Afleveringen
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In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo’s caption, referencing the couple’s trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America’s sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States’ entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood’s silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini’s, the duce, in public opinion in American culture in the 1920s?
Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933.
Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women’s suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini’s study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day.
Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition.
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Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel’s philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo’s project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel’s thinking and how it evolved in other places, with other thinkers.
Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel’s ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel’s considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation.
Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state’s monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel’s concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at [email protected] or find her at Bluesky @gorenlj.bsky.social.
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Zijn er afleveringen die ontbreken?
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The city was one of the central and defining features of the world of the Greek and Roman Mediterranean. Challenging the idea that the ancient city 'declined and fell', Andrew Wallace-Hadrill argues that memories of the past enabled cities to adapt and remain relevant in the changing post-Roman world. In the new kingdoms in Italy, France and Spain cities remained a key part of the structure of control, while to contemporary authors, such as Cassiodorus in Ostrogothic Italy, Gregory of Tours in Merovingian Gaul, and Isidore in Visigothic Spain, they remained as crucial as in antiquity. The archaeological evidence of New Cities founded in this period, from Constantinople to Reccopolis in Spain, also shows the deep influence of past models. The Idea of the City in Late Antiquity: A Study in Resilience (Cambridge UP, 2025) reveals the adaptability of cities and the endurance of the Greek and Roman world.
Sheds fresh light on one of the most important social and cultural developments in the transition from classical antiquity to the world of the Middle Ages
Explores developments through the eyes of contemporary writers and documents as well as the archaeological record
Of interest to all those concerned with how cities can adapt in a radically changing world
ANDREW WALLACE-HADRILL is Emeritus Professor in the Faculty of Classics at the University of Cambridge and an Emeritus Fellow of Sidney Sussex College. He is a Roman cultural historian and his books include Suetonius: The Scholar and His Caesars (1983), Augustan Rome (1993), Houses and Society in Pompeii and Herculaneum (1994), Rome's Cultural Revolution (Cambridge, 2008) and Herculaneum: Past and Future (2011). Former Director of the British School at Rome, he has directed archaeological projects at Pompeii and Herculaneum. This book is the result of his project on the Impact of the Ancient City, which received funding from the European Research Council.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Curated by Enrico Fink, Shirat Hayam: The Song of the Sea (Centro Primo Levi, 2023) inaugurates the Erna Finci Viterbi Chàzanut Roundtable, a workshop and program series on Italian Jewish music and liturgy established by Centro Primo Levi in memory of a dear friend and board member whose love for tradition and dedication to learning have profoundly contributed to shape the center’s principles.
This project aims at facilitating new recordings of Italian and Mediterranean cantorial music and circulating the existing ones.
Publications, recordings and essays collected for this program are available through the Online Thesaurus of Italian Jewish Music (www.jewishitalianmusic.org) designed to provide tools to those interested in learning, practicing or simply enjoying this art, including scholars, musicians, cantors and bar/bat-mitzvà students wishing to include some of this beautiful music in their liturgical repertoire.
The Thesaurus was created by Centro Leo Levi in collaboration with Centro Primo Levi, and the generous contribution of the Viterbi family of San Diego. It is being developed in collaboration with the Jewish Music Research Center of the University of Jerusalem and in partnership with the National Library of Israel, CDEC, and the Fondazione Beni Culturali Ebraici Italiani.
Sharing and participating were among Erna’s most cherished values and she regarded them as an indispensable foundation of human relations and endeavors.
For centuries, partaking in the communal prayer through the knowledge of its musical canons and variations has been an essential component of Jewish life. The repertoires that flourished in small communities throughout the Mediterranean reflect trade, travels and exchanges and resulted in a tapestry of sounds that, still preserved within local communities, can become an inspiration outside of their native environment.
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Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, in Leonardo da Vinci: An Untraceable Life (Princeton University Press, 2025) Dr. Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value.
In this original and provocative book, Dr. Campbell examines the strangeness of Leonardo’s words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo’s contemporaries, workshop, and writings, Dr. Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo’s life that a less familiar and far more historically significant figure appears.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
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Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions.
