Afleveringen

  • In this episode, we flip the table and Juan interviews Frank about an article he co-authored for Seminars in Hearing Volume 45, Number 3 (2025). First, a thank you to guest series editor Marc Fagelson, PhD, for the invitation to write this article for Seminars in Hearing. Marc, Frank, and Juan have been collaborating for the last year on an exciting Music Audiology project with the American Tinnitus Association (ATA) and Texas Roadhouse to bring hearing and tinnitus awareness and care to musicians and crew music festivals. This work has been described in detail in the ATA’s Tinnitus Today Winter 2024 publication and we discussed it in detail on a panel episode of Talking Ears.

    Second, this article would not have happened without the contributions and insights from these amazing collaborators:

    Nancy Gould, M.Ed - Nancy is the Tinnitus Specialist with Tuned Care, and practices on telehealth and in North Carolina. She specializes in mindfulness stress reduction as well as tinnitus retraining. We first connected when she made dramatic differences in the care of many of my patients seen on the Tuned platform through the MusiCares program, so I knew she would have great insights into this article.

    Melissa Rogel, LMFT - Melissa is a licensed individual and relationship therapist, runs the practice Cooperative Path in the Philadelphia area, and is the drummer of Philly-based indie rock band The Diaphone. She clearly understands the musicians’ perspective and brought to light the psychological concepts. Full disclosure: Frank has been playing keyboards and bass with The Diaphone since 2022, so we’re bandmates.

    Thus the article: A Field Guide to Musicians’ Tinnitus outlines the differences in psychological presentation and care approaches when working with musicians who have significant tinnitus reactions, then follows a case that Nancy and Frank shared via teleaudiology.

    Music heard in this episode was written and recorded by Juan Vasquez and produced by Frank Wartinger.

  • Welcome to the third installment of the Updates in Music Audiology workshop recap from the NHCA 2025 conference. This week we will help Sensaphonics celebrate their 40 year anniversary by featuring the voices of founder Michael Santucci and hearing clinic director Shannon Switzer. Together, they shared a brief history of in ear monitors, common fit and use issues, and recommendations for their safe and effective use. Their presentations have been edited slightly for the audio-only format.

    Michael Santucci is a Doctor of Audiology and president of Sensaphonics, Inc., Chicago, IL. In 1985 he founded Sensaphonics which designs, develops and manufactures custom in‐ear products for the music industry as well as a variety of other hearing conservation applications. For over 40 years he has provided Audiological consultation and customized hearing protection strategies to both Chicago area musicians and many of today’s most prolific music performers from all genres of music. Today, Dr. Santucci continues his hearing conservation efforts, spearheading the development of innovative new products and technologies that have 3 patents for the 3DME IEM system and the dB Check Pro sound level analyzer. Both products are NAMM tech award finalists. Dr. Santucci is the Chair of the Music Induced Hearing Loss Task Force for the National Hearing Conservation Association. Dr. Santucci is also a member of the Audio Engineering Society (AES), where he is Chair of the Technical Committee on Hearing and Hearing Loss Prevention. In 2015 through this year, Dr. Santucci was invited by the World Health Organization to participate as an expert consultant as part of the WHO’s Listen Safe Initiative in Geneva SZ and is a core member and coordinator for MLS. Sensaphonics is the first winner of the Safe in Sound award presented by the National Institute of Occupational Safety and Health (NIOSH) and the NHCA for achievements in technology, was the first winner of the prestigious Larry Mauldin award for pioneering new ideas for hearing loss prevention and was twice presented the Governor’s Award and once presented a Fellowship Award from the Audio Engineering Association and has been awarded Honors of the Academy with the 2023 Samuel Lybarger award from the American Academy of Audiology.

