Afleveringen
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This week, we talk to Nick Brine (who, as a teenager, worked on The Stone Rosesâ 2nd LP & Oasisâ Whatâs The Story Morning Glory and has worked with everyone from Nick Cave to Bruce Springsteen) about the legendary Welsh recording studio that Nick got his start in the doc Rockfield: The Studio On The Farm. We discuss all the legends that have recorded there from Hawkwind to Queen from The Beta Band to Shane MacGowan, how The Ward Brothers who created Rockfield transformed their family farm into the first residential recording studio in the world, using pig stalls for reverb chambers, Joe Meek, the birthplace of Britpop, dealing with the paparazzi, Kingsleyâs ability to spin yarns, Iggy Pop & David Bowie recording with a piece of cheese, the magic of the Welsh countryside, driving Robert Plant around, Roy Thomas Bakerâs gold toilet seat, the posh side of town vs the farmer side of town, Andy Wallace, Nickâs very strange initial job interview, Nickâs first two sessions with Sepultura and The Stone Roses, getting used to seeing rock bands walking around your small town, working with Oasis and Nick witnessing the legendary fight that broke them up, if the Stone Roses ever get any work done in the 14 months they were there, the Wonderwall wall, using bathroom hallways as vocal booths, building studios with members of the Darkness,Teenage Fanclub and so much more!
If you want amazing stories about one of the most magical places that somehow created much of the greatest music ever madeâŠyouâve got it on this weekâs episode of Revolutions Per Movie!!!
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie.bsky.social
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to journalist and author KATHERINE YESKE TAYLOR (Sheâs A Badass: Women In Rock Shaping Feminism) about the much-requested film PURPLE RAIN!!! We get to discuss Katherineâs start at interviewing bands at age 16 and fighting against her highschool newspaper to do so, how she put her book together (interviewing Suzie Quatro to Lydia Lunch to Death Valley Girls), seeing Purple Rain in a movie theater vs. seeing it at home on VHS, how the First Avenue (the lengendary music club in Minneapolis) is such a strong character in the film, the cultural saturation of Prince at this time, the genesis of the film getting made, Princeâs complete artistic control & how he did not talk to the press for over 2 years after the film came out, Princeâs un-finished first film The Second Coming with director Chuck Statler (director of Devo, Elvis Costello and The Time videos), jamming a movie into a 3 1/3 minute music video during the early 80s, Morris Dayâs film stealing performance and his post-Purple Rain career, the acting stylings of Prince and his band, the confusing plot point of the bands playing only one song at a time at the club in this movie, the competitive nature of bands, the managment of the club telling Prince not bring his personal shit up onto the stage (when thatâs all he does!), seeing performers have a meltdown on stage, how much of the movieâs storyline doesnât work for modern audiences, the difference between the sexuality of this film vs. his albums, how Prince was also a champion for women in music when men werenât, Wendy & Lisa, When Doves Cry, the final freeze frame of the film & the guitar climax that leading up to it, Whitesnake, how Prince followed up Purple Rain with some of his most esoteric work to date & how at the age of twenty-six Prince already knew that he did not want to do Purple Rain 2!
So letâs whip our heads quickly towards the camera, and then letâs go crazy on this weekâs episode of Revolutions Per Movie!!
