioneer in clean technology. Piccard is also the founder of the Solar Impulse Foundation, which has identified over 1500 actionable and profitable climate solutions and connects them with investors. As a UN Ambassador for the Environment, his goal is to convince leaders of the viability of a zero-carbon economy, which he will demonstrate via his next emission-free project Climate Impulse, a green hydrogen-powered airplane that can fly nonstop around the earth.
http://www.solarimpulse.com
https://climateimpulse.org/
https://bertrandpiccard.com/Photos:
Bertrand Piccard with Ilham Kadri, CEO Syensqo (main technological partner of Climate Impulse)
Bertrand Piccard @ Solar Impulse, Jean Revillard -
What is the future of green aviation? How do we share environmental solutions to unite people and change the climate narrative from sacrifice and fear to enthusiasm and hope?
Bertrand Piccard is a notable Swiss environmentalist, explorer, author, and psychiatrist. His ventures include being the first to travel around the world in a non-stop balloon flight and years later in a solar-powered airplane. He is regarded as a pioneer in clean technology. Piccard is also the founder of the Solar Impulse Foundation, which has identified over 1500 actionable and profitable climate solutions and connects them with investors. As a UN Ambassador for the Environment, his goal is to convince leaders of the viability of a zero-carbon economy, which he will demonstrate via his next emission-free project Climate Impulse, a green hydrogen-powered airplane that can fly nonstop around the earth.
"So it's what you do with the invention that's important. And with AI, it's exactly the same. If you make deep fakes, I think you can just destroy trust and confidence in the world because you will never know what is true and what is false, but if you use AI to balance the grid, to incorporate renewable energies that are intermittent, the storage, the usage by consumers, then you begin to be much more efficient because you use energy at the right moment, in the right way, at the right place, for the right people, you will save a lot of energy. So, in the end, it's always human behavior that decides if an invention is good or not. What I would really like to avoid is AI being used for useless things."
http://www.solarimpulse.com
https://climateimpulse.org/
https://bertrandpiccard.com/Photos:
COPSummit
Bertrand Piccard with Simon Stiell, Executive Secretary of the UNFCCC
Ville de Demain exhibition, Cité des sciences et de l'industrie, Paris -
"AI is a fascinating question. You know children are sponges. They look and say this is something different. So your values are no longer good enough for the future. And this is what we are confronted with with AI. And that's a fantastic tool, but at a certain moment, this technology will evolve and become super efficient and smarter than we are. And at this moment, our children could simply reject everything that makes us human. And our society at this moment, and maybe that of our humanity, could collapse on itself.
I begin the book with a question of intelligence outside of Earth. That could be AI, that could be extraterrestrials. This is fascinating for us because this is another intelligence. Now, we have created AI, and we are fascinated by what we see because we can discuss with an AI and it's very clear that the AI understands our concepts and responds with our own concepts."
Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature
http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcover
https://lampea.cnrs.fr/spip.php?article3767
www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.phpwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
Who were the Neanderthals? And what can our discoveries about them teach us about intelligence, our extractivist relationship to the planet, and what it means to be human?
Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature.
"AI is a fascinating question. You know children are sponges. They look and say this is something different. So your values are no longer good enough for the future. And this is what we are confronted with with AI. And that's a fantastic tool, but at a certain moment, this technology will evolve and become super efficient and smarter than we are. And at this moment, our children could simply reject everything that makes us human. And our society at this moment, and maybe that of our humanity, could collapse on itself.
I begin the book with a question of intelligence outside of Earth. That could be AI, that could be extraterrestrials. This is fascinating for us because this is another intelligence. Now, we have created AI, and we are fascinated by what we see because we can discuss with an AI and it's very clear that the AI understands our concepts and responds with our own concepts."
http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcover
https://lampea.cnrs.fr/spip.php?article3767
www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.phpwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
“I want to quote a poem because it's not only a poem. It's a poem rethought by and revisited by a conceptual artist. It's called "All Watched Over By Machines Of Loving Grace". So this originally is a 1967 poem by an American author Richard Brautigan, but then in 2021, it became a video by Turkish artist Memo Akten. This video brings together an amazing array of images in which you see different natural environments and artificial intelligence. Gradually, they come to blend, and then they melt, and then they become one.”
I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving grace.–Richard Brautigan
Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity.
https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing
https://www.routesnetwork.net
https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How can we create positive change? What does it mean to have an ecological mind? How can interdisciplinary collaborations help us move beyond educational silos and create sustainable futures?
Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity.
“I want to quote a poem because it's not only a poem. It's a poem rethought by and revisited by a conceptual artist. It's called "All Watched Over By Machines Of Loving Grace". So this originally is a 1967 poem by an American author Richard Brautigan, but then in 2021, it became a video by Turkish artist Memo Akten. This video brings together an amazing array of images in which you see different natural environments and artificial intelligence. Gradually, they come to blend, and then they melt, and then they become one.”
I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving grace.–Richard Brautigan
https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing
https://www.routesnetwork.net
https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
“I write science fiction, so it's fascinating from a technological standpoint, but we have dozens and dozens of years of science fiction warning us about technology unchecked. The irony is that now so many of those science fiction stories have probably been used to feed the AI training algorithms that they are now repurposing and ripping off. So it's very ironic in that regard to me. I've heard artists refer to AI as a plagiarism machine, and I do think that's a very apt descriptor. I have a lot of friends who are affected by this. And these tech companies think if we can make it easier and cheaper to capture some aspect of the human spirit and then, by God, isn't that best for shareholders?” -Kyle Higgins
Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse.
Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton.
moonmancomics.com
https://imagecomics.com
https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastAudio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)
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What does the future hold for our late-stage capitalist society with mega-corporations owning and controlling everything? How can the world-building skills of the makers of films and comics help us imagine a better future?
Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse.
Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton.
“I write science fiction, so it's fascinating from a technological standpoint, but we have dozens and dozens of years of science fiction warning us about technology unchecked. The irony is that now so many of those science fiction stories have probably been used to feed the AI training algorithms that they are now repurposing and ripping off. So it's very ironic in that regard to me. I've heard artists refer to AI as a plagiarism machine, and I do think that's a very apt descriptor. I have a lot of friends who are affected by this. And these tech companies think if we can make it easier and cheaper to capture some aspect of the human spirit and then, by God, isn't that best for shareholders?” -Kyle Higginsmoonmancomics.com
https://imagecomics.com
https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastAudio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)
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"So everyone should probably throw their smartphones in a river, myself included. And I think that it is hard. There's never going to be a version where you get the right answer, and suddenly your life falls into place, and everything's perfect. And that's not what it's supposed to be for anyway. And I think there is a tendency in self-care circles that once we solve our demons and figure out our path in life, we are in touch with the vibes of the universe. Like suddenly, we're going to be wealthy and healthy and happy and have the perfect marriage. And I think the questions of philosophical inquiry are about how to live a good life, but that's not the same thing as assuming, as so much of contemporary wellness culture assumes, that a normatively successful life will come to us by virtue of doing the right things."
Tara Isabella Burton is the author of the novels Social Creature, The World Cannot Give, and Here in Avalon, as well as the nonfiction books Strange Rites: New Religions for a Godless World and Self-Made: Curating Our Image from Da Vinci to the Kardashians. She is currently working on a history of magic and modernity, to be published by Convergent in late 2025. Her fiction and nonfiction have appeared in The New York Times, National Geographic, Granta, The Washington Post, The Wall Street Journal, and other publications.
www.taraisabellaburton.com
www.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097?fbclid=IwAR30lnvlXMrDJtCq_568jUM3hvzr6yUz_GUUZSkbR2RarreOF6PMcvhabBgwww.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&qid=1565365017&s=gateway&sr=8-1-fkmr0
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How can we better educate young people about the future & the planet? How can we address eco-anxiety while providing students with climate optimism, hope, and solutions?
Bryce Coon is the Director of Education at EarthDay.ORG, a nonprofit that champions climate education for all students and is the global driving force behind Earth Day. Previously, Coon was a high school teacher for 11 years in Montgomery County, teaching economics and leading a variety of projects for students, such as a school-wide tutoring program. Throughout his teaching career, Bryce participated in international fellowships where he studied climate education and policy in Asia, Europe, and Oceania.https://www.earthday.org/campaign/climate-environmental-literacy/
Planet vs. Plastics www.earthday.org
Sign The Global Plastic Treaty Petition
https://action.earthday.org/global-plastics-treaty
Toolkits: https://www.earthday.org/our-toolkits
NDC Guide for Climate Education
https://www.earthday.org/wp-content/uploads/2023/11/NDC-GUIDE-Final.pdfwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastPhotos courtesy of EARTHDAY.ORG
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