    Shannon Switzer, Au.D. is the Director of the Sensaphonics Musicians’ Hearing Clinic in Chicago and is a featured audiologist in the MusiCares x Tuned teleaudiology partnership. As a lifelong clarinetist herself, she became fascinated with hearing conservation for musicians while earning her Doctorate of Audiology at Northwestern University. She primarily provides direct patient care to over 1000 music industry professionals annually through a variety of channels; the Sensaphonics clinic, mobile visits at music venues in Chicago, onsite clinical residencies with orchestras around the country, and teleaudiology visits with musicians around the world. Dr. Switzer is passionate about promoting hearing health through public education. She lectures at conferences, gives interviews to various music media, and trains audiologists in music audiology best practices. She has recently joined the WHO’s Make Listening Safe committee for safe listening in music venues and organizes high-profile musicians to promote World Hearing Day on their social media. She is an avid concert-goer and can’t help but chat about hearing protection in the crowd, even when she’s “off the clock”.

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  • In this, the second installment of the series recapping the NHCA 2025 Conference, we have an incredible presentation from Colleen Le Prell, PHD. This is an edit version of her contribution to the Updates in Music Audiology workshop. The NHCA audience knows her as a recent past present of the organization, and a frequent presenter at the conferences. We know her as a dear friend who continually inspires us to a reach the highest possible academic rigor in our work.

    Dr. Le Prell is the Emilie and Phil Schepps Professor of Hearing Science, Head of the Department of Speech, Language, and Hearing, and Co-Director for the Clinical and Translational Research Center at UT Dallas. She has received research funding from the National Institutes of Health (NIH), the Department of Defense (DoD), philanthropic foundations, and industry, for research on prevention of noise-induced hearing loss. She is the academic leader for the DoD Hearing Center of Excellence Pharmaceutical Interventions for Hearing Loss work group and an invited member of the National Academies of Sciences, Engineering, and Medicine Committee on Meaningful Outcome Measures in Adult Hearing Health Care. She is the Chair of the NIH Center for Scientific Review Auditory System Study Section, and serves on the Centers for Disease Control and Prevention National Occupational Research Agenda Hearing Loss Prevention Cross Sector Council and the World Health Organization Make Listening Safe working group.

    Brief music clips heard in this episode are from a live performance of Osler Circle, a Beatles cover band based in Philadelphia. This is used for educational purposes and while the recording is ours to use, we do not own the rights to the original song, "Day Tripper", and that all rights belong to the respective copyright holders.

  • This is the first of a series of shorter episodes featuring presentations and interviews held at the National Hearing Conservation Association (NHCA) annual conference in Charleston, SC in February, 2025. Stay tuned for upcoming episodes featuring Brian Fligor, Michael Santucci, Colleen Le Prell, Benj Kanters, Heather Malyuk, Juan Vasquez, Shannon Switzer, as well as two student award recipients, Hannah Miller and Blake Voss. Wow, what a line up!

    But first, we have undeniable audio genius and friend-of-the-show, Laura Sinnot. Laura is a long time audio engineer for film whose career expanded into hearing health as an audiologist after over-exposing her ears to her work and the bustling metropolis of NYC. She ran the Sensaphonics Musician's Hearing Clinic, a Chicago-based institution for three years. Now based in Central New York, Laura provides traveling and concierge audiology services for musicians, media professionals, and music lovers, as well as teleaudiology consultations through Tuned. In addition to her doctorate degree from the City University of New York, she has a Music Technology master's and bachelor's degree from New York University and the University of Colorado at Denver, respectively.

    Please note that this is an edited version of the presentation and is not eligible for CEUs. If you want the full experience (and the continuing education credits) you need to plan to come to NHCA webinars and conferences in the future. They are the best.

  • Talking Ears wishes everyone a healthy and wonderful new year! To kickoff 2025, we are honored to present the latest and very special episode featuring Jesus Florido. Known as the Latin Fiddler, he is a Los Angeles-based violinist with a unique story to share. At a vital time in his life, he needed to undergo a risky ear surgery that left him with tinnitus and a permanent loss of hearing in his right ear. He discusses how this different way of hearing led to a new approach to performing music, and also shares his passion for supporting musicians with his hope of improving the music industry.

    For context, Jesus first met Talking Ears co-host Juan Vasquez through the MusiCares X Tuned program, which has been discussed at length on the show. Throughout the episode, you'll hear mention of a mysterious Nancy who is none other than the inimitable audiologist Nancy Gould, the tinnitus and hearing disorders expert who also works with the Tuned program.

    Music heard in this episode is from Jesus's album "Heading North" as well as various compositions and film scores.

