Afleveringen
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The Ascent (Star Trek: Deep Space Nine (DS9), S5 E9) was recommended by Matt Kennedy he/him, who said:
Hi guys! This is my first recommendation - I've been listening for a while now and I adore the show, and it's taken me a long time to decide which episode I want to recommend.
And it's got to be The Ascent. This is a wonderful showcase for the "enemies with benefits" Quark and Odo. And the reason I love this episode is because, as someone who is firmly on Team Space Goblin, this is one of the few times where Odo gets called out for his bulls*** - I always scream and cheer when Quark calls him a fascist to his face. But this is classic Trek, because as much as they hate each other they have to learn to work together in order to survive. The B plot parralels this, with Jake and Nog learning to live together as roomates, while Sisko finds an unexpected ally in Rom. This episode is about being open to each other's differences and for that to lead to acceptance.
The Ascent first aired on November 25, 1996, written by Ira Steven Behr and Robert Hewitt Wolfe, and directed by Allan Kroeker
Forced to crash-land on a desolate planet, Odo and Quark must climb a mountain to transmit a distress signal. Jake and Nog (temporarily back at DS9) find sharing quarters isn't as enjoyable as they thought it would be.
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Crisis Point 2: Paradoxus (Star Trek: Lower Decks, S3 E8) was recommended by Alex Russet, he/him , who said:
This is one of my favorite episodes of this series alongside the finale for that season (Shax's finest hour was amazing.) The central conflict of Boimler trying to find meaning to life was fascinating to watch. Fun action scenes, a couple pokes at us fanfic writers not understanding story flow or proper exposition (I like to think I improved in that department... I hope...) and of course, Captain Sulu cameos is always a plus. Overall, a fun episode with a thoughtful central conflict. Hoping we see more of Will Boimler. As of me writing this Halloween 2024, there's still time.
Crisis Point 2: Paradoxus first aired on October 13, 2022, written by Ben Rodgers, and directed by Michael Mullen
Boimler's holodeck movie sequel tries to live up to the original.
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Zijn er afleveringen die ontbreken?
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Tapestry (Star Trek: The Next Generation (TNG), S6 E15) was recommended by Bill Ricardi - he/him, who said: Tapestry is all about regrets, and the mistakes that become part of who we are, for better or for worse. As an older fan, I often look back on my own life and curse the moments when I handled something badly or missed an apparent opportunity. But this episode reminds all of us that the wisdom of age is sometimes just hindsight seen through rainbow tinted lenses. Tapestry teaches us that we are who we are partly BECAUSE of our flaws. And that's okay.
Tapestry first aired on February 15, 1993, written by Ronald D. Moore, and directed by Les Landau
An accident kills Picard. He finds an afterlife with Q analyzing his past choices.
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Latent Image (Star Trek: Voyager, S5 E11) was recommended by Tana he/they, who said: I always love when Trek does a moral dilemma episode. Sometimes they pull it off, sometimes not so great. This one is probably a mix of both to be honest.
The Doctor is sentient and sapient, but he’s still a program in many ways and sometimes a program when pushed so far beyond its limits breaks, but is he alive and free willed enough to push beyond that?
Latent Image first aired on January 20, 1999, written by story by Eileen Connors, Brannon Braga and Joe Menosky, teleplay by Joe Menosky, and directed by Mike Vejar
The Doctor finds out that some of his memories have been blocked.
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The Naked Time (Star Trek: The Original Series (TOS), S1 E6) was recommended by Kaleb, he/him, who said: While it definitely isn't an unloved episode, after you did the TNG version it only seemed right to recommend it. It's also the episode that made me fall in love with both Star Trek more broadly and Spock in particular; I even find Riley’s incessant singing to be deeply charming. Everyone's acting is great, from comedic to serious to tragic.
It's such a smart way to introduce these characters within the first few episodes, by exposing the conflicts and fantasies beneath the surface. Even if it means showing a severe lack of safety protocol to get there!
The Naked Time first aired on September 29, 1966, written by John D. F. Black, and directed by Marc Daniels
A strange, intoxicating infection, which lowers the crew's emotional inhibitions, spreads throughout the Enterprise. As the madness spreads, the entire ship is endangered.[2]
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Carbon Creek (Star Trek: Enterprise, S2 E2) was recommended by Bryan Love(Blackrain), who said: Being your resident LDS(Mormon) listener, family history or knowing about one's ancestors, their stories is something that is important to me. T'Pol tells a story of her grandmother to Archer and Trip. How it was her grandmother who crash landed on earth, that was the real first contact between humans and Vulcans in 1957.
