Afleveringen
-
The track wasnât just a catchy hit in 1996 â there's more going on here than just a tune that gets stuck in your head.
Alright, letâs dive in. The song we're talking about is "I Don't Want to Wait" by Paula Cole, and it's tied so perfectly to Dawsonâs Creek that itâs hard to imagine the show without it. Try, go one, picture Dawsonâs massive forehead and curtains hairstyle with any other song. It may be fun, but it is not right, is it?
First, letâs consider the way Dawsonâs Creek changed the game for teen dramas. It wasnât just about the high school love triangles or the angst of growing up; it was about showing the complexities of relationships, the messiness of emotions, and the blurry lines between adulthood and adolescence.
(image: RTL.DE archive) -
Fountains, Umbrellas, Handclaps and double-takes it is of course, Friends....
....because, if weâre being honest, we could have kicked things off with this one but opted against it, as we felt it was too on the nose to begin a series with.
The theme song to Friends, âIâll Be There for Youâ by the LA alternative duo, The Rembrandts, is widely considered one of the best TV show themes ever made, and for good reason.
Aside from the fact that you can probably rattle off the lyrics verbatim, Iâll Be There For You really captures the heart of the show: lively, memorable, and full of that sense of friendship and togetherness that can only really be found on TV and/or prison. -
Zijn er afleveringen die ontbreken?
-
Today we're taking a sun-soaked trip down memory lane to explore the theme song of one of the most iconic shows of the '90s......... Baywatch.
Premiering in 1989, the show quickly became a global sensation. Itâs known for its beautiful beach setting, the heroism of the lifeguards, and launched the careers of its main cast members. But no matter where you were in the world, if you heard that theme song, and the opening drum roll, you knew exactly what you were in for.
The theme song itself is called Iâm Always Here, written and performed by Jimi Jamison, a rock singer best known for his work with the band Survivor â yep THAT Survivor â Eye Of The Tiger, Burning Heart etc.
(image: RTL Archives) -
Today, weâre diving into one of the most iconic TV theme songs of all time: the opening theme to Malcolm in the Middle.
You know the oneâ itâs upbeat, catchy, rebellious, and practically impossible to forget. You can already hear it in your head right now, can't you?
This barnstorming theme, composed by the legendary alt-rock duo They Might Be Giants, isnât just another TV intro â it is doorway to the late 90s, early noughties.
Boiled down to just 30 seconds thereâs not an inch of fat to be found in Boss Of Me. In fact, the song is so unforgettable that many folks will instantly sing along, even if they werenât necessarily fans of the show, even years after the showâs last episode aired in 2006.
(image: RTL Netherlands) -
The final Show Tunes of 2024 is a proper classic
The theme to Game of Thrones is one that you could easily guess in a pub quiz, even if thereâs a rabble spouting of nonsense at the table next to you, and if youâre likely to wince when someone says âWinter is comingâ in a faux Northern accent.
That is to say that the theme is one of most recognizable and iconic television scores ever created - and its creation is as intricate and thoughtful as the show itself.
Ramin Djawadi, the composer, had the unenviable task of capturing the grand scale of George R.R. Martin's world and translating it into a musical piece that would strike right at the hearts and souls of viewers whoâd already take to the material on a deep emotional level. -
The Thunderbirds theme, composed by Barry Gray, is one of the most iconic pieces of television music ever...
...instantly recognizable for its bold, heroic orchestration. First airing in 1965, the British sci-fi series created by Gerry and Sylvia Anderson became a beloved classic, with its blend of puppetry, futuristic technology, and action-packed plots. Gray's composition, featuring sweeping brass fanfares and cinematic orchestration, perfectly captured the high-stakes world of the show, adding excitement and grandeur to its thrilling rescues and advanced machines.
The themeâs lasting cultural impact is undeniable, becoming a symbol of British pop culture. Inspired by Hollywood blockbusters and military marches, Grayâs music conveyed a sense of bravery, adventure, and urgency, making it a perfect fit for the global, elite organization of International Rescue.
Over the years, the theme has been performed by orchestras, remixed, and parodied, cementing its place in the collective consciousness. Nearly six decades later, Thunderbirdsand its theme continue to be celebrated for their imagination and influenceâthough we can all agree, Thunderbird 2 was the best! -
In Episode 10 of Show Tunes, Stephen Steps Lowe takes a deep dive into the iconic theme song of Buffy the Vampire Slayer.
We look at how Joss Whedon envisioned the show's opening credits to blend the eerie atmosphere of horror with a lively rock 'n roll vibe, signaling that Buffy was far from a typical victim. Originally aiming for a somber instrumental intro, Whedon quickly realized the need for a more upbeat, rebellious sound that captured the show's quirky, youthful essence.
After a failed attempt with a Hollywood composer, Alyson Hannigan suggested the band Nerf Herder, who composed and recorded the unforgettable theme in just a few hours. The track became a defining part of the showâs identity, capturing Buffyâs fight against darkness while balancing her high school life.
The song's energetic riff became synonymous with the show, and its infectious melody resonated with fans, becoming an anthem of sorts. While the lyrics don't directly reference the show's plot or characters, they capture the spirit of Buffyâs dual life as a high school student and a vampire slayer.