  • Talking Ears co-host Juan Vasquez, AuD, wrote an article for the American Tinnitus Association (ATA) publication, Tinnitus Today, titled "Hitting the Right Note at the Kentucky State Fair: ATA and Texas Roadhouse Team Up to Advance Hearing Conservation Among Music Professionals" which was published this week.

    To help us unpack the title, the origin story, the experience at the Kentucky State Fair, and the plans for the future of this exciting program, Juan is joined by a world class panel of guests: Joy Onozuka (ATA Communications Director), Marc Fagelson, PhD (Professor of Audiology at East Tennessee State University), and Brynne Stevens (AuD Student at Washington University). Representing the "I wasn't there" contingency, Frank Wartinger serves as the moderator of this panel discussion.

    Many other individuals contributed to this program and didn't get the verbal recognition they deserve in the episode. Thank you to Travis Doster (Texas Roadhouse Chief Communications Officer) and Bryce Onozuka (ATA staff member) for making the weekend happen!

    Music heard in this episode is by Frank Wartinger.

  • Happy National Protect Your Hearing Month! October is a great time for us to celebrate all things eerie (get it? ear-ie?) and to conclude our five-part series on the National Hearing Conservation Association (NHCA). Our guest, Caleb Kronen is an audiologist and director of Hearing Conservation at the Marion Downs Center in Denver, Colorado. This episode we'll talk about his relationship with NHCA, his work as a music audiologist and hearing conservationist, and his musical life.

    Music in this episode is by Caleb's band, Kronen.

  • Cory Portnuff is a one-person institution within the National Hearing Conservation Association: he is a regular presenter at NHCA meetings, frequent council member, unofficial conference audio/visual expert, and co-author of the NHCA Position Statement on Recreational Music Exposure. In his day job, he is a clinical audiologist at the University of Colorado Hospital Hearing and Balance Center where he oversees the tinnitus and musicians hearing programs.

    We sat down with Cory to discuss our experience at the 2024 NHCA conference, consumer audio safety, verification of hearing protection devices, and why preventative care should be a cornerstone of every clinical audiology encounter.

    Music in this episode is from two recent releases by past Talking Ears guest and friend of the show, Eric Heveron-Smith: Tiny Previous Things and Free, featuring Daisy Castro and Isabel Castellvi.

  • Don Finan needs no introduction to the NHCA listeners, nor those hailing from the University of North Colorado where he serves as the chair of the Communication Sciences & Disorders department. He is a favorite presenter at conferences, a talented photographer, a skilled guitarist, and a creative professor. To open a small window into his world and peer through, Don teaches a class titled "Musical Acoustics and Health Issues", during which he challenges his students to build their own cigar box guitars and didgeridoos. Nothing else has made me want to go back to grad school as much as hearing about that course.

    We cover a wide range of topics including speech science, guitars, hearing loss prevention, blues jams, guitars, firearm noise research, guitars, and even guitars. In a remarkable display of self-restraint, we have reduced the amount of guitar talk by at least two fold. Sorry, and also, you're welcome.

    Music in this episode is from Don's band "The Rhythm Allstars".

  • Colleen Le Prell is our guest to continue the series spotlighting the National Hearing Conservation Association (NHCA). Colleen wears a great many hats including: NHCA past president; the Speech, Language, and Hearing Department head at University of Texas at Dallas; and the faculty mentor of the students from her UT Dallas Noise Lab whom we featured in the most recent episode of this show.

    In this episode, we cover a lot of ground with topics ranging from the 2024 NHCA conference, hearing protection device fit testing, otoprotective vitamins, the World Health Organization, and new advancements in gene therapy for hearing loss.

    All the music heard was produced by Brendan Fitzgerald and Frank Wartinger specifically for this episode.

  • Talking Ears Season 3 begins with a five-part series spotlighting the National Hearing Conservation Association (NHCA). Brendan Fitzgerald, past guest and friend of the show, joins Juan and Frank to discuss the 2024 conference, but the episode revolves around the voices of five inspiring audiology graduate students: Brynn Stevens (2024 NHCA conference award winner), as well as four students from UT Dallas presented research posters - Conner Jansen, Allison Woodford, Emily Myers, and Azalea Coste. After hearing these students speak passionately about their drive and dedication, it is easy to see that the future of NHCA, hearing loss prevention, and music audiology is bright!

