Afleveringen
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Warning - this episode contains an ungodly amount of Pacino impressions. Listener discretion is advised.
“Actor’s actor” and local boy from Queens David Krumholtz becomes the second cast member of Oppenheimer and first person immortalized in Griffin’s beloved Disney Emoji Blitz to guest on our Martin Brest series as we talk about 1992’s dire SCENT OF A WOMAN. Would this movie be less terrible if it were at least 40 minutes shorter? What if the original first choice for Lt. Col. Frank Slade - Jack Nicholson - had done this film instead of Pacino? What if we swapped Philip Seymour Hoffman for the charisma vacuum that is Chris O’Donnell? Sadly, we can only imagine these scenarios. Join us for lots of candid Krumholtz anecdotes, a scorching hot take regarding the diner scene in Heat, and more!
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In a first for Blank Check, Ben Hosley produces an entire episode while handcuffed and under threat of legal action. What else would you expect from a MIDNIGHT RUN episode? The great Alan Sepinwall returns to the pod to talk about Martin Brest’s fantastic cross-country buddy caper, a film that proved that DeNiro could do comedy and that Charles Grodin might be the funniest man alive. We’re talking about the unofficial Larry the Cable Guy sequel (?), the famous casting what-ifs (Cher!), and the magic that went into making this movie so breezy, effortless, and fun. We didn’t how good we had it back in 1988, did we?l
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Zijn er afleveringen die ontbreken?
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An indelible synth theme by Harold Faltermeyer. A scene-stealing turn from Bronson Pinchot. A banana in a tailpipe. EDDIE FREAKING MURPHY. It’s no wonder that Martin Brest’s Beverly Hills Cop is one of the most beloved action comedies (and still the highest-grossing R-rated film adjusted for inflation). We couldn’t be more thrilled to have two of the hottest action directors in Hollywood - Bad Boys: Ride or Die’s Adil & Bilall - join us to talk about Brest’s blockbuster second feature, bringing all the expertise from their years spent developing Beverly Hills Cop 4. We’re getting into the Stallone of it all, the Simpson/Bruckheimer of it all, the Judge Reinhold of it all - while also taking some time to unpack the specific nuances that Brest brings as a director (as opposed to Tony Scott’s take on the sequel). And….yes. We talk about BATGIRL.
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After years of citing him as a potential series, we’re finally Brest men. In this inaugural episode of our “Podverly Hills Cast” series, we’re taking a look at Martin Brest’s debut feature, 1979’s understated and deeply enjoyable old man heist film “Going in Style.” James Urbaniak joins us to chat through the beginning of Brest’s career, and the storied personas of George Burns, Art Carney, and Lee Strasberg. Cream cheese and jelly sandwiches on toasted rye for everyone!
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We return to the Wasteland this week with Furiosa, and we’ve got quite the tour guide. Kyle Buchanan - author of Blood, Sweat & Chrome, THE book on the making of Mad Max: Fury Road - joins us as we do a definitive post-mortem on George Miller’s latest. Going up against the reputation of Fury Road was always going to be an uphill battle for the Anya Taylor-Joy starrer, and we go into all the ways in which this film matches, exceeds, or misses the highs of 2015’s action classic. Kyle brings with him plenty of behind-the-scenes details and shrewd observations, and Ben and Griffin bring a visceral report from their 4DX screening. And yes - of course we talk about how Dementus looks just like Guru Pitka.
Read Kyle’s writing at the New York Times
Check out his Oral History of Fury Road as well as his book; Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road
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Come join the dream parade, folks - we’re talking about Paprika! Mother of the Blankies Emily Yoshida is with us to chat about Satoshi Kon’s final film - a film that FEELS like a swan song especially in hindsight. In this episode, we address the elephant in the room (those Inception comparisons), dive into the serialized story Paprika was based on, and Griffin makes the important connection between Paprika’s “DC mini” device and this being a “BC mini” (series). Plus, we establish 2024 as “The Year of Dreams” (Kon and Lynch on Blank Check!!), and Emily, Ben, and Griffin discuss their experience attending a special screening of Clifford with Martin Short himself.