KATHERINE YESKE TAYLOR:
https://bookshop.org/p/books/she-s-a-badass-women-in-rock-shaping-modern-feminism-katherine-yeske-taylor/19792657?ean=9781493072545
@kyt_in_nyc
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to author and music critic MARC MASTERS (High Bias: The Distorted History Of The Cassette Tape, Pitchfork, The Wire) about the film THE DEVIL AND DANIEL JOHNSTON and the cassette tape culture surrounding Daniel. We also discuss our elaborate tape trading stories and sequencing your perfect mixtape, Bananafish magazine, Sebadoh, Homestead Records, ordering Daniel Johnston cassettes directly, Danielâs religious upbringing, arguing with his Mom and how he put it directly into his music, Sun City Girls, why Danielâs music benefited from being on cassette vs vinyl/cd, how home recording allowed you to hear the physical space of the artistâs bedroom or garage, how the film initially was going to be a Grey Gardens vĂ©ritĂ© styled film, Danielâs muse Laurie, director Jeff Feuerzeigâs stunning recreations in this film and Danielâs help in art directing them, Chrisâ real time experience on seeing Daniel on both airings of The Cutting Edge and how different those two performances were, Daniel and his childhood friend Davidâs relationship, rock nâ rollâs weird fascination with peopleâs mental struggles from Syd Barrett to Roky Erickson, how a Jeff Feuerzeig documentary is unilke any other documentaries, the myth of Daniel recording his tapes over and over again each time he gave one away, Kurt Cobain changing Danielâs life forever with a t-shirt, Danielâs major label bidding war, why Metallica gave the movie a chance to use their own music within it, Sonic Youth driving around looking and finding a missing Daniel Johnston in NYC, cataloging all of Danielâs tapes, Chris going through all of Robert Pollard's cassette archives, Danny & The Nightmares and more!
So reach into your McDonald's bag and pull out a Daniel Johnston cassette as we discuss one of the greatest documentaries of our lifetime on this weekâs episode of Revolutions Per Movie.
Marc Masters:
https://uncpress.org/book/9781469675985/high-bias/
@marcissist
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to documentary filmmaker Katherine Linton about her Sundance Channel documentary Follow My Voice: The Music of Hedwig, which follows the students of the Harvey Milk School in NYC and John Cameron Mitchell & Stephen Trask of Hedwig & The Angry Inch (and Revolutions Per Movie host Chris Slusarenko) putting the charity album together. We discuss the stress of not letting Kim Deal of The Breeders know that Frank Black was also appearing on the record, the unknown magic and chance in picking subjects for documentaries, the experience of having Jonathan Richman singing only to you, and Yoko Ono being asked to be slapped on the back while recording her tracks.
So come put on some makeup and turn on the 8-track on this weekâs episode of Revolutions Per Movie.
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to actor, writer, and comedian DC PIERSON (Community, Derrick Comedy & author of The Boy Who Couldnât Sleep and Never Had To) about the legendary THIS IS SPINAL TAPâ! We discuss the genesis of the project and the trials of making the movie, the original 4 1/2-hour cut of the film and the significant changes throughout the film, the similarities/differences between the comedy & music world, why musicians want to be comedians and vice-versa, what makes a subject ripe for parody, what are the other great mock-rock comedies, losing your way to the stage IN REAL LIFE & the time Sub-Pop Records asked Chris to CUT HIS HAIR!
So become lukewarm water with us on this weekâs Revolutions Per Movie!
DC PIERSON:
https://dcpierson.wpcomstaging.com/
https://www.penguinrandomhouse.com/authors/102446/dc-pierson/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to BRETT BOHAM (producer of Double Threat & The Best Show w/ Tom Scharpling + co-host of Movies Babyyyyy) about the UK film 24 HOUR PARTY PEOPLE. We discuss Steve Cooganâs incredible performance as Tony Wilson (who put out records by Joy Division, New Order, Happy Mondays) and Paddy Considine as Rob Gretton, unearthing fake Stone Roses footage that was not used in the film, pivotal video store moments, working with Julie Klausner & Tom Scharpling, Brett being able to relate to Tony Wilsonâs handling of artists, discovering Joy Division, Shawn Rider, visiting the Hacienda, Goodfellas coke scenes, The Fall and the Manchester music scene, Tony Wilson being a prick in real life, Hollywood Vs. Blockbuster video stores, the B52s and the Athens music scene, Fassbinder films, getting your videos from your local bike shop, 1999 movies, the UK music press, Outkast, how the film uses actual news footage of Tony Wilson, backing up being a pretentious person, Todd Haynes, the Factory Records artwork, not having a contract with an artist, Martin Hannett, legendary under attended rock shows, early White Stripes and Dinosaur shows, how the Sex Pistols playing Manchester changed the course of music forever, Touch & Go records & Butthole Surfers, filmmaker Michael Winterbottom, Coffee & Cigarettes, Alan Partridge, A Certain Ratio, passing the car stereo test, skinheads infiltrating the UK music scene, Pulp and various Factory releases such as #61 Lawsuit featuring Martin Hannett & #501 Tony Wilsonâs Coffin.
