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Mood koosneb materjalidest ja mood õhutab materialismi, uurime moeasjade käiku koos kõige moodsamatega.
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I am sharing my tips and tricks on becoming That Girl in 2022
Instagram: ju.lia.versatile
TikTok: becoming_that_girl_jules
Facebook Group: Becoming That Girl -
Kultuurist ja kunstist, elust ja surmast, ennekõike aga kasutute teadmiste kasulikkusest.--- "Asi on selles, et meil Diotalleviga on käsil teadmiste ümberkorraldamine. Kavandame võrdleva tühja-tähja teaduskonna loomist, kus õpitakse kasutuid või mõeldamatuid aineid. Teaduskond kaldub taastootma õpetlasi, kes suudavad lõpmatult suurendada ebaoluliste ainete arvu.""Ja kui palju on osakondi?""Praeguse seisuga neli, aga võimalik, et nad hõlmavadki juba kõike, mida tasub kõrva taha panna. Tetrapiloktoomia osakonnas õpetatakse sissejuhatavaid aineid, mis peavad õppurites arendama tühja-tähja tunnetust. Oluline on adünaatoni ehk impossiblia osakond. Näiteks mustlasurbanistika ja asteegi ratsutamiskunst... Teadusharu tuum seisneb selle ebaolulisuse süvapõhjuste mõistmises, adünaatoni osakonnas aga ühtlasi mõeldamatuse mõistmises. Sestap siis morse morfemaatika, Antarktika põllunduse ajalugu, Lihavõttesaare maalikunsti ajalugu, kaasaegne sumeri kirjandus, Montessori hindamissüsteemi institutsioonid, Assüüria-Babüloonia filateelia, ratta tehnoloogia Kolumbuse-eelseis impeeriumeis, Braille kirja ikonoloogia, tummfilmi foneetika...""Mida arvate massipsühholoogiast Saharas?""Asjalik," arvas Belbo."Asjalik," arvas Diotallevi veendunult. "Teil tasuks meiega koostööd teha. Noormehel on annet, kas pole, Jacopo?""Muidugi on, ma sain kohe aru. Eile õhtul ehitas totraid arutluskäike vägagi teraselt üles. Kuid jätkakem, arvestades sellega, et projekt pakub teile huvi. Mis me oksümoorika osakonda panime, mitte ma ei leia oma märkmeid?"Diotallevi võttis taskust paberilipaka ja sihtis mind dotseeriva poolehoiuga: "Oksümoorikas, nagu sõna isegi ütleb, loeb teadusharu enesele vasturääkivus. Seepärast peakski mustlasurbanistika minu arust selle alla paigutama...""Ei," arvas Belbo, "üksnes juhul, kui tegu oleks nomaadurbanistikaga. Adünaaton on seotud empiirilise võimatuse, oksümoorika aga mõistelise vasturääkivusega.""Vaatame õige. Aga mis meil oksümoorika all on? Nõndaks, revolutsiooni institutsioonid, parmenideslik dünaamika, herakleitoslik staatika, sübariitlik spartalikkus, rahvaoligarhia institutsioonid, innovaatiliste traditsioonide ajalugu, tautoloogiline dialektika, Boole'i eristika..."Tundsin juba, et mind on kutsutud välja näitama, mis masti mees ma olen: "Tohin ma teile soovitada hälbe grammatikat?""Tore, tore!" leidsid mõlemad ja asusid märkmeid tegema."Siin on muidugi üks aga," arvasin ma."Täpsemalt?""Kui te oma ettevõtmisest avalikult teada annate, ilmub teie ukse taha hulk inimesi usaldustäratavate publikatsioonidega.""Kas ma ei öelnud, Jacopo, et poisil on nutti," sõnas Diotallevi.("Foucault' pendel", U. Eco)
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The official podcast for HATCH Conference, where we chat with the speakers presenting on October 6th about design, life lessons and other topics.
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A podcast about getting better as a designer. We aim to elevate the skills of our industry, one designer at a time, by providing the best-in-class design curriculum to creatives, designer, and entrepreneurs.
shaping.design -
All about curiosity, storytelling, and originality in a digital era where quantity has overrun quality. We also dive into how artists can turn passion into a career, dismantle writer's block, and much, much more. Support this podcast: https://podcasters.spotify.com/pod/show/purple-elephant-radio/support
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Рома Горелик из Науки Дизайна рассуждает о разном.
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This podcast takes you on an artistic journey to wherever meaningful art lives.
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International design leaders Jaan Orvet and Justin Dauer talk openly and frankly with designers from around the world who have made design leadership a success for practitioners and clients alike. It's all about practical design leadership.
