Afleveringen
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Karen Kosowski is a multi-genre writer and producer based in Nashville, TN, with roots in Winnipeg, Canada. Known for her expertise across pop, country, and rock, she combines formal music training with over 20 years of experience in songwriting, production, and engineering. Her versatility shines as she takes on roles as a writer, producer, and mixer, bringing a Swiss-army-knife approach to every project.
0:50 - Were you an artist first or were you always a producer? Tell us your journey.
3:12 - How did you get your technical prowess to where it’s at?
4:44 - As a producer, what draws you to an artist that you want to work with?
8:31 - How do you recharge/keep yourself fresh as a writer and producer?
10:57 - What are some of the current challenges you’re facing?
11:58 - What are some artists that you’re currently working with?
15:38 - As a producer, what is it like for you to lay the “sonic foundation” on a new song you’re working on?
The AIMP Nashville Pubcast is a DiMe Collective Production
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0:50 - What are the first few things you discuss with a new songwriter when you decide to work with them?
8:18 - Advances - what are the current ranges for new deals?
17:42 - Surrounding yourself with the right people in order to grow
The AIMP Nashville Pubcast is a DiMe Collective Production
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Zijn er afleveringen die ontbreken?
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0:50 - What does a typical influencer campaign look like? How does it begin?
3:35 - What are some basic things artists can do to build out their social media?
7:38 - Eyes vs. Engagement: Is one more important than the other?
14:10 - What are some key components of a successful campaign?
The AIMP Nashville Pubcast is a DiMe Collective Production
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1:02 - What is your daily routine generally like?
5:08 - How do you deal with promoting a song that you’re not necessarily in love with? Are you able to pitch something that you don’t connect with at a deeper level?
11:18 - Is the radio promotion space collaborative or is it mostly competition?
The AIMP Nashville Pubcast is a DiMe Collective Production
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0:40 - Give us a quick summary of the indie label landscape? What do they offer that may be different from the traditional models?
04:28 - If I’m an independent artist, what do you as an indie label need/expect from me?
07:21 - At what level of artist are you and your team looking for? Is there a metric?
12:57 - Can you identify the key benefits of artists who choose indie models over some of the major models?
The AIMP Nashville Pubcast is a DiMe Collective Production
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0:50 - Discuss how the writing room and the process of rewriting songs has changed over the years and how do you approach it?
6:17 - How do you find your role within a writing room? How do you deal with conflict?
12:00 - What are some of the challenges you face within the writing room?
16:49 - How have you been adjusting to this era where the standards of working with newer songwriters lessened?
The AIMP Nashville Pubcast is a DiMe Collective Production
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4:13 - What was your plan/strategy to build Position Music?
7:00 - If I’m an artist, how can I get my foot in the door with sync?
10:30 - What is it about the company that has made it so successful?
The AIMP Nashville Pubcast is a DiMe Collective Production
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4:36 - Explain the skillset that’s needed to start in the sync business
8:37 - Any advice on what a newcomer could do to be ahead of the game?
16:20 - Music supervisors are generally looking for music that’s “easily cleared,” can you explain what that means?
18:36 - Talk to us about Version LLC and The Sync Room. How can people sign up?
The AIMP Nashville Pubcast is a DiMe Collective Production
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7:00 - What are the pillars of the Music Row Build?
9:09 - What motivated you to take on this leadership role?
The AIMP Nashville Pubcast is a DiMe Collective Production
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Hey there Pubcast listeners! Say it ain’t so, but this is the final episode of the season! Something that’s become sort of a tradition around here is Tim closing out the season with some thoughts…and he surely didn’t disappoint. With Artificial Intelligence looming over the music industry, Tim provides an interesting and encouraging perspective on the future of music-making.
We’ll see you next season! Happy Holidays!The AIMP Nashville Pubcast is a DiMe Collective Production -
0:44 - Hannah Babitt
2:06 - Katie Fagan
5:13 - Martha Earls
6:11 - Patch Culbertson
The AIMP Nashville Pubcast is a DiMe Collective Production
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0:44 - Hannah Babitt
1:40 - Katie Jelen
2:51 - Paul DiGiovanni
4:42 - Ward Guenther
The AIMP Nashville Pubcast is a DiMe Collective Production
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0:44 - Brandon Perdue
2:02 - Hannah Babitt
3:13 - Katie Jelen
4:33 - Martha Earls
5:17 - Rachel Guttmann
The AIMP Nashville Pubcast is a DiMe Collective Production
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0:44 - Hannah Babitt
1:52 - Katie Fagan
2:43 - Katie Jelen
3:40 - Patch Culbertson
The AIMP Nashville Pubcast is a DiMe Collective Production
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2:45 - What makes a good song publisher in your eyes?
8:11 - What are the key challenges in working such a personal-relationship business?
12:53 - Do you have a vision for an employee that strictly fulfills their job title vs. one that goes above and beyond
18:59 - Let’s say you’ve “made it.” You want to start a company. Walk me through the steps…
The AIMP Nashville Pubcast is a DiMe Collective Production
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2:46 - What was it like when you first got into town?
4:52 - Do you have any advice for young & rising songwriters?
7:04 - What was your experience as you put together your first major project?
9:28 - How did you keep your “”true north” as you hear the opinions of others?
13:55 - How was the transition to an independent artist?
20:32 - You have also become a producer. Was this something that you imagined in your career?
The AIMP Nashville Pubcast is a DiMe Collective Production
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2:19 - What inspired you to start MHA?
4:32 - What does MHA do exactly for their clients?
6:53 - How can the music industry help motivate its young employees to get health insurance?
9:21 - What are some of the challenges that you commonly see creatives struggle with?
13:53 - Can you share a success story?
The AIMP Nashville Pubcast is a DiMe Collective Production
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1:12 - What led you to the transition from performing in pop to writing in country music?
4:49 - What was it like for you studying the “Nashville system?”
6:26 - How did you end up with working such a diverse list of artists, from Justin Moore to Jordan Davis?
10:16 - What are some of the steps you took to be a successful producer?
13:51 - Do you have a certain style/approach to your music production? How do you help bring an artist’s vision to life?
16:50 - How do you balance your production time with your songwriting?
18:44 - What is some advice you’d give to newcomers looking to build community?
The AIMP Nashville Pubcast is a DiMe Collective Production
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1:11 - How did you become interested in entertainment law and publishing?
5:42 - What are the most basic points you walk through with an inexperienced writer?
12:59 - Have you seen a lot of recoupment-based deals in town?
15:40 - How do you approach explaining royalty rates to writers?
The AIMP Nashville Pubcast is a DiMe Collective Production
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3:39 - What goes on in your daily routine as a manager? 8:03 - Can you share how you built out Kane Brown’s career? 10:30 - How did you handle the challenges of getting Kane Brown ready for performing live? 15:39 - What’s a skill that’s invaluable as a manager? 17:43 - How do you identify and pursue new opportunities for new artists? 20:50 - How do you build your team?
The AIMP Nashville Pubcast is a DiMe Collective Production
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