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Read Emily’s writing on Paprika
Please follow Hollywood Entertainment (the organizers of the Clifford screening mentioned on the episode)for upcoming screenings in LA (including a new residency at Heavy Manners Library), regular streaming programs (accessible everywhere), and a to-be-announced return to New York this fall.
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They call them the Godfathers of Tokyo…and we call him the KING of TIKTOK (in an old man newscaster voice) - Reece Feldman joins us to chat about Satoshi Kon’s beautiful Christmas fable about a trio of unforgettable characters on the fringes of society. We talk about how animation is truly a medium and NOT a genre, as evidenced by this film. We talk about Ice Age (another animated movie where outsiders care for a baby). We talk about whether or not David might get roped into watching Ice Age a million times if his daughter finds out about it. And we talk about David’s pitch for a Cheaper by the Dozen spoof called “Cheaper by the Cousin”…?
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Our Satoshi Kon series continues with his 2003 film Millennium Actress, a moving exploration of memory, history, and the magic of da moviesh. Writer Hoai-Tran Bui returns to the pod as we discuss the strange history of Dreamworks’ arthouse animation arm (Go Fish pictures), the luminous screen presence of Setsuko Hara, and the added poignancy this film takes on in light of Kon’s untimely passing. Plus, Griffin publicly addresses the Penny Marshall debacle, and the gang contemplates a version of “Millennium Actor” with Clint Eastwood.
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Welcome to the filmography of Satoshi Kon - a thrilling series of funhouse mirrors and puzzlebox narratives that proved what is possible in the animation form. The icon, the legend, the culturista himself Bowen Yang joins us to talk about Kon’s feature debut, the shocking and influential pop-idol thriller PERFECT BLUE. We’re talking about famous “bad girl” transitions in pop history. We’re talking about Digimon villains. We’re talking about obsessive fandoms. And, most crucially, we learn a new piece of Ben lore that involves a famous reality tv star.
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Our McTiernan series concludes with 2003’s BASIC - a film that Griffin thinks should instead be titled “COMPLICATED” - get it? Because there are so many plot twists?? The great BenDavid Grabinski joins us to chat about John Travolta’s run of big, skeezy characters post-FACE/OFF, McTiernan’s ultimate Achilles heel (getting too confident in his ability to fix impossible movies), the screenwriting career of studio wunderkind James Vanderbilt, and the truly terrible acting of Giovanni Ribisi. Plus, the return of Journalist Eddie Brock, our pitches for different versions of CHANGING LANES (which they should remake every five years), and our final McT filmography rankings.
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Finally, we arrive at the film that helped put John McTiernan in both “director jail” and “jail jail” - the incoherent nu-metal fart that is 2002’s ROLLERBALL. Zach Cherry continues his trend of appearing on episodes covering movies that led to actual court cases, and we do our best to try to explain what happened (both on-screen and off). Why is this film set in Borat’s Kazakhstan? What was up with the extended nightvision scene? Is Griffin insane for being a Chris Kline apologist? Plus - Ben learns about the World Nomad Games of Central Asia!
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What if there was a 13th Warrior? What if there was a version of Beowulf so grounded in reality that the climactic battle with Grendel just kind of felt like a shrug? What if Antonio Banderas was the lead in Gladiator instead of Russell Crowe? We’re just asking questions! Filmmaker David Lowery makes his long-awaited return to the podcast to talk about John McTiernan’s Michael Crichton adaptation, a movie that should have kept the title of the original book - Eaters of the Dead. Such a sick title! Anyway, prepare yourself for plenty of Banderas talk, a loving deep-dive into the famous “Banderas learns the Viking language” scene, and a reveal of some Blank Check-related easter eggs in Lowery’s filmography (!).
