Afleveringen
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Filmmaker Michael Mann joins Letterboxd in conversation about his favorite films, on the occasion of the launch of the Michael Mann Archives â Directing Ferrari.
Links:
Michael Mann's Letterboxd Films talked about in this conversation Michael Mannâs list of his 14 favorite films Michael Mann Archives â Directing Ferrari Mia Lee Vicinoâs Letterboxd Video version of this conversation on our YouTube channelCredits:
The conversation was recorded by Eileen Ruiz and edited by Shannon Keirce. Theme music: âVampiros Danceotequeâ by Moniker. Producers: Brian Formo and Gemma Gracewood. The Letterboxd Show is a TAPEDECK production.Chapters:
(00:01:15) Ferrari and the Michael Mann Archives â Directing Ferrariâ (00:09:37) Turbo (00:10:58) Battleship Potemkin, Heat, and Last of the Mohicans (00:14:31) Apocalypse Now (00:16:14) The Conformist (00:17:01) From Here to Eternity and The Jericho Mile (00:18:32) The Hurt Locker (00:19:57) Dr. Strangelove and Heat (00:21:35) The Loved One (00:22:13) Poor Things (00:23:39) LâAtalante (00:24:36) The Sweet Smell of Success and The Insider (00:26:37) I Am Cuba and Ali (00:30:22) Raging Bull (00:31:18) Miami Vice, Heat, and the theatrical experience (00:33:00) Biutiful (00:34:04) Incendies (00:34:29) Panâs Labyrinth (00:35:02) The Passion of Joan of Arc and The Insider (00:36:54) The Asphalt Jungle (00:38:54) Out of the Past (00:40:53) Memories of Murder, Manhunter, and serial killers (00:45:45) Pale Flower and Bicycle Thieves (00:46:57) Manhattan Melodrama and Public Enemies -
The podcast hosts of summer a back! This time around â â â â â â Slimâ â , Mia, and Mitchell discuss the upcoming SUMMER slate of movies and why you might need to add them to your own watchlists including MaXXXine, Kinds of Kindness, Furiousa: A Mad Max Saga, and Longlegs just to name a few*.* They also look ahead outside the most popular movies and shuffle their watchlists just like old times.
â â â â Weekend Watchlist â Updated Weekly listâ â â â > movies mentioned in this episode.
Chapters:
Opening credits + The Fall Guy (00:00:00) Summer 2024 preview Top 10 through 3 (00:05:43) Summer 2024 preview Top 3 (00:30:55) Our summer watchlists (00:39:02) Watchlists shuffles (00:49:15)Credits: Recorded in Philadelphia PA, Newark DE and Los Angeles CA. Edited by Slim. Theme music: ââ IZONâ by Trent Walton. Production manager: Sophie Shin. The Letterboxd Show is a TAPEDECK production.
Lists & Links: David on Tombstone; Tripp on La Belle Noiseuse; Mason on Critters
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Zijn er afleveringen die ontbreken?
