Afleveringen
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Today, the Hong Kong Philharmonic is one of the world’s great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic’s general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city.
John Duffus’s memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District.
John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.”
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Frederick Rutland—”Rutland of Jutland”—was a war hero, renowned World War I aviator…and a Japanese spy. In the years leading up to Pearl Harbor, Rutland shared information on U.S. aviation and naval developments to the Japanese, desperate for knowledge of U.S. capability.
The funny thing was, as Ron Drabkin notes in his book Beverly Hills Spy: The Double-Agent War Hero Who Helped Japan Attack Pearl Harbor (William Morrow, 2024), that most people were pretty sure that the boisterous Rutland was spying for someone. But for a variety of reasons—misplaced priorities, bureaucratic infighting, embarrassment over a British national spying on the U.S., or just bewilderment that someone so open and outgoing could pull off something as secretive as espionage—everyone left utland alone until it was too late.
Ronald Drabkin is the author of Beverly Hills Spy and peer-reviewed articles on Japanese espionage. His obsession with espionage history started when he was as a child in Los Angeles, where he vaguely understood that his father had been working for the US military in counterintelligence. Later he discovered that his grandfather had also been in “the business,” and it drove a voyage of discovery into previously classified documents on three continents. His career prior to writing was at early stage startups in the US, where he was an early adopter of Google and Facebook advertising.
(The Japanese edition of the book can be found here)
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beverly Hills Spy. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Zijn er afleveringen die ontbreken?
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In 1955, the leaders of 29 Asian and African countries flock to the small city of Bandung, Indonesia, for the first-ever Afro-Asian conference. India and its prime minister Jawaharlal Nehru played a key role in organizing the conference, and Bandung is now seen as a part of Nehru’s push to create a non-Western foreign policy that aligned with neither the U.S. nor the Soviet Union.
But as Andrea Benvenuti’s Nehru’s Bandung: Non-Alignment and Regional Order in Indian Cold War Strategy (Oxford UP, 2024) points out, Nehru wasn’t actually keen on the idea at all. Nor was Nehru keen on a second summit, feeling that the summit merely highlighted divisions rather than forge consensus. And wrapped up in this whole discussion is Nehru’s attempt to bring China into the fold, perhaps best exemplified by Zhou Enlai, the only leader to emerge as a bigger star from Bandung than Nehru.
Andrea Benvenuti is Associate Professor in Politics and International Relations at the University of New South Wales, teaching twentieth-century international history at the undergraduate and postgraduate levels.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Nehru’s Bandung. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Which society was the first to domesticate the horse? It’s a difficult question. The archaeological record is spotty, with only very recent advancements in genetics and carbon dating allowing scientists to really test centuries-old legends about where horses came from.
For example, historians argued that the Botai civilization in Kazakhstan provided some of the earliest evidence of horse domestication–only for more recent studies to discover that the Botai domesticated an entirely different species of horse altogether.
Even a lot more recent horse domestication has a less certain starting date, with recent studies suggesting that the Plains Indians domesticated horses at least a century earlier than originally thought.
William T. Taylor is Assistant Professor and Curator of Archaeology at the University of Colorado Museum of Natural History in Boulder. He was part of several archaeological expeditions to test some of the proposed starting points for horse domestication—some of which are portrayed in his latest book Hoof Beats: How Horses Shaped Human History (University of California Press: 2024)
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Hoof Beats. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Maya, the protagonist of Rohit Manchanda’s novel The Enclave (Fourth Estate: 2024), should be happy with her life. She’s newly single, her net worth steadily rising in the booming India of the 2000s. She has a cushy, if slightly unfulfilling, job in academia. But she struggles: She wants to write, but can’t summon the energy to do so. She juggles several relationships, each one slowly imploding as the novel continues. And she butts heads with an oblivious and pompous bureaucrat, nicknamed “The Pontiff.”
Rohit Manchanda is a professor at IIT Bombay where he teaches and researches computational neurophysiology. His first novel won a Betty Trask Award, was published with the title In the Light of the Black Sun and was republished in 2024 titled A Speck of Coal Dust.
The Enclave is Rohit Manchanda’s second novel, coming decades after his first published work. In this episode, Rohit and I talk about his writing career, the themes of The Enclave, and the very real struggle of wanting, but not having the energy, to write.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Enclave. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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From Pashas to Pokemon (Vishwakarma Publications, 2024), Maaria Sayed’s first novel, is a coming-of-age story. Aisha grows up in the Muhammad Ali Road neighborhood of Mumbai in the Nineties–a time when India was starting to grapple with liberalization, globalization, and polarization. In Mumbai and London, Aisha tries to learn what it means to grow up, as an Indian, a daughter, a woman, and a Muslim.