    Stay tuned for the other episodes in this NHCA Spotlight series, featuring presenters and attendees from the 2024 conference including; researcher and educator Colleen LePrell, speech scientist and hearing loss preventionist Don Finan, university professor and clinical audiologist Cory Portnuff, and musician and music audiologist Caleb Kronen.

  • This special episode of Talking Ears is a spotlight edit of episode 22 which focuses on the work of CAOHC, the Council for Accreditation in Occupational Hearing Conservation. Now in its 50th year in the current form, the organization’s history is inspiring and carries a heavy responsibility. With its roots in interdisciplinary education and advocacy reaching back to 1965, CAOHC’s mission is to “advance best practices in occupational hearing conservation worldwide through credentialing, standards, education, and advocacy.” The Council’s vision is, “a world without occupational hearing loss.”

    Terry Tyson is an architectural acoustician and guitar player in the southern rock tribute band, High Noon. He also serves on the CAOHC council representing INCE (The Institute of Noise Control Engineering of the USA) a non-profit professional organization with the mission to “promote engineering solutions to environmental, product, machinery, industrial and other noise problems”. In this episode, Terry describes hearing loss prevention as, “... a subject that is near and dear to my heart”, a sentiment we certainly share as musicians and audiologists. This appreciation of hearing and sound seamlessly sets his role up as a member of the heads up the Noise Committee on the CAOHC council. We discuss his early career in chemical engineering within industrial settings where he experienced first-hand the potential of injury from noise exposure. Terry’s perspective focuses on the health of hearing and well-being of every person, going above and beyond that of regulations.

    We invite you to listen to the full episode of Talking Ears featuring Terry Tyson to hear more about his musical life, thoughts on acoustic architectural design, and which guitar from his extensive collection is his favorite (hint, it isn’t one of the ones he regularly plays one stage).

    As Audiologists, this mission resonates with Talking Ear’s co-hosts, Frank and Juan. Noise-induced hearing loss and associated disorders are considered 100% preventable, however we are inundated with cases and outcomes which could have been avoided with the right combination of education, motivation, and intervention. In an effort to put the horse in front of the cart, so to speak, we both serve as course directors for the namesake Occupational Hearing Conservationist (OHC) credentialing programs - training clinicians on the best practices in this vital field. Additionally, Frank recently joined the council as a representative of the American Academy of Audiology.

    As CAOHC course directors, the opportunity to collaborate with others working in various fields of occupational health adds strength to the message of hearing loss prevention worldwide. There is great value in interdisciplinary clinical training to address hearing loss prevention. With such a wide range of occupational settings, each with their own challenges and opportunities, the best defense is a well-informed and motivated OHC. Earmark Hearing Conservation hosts 30 - 40 courses which train ~500 OHCs annually. When we zoom out to consider the hundreds to thousands of workers each OHC is directly serving, the full scope of our impact is both an awe-inspiring privilege and a weighty responsibility. For this reason, creating and delivering a high quality and uncompromising educational experience is our first priority.

  • Our guest Terry Tyson is a principal acoustician at Acentech and serves on the CAOHC (Council for Accreditation of Occupational Hearing Conservation) council as the representative of INCE (Institute of Noise Control Engineering). We'll unravel all those acronyms, and use those threads to connect his musical life playing guitar in the premier southern rock tribute band, High Noon. Terry is the perfect example of someone who is thinking of sound from multiple perspectives and his insights alone are worth the price of admission.

    In this episode, we'll be hearing selections from live and studio recordings of High Noon.

  • Peter Dankelson wears many hats: award-winning author, motivational speaker, social media inspiration, and killer rock guitarist. His attitude is infectious, his perspective is eye-opening, and his playing is world-class. We focused on his music life and barely scratched the surface of his amazing medical journey which set the stage for the conversation. Oh well - I suppose you'll just need to become a fan of Pete's and read his book to get the full story!