So, letâs go ahead and sign a contract in blood as we delve into this weekâs Revolutions Per Movie.
BRETT BOHAM:
https://foreverdogpodcasts.com/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to musician LARRY SCHEMEL (Roky Erickson, Death Valley Girls, The Flesheaters, Kill Sybil) about the Roky Erickson documentary Youâre Going To Miss Me. We get to find out Larryâs path to working with Roky Erickson & what it was like touring with Roky, Rokyâs family situation, does the film show a fair look into Rokyâs life at the time, how hard the film is currently to find to view, where we first discovered the 13th Floor Eleveators and what the band meant to us, Velvet Underground, The Nuggets Complation & oldies stations, The Sonics, Forced Exposure Magazine and zine culture, the Elevatorâs discography, how the band avoided the hippie-trippie music that was being made at the time, the mythology of Roky & his band The Aliens, Rokyâs mother Eveyln, the mysterious jug members of the Elevators, acid, Cold Sun, electric distorted Autoharp, Rokyâs Horror Rock, Stu Cook from CCR producing Roky, 415 records, Roky being pulled onstage to sing at a Butthole Surfers show against his will, the chapters that happened after this film ends, how Rokyâs songs were structured and what it was like to play them & how Roky knew the songs by the first couple notes.
So donât fall down on this weekâs emotional episode of Revolutions Per Movie.
LARRY SCHEMEL:
Instagram: @larryschemel
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we are joined by documentary filmmaker RYAN WORLSEY to discuss her film STAND BY FOR FAILURE: A DOCUMENTARY ABOUT NEGATIVLAND. We discuss how Ryan was introduced to the world of Negativland and what she thought of it, how she decided the best way to tell their complicated but surpringly emotional story, the fair use doctrine and copyright law, are Negativland really a band, David Wills (aka The Weatherman) and his astonishing talents & laughter through it all, Negativland's origin story, how Negativlandâs current live show We Can Really Feel LIke Weâre Here might be their most powerful work to date, the band signing and then getting sued by SST Records, their long-running radio show Over The Edge, what Negativland did with band member Don Joyceâs ashes after his passing, can you still culture jam today, plunderphonics, how Negativlandâs perceptions of the world are formed through their music and then mirrored back to us, Richard Lyons' and his alter egos, the U2 lawsuit against the band, the majesty of Casey Casem swearing, the resilience of the band through all their hardships, seeing the inside of The Residentsâ recording studio in the film, the Christianity Is Stupid murder myth, how artistâs are still getting ripped off, what itâs like being the subject of a documentary, where Ryan & Negativland stand on AI, and the cultural desert that is the suburbs.
Is there any escape from noise? Find out on this weekâs episode of Revolutions Per Movie!!!
RYAN WORSLEY:
http://pool-food.com/failure/
NEGATIVLAND:
https://negativland.com/
https://negativland.com/negativland-documentary
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we welcome the most rock person to ever appear on the showâthe legendary comedian, actor, musician, and shredder DAVE HILL, who picked THE ROLLING STONES ROCK AND ROLL CIRCUS to discuss. We also discuss how Exile On Main Street should be the only album played in restaurants, Daveâs inner fifteen year old, Crab Bucket Syndrome and the âLaw Of Janteâ, which is more taxing: touring as a musician or as a comedian, what commericals would have played on this British TV show, do the Stones pull off their bad boy/satanic imagery, missing the Jethro Tull boat, the origins of the film and why it remained in the vault for almost 30 years, who else should have been in the show, Led Zeppelin, tattoo nightmares, The Action, the original tour concept with The Small Faces & The Who, the first recorded instance of Ian Anderson standing on one leg, Richard Meltzer, getting scared by album artwork, Gary Panter and Songs For Swinging Larvae, Tommy Iommi subbing in here for Jethro Tull, why Dave Hill thinks Marianne Faithfull steals the film, hanging out with Yoko Ono, Robert De Niro and a toolbox, Charlie Is My Darling and the Irish Rolling Stones riots, and Dave has a last minute regret on this very special episode of Revolutions Per Movie.