In this interview, Maaria and I talk about the Nineties, how filmmaking differs from writing a novel, and her long process in getting From Pashas to Pokemon completed.
Maaria Sayed is a writer and filmmaker based in Mumbai and Northern Italy. She’s worked as a writer for networks such as Discovery Channel, National Geographic, and Fox. Her shorts “Aabida” and “Chudala” screened at film festivals such as Raindance, Izmir Kisa, BFI Flare and Busan.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of From Pashas to Pokemon. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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In the sixteenth century, Queen Elizabeth I tried to send several letters to her Chinese counterpart, the Wan Li Emperor. The letters tried to ask the Ming emperor to conduct trade relations with faraway England; none of the expeditions carrying the letters ever arrived.
It’s an inauspicious beginning to the four centuries of foreign relations between China and what eventually became Britain, covered by Kerry Brown in his latest book The Great Reversal: Britain, China and the 400-Year Contest for Power (Yale University Press: 2024) Kerry’s book covers incidents like the MacCartney embassy, the East India Company, the Anglo-Chinese wars, the Communist takeover in 1949, and the return of Hong Kong to Chinese sovereignty in 1997.
Kerry Brown is professor of Chinese studies and director of the Lau China Institute at King’s College London. He is the author of over twenty books on modern Chinese politics, history, and society.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Great Reversal. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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On January 16, 1945, dozens of U.S. Navy aircraft took off for China’s southern coast, including the occupied British colony of Hong Kong. It was part of Operation Gratitude, an exercise to target airfields, ports, and convoys throughout the South China Sea. U.S. pilots bombed targets in Hong Kong and, controversially, in neutral Macau as they strove to cut off Japan’s supply chains. They encountered fierce resistance: Japan said it shot down ten planes, four pilots were captured.
The Jan. 16 raids are the centerpiece of Steven Bailey’s Target Hong Kong: A True Story of U.S. Navy Pilots at War (Osprey, 2024), which tells the story of the U.S. Navy’s raids on Hong Kong, starting with the Japanese invasion in 1941 to the final recovery of the airmen that were lost.
Steven K. Bailey is an established author and tenured faculty member of Central Michigan University (CMU) with expertise in nonfiction writing, the history and culture of Hong Kong, the Second World War, and U.S. military aviation.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Target Hong Kong. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Macau was supposed to be a sleepy post for John Reeves, the British consul for the Portuguese colony on China’s southern coast. He arrived, alone, in June 1941, his wife and daughter left behind in China.
Seven months later, Japan had bombed Pearl Harbor, invaded Hong Kong, and made Reeves the last remaining British diplomat for hundreds of miles, responsible for refugees streaming in from China.
Peter Rose uses Reeves as a jumping off point for his newest work of historical fiction, The Good War of Consul Reeves (Blacksmith Books, 2024). Using Reeves’ own unpublished memoir and research in the national archives, Peter tells a tale of how Reeves—a largely unremarkable man—managed to hold things together in the Portuguese colony until Japan’s defeat in 1945.
Peter Rose is a graduate of the George Washington University and the Yale Law School. He first practiced law in Washington DC. It was during a posting in Hong Kong with Goldman Sachs as its Asian Head of Public Affairs that he started to visit Macau and became fascinated with the story of this incongruous piece of Portugal on the edge of China.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Good War of Consul Reeves. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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After reading David Chaffetz’s newest book, you’d think that the horse–not oil–has been humanity’s most important strategic commodity. As David writes in his book Raiders, Rulers and Traders: The Horse and the Rise of Empires (Norton, 2024), societies in Central Asia grew powerful on the backs of strong herds of horses, giving them a military and an economic advantage against their horse-less neighbors. Persia, India and China all burned cash trying to sustain their own herds of horses–-with little success.
And it all starts from humble beginnings: Horses domesticated for their milk, too small for anyone but children to ride.
David Chaffetz, regular Asian Review of Books contributor, member of the Royal Society for Asian Affairs, and author of A Journey through Afghanistan and Three Asian Divas, has traveled extensively in Asia for more than forty years.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Raiders, Rulers and Traders. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Climate change. The refugee crisis. The rise of social media.
These big social questions—and others—inspired journalist Marga Ortigas in the creation of her new novel God’s Ashes (Penguin Southeast Asia, 2024) , a piece of speculative fiction set in a very different 2023. A transnational crime unites the book’s characters, rich and poor, on a journey throughout Southeast Asia and the Pacific Islands, all coming together in a book that investigates human connection, the plight of stateless people, and environmental contamination.