This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
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The beguiling ruins of Rome have a long history of allure. They first engaged the attention of later mediaeval tourists, just as they do today. The interest of travellers was captured in the Renaissance by artists, architects, topographers, antiquarians, archaeologists and writers. Once the ruins were seen to appeal to visitors, and to matter for their aesthetic quality, their protection and attractive presentation became imperative. Rome's ruins were the first to be the object of preservation orders, and novel measures were devised for their conservation in innovative archaeological parks. The city's remains provided models for souvenirs; paintings of them decorated the walls of eighteenth-century English country houses; and picturesque sham Roman ruins sprang up in landscape gardens across Europe. Writers responded in various ways to their emotional appeal.
Roland Mayer's The Ruins of Rome: A Cultural History (Cambridge UP, 2025) will delight all those interested in the remarkable survival and preservation of a unique urban environment.
ROLAND MAYER is Emeritus Professor of Classics at King's College London.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Have you ever heard of Lingua Napoletana or Neapolitan, the language of Naples?
In this episode of the Language on the Move Podcast, Tazin Abdullah speaks to Massimiliano Canzanella, a Neapolitan language activist.
The conversation delves into the history of the Neapolitan language and the interplay of culture, race, and national identity that have contributed to the oppression of the language and its speakers. Massimiliano also discusses his own journey as a language activist and the movement to preserve Neapolitan, including his novels, Set Your Soul To It and You Don’t Say, which were the first ever to be written entirely in Neapolitan (and also available in English translation)
For additional resources, show notes, and transcripts, go here.
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Becoming couture: The Italian fashion industry after the Second World War (Manchester University Press, 2024) by Dr. Chiara Faggella is the first book to examine the history of the Italian fashion industry during the global transition brought about by the Second World War. It draws on a wide range of primary sources, some of them newly unearthed, to demonstrate that the Italian fashion industry in the Republican era continued to rely on business practices and professionals established during Fascism. Analysing changes in promotional discourses and press coverage, the book traces the shift that occurred when manufacturers were encouraged to expand their exports of accessories to include sportswear, knitwear and moda boutique. This ultimately led to the legitimisation of Italian dressmaking as creatively independent of French influences and therefore worthy of the label 'couture'.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The Unruly Tongue: Speech and Violence in Medieval Italy (University of Pennsylvania Press, 2025) by Dr. Melissa Vise, offers a new account of how the power of words changed in Western thought. Despite the association of freedom of speech with the political revolutions of the eighteenth century that ushered in the era of modern democracies, Dr. Vise locates the history of the repression of speech not in Europe’s monarchies but rather in Italy’s republics. Exploring the cultural process through which science and medicine, politics, law, literature, and theology together informed a new political ethics of speech, Dr. Vise uncovers the formation of a moral code where the regulation of the tongue became an integral component of republican values in medieval Europe.
The medieval citizens of Italy’s republics understood themselves to be wholly subject to the power of words not because they lived in an age of persecution or doctrinal rigidity, but because words had furnished the grounds for their political freedom. Speech-making was the means for speaking the republic itself into existence against the opposition of aristocracy, empire, and papacy. But because words had power, they could also be deployed as weapons. Speech contained the potential for violence and presented a threat to political and social order, and thus needed to be controlled. Dr. Vise shows how the laws that governed and curtailed speech in medieval Italy represented broader cultural understandings of human susceptibility to speech. Tracing anthropologies of speech from religious to political discourse, from civic courts to ecclesiastical courts, from medical texts to the works of Dante and Boccaccio, The Unruly Tongue demonstrates that the thirteenth century marked a major shift in how people perceived the power, and the threat, of speech: a change in thinking about “what words do.”
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In this episode Saeed Khan and Hizer Mir take a trip to Muslim Sicily, via a new book edited by Nuha Alshaar. They are also joined for this conversation by Shainool Jiwa, one of the authors whose work is featured in this edited volume. They discuss the period from around 800 CE to the mid-13th century, one characterised by a large Muslim presence which still exerts an important, though sometimes forgotten, influence on the present. This episode is one of our Forgotten Ummah episodes, where we discuss Muslimness in places not traditionally thought of as ‘Muslim’.