Yer blues, John, Yer bluesâŠon this weekâs episode of Revolutions Per Movie!!!
DAVE HILL:
https://www.davehillonline.com/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to actor, writer, and improviser DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about Martin Scorseseâs concert film about THE BAND, THE LAST WALTZ !!!
We discuss Davidâs connection with The Band and the the sadness inherent in the film, how every member of The Band can be the coolest depending on which way youâre watching, how the film can be tainted by their history, how David discovered and watched the entire evening of music and whatâs missing from the film, marveling in how long the night actually lasted and imagining what the turkey dinner tasted like, Scorseseâs secretive approach to intially making the film, how they got all these masters of cinematography to participate, The Staple Singers &Van Morrison, how the first song seen in the film is the last song they performed that night, The Basement Tapes, Chrisâs familyâs 3 generation admiration of Davidâs work & how David uses silence in his work, how The Band seemed small town-ish while being one of the biggest rock bands in the world, the debate on who wrote the actual lyrics, how heavily Scorsese storyboarded and prepared for this film, how they had to transform the Filmore to film the concert, the song Stage Fright and if David ever gets that when performing, Joni Mitchell stealing the show, gettting Neil Youngâs rare ability to smile and his cocaine nose booger removal techinolgoy, the accidents that happen in this film and why they are magical, the band/gang mentality vs. being a loner, the fear of public humilation, Dylanâs decision at the last minute that he didnât want to be filmed for the movie and how they got him to change his mind, the endless end of night jams with Ringo and Ron Wood, Scorseseâs flawed Rolling Stones film and more!
So letâs fill up on a turkey, waltz, and dance to The Band on this weekâs episode of Revolutions Per Movie!!!
DAVE PASQUESI:
https://www.davidpasquesi.com/
https://www.tjanddave.com/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we celebrate Revolutions Per Movieâs 1 year anniversary with filmmaker and actor OWEN KLINE (A24âs Funny Pages), who chose one of the most anticipated music films to discuss on the podcast, THE WHOâS TOMMY.
We discuss the chicken/egg of the movie vs. the lp, the baked bean mythology, Ken Russellâs pre-filmmaking history from being a ballet dancer to dodging the war, Russellâs early BBC Composer films, Richard Lester and Lindsay Anderson, Robert Crumb and Fantagraphics Books, being a cultural dinosaur, the concept of selling out, the precision of the film that betrays its midnight movie status, Whoâs Next, how the Tommy LP kept The Who from breaking up, the ARP synth, the use of repetition in both the LP and the movie, transgressive music, how and why Townshend kept changing the shape of the story of Tommy, the aborted projects LIFEHOUSE & THE ANGELS that used elements to make the film Tommy, could we pick up the concept album plot before seeing the movie (and even after seeing it!), Ann-Margretâs Oscar-nominated performance, the amount of sweat that appears on actors in the film, the surprising debut acting turn of Roger Daltrey, the UK white boy blues movement, Russellâs choice of having the actor sing, including Jack Nicholsonâs strange turn, Keith Moonâs approach to Uncle Ernie, Chrisâs concept double album Colonel Jeffrey Pumpernickel, Tina Turnerâs incredible performance as the acid queen and how Mick Jagger was in talks to do the role instead, does Elton John and Tina turner steal the film, the strange final 1/3 of the film, Dauhgltreyâs perfect cartwheels, acting through song and so much more!