The themeâs success went beyond its initial run, even being released as a single and remaining a beloved part of Buffy fandom. Despite its cultural impact, the song's humble beginnings and rapid recording process show how a bit of indie spirit helped define a generation of fans. -
In this episode of Show Tunes, Stephen Steps Lowe explores the iconic theme song for The Muppet Show
....composed by Jim Henson and Sam Pottle and written in 1976, the song became a key part of the showâs identity, setting the stage for the fun, eccentric world of the Muppets. Henson wanted the theme to be a joyful invitation, not just an introduction, which is reflected in the catchy and celebratory lyrics, "It's time to play the music, it's time to light the lights." The upbeat orchestration, with its brass, strings, and rhythm section, perfectly matched the whimsical antics of characters like Kermit, Miss Piggy, and Fozzie Bear.
The theme song quickly became a symbol of the Muppets' charm, with its infectious tune becoming part of pop culture. It was covered, parodied, and featured in countless adaptations, from Muppet movies to theme park attractions. The songâs success is a testament to its universal appeal, making it an essential part of the Muppetsâ legacy.
With its playful, irreverent energy, the Muppet Show theme remains one of the most recognizable and beloved TV openings of all time. -
The iconic theme song to The Prisoner (first hitting screens in 1967), is composed by Ron Grainer, and has been reckoned as one of the most memorable and d
Ronald Erle Grainer (11 August 1922 â 21 February 1981) was an influential Australian composer, known for his work in the UK during the 1960s and 70s. He composed iconic theme music for TV shows like Doctor Who, Steptoe and Son, and Tales of the Unexpected, and also scored films such as The Omega Man (1971) and The Assassination Bureau (1969).
Grainer's theme was chosen after two other composers, Robert Farnon and Wilfred Josephs, created themes that were rejected by series executive producer Patrick McGoohan. -
Itâs Movember as we record this, so there can be no better time than now to pull out our Hawaiian shirts, dust off the Ferrari and wax that MustacheâŠ
....because this week, well this week, we are doing this:
Magnum P.I.'s theme is one of those rare TV moments that perfectly captures the essence of the show it represents.
Itâs not just that itâs catchier than a dose of the seasonal flu, itâs downright iconic in its own right, immediately recognizable and full of energy. -
Even if you have never seen the show, you know the tune, you know the names and you want to believe
The iconic theme song for cult sci-fi show, The X-Files was composed by Mark Snow, an American composer best known for his work in television and film. Instantly recognizable for its eerie, atmospheric sound, it became synonymous with the showâs mysterious, supernatural tone. -
The theme song for The Sopranos, Woke Up This Morning is written by the criminally underrated, Brixton band, Alabama 3.
The track, for which, Alabama 3, rightly or wrongly, are perhaps best known, perfectly captures the essence of the series. Its blend of blues, rock, and electronic elements creates a gritty, atmospheric sound that mirrors the classic showâs exploration of the American mob life. -
Unless this is all a fevered slip in the shower dream sequence we are uncovering one of the biggest and best themes ever: the iconic tune for Dallas.
This is episode four of our run, where, assuming we donât get cancelled, like some of the shows we will go on to mention, we are looking at some of the best gosh darned TV themes of all time. The theme for this unmissable slice of 80s prime time TV was composed by Jerrold Immel, capturing the show's supposed essence of drama and intrigue. Immel's composition features a distinctive blend of orchestral and contemporary elements. Thatâs a polite way of saying it is overblown and pompous. Not unlike some of the shoulder pads on offer, eh? -
Letâs dig our leggings out, back comb the shizz out of our perms, and get on point as we are well and truly in classic territory here.
Premiering in January 1982, Fame followed the lives of students at a performing arts high school, blending drama, music, and dance in a groundbreaking way. Running for six seasons and 136 episodes, the show was based on the 1980 film of the same name, following students and faculty at a fictional New York City High School for the Performing Arts. -
If youâve never talked into your watch or done the sound effects to Knight Riderâs KITT, then have you ever lived?
The theme tune for "Knight Rider," composed by Stu Phillips and featured in the showâs opening credits, is iconic for its synthesizer-heavy sound that perfectly captures the 1980s vibe. Phillips wanted to create a sound that matched the futuristic feel of the show, which centered around a talking car, KITT. -
The Simpsons - Danny Elfman
Welcome to the first episode of Show Tunes, where much like its distant cousin Song 2, we are setting about finding hidden gems behind the recording of our most beloved TV Show theme tunes.
Itâs taken us a while to get hereâŠwe will just say for reasons but now we are, we are very excited in what we are going to be bringing you.
Show Tunes is all about the stories behind well known TV theme songs and, each week, we will be looking at a new one, its story and impact. -
The Trailer
"In the TV shows you know and love, music doesn't just play pivotal roles in introducing the episodes, they shape your memory of them. Here, Stephen Steps Lowe takes a look at the stories behind the best and most-loved TV theme tunes of all time." Show Tunes is a brand new Podcast about the story behind the most famous TV Show Themes. Coming soon to Today Radio and to this channel.