    In this episode, we'll hear music by his band, Pete's Diary as well as live performances featuring Peter Dankelson with the likes of Buckcherry, Jerry James Nichols, and Dirty Honey. Pete's Diary is set to release their first full-length album, so be sure to watch this space! Today is also the World Health Organization's World Hearing Day! We are choosing to celebrate in the way we know best - presenting more great interviews and stories about our favorite things: sound, music, hearing and ears.
  • "This week on Gig Gab, dive deep into the world of hearing health with Frank Wartinger, a renowned music audiologist and podcaster! Wartinger emphasizes the importance of protecting your ears, especially for musicians and avid music fans... Wartinger and Hamilton remind listeners that in the world of music, it’s crucial to “Always Be Performing,” but that also means taking care of your health, especially your hearing, to ensure longevity in your career."

  • If you are in the music industry, you are likely eligible for a no-cost hearing wellness consultation paid for by MusiCares, the non-profit arm of the recording academy.

    I'm this episode, Juan and Frank explain the details and discuss aspects of the recent video panel of audiologists, but please go to Tunedcare.com to check your eligibility and schedule your visit. Applicants must be able to document employment history in one of the following areas 1) Five years employment in the music industry, or 2) Six commercially released recordings and/or videos.

    The benefit includes: 1) Virtual consultation with a specialized music audiologist, 2) A pair of Etymotic ER20XS Universal filtered earplugs, and 3) Access to Hearing Aids (when audiologically indicated). As the panelists put it, you have nothing to lose and everything to gain!

  • EmmoLei Sankofa is prolific and busy, but she was kind enough to take the time to chat with Talking Ears! In this episode, the composer of some of your favorite soundtracks (recent credits including Three Ways, Lizzo’s Watch Out For The Big Grrrls, Step Up Season 3, The Other Black Girl, and Project CC) shares her thoughts on storytelling through sound and collaborating with filmmakers. We first met through MusiCares and the tele-audiology platform at tunedcare.com, and this fantastic program is discussed at length in the episode. Also, listen close to catch all the references to morse code and how is informs some of her compositions.

    Music heard in this episode is from her soundtrack releases, as well as her critically acclaimed 2019 album, Geometry.

    Speaking of being busy, you can hear EmmoLei take on the role of guest host of The Disney Hits Sirus XM show on the date of this release.

  • While it is true that Brendan Fitzgerald is a fellow audiologist and is on the University of Buffalo clinical faculty, we spend almost our entire hour together discussing his work as the director of the contemporary music ensemble Wooden Cities. We ask Brendan to elaborate on what it means to have intention in live performances, how community and the people involved influence the outcome, and what constitutes musical aesthetics. Maybe next time we'll get into music audiology and hearing loss prevention for performers, but for now, we enjoy his beautiful and oftentimes challenging music.

    In this episode we'll hear music by Brendan Fitzgerald, Wooden Cities, and improvisational duo FFFFaultyTower.

  • Danielle DePalma is a world-class mixing engineer, the production manager of the legendary Bowery Ballroom in NYC, and a dear friend. She's toured with, recorded, mixed, and produced concerts for practically everyone you can name so it was tough to pick only a few, but in this episode we focus on the music of past and current collaborators Mercy Bell, Sharon Van Etten, Hailey Wojcik, Field Mouse, Christina Picciano, and Emily King. Danielle also pens eye-opening articles on concert management and production on SoundGirls.org, and we get into the important conversation of representation in the music industry. Her attitude toward prioritizing personal well-being extends beyond herself and benefits the artists she works well and the concert-goers who have the good fortune of experiencing one of her productions. You can read more about Danielle and her time at Purchase College (which we somehow didn't touch on in our brief interview) in Women in Sound, written by Madeleine Campbell.

  • Wayne Tucker is a trumpet player, singer, songwriter, composer, and soon to be author. He has shared the stage with household names such Taylor Swift, Ne-Yo and David Crosby, and jazz artists like Al Foster, Cyrille Aimee, and Kurt Elling. Since 2016, he's been releasing albums of his own compositions and songs. Wayne is also a founding member of Brass Against, a unique group which reimagines the music of Rage Against the Machine (and other artists) with a huge horn section and energetic stage show. In this interview, we hear music from his most recent EP, "I'll Never Stop", as well as his many records and collaborations.