We are also joined by special guest Barry Winch, who starred in TOMMY as âYoung Tommyâ!!! He illuminates us both about being a child on the set of the strange film, what it was like working with Ken Russell, Ann-Margret & Oliver Reed, how they got honest performances out of him as a child actor, how The Who protested going to the premiere unless he was invited (since he was underage), how Ken Russell himself accidentally cast him, his familyâs acting history, playing hide and seek with Oliver Reed, what it felt like being on the set of that movie, what the Tommy props from the film have been auctioned at, why he wasnât allowed to wander around the set, his favorite memories and some moments of being afraid as well.
All this and more as we celebrate the one year anniversary of REVOLUTIONS PER MOVIE!!!
OWEN KLINE:
https://a24films.com/films/funny-pages
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to CRAIG FINN of THE HOLD STEADY & âThatâs How I Remember Itâ podcast about the legendary cult classic ROCK âNâ ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young personâs game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYXâs KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Danteâs script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the bandâs song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!
So, letâs tear up our permanent records on this episode of Revolutions Per Movie!!!
CRAIG FINN:
https://craigfinn.net/
https://theholdsteady.net/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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For our 50th episode, we talk to the legend PEACHES CHRIST about one of her favorite music documentaries, D.A. Pennebaker & Chris Hegedusâ DEPECHE MODE 101. We discuss why this film became Pennebakerâs favorite film (over his films about Dylan & Bowie) and why the film director wasnât a fan when he first started the project, Peaches discovery and obsession with the VHS tape of this doc, how even though Depeche Mode were straight they loved their queer fans, how the band grew into a global sensation, the choices of editing in the film, how the filim was the precusor to MTVâs The Real World & Road Rules, the time Peaches set the stage of her celebration of the film CARRIE on fire, John Waters & Mink Stole, youthful indescretions, the legendary film series MIDNIGHT MASS which includes drag queen rollerderbies and free lap dances with each tub of popcorn purchased, early Halloween productions in the woods, dealing with Russ Meyer, The Cockettes, the boredom and nerves of waiting to go onstage, how different the era was for the the kids in the film and how different it would be made today, the pressure of Depeche Mode playing the rose bowl, nerds as rock icon, Wax Trax Records, trying to upset your parents through your music tastes, when people who are mean to you start loving your favorite bands, Dave Gahanâs stage presence, Freddie Mercury, Peachesâ regrets with Depeche Mode and the bandâs crossover into the masses, waiting in line to get concert tickets in a mall, Robert Smith Vs. Ticketmaster, what the fans felt as Alan left Depeche Mode, the grind of band interviews, and Chris discusses the early days of his video store and the search for cult film obscurities.
So letâs watch the curtain drop to reveal the band on this weekâs Revolutions Per Movie!!!
ï»żhttps://peacheschrist.com
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY, about the 1981 2 Tone concert film DANCE CRAZE. We discuss the filmâs volatile production, how the filmâs genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelinâs The Song Remains The Same movie, Garvick Loseyâs involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specialsâ tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.
So lip up fatty and get into this weekâs episode of Revolutions Per Movie!
DANIEL RACHEL:
https://danielrachel.com/
Book tour w/ Daniel Rachel:
https://danielrachel.com/events/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to legendary actor, musician, performance artist, and writer ANN MAGNUSON (Bongwater, The Hunger, Making Mr. Right, Cabin Boy, Pyramid Club, Club 57) about the influential cinema jazz documentary Jazz On A Summerâs Day. We discuss the performances in the film (including Thelonious Monk, Anita Oâ Day, Chico Hamilton, Eric Dolphy to name a few performers), what it was like for Ann to inhabit Anita OâDay for the audio book of her autobiography, first impressions of Lou Reedâs Metal Machine Music, Annâs programing at the legendary NYC Club 57, Annâs new song âGhost Catâ with producer Don Dixon, her early life in West Virginia, D.I.Y. & Annâs SurRURALism techniques, success in the underground being a dirty word, the return of Vulcan Death Grip, being a professional walk-a-thoner, photographer & filmmaker Bert Stern, how the film brings a visceral sense of childhood for Ann, how Stern made the whole project happen with his own equipment and financing, Annâs parents and the dry Jazz club scene in West Virginia, filming Making Mr. Right and the new wave sensibility of the 80s, how Monkâs performance is presented in the film, Chris scats the Anita Oâ Day finale of âTea For Twoâ from his memory of repeated listening of the film at his video store, the white privilege throughout in the film, midnight Mahalia Jackson performances, how protest music is needed now more than ever and Ann reads from Anita Oâdayâs memoir about the performance that was filmed for this movie and how it changed OâDays life.