Re-watching this episode years later from its original airing from back in 2002. I now understand how the stories or history of one's family can be very important, even if their only important to you. Hearing about how my one grandfather chased down all the boys in his high school that made fun of his short height, and one by one lifted each of them over his head into a garbage car. Grandpa might of been small, but he was strong from working on the farm his whole life. Little family stories to give you pride about your family.
Carbon Creek first aired on September 14, 1993, written by S : Rick Berman & Brannon Braga & Dan O'Shannon, T : Chris Black, and directed by James A. Contner
Sub-Commander T'Pol relates the tale of a Vulcan crew stranded on Earth in the 1950s.
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Spock Amok (Star Trek: Strange New Worlds, S1 E5) was recommended by Lauren Rivers she/her, who said: Two words. Enterprise Bingo. I seriously hope that the writer of this episode got a bonus for that. Casually mentioned in an earlier episode, now we finally find out about this little game played by the junior officers, fully demonstrated by Una and La'an, the ships resident 'fun killers'.
I love when Star Trek has fun with itself, and this episode does such a great job with it in every aspect. From giving Dr. M'Benga a hard time for his awesome hat to the awesome subplot with the Rongovians, this not only makes me laugh but gives every single member of the cast the chance to shine.
I also love this episode for giving us 'The Scorch', a hull panel on the outside of the ship signed by the crew. It's a great episode all around and seeing Pike finally figure out what the Rongovians are after is supremely satisfying.
While I love every episode of Strange New Worlds, this one just fills me with unbridled joy every time.
Spock Amok first aired on June 2, 2022, written by Henry Alonso Myers & Robin Wasserman, and directed by Rachel Leiterman
A personal visit causes a comedy of errors during Spock & Pike's crucial negotiations with an unusual alien species.
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The Magnificent Ferengi (Star Trek: Deep Space Nine (DS9), S6 E10) was recommended by Tana he/they, who said: Sometimes Trek takes the serious gloves off and just has a fun romp and this may be one of the best examples.
The Magnificent Ferengi first aired on May 14, 1993, written by Ira Steven Behr & Hans Beimler, and directed by Chip Chalmers
Quark mounts a rescue mission when his mother, Ishka, is captured by the Dominion and Grand Nagus Zek offers a reward for her return.
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Final Mission (Star Trek: The Next Generation (TNG), S4 E9) was recommended by Tsuyoto Wolfe (They/Them), who said: I have so many favorites I thought of recommending. But I was also inspired to find the joy in one I hadn’t liked before. When Netflix started streaming Star Trek series back in 2011, I would wtch through TNG, DS9, VOY, and ENT, then start over again with TNG. I would skip most of season 1 and 2, as well as a few later episodes. For my recommendation, I went back to the ones I skipped and I rewatched TNG: Final Mission. I had chocked it off as a filler episode with Wesley being annoying. But I found more in it, it a transition from Wesley fanboying over Picard, to seeing him vulnerable, to taking the responsibility for both their lives. The alien shuttle captain still feels like a thin character meant only to be fodder for Wesley’s growth, but I appreciate the episode more now.
Final Mission first aired on November 19, 1990, written by story by Kacey Arnold-Ince, teleplay by Kacey Arnold-Ince & Jeri Taylor, and directed by Corey Allen
Wesley sets off on his final mission with the Enterprise accompanied by Picard. They become stranded on a desert planet.
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Vanishing Point (Star Trek: Enterprise, S2 E10) was recommended by Lauren Alexis Rivers She/Her, who said: I always thought that Hoshi was such an underused character. In an era before the Universal Translator had worked out all the kinks, communication is one of the most important elements, and this was one of the Hoshi centric episodes, where while she didn't get to show off her communications skills, it was about facing her fears of the transporter and doing what she had to do no matter what the circumstances. As someone of Asian descent, it was always important to me to see people like myself on screen.
Vanishing Point first aired on September 22, 1993, written by Rick Berman & Brannon Braga, and directed by David Straiton
After her first trip through the transporter, Ensign Sato finds herself becoming incorporeal, with the crew believing she has perished.
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The Omega Directive (Star Trek: Voyager, S4 E21) was recommended by The Derp Prime, who said: This episode always delighted me as we saw an interesting development of both Seven and the Borg.
Plus we get more over all lore on the Federations policies, some fun galactic lore and a threat of clumsy science.
Plus, an interesting take on a religious experience though scientific endeavors.
As an Apathiest (Gods, do their thing, I do mine, if we don't bother each other everyone is happy), I like little twists to both science and religion. Twists mind, I am tired of sledge hammer statements (I have been hit in the face enough times by those thank to very much!)
