Afleveringen
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This week, Rivka and Frank dive into two of the most talked-about shows of the season: The White Lotus and Severance. They explore how Severance brilliantly captures Marx’s concept of worker alienation, debate whether The White Lotus functions as true satire or simply a glossy drama about wealthy vacationers, and discuss the political implications each series leaves us with.
For next week, we’ll be watching the post-apocalyptic Mel Gibson epic MAD MAX 2: The Road Warrior.
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Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are joined by MVC editor John for a deep-dive into the sci-fi parody Galaxy Quest. They unpack the film’s clear affection for Star Trek, its sharp satire of fan culture and conventions, and why David Mamet once praised it as one of the best-structured screenplays in modern film. Speaking of space, Frank and Rivka give their take on girlboss billionaire’s modern day galaxy quest in today’s topical.
For next week we’ll be talking about TV, discussing the season finales of Severance and White Lotus.
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Artwork by Rufus Paisley | Theme song by JustBen
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Zijn er afleveringen die ontbreken?
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Rivka and Frank return with another duet to revisit a childhood staple: Jumanji, the Robin Williams-led adventure that shaped a generation’s imagination. But as they unpack the film, it becomes clear that it’s doing more than telling the story of a man trapped in a magical board game. Beneath the surface, Jumanji reflects deeper currents—tracing the shadows of American and European imperialism, colonial legacy, and the quiet manipulations of capitalist logic.
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For next week’s movie, we’ll be watching the 1999 sci-fi satire Galaxy Quest.
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Rivka and Frank are joined by 3 time Emmy Nominated writer and comedian Ellory Smith to discuss the 1998 Disney / Pixar film A Bug’s Life. The trio deep dive into this radical animation, discussing its themes of exploitation and surplus value. They also discuss how the circus bugs symbolize mutual aid, and, in a controversial twist, they ask: Is Flick actually the hyper-individualistic villain of the story?
For next week’s movie, we’ll be watching the 1995 Robin Williams classic Jumanji.
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Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are joined by author, activist, and former presidential candidate Marianne Williamson to discuss Jason Reitman’s 2009 comedy drama Up in the Air — a movie where George Clooney flies around the country firing people. The three discuss the film’s context coming out shortly after the 2008 financial crisis, the film’s depiction of “corporate loyalty” culture, and how treating people like numbers on a spreadsheet leads to feelings of extreme alienation.
For next week’s movie, we’ll be watching the 1998 Disney / Pixar film A Bug’s Life.
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are joined by organizer and playwright Jesse Jae Hoon to delve into the 2008 Michel Gondry film Be Kind Rewind. Together, the trio explore how this quirky comedy, starring Mos Def and Jack Black, offers a poignant commentary on the power of community organizing and storytelling within movements. Frank and Rivka also discuss the current workers strike at Alamo Drafthouse.
Alamo Drafthouse Workers Strike FundMore about Jesse Jae HoonTheater Workers for a CeasefireNext week, we'll be watching the 2009 George Clooney dramedy Up in the Air with special guest Marianne Williamson. .
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank join forces to dissect the 2024 indie horror gem I Saw the TV Glow, directed by Jane Schoenbrun. The pair dive into the film's political subtext, its hauntingly beautiful portrayal of suburban oppression, and its poignant power as a trans allegory.
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For next week’s movie, we’ll be watching the 2008 comedy Be Kind Rewind.
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Rivka and Frank are joined by comedian Cassie Willson to discuss the 2001 Pixar classic Monsters, Inc. The trio dives into how the story of two monsters whose job is to extract energy through the exploitation of vulnerable human children offers a rich political allegory. This week, Rivka and Frank also cover the 2025 Oscars.
Next week, we'll be watching the 2024 horror-fantasy I Saw the TV Glow.
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Artwork by Rufus Paisley | Theme song by JustBen
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Following Anora's big night at the Academy Awards, we're UNLOCKING our Patreon episode on the film, which some have described as the "most comprehensive Anora podcast of all time."
ORIGINALLY PUBLISHED JAN. 30: Rivka and Frank unpack the varied politics of Best Picture Oscar winner Anora, directed by Sean Baker with a breakout performance by Mikey Madison. The two discuss everything from the politics of sex workers on screen, fuck boys with oligarch daddy issues, Sean Baker’s legacy, and more.
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are celebrating their 100th episode of Movies VS Capitalism with a very special guest—Frank's dad, Tom Cappello! With over 40 years of experience in the restaurant industry, Tom brings a deeply personal perspective to the hit 1996 Stanley Tucci film Big Night. In this milestone episode, the trio dives into the politics of cooking—particularly how authentic cuisine is a form of resistance—and explores the impact of assimilation on Italian immigrants in America, plus the internalization of the American Dream.
For next week’s movie, we’ll be watching the 2024 horror fantasy, I Saw the TV Glow.
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are joined by writer Svetlana Kitto to discuss the 2024 Timothée Chalamet Bob Dylan biopic A Complete Unknown. The trio examines whether the film delves deeply enough into the politics of its time. They also explore whether it matters if an artist considers themselves political, how the women in the film manage to shine despite their shallow character arcs, and why most musicians today are considered cowards.