So letâs never sing the same song the same way twice on this weekâs episode of Revolutions Per Movie!
ANN MAGNUSON:
https://annmagnuson.com/
https://annmagnuson.bandcamp.com/album/ghost-cat
VULCAN DEATH GRIP:
https://www.youtube.com/watch?v=f2_dWSpDXJE
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to Australian musician, actor, and podcaster BEN LEE about the classic THE DECLINE OF WESTERN CIVILIZATION 2: THE METAL YEARS!!! We discuss how the film compares to the original punk rock film, Benâs genuinie love of heavy metal and the shot by shot tribute he made to this film for his latest music video, seeing the Mötley CrĂŒe Dr. Feelgood tour, Benâs transtion from metal into punk, Benâs thoughts on why Australia might not have the perfomative distance needed to have more glammy metal bands, the sadness that often permiates both films, the divisiveness within the 80s metal scene, the hightened sense of making it in L.A., Gene Simmons & Paul Stanleyâs scenes in the movie, Weezer, the Rainbow and the Sunset Strip, selling the rock n roll fantasy to teenagers, the 80s metal MTV video output, Lemmy, the brilliance of Penelope Spheerisâs approach to connecting to these kids in all the L.A. music scenes, the sexism in the film, Lizzy Borden, how some bands prefered asthetic over songs, seprateing the fake album titles from the actual album titles, the Grunge movement, how the idea of careerism came into the underground, taco bell and tour scheudling, Faster Pussycat, hiding the pain through comedy, the pay to play scam, the L.A. police crackdown on the punk, hiphop and metal scenes, satanic panic, not understanind the cultures that come after your time, the Chris Holmes swimming pool scene, the dissappearnce of tribalism in the scene, Redd Kross, losing friends to other music scenes, is music better than sex like they mention in the film, Prince, creativity and sexuality, Megadeth and more!
So get ready to tease your hair and scream for Odin in this weekâs episode of REVOLUTIONS PER MOVIE!!!
BEN LEE:
https://www.ben-lee.com/
Benâs music video tribute to THE DECLINE PT. 2 https://www.youtube.com/watch?v=Ojoi9iqXGHY
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to punk legend Jerry A Lang of Poison Idea, who discussed The Decline Of Western Civilization and the punk rock scene of that time. We talk about power of power of The Germs, Black Flag, Circle Jerks, the professionalism of X and Fear, how The Weirdos were supposed to have been in the film, how the audience in the movie theater started stage diving & smashing up the theater, the soundtrack LP, seeing Italyâs Raw Power play in your basement, The Desperate Bicycles, Slash & Search And Destroy magazine, booking punk shows, rock star attitudes in early punk rock, Poison Idea being the opening band for the movie and the fight that happened when the crowd showed up, being scared by The Fall and the No Wave LP, the death of Darby Crash, Chrisâ time working at a pizza parlor with four members of Poison Idea, the economics of punk rock living, crossing the street from heavy metal dudes, dressing like James Chance, the impact the film has as a younger viewer vs. as an older viewer, seeing The Wipersâ first show, kids putting on Pere Ubu Shows, soup kitchen rock stars, punk rockers scaring your home town residents, having being a treasurer in the early punk rock scene, why Social Distortion & Youth Brigade from the punk doc Another State Of Mind were not allowed to play in Portland, the short life span of 80s punk rock venues, is the film a Slash Records commercial, what bands would be in our dream version of Decline and so much more.
So, letâs innocently stage dive off the movie theaterâs stage for this weekâs Revolutions Per Movie!
