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"Presse"-Musikkritiker Wilhelm Sinkovicz präsentiert jeden Donnerstag seine Lieblingsaufnahmen und lädt uns ein, mit ihm in seiner Klassiksammlung zu wühlen und einzudringen in die Geheimnisse von Mozart, Bach, Beethoven und anderen. Ein Podcast für Kenner und Neulinge: Jeden zweiten Samstag stellt Katrin Nussmayr im Einsteiger-Format "Klassik für Taktlose" neugierige Fragen.
Jeden Donnerstag auf der Webseite der "Presse" und überall, wo es Podcasts gibt.
Produktion: Wilhelm Sinkovicz/www.sinkothek.at
Audio-Finish: Georg Gfrerer/ www.audio-funnel.com.
Redaktion/Konzeption: Anna Wallner
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The genXmixtape podcast chooses a theme each week and curates a mixtape of songs that fit. The hosts debate their choices and share trivia and background about the music and its artists.
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Shock’Wave es un programa de electro, que cuenta la historia de las corrientes de la música electrónica y que destaca todas las novedades del escenario de la electro mundial. Shock’Wave os hace descubrir Dj’s y colectivos que de manera muy creativa revolucionan la electro. Desde Kraftwerk pasando por Parov Stelar hasta Disclosure, con Shock’Wave entramos en la burbuja electrónica.
Shock'Wave is an electro show that tells the history of electronic music streams and highlights all the developments in the global electro scene. Shock'Wave makes you discover DJ's and creative groups that are revolutionizing the electro. From Kraftwerk passing by Parov Stelar to Disclosure, with Shock'Wave you’re part of the electronic bubble.
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New episodes every Tuesday diving into the biggest pop music releases—singles, album deep-dives, and the campaigns behind them. From Lady Gaga to Sabrina Carpenter, The Weeknd to Olivia Rodrigo, we’re breaking down the music, the strategy, and the reception. Press play for the facts, but expect some unfiltered opinions along the way.
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Einer von uns ist Jahrgang 1992, der andere Jahrgang 1981. Eine knappe Dekade, die uns trennt – in Sachen Popkultur eine Ewigkeit. Also reden wir drüber: Welche Musik wir geil fanden, welche Bands uns begeisterten, welche Filme wir liebten, generell: was uns popkulturell geprägt hat in unserer jeweiligen Jugend, und was es uns heute noch bedeutet. Ein Podcast von BERSERKER (Musikjournalist) und SCHIMANSKI (Musikproduzent), die in jeder Folge in die Zeitmaschine steigen, um den Blick zurück zu wagen. Denn: Früher war nicht alles besser. Früher war einfach. ACHTUNG: Dies ist die Variante ohne Musik, Musik + Talk-Episoden sind exklusiv auf Spotify. Kontakt, Instagram, etc. hier lang
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Подкаст "Коллекция Мюзиклов" - это аудио-шоу, посвященное самым известным мюзиклам, которые когда-либо ставились на сцене. В каждом эпизоде ведущие расскажут о том, как развивался жанр, какие мюзиклы считаются классикой жанра и почему они так популярны до сих пор.
Еще больше музыки на montecarlo.ru
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A focus on important musicians and the songs that changed, and are changing, the world.
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Was wären die großen Momente, Gefühle und Entwicklungen unserer Zeit ohne den passenden Soundtrack? Im uDiscover-Podcast „Sound Of …“ widmen wir uns der Musik, die unzertrennlich verbunden ist mit unserem Leben – nicht nur auf persönlicher, sondern auch auf kollektiver Ebene.
In der ersten Staffel „Sound Of Resistance“ konzentrieren wir uns auf die Genres, herausragenden Künstler:innen und Aufnahmen, die sich gegen den Status quo gestellt, gesellschaftlichen Wandel vertont und ganzen Bewegungen auf unterschiedlichste Weise eine Stimme gegeben haben.
„Sound Of” ist ein Podcast von uDiscover – deinem Zuhause von Platten, Musik und Popkultur. Hier kannst du dich zu unserem Newsletter anmelden, um keine Stories deiner Lieblingsartists mehr zu verpassen.