In this interview, Marga and I talk about what inspired her book and its major themes, and whether being a journalist helped her with her worldbuilding and weaving the threads of her novel together.
Marga Ortigas has traveled the world as a journalist for three decades, with a career spanning five continents and two of the largest global news networks. After getting her start in the Philippines, she joined CNN in London, working across Europe and covering the war in Iraq from its inception. In 2006, she returned to Manila and the Asia Pacific region, reporting from the frontlines of armed conflict and climate change as senior correspondent for Al Jazeera.
She is the editor of I, Migrant, an online platform which showcases writing from the diaspora, advocating a universal humanity beneath people’s differences.
Follow Marga on Twitter and Instagram.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of God’s Ashes. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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In 330 BC, Alexander the Great conquers the city of Persepolis, the ceremonial capital of the Persian Empire. His troops later burn it to the ground, capping centuries of tensions between the Hellenistic Greeks and Macedonians and the Persians.
That event kicks off Rachel Kousser’s book Alexander at the End of the World: The Forgotten Final Years of Alexander the Great (Mariner Books, 2024), which tells the story of how Alexander—the unbeaten military genius and the most powerful man in that part of the world—decided to keep going, chasing rebellious ex-Persians and launching an unprecedented invasion of India.
But what drove Alexander to keep marching? What was the kind of empire Alexander wanted to build? And why did he eventually turn back at the Indus River, his soldiers begging for him to return home?
Rachel Kousser is the chair of the Classics department at the Graduate Center, City University of New York and a professor of ancient art and archaeology at Brooklyn College. She is also the author of The Afterlives of Greek Sculpture: Interaction, Transformation, Destruction (Cambridge University Press: 2017) and Hellenistic and Roman Ideal Sculpture: The Allure of the Classical (Cambridge University Press: 2008).
She can be followed on Instagram at @rkousser.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Alexander at the End of the World. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Shanghailanders (Spiegel & Grau: 2024), the debut novel from Juli Min, starts at the end: Leo, a wealthy Shanghai businessman, sees his wife and daughters off at the airport as they travel to Boston. Everyone, it seems, is unhappy.
The novel then travels backwards through time, giving answers to questions revealed in later chapters, jumping from person to person: Leo, Eko, their daughters Yumi, Yoko and Kiko, and other peripheral members of the household, as we come to learn why Shanghailanders’ core family is just so dysfunctional.
In this interview, Juli and I talk about Shanghai, her decision to write the book in reverse chronological order, and what we gain when those from a non-white perspective write about expatriates.
Juli Min is a writer and editor based in Shanghai. She studied Russian and comparative literature at Harvard University, and she holds an MFA in fiction from Warren Wilson. She was the founding editor of The Shanghai Literary Review and served as its fiction editor from 2016 to 2023.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Shanghailanders. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Baseball’s introduction to the Philippines. The slot machine trade between Manila and Shanghai. A musical based extremely loosely on the life of the sultan of Sulu.
These are just a few of the historical topics from Lio Mangubat’s Silk, Silver, Spices, Slaves: Lost Tales from the Philippine Colonial Period (Faction Press: 2024), a collection of 13 essays on stories from Filipino history as a Spanish and then American colony. All the stories come from Lio’s podcast, The Colonial Department, which features long-lost stories from the country's past under Spanish, British, American, and Japanese rule.
In this interview, Lio and I talk about what inspired his essay collection, his conversation with Albert Samaha (an earlier podcast guest!) and what’s missing in how we talk about the Philippines
Lio is also the editor in chief of publishing house Summit Books, and is based in Manila. Find him on Instagram at @liomangubat and @thecolonialdept.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Silk, Silver, Spices, Slaves. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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The spice islands: Specks of land in the Indonesian archipelago that were the exclusive home of cloves, commodities once worth their weight in gold. The Portuguese got there first, persuading the Spanish to fund expeditions trying to go the other direction, sailing westward across the Atlantic.
Roger Crowley, in his new book Spice: The 16th-Century Contest that Shaped the Modern World (Yale University Press: 2024) covers six decades of exploration, conflict and conquest, starting from the Portuguese capture of Malacca in 1511 to the Spanish founding of Manila and the start of the galleon trade in 1571.
Roger Crowley is a narrative historian of the early modern period. He is the author of five celebrated books, including City of Fortune: How Venice Won and Lost a Naval Empire (Faber & Faber: 2011) and Conquerors: How Portugal Forged the First Global Empire (Random House: 2015).