JERRY A LANG:
https://americanleatherrecords.bigcartel.com/
https://rarebirdlit.com/black-heart-fades-blue-signed-by-jerry-a-lang/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to Homer Flynn of The Cryptic Corporation, who represents the mysterious, unknown collective, THE RESIDENTS, and discussed their legacy in film and video. Topics included the bandâs Theory Of Obscurity, which Resident is the easiest to negotiate with, how the band couldnât even give their initial records away and the moment that changed, creating the Ralph Records logo, what the Residents think of A.I., how they created their album artwork and music videos, collaborating with Night Flight, being The Residents during the pandemic, why The the collective gravitated to and stayed in S.F., working with John Sanborn & Graeme Whifler, The Residentsâ filmmaking heroes, making music videos in an era where there was no place to show them, how the Cryptic Corp deals with the bandâs larger than life concepts, the folly of trying to accomplish everything in oneâs lifetime, the story behind their Ugly Grey Theater not being allowed to exist, their early 70s feature length epic Vileness Fats and how it lead to the false start film Double Trouble which then led to their first feature length film 50 years later, Triple Trouble, and their discussion on their next large scale projects including a one song concert in Geneva and Paris.
So come all you sinister exaggerators and letâs talk the visuals of The Residents.
THE RESIDENTS:
https://www.residents.com/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to Grammy Nominated Visual Artist & Musician Perry Shall & Fangoria Magazineâs Editor In Chief Phil Nobile Jr about arguably their favorite film of all time, Phantom Of The Paradise!!! We discuss the filmâs incredible songs and performance by Paul Williams, Brian DePalmaâs homages and obsessions within the film, the ties (and lawsuit) associated with this film and Led Zeppelin, the 70s obsession with the 50s, our love for the character BEEF, our childhood discovery of this film, the iconic visual identity of the film, which came first Kiss or the movie, one fanâs obsession with restoring the film to its original state, bootlegging cable, the power of the indie video horror movie shelf, Jessica Harperâs iconic performance, the mask design of the Phantom and the Japanese Manga movement around it, slumber party watch parties, being scared of rock concerts and their potential violence, style vs substance, who is the mysterious billed ârock freakâ & how one lone city in the world has never stopped loving this film.
So let's discuss the man who made it, the girl who sang it and the monster who stole it on this week's episode of Revolutions Per Movie!!!
Perry Shall: https://www.perryshall.com/
Phil Nobile Jr: https://www.fangoria.com/authors/phil-nobile-jr/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to rapper, producer, visual artist, and video director VIDEO DAVE (whose new album with OPEN MIKE EAGLE & STILL RIFT as PREVIOUS INDUSTRIES is out now on MERGE RECORDS) about a film that speaks to him from the heart of his home town of Chicago and both of our childhoods, THE BLUES BROTHERS. We discuss the filmâs impact on Chicago (and vice-versa), tech vs. artistry, the incredible musical cameos in the film, Daveâs original story & the development of his iconic sewing skills, how he created a Jaws shot by shot video that he made for Previous Industries, splitting time between disciplines, making art on acid, the difficulty of being asked what your favorite movie is, 1980âs banner year for R-rated comedies, how the studio wanted The Blues Brothers to go disco instead of blues, how as kids the film was our first exposure to John Lee Hooker, James Brown and Aretha Franklin, the extended version of the film and what was cut out of the original release, Cab Callowayâs sequence in the movie, Dr. Detroit disappointment, the lovely sloppiness inherent in the film, Donald âDuckâ Dunn & Steve Cropper, the chicken wire bar scene and what venues Video Dave has played that were close to that experience, musicians being actors vs. actors being musicians, The Pope coming to The Blues Brothersâ movie set, other classic musicals, John Watersâ films being locked away in the adult section of the video store and so much more!
So letâs get the band back together on this weekâs Revolutions Per Movie!!!
VIDEO DAVE:
https://vaud.art/
https://videodave.bandcamp.com/
https://www.mergerecords.com/artist/previous_industries
Pliers Music Video: https://www.youtube.com/watch?v=blmGMjkxJVk
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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