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Brand Your Brain is the no-BS podcast where designers submit their creative confessions and I share them along with my own to show the unfiltered reality of running a creative business. Brand Your Brain is here to show that embracing your vulnerabilities, unique experiences, and personality can help you build a stronger brand.
Instagram - www.instagram.com/brandsbyrobin
Podcast Instagram - www.instagram.com/brandyourbrain
Website - www.brandyourbrain.com
Robin - www.brandsyrobin.com -
Visionaries is a podcast that brings insightful conversations with CEOs, founders, and product leaders to help innovators and entrepreneurs to create successful digital solutions.
Brought to you by WANDR, an award-winning UX agency that helps clients achieve their business goals through strategy and design that converts and engages users. -
Roberto Cavalli, born on November 15, 1940, in Florence, Italy, is a renowned fashion designer known for his exotic prints and a flamboyant style that is synonymous with a sense of glamour and luxury. His work has often been marked by technological innovation and a strong artistic flair, which has significantly influenced contemporary fashion.
Early Life and Education Roberto Cavalli was born into an artistic family—his grandfather, Giuseppe Rossi, was a member of the Macchiaioli Movement, an Italian impressionist school that influenced his own artistic inclinations. Cavalli studied at the Academy of Art in Florence, where he specialized in textile print. This background in art and textiles laid the foundation for his innovative approaches to fashion design, particularly his pioneering work with leather printing.
Career Beginnings Cavalli's career began in the 1960s when he started creating patchworks of different materials. These he sold to high-end hosiery factories, which was a unique concept at the time. His breakthrough came in the early 1970s when he patented a revolutionary printing procedure on leather. This technique allowed him to create unique floral blouses and patchwork materials, which caught the eye of major Italian hosiery factories.
Rise to Fame His debut at the Salon for Prêt-à-Porter in Paris was a significant success, leading to the opening of his own boutique in Saint-Tropez. Cavalli became popular for his exotic prints, which often featured wild animal motifs, a theme that would become a signature of his brand. His designs were particularly favored for their sexy cuts and wild prints, which resonated with the disco culture of the 1970s.
Brand Expansion Throughout the 1990s and early 2000s, Cavalli expanded his offerings to include not just clothing but a lifestyle brand that encompassed accessories, eyewear, watches, perfumes, and even a line of premium vodka. His flamboyant style continued to evolve, incorporating baroque and animal prints, and he became particularly noted for his sand-blasted look for jeans, which was a major trend in the late 1990s.
Celebrity Following Cavalli's designs have been worn by high-profile celebrities, including Madonna, who wore his creations for her 2004 Re-Invention World Tour, and Beyoncé, who was the face of his brand in 2007. His ability to blend high glamour with rock-n-roll attitude made his clothes a favorite among celebrities.
Personal Life and Legacy Cavalli has been married twice and has five children. His personal life, much like his fashion, has been colorful and filled with artistic and bohemian influences. In 1994, he married Eva Duringer, who has been an integral part of his life and work, serving as a muse and sometimes as a business partner.
Roberto Cavalli's contribution to fashion is not just in his bold prints and sensual designs but also in his pioneering techniques in textile production. His work with leather and his development of printing techniques have been innovative in the fashion industry. He officially stepped down from his position in 2015, selling his brand to an Italian private equity firm, though he remains an active figure in the world of fashion.
These days, the Roberto Cavalli brand stands as a symbol of luxurious excess and dramatic flair, enduring as a major influence in the world of fashion design. His legacy is one of innovation, passion, and an unyielding commitment to beauty and artistry in fashion. Fashion Innovations Roberto Cavalli is credited with introducing the world to sand-blasted jeans, a technique that gives denim a worn, faded look that became hugely popular in the late 1990s and early 2000s. His approach to leather and textile printing was revolutionary; he developed a method for printing on lightweight leather, which was previously thought impossible. This innovation allowed for more elaborate and detailed designs on leather garments, expanding the possibilities within leather fashion. Design Philosophy Cavalli's design philosophy often merged the artistic with the hedonistic. He was known for his thematic collections that took inspiration from various cultures and eras, infusing them with a modern sensuality that appealed to a bold and confident clientele. His work often featured ornate detailing, metallic elements, and a strong focus on feminine forms. He is widely recognized for his detailed animal prints, which have become synonymous with his name. These prints are not just simple patterns but are often highly artistic reinterpretations of animal skins rendered through complex fabric treatments. Influence and Cultural Impact Cavalli's designs reflected and influenced the glamorous lifestyle of his customers. His clothes appeared frequently on red carpets and in fashion editorials, celebrated for their flamboyant spirit and unapologetic glamour. Beyond the disco-infused 1970s, his work in the 2000s resonated with the pop and celebrity culture, aligning with the era's fascination with status and display. Business Expansion and Challenges Under Roberto Cavalli's creative direction, the brand expanded into interiors with the Roberto Cavalli Home collection, offering a range of furniture, wallpaper, and home accessories that reflected his ornate design sensibilities. However, the expansion was not without its challenges. The early 2000s were a tumultuous time for the brand, with financial instabilities and shifts in consumer behavior affecting its performance. Despite these challenges, Cavalli's brand remained a staple on the fashion scene, symbolizing luxury and excess. Later Years and Retirement As Cavalli grew older, he began to take a step back from the day-to-day operations of his brand. In 2014, he sold 90% of his company to Clessidra SGR, an Italian private equity firm. This was part of a broader trend where many independent luxury brands sought financial backing to expand and stabilize in a rapidly changing global market. Cavalli continued to influence the brand until his formal departure in 2015, which marked a significant end of an era for the label. Legacy Roberto Cavalli's legacy is characterized by his transformative impact on both textile technology and high fashion. He democratized certain aspects of luxury fashion, making bold and glamorous styles accessible and desirable to a broader audience. His commitment to innovation not only in patterns and designs but also in production techniques has left a lasting mark on the fashion industry. His personal and professional life exemplified a blend of artistic creativity and savvy business acumen, making him a pivotal figure in the world of luxury fashion. His retirement did not mark the end of his influence; instead, it solidified his status as a pioneering designer whose work continues to inspire and resonate within the fashion community.