Hier gibt's die Playlist zum Podcast: https://open.spotify.com/playlist/65IjGmR9JQhDX1kI8zSv6b?si=bfb1cc3f5b1f44b8
Das Plattenregal zum Podcast: https://store.udiscover-music.de/p30-i3633
Hier findest du unser Online-Magazin: https://www.udiscover-music.de/
Executive Producer: Laura Langenbach, André Hofer
Moderation: Laura Langenbach
Produktion: Laura Langenbach, Christina Wenig, Stefan Ernst
Redaktion: Christina Wenig, Björn Springorum
Hosted on Acast. See acast.com/privacy for more information.
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Eine der unterschätztesten Bands überhaupt - Supertramp. Crime of the Century sollte einen wesentlich höheren Stellenwert in der Musikgeschichte haben - und Breakfast in America steht in keiner Liste, als das perfekte Popalbum. Damit sich das ändert, hat Markus Dreesen Stefanie Schweda eingeladen, die eine profunde Supertramp Kennerin ist und zusätzlich auch ein Herz hat, das für Roger Hodgson schlägt. Zusammen mit Markus Dreesen, der eher in der Rick Davies Fraktion ist, stellt sie 5 Gründe vor, warum jeder und jede Supertramp lieben müssen.
Hosted on Acast. See acast.com/privacy for more information.
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Kris Kristofferson - Pilgrim Poet Prophet
Kris Kristofferson wears many coats - gifted Grammy-winning singer-songwriter, Golden Globe actor, Country Music Hall of Fame inductee, tireless humanitarian. His storied career mixes artistic innovation and integrity with good old-fashioned rambling and rebellion. As one of the seminal figures crystallizing the progressive Outlaw Country scene in the 1970s, Kristofferson penned classic tunes recorded by legends Johnny Cash, Janis Joplin and Willie Nelson. His resonant baritone voice perfectly matched sensitive lyrics celebrating soulful nonconformists and walking wounded pilgrims. An enigmatic mix of brooding intensity, erudite charm and roguish humor both on screen and off, Kristofferson championed political justice from farm worker and Native American rights to opposing state-sanctioned violence. Now into his 80s, though considerably less hell-raising, his poetic propensity for wrestling with existential and romantic mysteries through song remains uncompromising.
Rhodes Scholar Rebel
Born in Texas border town Brownsville in 1936 to an Air Force Major father, Kristofferson enjoyed a peripatetic military upbringing before accepting a prestigious Rhodes scholarship studying English Literature at Oxford University. However, the staid academic track left him cold. After joining the Army as a helicopter pilot, Kristofferson soon found himself regularly going AWOL for weekends trying to break into Nashville’s music scene. The mounting tensions of avoiding expulsion from the military while itching for more creative freedom catalyzed Kristofferson to bitterly resign his coveted post in 1965 - a shocking life gamble that alienated family expecting further military distinction.
Now with everything staked on making it as a musician, Kristofferson weathered lean early years mopping floors in a recording studio while struggling to get songwriting breaks. But prolific output averaging a song a day matched by staunch refusal to tailor material towards safer radio-friendly country soon earned notice from fellow outliers like Johnny Cash. As Cash’s star producer, Bob Johnston began including Kristofferson originals on Cash’s late-60s albums, widespread exposure followed with peers clamoring for more of his soul-searching story-songs themed around seeking purpose through rootlessness. Vietnam protest anthems “The Soldier” advocating anti-war conscience and “Bobby McGee” celebrating hippie vagabond idealism particularly resonated as countercultural touchstones. Kristofferson’s early supporter Cash later hailed his poetic sensibility fused to rugged grit declaring him “a walking contradiction...fighting for freedom, speaking out against things he thinks are wrong, standing up for things he thinks are right.” Janis Joplin’s chart-topping cover of “Me and Bobby McGee” soon cemented Kristofferson’s reputation as one of music’s most sensitive truth-tellers. Outlaw Icon
The stunning success of “Me and Bobby McGee” bought Kristofferson breathing room to develop his idiosyncratic songcraft even further. Teaming up with maverick producer Fred Foster, his 1970 debut album Kristofferson emerged a phoenix from years of struggling obscurity. The lyrical ballad “Sunday Morning Coming Down” went straight to Number One that year and broadcast to Middle America the hungover pathos, loneliness and longing more often confined to country music shadows rather than pop spotlight. As Kristofferson’s original songs turned to romantic anguish fueling the dazzlingly prolific early 70s, his laconic charisma, Hollywood handsome looks and fearless vulnerability captivated listeners and famous admirers alike. Friend and collaborator Willie Nelson praised Kristofferson’s arresting introspection telling Rolling Stone “Here was this soldier/songwriter with some truly different ideas.” Kristofferson soon counted pals and partners ranging from Dennis Hopper, Billy Swan, Gary Busey and songstress Rita Coolidge who later became his wife.