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Spice. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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It’s the 1930s. Amarendra Chandra Pandey, the youngest son of an Indian prince, is about to board a train when a man bumps into him. Amarendra feels a prick; he then boards the train, worried about what it portends.
Just over a week later, Amarendra is dead—of plague. India had not had a case of plague in a dozen years: Was Amarendra’s death natural, or premeditated—perhaps orchestrated by Benoy, his half-brother and competitor for the family riches?
The case is the subject of Dan Morrison’s book The Poisoner of Bengal: The 1930s Murder That Shocked the World (Juggernaut, 2024), who investigates how an Indian prince was able to get his hands on the plague, the scandalous murder trial that followed, and Benoy’s surprising post-independence epilogue.
Dan Morrison is an editor at USA TODAY's Washington bureau. His reporting from around the globe has appeared in outlets including National Geographic, the New York Times, BBC News and PRX's The World. He is also the author of The Black Nile (Viking: 2010), an account of his voyage from Lake Victoria to Rosetta, through Uganda, Sudan and Egypt.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Poisoner of Bengal. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Melville Jacoby was a U.S. war correspondent during the Sino-Japanese War and, later, the Second World War, writing about the Japanese advances from Chongqing, Hanoi, and Manila.
He was also a relative of Bill Lascher, a journalist–specifically, the cousin of Bill’s grandmother. Bill has now collected Mel’s work in a book: A Danger Shared: A Journalist’s Glimpses of a Continent at War (Blacksmith Books: 2024), with photos detailing Mel’s early days as an exchange student in China, then his later work as journalist…and propagandist for Chiang Kai-shek in wartime Chongqing, then as a correspondent for Time and Life in the Philippines right as the Japanese invade.
Bill is also the author of the 2016 book Eve of a Hundred Midnights: The Star-Crossed Love Story of Two World War II Correspondents and their Epic Escape Across the Pacific (William Morrow: 2016), also about Mel Jacoby and his wife Annalee Jacoby. He is also a freelance journalist.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of A Danger Shared. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Does Southeast Asia “exist”? It’s a real question: Southeast Asia is a geographic region encompassing many different cultures, religions, political styles, historical experiences, and languages, economies. Can we think of this part of the world as one cohesive “place”?
Eric Thompson, in his book The Story of Southeast Asia (NUS Press: 2024), suggests that we can, as he tells the region’s history from way back in prehistory, through its time as Buddhist and Hindu kingdoms, the introduction of Islam and Theravada Buddhism, and ending in the present day.
Eric C. Thompson is Associate Professor in the Department of Sociology and Anthropology at the National University of Singapore. He is author of Unsettling Absences: Urbanism in Rural Malaysia (NUS Press: 2006) co-author of Attitudes and Awareness Towards ASEAN: Findings of a Ten-Nation Survey (Institute of Southeast Asian Studies: 2008) and Do Young People Know ASEAN? Update of a Ten-nation Survey (Iseas-Yusof Ishak Institute: 2016), and co-editor of Southeast Asian Anthropologies: National Traditions and Transnational Practices (NUS Press: 2019) and Asian Smallholders in Comparative Perspective (Amsterdam University Press: 2019).
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Story of Southeast Asia. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”
But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.
And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.
In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.
Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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In 2009, Fudan University launched China’s first MFA program in creative writing, spurring a wave of such programs in Chinese universities. Many of these programs’ founding members point to the Iowa Writers Workshop and, specifically, its International Writers Program, which invited dozens of Mainland Chinese writers to take part between 1979 and 2019, as their inspiration.
In her book, The Transpacific Flow: Creative Writing Programs in China (Association for Asian Studies, 2024), Jin Feng explores why Chinese authors took part in the U.S. programs, and how they tried to implement its teaching methods in mainland China–clearly, a very different political and cultural environment.
In this interview, Jin and I talk about the Iowa Writers Workshop, the Chinese authors that attended, and the surprising links between U.S. and Chinese academia.
Jin Feng is Professor of Chinese and Japanese and the Orville and Mary Patterson Routt Professor of Literature at Grinnell College, USA. She has published four English monographs: The New Woman in Early Twentieth-Century Chinese Fiction (Purdue University Press: 2004), The Making of a Family Saga (SUNY Press: 2009), Romancing the Internet: Producing and Consuming Chinese Web Romance (Brill, 2013), and Tasting Paradise on Earth: Jiangnan Foodways (University of Washington Press, 2019), three Chinese books such as A Book for Foodies and numerous articles in both English and Chinese.
You can read an excerpt of The Transpacific Flow here.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Transpacific Flow. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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