Afleveringen
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Dafa Khalahs are traditional Newa music groups in theKathmandu Valley. Maharjan and Manandhar families have Dafa Khalahs in every tole (locality), which sing traditional, devotional songs, either every day or during certain months. Hitherto, the tradition had been completely male. But that is changing as a small number of women have started entering Dafa Khalahs. Women overcome many challenges to learn and perform this ancient genre, whichis helping to revive a rich, centuries-old heritage on the decline.
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Mangalinis are women who sing auspicious songs for religious rituals. The tradition of women singing auspicious songs for rituals was once widespread among Nepal's Hindu communities, but is declining today. This episode is concerned with the royal Mangalinis employed by Nepal's erstwhile royal family. After the end of monarchy, the women continue to sing for Dashain rituals at Hanumandhoka. Their songs contain elements of folk traditions but were crafted to meet changing priorities of the court. The women's status as 'auspicious' stems from the Hindu reverence of women's powers of creation.
The podcast discusses the royal Mangalinis, their songs, and includes an interview with ethnomusicologist Carol Tingey who researched the Mangalinis.
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Zijn er afleveringen die ontbreken?
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The Uranws are a unique indigenous community living inSouth-east Nepal. The small community of just over 40 thousand Uranws is highly marginalized but their culture and language continue to flourish in their dense settlements. The Uranw language (also called Kurux or Kudukh) is Nepal's only Dravidian language, they worship nature and build no temples to worship their deities. In this podcast we discuss their songs, folklore, and mythology, which tell stories of their tenacioussurvival in face of dominance. Uranw mythology traces their journey though the subcontinent in the past few millennia, expressing their sense of loss of land, status, and privilege which characterizes their present life.
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The Sherpas are famous all over the world for their close relationship with the highest mountains of the world - the Himalayas. This relationship is also reflected in their songs. Many Sherpa songs sing about the Himalayas, praise their beauty, and revere them as sacred places. Also, the songs sing about the relationship between nature and life, and the need to conserve and love the mountains.
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Tamangs live mostly in the Central hills and mountains of Nepal, and their music is rich in rhythm and lore. In this episode, we touch upon various aspects of Tamang music. Phapare songs that are unaccompanied by any musical instruments, and may be sung to the rhytm of the quern stone - indicating that since the dawn of humanity, music has been used by humans to make work bearable. Searching for the roots of Tamang music leads one first to this purely vocal music, followed by the beat of the dhyangro - a drum used by religious leaders. How tracing the dhyangro leads one to the Tamang's religious history, you can find out in the episode. And finally, we end by enjoying the famous Tamang Selo, sung and danced to the beat of the Damfu, which has long been a staple of mainstream Nepali music.
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Music not just entertains, but also has the capacity to plumb the depths of human emotions and portray the full spectrum of human experiences. An example of one such song is a bhajhan that is sung to console people after the death of a beloved ones. Singer Basanti Chaudhary brings us this and a few other Tharu songs from Dang. The Tharus are an ethnic community who live in South Nepal, spread from East to West of Terai. Tharus of each region have different and large heritage of music and arts.
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Dolpa is one of the most remote regions in Nepal, and it takes two days to walk to Pungmo village from the district's only airport. In Pungmo, some music conservationists are trying to conserve their traditional songs. The songs are sung in a language similar to Tibetan, also called Zhang Zhung by the residents, and reflect the wide spectrum of life in the Himalayas. Recently, the musicians from Pungmo collaborated with two musicians from Chile to produce fusion music.
This podcast is divided into two parts. 0:00-0:24 is about the songs from Pungmo. 0:24-0:35 is about the Chilean and French connection of the Pungmo music.
For this episode, I would like to thank the singers from Pungmo - Pemba Tashi Lama, Soam Lhamu Baijee, Yungdung Sangmu Lama and Pasang Nima Baijee, Pungmo' music conservationist Semduk Lama, Chilean musicians Thomas Carrasco and Moa Edmunds, and videographer Eric Chandra Shrestha for speaking to me, and for their permission to include their music in the podcast. -
Listen to the sounds of Kusunda , a language isolate with no
other language in its category, one of the rarest languages in the world with
just one native speaker alive. The last Kusunda speaker Kamala Khatri is a
resource person for the language Commission's project Kusunda curriculum. Sewa
Bhattarai brings excerpts from this audiobook, and speaks to Kusunda language
teacher Uday Raj Ale and one of his students Hima Kusunda, who has created a
song in this language at the brink of extinction. -
This trailer introduces the podcast Raithane Bhakha.
Raithane Bhakha is a podcast about Nepal's music. There are
more than a hundred ethnic communities in Nepal, each one with one or more
musical traditions. The podcast is mostly focused on the folk music of these
communities, especially on indigenous and ritual music which is rarely played, heard,
recorded or commercialized beyond its immediate community.
The podcast will also discuss other aspects of Nepal's
music.
The podcast is produced by Sewa Bhattarai, with songs she recorded
over the years from people of Nepal.