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Class Meets Land: The Embodied History of Land Financialization (University of California Press, 2024) by Dr. Maria Kaika & Dr. Luca Ruggiero reveals something seemingly counterintuitive: that nineteenth-century class struggles over land are deeply implicated in the transition to twenty-first-century financial capitalism. Challenging our understanding of land financialization as a recent phenomenon propelled by high finance, Dr. Kaika and Dr. Ruggiero foreground 150 years of class struggle over land as a catalyst for assembling the global financial constellation. Narrating the close-knit histories of industrial land, industrial elites, and the working class, the authors offer a novel understanding of land financialization as a “lived” process: the outcome of a relentless, socially embodied historical unfolding, in which shifts in land’s material, economic, and symbolic roles impact both local everyday lives and global capital flows.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Listen to this engaging podcast with historian Robert Austin, the author of Royal Fraud: The Story of Albania's First and Last King (Central European UP, 2024). In the book, Austin explains the rise and fall of Albania's first and only monarch, King Zog!. The road to becoming Europe's youngest president in 1925 and king of Albania in 1928 was paved with feuds and assassinations. Zog retained his power until his "friend" Mussolini ousted him in 1939. He left Albania with almost no roads or trains, thoroughly uneducated and utterly impoverished. Zog may have regretted sending a young Enver Hoxha to France on a state scholarship. But one thing Hoxha did learn from Zog: it makes sense to have your rivals murdered. In this podcast, Austin talks about Zog, Albania's communist project, Italy's interest in the Balkans, Albania's limited reckoning with its communist human rights violations and its failure to identify a "usable past."
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Women from the Ricasoli and Spinelli families formed a wide variety of social networks within and beyond Florence through their letters as they negotiated interpersonal relationships and lineage concerns to actively contribute to their families in early modern Italy. Women were located at the center of social networks through their work in bridging their natal and marital families, cultivating commercial contacts, negotiating family obligations and the demands of religious institutions, facilitating introductions for family and friends, and forming political patronage ties.
Gender and Family Networks in Early Modern Italy (Amsterdam UP, 2025) argues that a network model offers a framework of analysis in which to deconstruct patriarchy as a single system of institutionalized dominance in early modern Italy. Networks account for female agency as an interactive force that shaped the kinships ties, affective relationships, material connections, and political positions of these elite families as women constructed their own narratives and negotiated their own positions in family life.
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When we think of the sixteenth-century arrival of European missionaries in East Asia, there is a tendency to imagine this meeting as a civilizational clash, a great meeting of two fixed cultures. This clash is symbolized in the ‘Ricci map(s)’: a map created by a Jesuit missionary to bring scientific cartography to East Asia. Remapping the World in East Asia: Toward a Global History of the “Ricci Maps” (Hawai’i University Press, 2024) rethinks these maps and this encounter. By taking a global approach, Remapping the World in East Asia explores how the ‘Ricci map,’ far from being one map by one man, was not only collaboratively made, but was also endlessly reinterpreted and contextualized through copying, circulation, and reproduction across East Asia.
Editors Mario Cams and Elke Papelitzky have put together a broad range of chapters that explore different kinds of maps, mapping practices, and connections. This book highlights the interconnectedness of China, Japan, Korea, the Ryukyu Kingdom, Vietnam, and the Philippines, as well as the importance of paying attention to materiality. This edited volume should be of interest to those in East Asian studies and early modern history, as well as anyone interested in maps, mapping, and what is possible when you pay close attention to issues of production, circulation, and reception.
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Ordering Customs: Ethnographic Thought in Early Modern Venice (University of Delaware Press, 2023) explores how Renaissance Venetians sought to make sense of human difference in a period characterized by increasing global contact and a rapid acceleration of the circulation of information. Venice was at the center of both these developments. The book traces the emergence of a distinctive tradition of ethnographic writing that served as the basis for defining religious and cultural difference in new ways.
Taylor draws on a trove of unpublished sources-diplomatic correspondence, court records, diaries, and inventories-to show that the study of customs, rituals, and ways of life not only became central in how Venetians sought to apprehend other peoples, but also had a very real impact at the level of policy, shaping how the Venetian state governed minority populations in the city and its empire. In contrast with the familiar image of ethnography as the product of overseas imperial and missionary encounters, the book points to a more complicated set of origins.