Kristofferson also attracted major acting opportunities in cult films like Pat Garrett and Billy the Kid alongside longtime influence Bob Dylan. Major lead roles opposite Barbra Streisand and in Martin Scorsese’s Alice Doesn’t Live Here Anymore further revealed magnetic screen presence. Kris and Rita Coolidge’s slice of Malibu bohemia hosted celebrated musicians like Bob Dylan while championing native and farm worker justice amidst 1970s frontline activism. However, crises followed in the wake of early grammy collecting triumphs. Kristofferson’s escalating substance use and womanizing fueled turbulent family life and career inconsistencies for much of the late 70s. Yet signature classics kept coming including 1977’s epic “To Beat the Devil” showcasing the songwriter’s muscular focus and masterful economy of language: “If you waste your time talking to the people who don't listen/To the things that you are saying, who do you think gonna hear/And if you should die explaining how the things that they complain about/ Are things they could be changing, who do you think's gonna care?”
Lion in Winter
As the 1980s unfolded, Kristofferson continued exploring acting with grittier character portrayals in more obscure films while raising his young children in pastoral isolation he dubbed The Shoal Creek Saloon. Musical output winnowed down to a trickle until a new creative lease followed clean living and third marriage in 1983. Several critically acclaimed late-career albums put musical punctuation marks on a distinguished legacy with sparse acoustic backdrop letting timeworn vocals shine. While film opportunities dried up, Kristofferson joined fellow Outlaw geriatrics Willie Nelson, Johnny Cash and Waylon Jennings for supergroup The Highwaymen's chart success and touring from 1985-95 cementing their era-defining status.
Slowing down in his mid-70s, lifetime recognition arrived through induction to the Songwriters Hall of Fame and Country Music Hall of Fame. After decades of amplifying marginalized voices since his Vietnam-era glory days, Kristofferson’s latter decades keep his political conscience intact protesting against corporate agriculture and mass incarceration while supporting LGBT equality.
From Army captain to wasted Nashville song-plugger to charismatic ladies’ man, Kris Kristofferson took an unorthodox path to reach heroic cultural influence. His fiercely independent spirit shares poetic dispatches from the frontlines of a rand life where shadow and light dance. Through over 500 songs and 70 acting credits burnishing his legacy as a consummate artist, Kris Kristofferson modeled creative authenticity and bridge-building conscience few achieve with his boldness. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. -
On the register, we listen to an album in its entirety and discuss it. We talk about possible lyric meaning, our likes and dislikes, and our overall feeling about the album. This podcast is opinion based and meant to be fun. We are in no way, shape, or form music critiques or experts. Our goal is to discover new music, revisit albums from our past, and albums we may have missed along the way. In the future we will invite friends and other guests to give their perception.
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The Harsh Vocals podcast is a celebration of extreme metal music, with minimal clean singing! Every two weeks, the hosts bring 3 of their favorite new albums to the table and discuss them, as well as a new episodic topic! They also do regular reviews and occasional interviews on their site – Harshvocals.com!
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Leonard Albert Kravitz, known professionally as Lenny Kravitz, was born on May 26, 1964, in New York City. The only child of actress Roxie Roker, famous for her role in the sitcom "The Jeffersons," and television news producer Sy Kravitz, Lenny grew up in a world surrounded by creativity and the entertainment industry. His upbringing would lay the foundation for his future as a multi-talented musician, singer, songwriter, record producer, and actor.
From an early age, Kravitz showed a keen interest in music. He began playing the drums and guitar at the age of three, and by the time he was five, he had already decided that he wanted to pursue a career in music. As a child, Kravitz was exposed to a wide range of musical genres, from jazz and soul to rock and roll, which would later influence his own unique style.