Sadly, Roberto Cavalli has died. Thanks for listening to Quiet Please. remember to like and share wherever you get your podcast. -
Stressed Students Socialize about why School Stresses Students So
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Коли нам добре або погано ми звертаємось до одного з ідеальних винаходів людства — книжки. Чи є місце для читання під час війни? На які книги варто звернути увагу зараз, а про які краще забути назавжди? Як змінюється сучасна українська література під впливом війни? Ці та інші питання Олена Гусейнова обговорює з відомими письменниками, видавцями, критиками, літературознавцями та іншими гостями подкасту «Книгосховище».
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Kuuldemängud.
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Kuuldemängud ja järjejutud.
Eesti- ja välismaisetelt parimatelt põnevus-, õudus- ja ulmekirjanikelt. -
Mähime videotest, filmidest, videoideedest, sarjadest ja ka ühiskonna probleemidest, kui tuleb mõni hea idee teeme ka sellest hea video!
Vaata shitposte ja slaidi DM'idesse: www.instagram.com/ajumahispodcast/
Kirjuta meile: [email protected] -
/ tuleva (ja mineva) lainel /
Loome kuulamisruumi, kus vabalt arutada kunsti, teaduse ja digitaalse vahendatuse üle. Kombineerime erinevad praktikad, lahkame teooriaid, vahetame kogemusi. Maailm muutub, meeldib see meile või mitte, ja selle sees on meil vaja otsida uusi radu.
eˉlektron.signal’i formaadid on:
“signal” vestleb kunstnike, teadlaste, mõtlejate ja praktikutega, saatejuhtideks Peeter Kormašov, Taavet Jansen ja Bohdana Korohod.
“tõlked eemalviibijatele” on eksperimentaalne formaat, kus meie “tõlgid” Heneliis Notton, Alissija-Elisabet Jevtjukova ja Oliver Issak käivad kultuurisündmustel ja tõlgivad oma vahetut, tihtipeale toorest ja vastuolulist kogemust otse kuulajale.
Uus episood igal kolmapäeval.
Tunnusmeloodia: Argo Vals.
Mixing ja mastering: Hendrik Kaljujärv.
Graafiline disain: Jaan Evart.
Veel infot: https://elektron.art/signal -
Алкогольно-исторический подкаст Arzamas. Михаил Шац (признан иностранным агентом) расспрашивает филологов и историков о том, с кем из великих людей прошлого они хотели бы выпить и откровенно поговорить. А заодно обсуждает с ними застольные и вообще бытовые привычки и нравы разных эпох и культур.
Как и все другие наши подкасты, его удобнее всего слушать в мобильном приложении «Радио Arzamas».
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Подкаст «Синдром Ван Гога» создан для тех, кто хочет прикасаться ко всем граням человеческой жизни. Нет ограничений в темах, гостях или мыслях, говорим обо всем, что причиняет нам культурную, духовную и человеческую боль и любовь.
Почему так?
«Синдромом Ван Гога» в психиатрии называют намеренное причинение себе боли. Но мой подкаст не про депрессию и пессимизм, он скорее наоборот про надежду, яркие краски, а главное – неиссякаемом оптимизме. Подобно насыщенным полотнам Ван Гога, мы будем привносить в нашу жизнь яркие краски. Ведь не всегда стакан наполовину пуст, он чаще наполовину полон.
И как же?
Берем страхи и пытаемся с ними столкнуться!