The Omega Directive first aired on April 15, 1998, written by teleplay by Lisa Klink, story by Jimmy Diggs & Steve J. Kay, and directed by Victor Lobl
Janeway undertakes the Omega Directive, an order to destroy Omega molecules, even if it means violating the Prime Directive.
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All the World's a Stage (Star Trek: Prodigy, S1 E13) was recommended by Hoofburd (he/him), who said: Under lesser writers, an homage episode like this could have come across as corny or cheap. Instead, it deftly introduces its younger audience to the concept of the original series, while also being a very TOS episode itself. We've seen the planet of the 20th century gangsters already; now we can cycle back around and go to the planet where everything is original Star Trek! While being deeply silly, this episode provides the Protostar's crew good character advancement, while simultaneously nodding at a bit of TOS continuity and even Lower Decks. I also think there's an interesting parallel how the crew first learns about the original series through a jumbled cultural perception, much as people tend to do in real life. All in all, it's a love letter that never feels like nostalgia bait, and I deeply respect that about it.
All the World's a Stage first aired on November 10, 2022, written by Aaron J. Waltke, and directed by Andrew L. Schmidt
The Protostar crew responds to a distress call from an M-class planet, except for Murf who is unwell. They discover an alien race called the "Enderprizians" who revere and imitate Starfleet. A mysterious disease is afflicting the villagers, and also infects Dal. They track the disease to a cave holding a Federation shuttlecraft that crashed on the planet with Ensign Garrovick of the USS Enterprise long ago. The shuttlecraft is leaking plasma and poisoning the environment. The crew and villagers work together to dispose of the shuttlecraft and seal the cave while Zero devises a cure. When the crew return to the Protostar, they find Murf encased in a cocoon.
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The Forsaken (Star Trek: Deep Space Nine (DS9), S1 E17) was recommended by Rugger (They/them), who said: The Forsaken has its problems as an episode, including that Troi's advances are uncomfortable to watch.
But in all of Trek, there is no more emotionally raw, powerful, and moving scene than in The Forsaken. Odo and Lwaxwana are stuck in the elevator, and Odo has to revert into his natural liquid state—and he has to trust Lwaxana to do it.
This is Trek at its best: taking something fundamentally alien and using it to humanize a character. Almost every other time an alien evokes such pathos, they are being human—as Kirk says of Spock, "he was the most human."
Odo's character arc is one of the best in Trek, and this episode starts it off with the most unique, iconic, and moving scene that I can think of in all sci-fi, while also developing a a character who was previously only comedic relief.
The Forsaken first aired on January 18, 1993, written by story by Jim Trombetta, teleplay by Don Carlos Dunaway and Michael Piller, and directed by Les Landau
The Federation ambassador from Betazed, Lwaxana Troi, visits the station, and develops an affection for Odo. Meanwhile, data from a mysterious Gamma Quadrant probe causes system failures on DS9.
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Stormy Weather (Star Trek: Discovery, S4 E06) was recommended by Tonks (they/them), who said:
I consider “Stormy Weather” to be peak Trek. It’s one of many “void episodes” of franchise, and uses that basis to tell an engaging story that demonstrates the best of Trek.
From the cohesion & enthusiasm of the crew, the excellent leadership, the exploration of self & identity, to the dealing with new experiences & old wounds; all of this create a package that also homages some memorable moments in the franchise without drawing attention to them.
This episode puts compassion, intelligence, & understanding forefront, while also being an almost silent celebration of the tried & true in Trek.
Stormy Weather first aired on December 23, 2021, written by Anne Cofell Saunders & Brandon Schultz, and directed by Jonathan Frakes
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The Alternative Factor (Star Trek: The Original Series, S1 E20) was recommended by Kaleb, he/him, who said:
Listen….listen I'm aware this episode is definitely a strangely paced, scatterbrained mess. Though I'll say it's worst and best sin of it is Lazarus’s facial hair; really Lazarus as a whole sums up my feelings about this episode: meandering, accidentally comical, and strangely poignant. The first five minutes I'm always waiting in suspense for the appearance of Lazarus's awful beard and over-the-top scream as he falls down, because I can't help but laugh every time. And while there are certain parts that are very confusing the first time watching, as well as several bits that drag on too long, there's also a lot of fun lines and good performances to keep me enjoying myself.
This episode also has one of my favorite one-off crewmembers of the whole show, Lieutenant Charline Masters, who I find really charming and professional when she's on-screen. Plus I love Lazarus’s sparkly little outfit.