Kravitz's parents encouraged his musical talents, and he began performing in the California Boys Choir and the Metropolitan Opera. However, his childhood was not without its challenges. His parents divorced when he was young, and he spent time living with both his mother in Los Angeles and his father in New York City. Despite the difficulties, Kravitz remained focused on his passion for music.
In 1974, Kravitz's mother remarried, and the family moved to Los Angeles. It was there that Kravitz began to explore his musical interests further. He attended Beverly Hills High School, where he was a member of the school's music program and formed his first band, which performed at local clubs and events.
After graduating from high school in 1982, Kravitz decided to pursue music full-time. He moved back to New York City and began working on his songwriting and performing skills. He adopted the stage name "Romeo Blue" and began collaborating with other musicians in the city's vibrant music scene.
In 1985, Kravitz signed his first record deal with I.R.S. Records. However, the label wanted him to record songs that were more in line with the popular music of the time, which didn't align with Kravitz's artistic vision. Frustrated with the lack of creative control, Kravitz left the label and returned to performing in clubs and working odd jobs to make ends meet.
Kravitz's big break came in 1988 when he met recording engineer Henry Hirsch. Hirsch was impressed with Kravitz's unique sound and offered to help him record his first album. The two began working together in Hirsch's studio, with Kravitz playing all the instruments himself and Hirsch engineering and producing the record.
The resulting album, "Let Love Rule," was released in 1989 and was a critical and commercial success. The title track became a hit single, and the album showcased Kravitz's eclectic mix of rock, soul, and funk influences. Kravitz's retro style and his ability to blend different genres set him apart from other artists of the time and earned him a dedicated fan base.
Following the success of "Let Love Rule," Kravitz embarked on a world tour and began work on his second album, "Mama Said." Released in 1991, the album featured the hit singles "It Ain't Over 'til It's Over" and "Always on the Run," a collaboration with Guns N' Roses guitarist Slash. "Mama Said" further established Kravitz as a force to be reckoned with in the music industry and earned him his first Grammy Award for Best Male Rock Vocal Performance.
Throughout the 1990s, Kravitz continued to release successful albums, including "Are You Gonna Go My Way" (1993), "Circus" (1995), and "5" (1998). Each album showcased Kravitz's growth as an artist and his willingness to experiment with different styles and sounds. He collaborated with a wide range of artists, from Madonna and Mick Jagger to Jay-Z and P. Diddy, and his music was featured in numerous films and television shows.
In addition to his music career, Kravitz also began to explore acting. He made his film debut in 1998 with a small role in the movie "The Hunger," and went on to appear in films such as "Precious" (2009), "The Butler" (2013), and the "Hunger Games" franchise (2012-2015). Kravitz's acting career showcased his versatility as an artist and helped to introduce him to a new audience.
In the 2000s, Kravitz continued to release music and tour extensively. Albums like "Lenny" (2001), "Baptism" (2004), and "It's Time for a Love Revolution" (2008) showcased his evolving sound and his commitment to social and political activism. Kravitz used his platform to raise awareness about issues such as environmentalism, human rights, and AIDS research, and he performed at numerous benefit concerts and events.
Despite his success, Kravitz has also faced his share of personal struggles. In 1993, he married actress Lisa Bonet, with whom he had a daughter, Zoë. However, the couple divorced in 1993, and Kravitz has spoken openly about the challenges of balancing his career and personal life. He has also been open about his struggles with depression and addiction, and has credited music with helping him to overcome these challenges.
Throughout his career, Kravitz has been recognized for his contributions to music and popular culture. He has won four consecutive Grammy Awards for Best Male Rock Vocal Performance, and has sold over 40 million albums worldwide. In 2011, he was inducted into the Long Island Music Hall of Fame, and in 2014, he received a star on the Hollywood Walk of Fame.
In recent years, Kravitz has continued to tour and release new music. His eleventh studio album, "Raise Vibration," was released in 2018 and featured the single "Low," which became a viral hit on social media. Kravitz has also continued to collaborate with other artists, including Janelle Monáe and Michael Jackson, and has been involved in various philanthropic efforts.