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A Fiji water bottle. “Sinnerman” by Nina Simone. That Magritte painting with the bowler hat. A SCINTILLATING, AGE-APPROPRIATE ROMANCE WITH TWO OF THE GREATEST HEIST SEQUENCES IN MOVIE HISTORY. We’re talking Tommy C (1999), baby! The delightful Amanda Dobbins joins us for her long-awaited Blank Check debut, and this episode is about as fun as you’d expect. Do we think this movie is better than the Norman Jewison original? Yes. Do we go long on the filmography of Rene Russo? Yes. Do we explain how Pierce Brosnan fit the Monet canvas into his briefcase? Sort of. Does Amanda know the plot of “Wicked”? Surprisingly, no!
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John McTiernan back with the Die Hard franchise after the spectacular flop of Last Action Hero. Bruce Willis and Samuel L Jackson back together after Pulp Fiction. Die Hard with a Vengeance is definitely part of the “we are so back” canon. Shea Serrano (who owns every McTiernan movie on VHS) joins us to chat about this explosive action threequel that features a surprising amount of New York theater actors and a bunch of childhood games and riddles. Also, you don’t need us to tell you this but - Jeremy Irons hot. Also cool.
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You either love this movie or you hate it, and guess what - we’re landing all over the LOST ACTION HERO spectrum this episode! Paul Scheer & Jason Mantzoukas join us once again for a clock-busting, rip-roaring time, and we’re unpacking all of this movie’s meta madness. Is John McTiernan able to parody his own work? Should the kid have actually killed people in this movie (as in the original, edgier script)? Will David have an aneurysm if this episode recording doesn’t end at a reasonable time?
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Oh baby, this one’s a STINKER! Sean Connery finds the cure for cancer but then he loses it (??). Lorraine Bracco delivers all of her dialogue like someone making a comment and not asking a question at a Q&A. They’re both playing scientists - but where’s the CHEMISTRY?? Comedian and writer Jamie Lee returns to Blank Check to talk about John McTiernan’s attempt at a serious adult drama, 1992’s MEDICINE MAN. We spend most of the episode trying to recast this movie to make it somewhat palatable. But the musical score is great!
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We love da submarinesh! Host of “Unclear and Present Danger” Jamelle Bouie joins us this week to talk about middle aged white guys, airport novels, and naval recruitment propaganda. That’s right - we’re talking about John McTiernan’s adaptation of Tom Clancy’s THE HUNT FOR RED OCTOBER! Come for our thesis on why Alec Baldwin played the best version of Jack Ryan, stay for Ben and Jamelle’s impassioned pleas for a Highlander patreon series. And of course, there will be Connery impressions.
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The pomp. The pageantry. The awkwardness of trying to shoehorn any of this year’s Oscar nominees into “Moon River” - that’s right, folks. The Blankies (and host Griffy Crystal) are back! Joe Reid of “This Had Oscar Buzz” joins us once again to celebrate the momentous year in cinema that was 2023. We’re handing out fake awards, making outrageous claims, and we’ve got a special musical performance that brings the house down. Enjoy!
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Thirty-six floors. Thirteen (fake) terrorists. One perfect action movie. Kevin Smith - who was in a Die Hard movie AND directed Alan Rickman in DOGMA - joins us again for a supersized episode on McTiernan’s signature film. We’re getting into Bruce's wine cooler commercials. We reveal the surprising Shakespeare play that influenced McTiernan’s direction of this story. We’re nerding out about the spatial and organizational PERFECTION that makes it such a classic. And we’re paying loving homage to two screen presences whose careers ended tragically too soon.
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GET TO THE CHOPPA! Griffin attempts his best (actually, worst) Arnold voice this week as we head to the jungle with Jon Gabrus and some bic razors. For almost three hours, we’re dissecting every little bit of PREDATOR - the glow-stick goo alien blood, the Alan Silvestri score, Arnold’s calves, Arnold’s biceps, Arnold’s long red polo shirt, Arnold’s chiseled cheekbones, the way Arnold says KILL ME!!! - you can expect lots of Arnold talk.
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