It's an episode of big swings- trying to deal with total nonexistence should the Enterprise fail, time travel, alternate universes, and pulling a bait and switch over which Lazarus poses the real threat- and I’m sure there were cleaner ways to pull it off, but I do know that in the end, after Lazarus stays to fight the other him for eternity in between universes, I really feel the heaviness behinds Kirk's, “For you and me…but what of Lazarus? What of Lazarus…”
I find it a really compelling episode, though I can definitely see why it's disliked by a lot of people, especially if they only watch it the one time. That's the thought that stands out to me the most: I like and appreciate this episode more and more with each rewatch, which I think it deserves credit for, even if it'll never be my Top Episode of All Time.
Greg's Charity Stream: https://tilt.fyi/cfN1BNS95S
The Alternative Factor first aired on March 30, 1967, written by Don Ingalls, and directed by Gerd Oswald
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Macrocosm (Star Trek: Voyager, S3 E12) was recommended by Alex Russet (He/Him), who said: I have a soft spot for this episode. It's a wonderfully bonkers off the wall concept pulled off in a fun way. Flying viruses as big as you head? Why not? Trek's done crazier. And plus it features Janeway going full Ellen Ripley. What's not to love?
Macrocosm first aired on December 11, 1996, written by Brannon Braga, and directed by Alexander Singer
Greg's Charity Stream information. https://tilt.fyi/cfN1BNS95S
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The Naked Now (Star Trek: The Next Generation, S1 E03) was recommended by Traci Meek-Reid (she/her) (your accents are delightful- go for your life!), who said: When I was 7, one night the TV just "stopped". We all went "huh" and went off to do other things. And then 5 years later the VCR landed in our home, TV was restored, and I discovered this bright, technicolor world that came on after the Saturday morning cartoons. Star Trek! I was hooked. 2 years later, Star Trek: The Next Generation launched. I watched the premiere and after the trailer for the next episode played, I ran through the house excitedly shouting "They're doing the Naked Time! They're doing the Naked Time! With no further ado, I nominate TNG's "The Naked Now": it acknowledges its roots, it ruthlessly exposes Captain Picard and Doctor Crusher (and Riker, Troi, Data, and Yar) as the star crossed lovers/relentless horndogs that they are, and shows that space is for EVERYONE, even 14-year old kids like Wesley Crusher. And me. Because as much as I loved the dystopian depression pill delivered by "Blade Runner", 14 year old me needed hope for a future. "The Naked Now" proved that Star Trek and its themes are eternal and are not bound by one cast, one era, or one man's vision. I joyfully welcome each new iteration of Star Trek and still run through the house screaming with glee when they drop a reference to an old show. This universe is big enough for everybody.
The Naked Now first aired on October 5, 1987, written by story by John D. F. Black & D. C. Fontana, teleplay by D. C. Fontana, and directed by Paul Lynch
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Take Me Out to the Holosuite (Star Trek: Deep Space Nine, S7 E04) was recommended by Denise, who said: I love all of DS9 but this one is my favorite. I think because it's such an "Earth" game and they are in space and because baseball can be fun to watch and play. It's such a a fun episode and that why it's my favorite.
Take Me Out to the Holosuite first aired on October 21, 1998, written by Ronald D. Moore, and directed by Chip Chalmers
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Observer Effect (Star Trek: Enterprise, S4 E11) was recommended by Nazzy (she/her), who said: I've recommended some sillier episodes of Enterprise to you boys, now I want to share one that's just genuinely *good*. Season 4 is when ENT finally, truly started playing to its strengths, even if it was ultimately too late to save it from cancellation. The problem with recommending Season 4 episodes for the purposes of the podcast is that much of the season is broken up into mini-arcs of 2 or 3 episodes, and as much as I would love to have you cover the whole "Babel" three parter, I can't ask that of you (yet). So instead I'm going to suggest an episode that's one of the few one offs of the season, and one of my favorites - Observer Effect, in which Trip and Hoshi contract an alien virus on an away mission. The Enterprise crew must scramble to save their lives, not knowing their efforts are being watched by outside observers.
It's a classic Star Trek medical mystery episode, with the added twist of exactly who the observers are and how the observation is being done. It also has some lovely character moments, and since I love these characters, it's like catnip for me.
Observer Effect first aired on January 21, 2005, written by Garfield Reeves-Stevens & Judith Reeves-Stevens, and directed by Mike Vejar
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Crisis Point (Star Trek: Lower Decks, S1 E09) was recommended by Hauke [ˈhɔukə] (he/his), who said: Not really an under appreciated episode of Lower Decks, it is the first one to truly show what this series is capable of.
Format breaking ideas, incredible love letters to how crazy a Star Trek movie can be (or a “Starfleet Movie” as they like to say in-universe), super smart and incisive humor such as comments on old Trek shows’ problems with monocultures and centered on Mariner’s character arc beginning to reveal her deeper issues.
Crisis Point first aired on October 1, 2020, written by Ben Rodgers, and directed by Bob Suarez
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