Looking back on his career, it's clear that Lenny Kravitz has had a profound impact on popular music and culture. His unique blend of rock, soul, and funk has inspired countless artists, and his commitment to social and political activism has helped to raise awareness about important issues. Despite the challenges he has faced, Kravitz has remained a vital and relevant artist for over three decades and shows no signs of slowing down.
In a 2018 interview with Rolling Stone, Kravitz reflected on his legacy and his approach to music. "I've always been about the music," he said. "I've never been about trying to fit in or be a part of any scene. I've always just done my own thing and followed my own path. I think that's why I've been able to have such a long career. I'm not trying to chase trends or be something I'm not. I'm just being myself and making the music that I love."
As he looks to the future, Kravitz remains committed to his art and his activism. He continues to tour and release new music, and is involved in various charitable efforts, including his own foundation, Let Love Rule, which supports education and arts programs for underprivileged youth. He also remains a role model for aspiring musicians and artists, showing that it's possible to achieve success on one's own terms and to use one's platform for good.
In conclusion, Lenny Kravitz is a true icon of popular music and culture. His unique blend of rock, soul, and funk has inspired countless artists, and his commitment to social and political activism has helped to raise awareness about important issues. Despite the challenges he has faced, Kravitz has remained a vital and relevant artist for over three decades and shows no signs of slowing down. As he continues to create and inspire, his legacy as one of the most important musicians of his generation only grows stronger. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. -
Let's Ask Taylor Swift is a Not Sorry podcast co-hosted by Vanessa Zoltan and Daniel Schroeder.
In each episode, Vanessa and Daniel focus on one song from Taylor's discography, asking themselves, each other, and you— the audience— what it is about Taylor's music that resonates so much with fans. In this first season, every episode will look at the lead single from one of Taylor’s albums.
By asking a question in each episode, like “what is the fantasy of forbidden love?” or “should you ever go back to an ex?,” we hope to uncover our own meaning in Taylor’s lyrics through close reading and community, in order to apply these lessons to our own lives.
New episodes release every other Wednesday. To learn more about Not Sorry and our other podcasts, check out our website.
Hosted on Acast. See acast.com/privacy for more information.
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Bay Area Radio Personality Marla Davies Hosts Festival Nation - which Celebrates The Magical World of Music Festivals. Each week we'll talk to musicians, cultural icons and fans about the Festival spirit and the enduring power of music to influence, enlighten and empower. Proud part of Pantheon - the podcast network for music lovers.
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dublab Radio presents a monthly series featuring some of the best live performances captured in its LA studio and beyond. Subscribe and experience the ever-curious and cross-genre explorations that have come to define dublab over its 20 years of broadcasting.
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Wir reden über Musik. Konkret: Wir reden über Jazz! Wir, das sind Dieter und Stefan aus dem eh immer schönen Wien. Wir lieben Musik, wir lieben vor allem Jazz. Wir haben uns vorgenommen, in unseren Podcast-Folgen jeweils über ein bestimmtes Thema, sei es ein Musiker, eine bestimmte Spielart des Jazz, ein Instrument, oder wozu auch immer wir Lust haben, zu sprechen - nicht als Profis, sondern als Musik- und vor allem Jazzliebhaber.
Bitte beachtet auch unsere Playlists auf Spotify. -
Engaging interviews with established and rising electronic music producers. Insights from leading voices and influencers. Covering a wide array of micro genres for a truly deep look into the diversity and vibrancy of electronic music.
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Aus allen musikalischen Genres und Zeitepochen gibt es Musikstücke, die die Mehrheit der Menschen kennen. Oft weiß man aber nicht wer den Hit geschrieben hat, wer ihn singt oder was überhaupt dahinter steckt.
Eine Mischung aus Musikgeschichte und Gesprächen mit ausgewählten Gästen (Musiker*innen, Sänger*innen, etc.) - gemacht für alle Musikbegeisterten!
Gastgeberin ist Angelika Ortner, Musikerin aus Wien, die mit Witz, Leidenschaft und kompetenter Lässigkeit durch jede Episode führt. Am Ende wird immer die Frage "Was können Kunst und Kultur zu einer besseren Zukunft beitragen" gestellt und natürlich auch von allen Interviewpartner*innen beantwortet ...