Svetlana’s WritingFor next week’s movie, we’ll be celebrating our 100th episode by watching the 1996 comedy Big Night with a very special guest - Frank’s dad!
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are joined by actor Kate Eastman to dive into the 2024 body horror thriller The Substance, a film that tackles the twisted intersections of beauty, capitalism, and patriarchy. The trio explores how this movie craftfully unpacks the moralization of beauty and self-care as a form of imprisonment, and why horror is the perfect genre for director Coralie Fargeat to make her unsettling, yet strangely insightful, statement.
Constructive Criticism: A HandbookKate's InstagramKate's IMDBFor next week’s movie, we’ll be watching the 2024 Bob Dylan biopic A Complete Unknown.
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are joined by Sean Morrow of More Perfect Union to dive into the utterly bonkers straight-to-streaming biopic about everyone’s favorite capitalist, Jeff Bezos. Sean pitches it as a contender for the "so-bad-it's-good" hall of fame alongside The Room, and the trio explores why, against all odds, this might just be an accidental anti-capitalist masterpiece. Oh, and did we mention the villain? None other than Kevin Sorbo as the CEO of Barnes & Noble. Yes, really.
More Perfect UnionFor next week’s movie, we’ll be watching the 2024 body horror thriller The Substance.
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are back with another “duet” episode, diving into the 2024 indie darling and Oscar-nominated film Anora, directed by Sean Baker with a breakout performance by Mikey Madison. The two discuss everything from the politics of sex workers on screen, fuck boys with oligarchy daddy issues, Sean Baker’s legacy, and more. This may in fact be the world’s most comprehensive Anora podcast ;) … You don’t want to miss it.
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For next week’s movie, we’ll be watching the 2022 biopic about the founder of Amazon — Bezos: the Beginning — which is available to watch for free on the Roku channel.
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Rivka and Frank are joined by podcast favorite Harvey Kaye for a heated debate about the 1971 children's classic Willy Wonka and the Chocolate Factory. Is Wonka, the eccentric chocolate genius played by the brilliant Gene Wilder, simply a monstrous capitalist factory owner? And will Charlie, with his working-class roots, follow in his footsteps—or is he the one who can turn the factory around?
'Do You Hear What I Hear?' When Will Democrats Listen? - Harvey Kaye & Matt StrackbeinFor next week, we'll be watching the 2024 Palme d'Or winner Anora.
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are joined by science communicator and YouTube host Jade Kim to discuss the 1989 “Weird Al” Yankovic comedy UHF. Jade and Frank are HUGE Weird Al fans, and Rivka is… patient. But even though this zany, fantastical movie starring the world’s greatest song parodist and incredible live performer (Frank wrote this copy, FYI), the movie still manages to have strong opinions about the hyper-sensationalism of the modern TV era, the ruthlessness of market competition, and the value of public utility ownership. Also Weird Al rules.
mutualaidla.orgFor next week’s movie, we’ll be watching the 1971 children’s classic Willy Wonka and the Chocolate Factory.
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank are joined by Will, a US Army veteran and member of the organization About Face: Veterans Against the War, to discuss the 2016 Star Wars standalone movie Rogue One: A Star Wars Story.
The group discusses the film’s themes around imperialism, war, revolution, radicalism, and what it means to compromise one’s morals for the sake of the “greater good.” They also ask the important question: what the hell was Forest Whitaker thinking?
About Face: Veterans Against the WarFor next week’s movie, we’ll be watching the 1989 “Weird Al” Yankovic comedy UHF.
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank close out the year with a final “holiday duet” on the Christmas classic Miracle on 34th Street. They debate whether Kris Kringle is in fact the REAL Santa or just the world’s greatest salesman. Released during the second Red Scare, it’s unsurprising that the film’s core moral is the need for “altruistic capitalism.” But is it OK to allow a potentially unwell old man around thousands of children? As long as he’s making money — who cares, it turns out! Don’t get us wrong, we both love this movie but HOLY SHIT this story is wild.
MVC will be off until 2025, but we’ll be back with an episode on Rogue One: A Star Wars Story.
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MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at [email protected].
Artwork by Rufus Paisley | Theme song by JustBen
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Rivka and Frank dive into Frank’s favorite Christmas movie, Scrooged, sparking a spirited debate: is this the story of genuine redemption or just a liberal fever dream where a narcissistic old white guy sprinkles a little charity while propping up capitalism's comfy cushions? Is Dickens rolling in his grave, or would he be giving a ghostly thumbs-up? Of course, they can’t resist unpacking their wild theories about Luigi, the claims adjuster—trust us, you don’t want to miss it.
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For next week’s movie, we’ll be watching the classic American holiday film Miracle on 34th Street.
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Rivka and Frank welcome back Evan from Left of the Projector podcast to discuss the upper-middle-class fever dream that is Home Alone 2: Lost in New York. Could this movie even exist if Kevin McCallister weren’t a white affluent child? Zero percent chance. The condescension, the entitlement, the PIGEON LADY. They talk about it all, plus who Mr. Duncan would have supported in the 2020 Democratic primary.
Left of the ProjectorParty for Socialism and LiberationFor next week’s movie, we’ll be watching the 1988 Bill Murray Christmas classic, Scrooged.
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Artwork by Rufus Paisley | Theme song by JustBen
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