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Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters.
By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise.
Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways.
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Why Cicero Matters (Bloomsbury, 2023) shows us how the Roman philosopher and statesman Marcus Tullius, better known as Cicero, can help realize a new political world. His impact on humanitarianism, the Enlightenment and the Founding Fathers of America is immense. Yet we give Julius Caesar all our attention. Why? What does this say about modern politics and political culture?
This book gives us Cicero as an antidote to the myth of the strong man of history. Reading Cicero's On Duties alongside two more introspective philosophical texts, On Friendship and On Old Age, we see how Cicero turned politics into a higher, intellectual form of art, believing in education, in culture and above all in the power of philosophy to instil morality. Cicero has reassuring words on the indispensable work philosophers make, and why the common good needs philosophy.
In an age when anti-intellectualism runs rampant, Why Cicero Matters introduces us to an ancient thinker who argues culture is, or ought to be, the foundation of any modern democracy, and books its building blocks.
Vittorio Bufacchi is Senior Lecturer in Philosophy at University College Cork, Ireland. He works in moral and political philosophy. He is the author of Violence and Social Justice (2007); Social Injustice (2012); and Everything Must Change: Philosophical Lessons From Lockdown (2021).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Historian Sarah E. Bond retells the traditional story of Ancient Rome, revealing how groups of ancient workers unified, connected, and protested as they helped build an empire
From plebeians refusing to join the Roman army to bakers withholding bread, this is the first book to explore how Roman workers used strikes, boycotts, riots, and rebellion to get their voices—and their labor—acknowledged. Sarah E. Bond explores Ancient Rome from a new angle to show that the history of labor conflicts and collective action goes back thousands of years, uncovering a world far more similar to our own than we realize.
Workers often turned to their associations for solidarity and shared identity in the ancient world. Some of these groups even negotiated contracts, wages, and work conditions in a manner similar to modern labor unions. As the world begins to consider the value—and indeed the necessity—of unionization to protect workers, Strike: Labor, Unions, and Resistance in the Roman Empire (Yale UP, 2024) demonstrates that we can learn valuable lessons from ancient laborers and from attempts by the Roman government to limit their freedom.
New Books in Late Antiquity is presented by Ancient Jew Review
Sarah E. Bond is the Erling B. “Jack” Holtsmark Associate Professor in the Classics in the Department of History at the University of Iowa. She is the author of Trade and Taboo: Disreputable Professions in the Roman Mediterranean. She lives in Iowa City, IA.
Michael Motia teaches in Classics and Religious Studies at UMass Boston
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Queen of Sorrows: Plague, Piety, and Power in Late Medieval Italy (Cornell University Press, 2024) by Dr. Bianca Lopez takes an original approach to both late-medieval Italian history and the history of Christianity, using quantitative and qualitative analyses of a remarkable archive of 1,904 testaments to determine patterns in giving to the Virgin of Loreto shrine in the late fourteenth and early fifteenth centuries. Dr. Lopez argues that in central Italy, as elsewhere, the cult of the Virgin Mary gained new prominence at this time of unprecedented mortality. Individuals gave to Santa Maria di Loreto, which houses the structure in which Mary is believed to have lived, as an expression of their grief in the hope of strengthening family lineages beyond death and to care for loved ones believed to be languishing in purgatory.
Dr. Lopez establishes statistical correlations between different social groups and their donations to Loreto over time, uncovering informative new historical patterns such as the prominence of widow and migrant donors in the notarial record. The testaments also provide a social history of Recanati, revealing how its denizens venerated Mary as a saint with unrivaled spiritual power and uniquely sympathetic to grief, having lost her own son, Jesus. In the fourteenth century, plague survivors transformed their anguish into Marian devotion. The devastation of the plague brought the Virgin out of noble courts and monasteries and onto city streets. As Queen of Sorrows details, however, the popularity and growing wealth of Loreto's Marian shrine attracted the attention of the papacy and peninsular seigneurial lords, who eventually brought Santa Maria di Loreto under the control of the Church.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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