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For our grand finale, the Best in Show crew heads to the 96th Academy Awards! Brian, who had a golden ticket to the ceremony itself, recaps how it felt for his eyes to see Al Pacino announce, âMy eyes see Oppenheimer!â, while Gemma and Mia recount their hectic day on the red carpet and evening in the press roomâplus dancing with the Anatomy of a Fall lawyers at the afterparty. Finally, we invite our London correspondent/Best in Show newsletter extraordinaire George Fenwick to reflect on the awards season as a whole, and to submit his winning pick for the inaugural Bradley Moze (and Otis) Awards, named for our beloved cats who kept us grounded over the past few months. Chapters:
Opening credits (00:00:00) Oscars experience (00:02:57) The show itself (00:11:14) George Fenwick interview (40:15) Bradley Moze & Otis Awards (00:53:32) Closing credits (00:59:40)Credits: Recorded in Los Angeles, London and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
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This week, Gemma chats with Academy President Janet Yang and CEO Bill Kramer about the importance of the Oscars to the global film community, plus its engaging impact on theater-going in a constantly changing industry. Also, Mia and Brian debrief about the Dune: Part Two hype (Space melodrama! More worms! All hail Denis Villeneuve!) and its entry into the Letterboxd Top 250 at a miraculous number six. For the grand finale, riot grrrl rockers Sleater-Kinney make a special appearance, with Carrie Brownstein recounting her brief appearance in Todd Haynesâ Carol. Chapters:
Opening credits (00:00:00) News (00:01:28) Bill Kramer & Janet Yang interview (00:22:37) Winner Winner Chicken Run Dinner (00:43:39) Sleater-Kinney interview (00:48:00) Closing credits (00:59:40)Credits: Recorded in Los Angeles. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
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This week, the Best in Show crew is full of Indie Spirit as they mingle on the carpet and out the back of the Film Independent Spirit Awards, where Zoe Lister-Jones, Jordan Firstman and the teams from Kokomo City and The Zone of Interest all stop by for chats about Cassavetes versus Altman, the secrets to a great director-producer relationship and epic movie dog moments. Brian meets his sporting hero Marshawn Lynch, and Mia settles in for a conversation with International Feature Spirit winner Justine Triet about the multiple languages of Anatomy of a Fall. Finally, Neil Hamburger himself (On Cinemaâs Gregg Turkington, cast member in the John Cassavetes Award-winning Fremont) tells Mia and Gemma about the first award he ever won (and seems to keep on winning).
Chapters:
Opening credits (00:00:00) News (00:03:06) Justine Triet interview (00:33:34) Winner Winner Turkington Dinner (00:49:48) Closing credits (00:54:40)Credits: Recorded in Los Angeles. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: Best in Showâs HQ Page, Film Independentâs HQ Page
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This week, the Best in Show crew finds out what theyâre made for with Grammy-winning special guests Billie Eilish and Finneas. The superstar sibling duo is behind the Best Original Song Oscar nominee âWhat Was I Made For?â, and Mia chats with them about hiding secrets in their devastating-but-hopeful tune, the music and movies that make them feel emotionally validated and Billieâs directing aspirations. Thereâs also some queening out over a mutual love of Andrew Scott in Fleabag and Sherlockârelevant because he and Billie are both nominated in acting categories at the Indie Spirits this year (him for All of Us Strangers, her for Swarm), and because Andrew is always relevant. London Editor Ella Kemp pops in as well for a BAFTAs debrief, sharing her interviews with DaâVine Joy Randolph, Samantha Morton and Best in Show bestie Paul Mescal.
Chapters:
Opening credits (00:00:00) BAFTA recap and red carpet interviews (00:01:43) Behind the curtain (00:23:36) Billie Eilish and FINNEAS interview (00:26:08) Winner Winner Chicken Run Dinner (00:45:29) Closing credits (00:59:40)Sponsor: Sony Pictures
Credits: Recorded in Los Angeles and London. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Showâs HQ Page, BAFTAs HQ Page
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This week, Brian, Gemma and Mia break down the art of visual effects with a little help from our friends: The Creator director Gareth Edwards and his visual effects on-set supervisor Andrew Roberts. More âHelp!â arrives in the form of Sean Lennon, co-writer of the Oscar-nominated short War Is Over!, via his chat with our New York correspondent, Julia Barrett-Mitchell. Mia and Brian also recap their Oscars Luncheon experience, which involved press and A-listers alike getting starstruck by Messi the dog, who plays Snoop in Anatomy of a Fall (and was snubbed for Best Supporting Actor). Chapters:
Opening credits (00:00:00) Oscar luncheon and Barbie promo (00:02:03) Behind the curtain: visual effects (00:18:56) Gareth Edwards and Andrew Roberts interview (00:25:54) War is Over! interview (00:43:45) Winner Winner Chicken Run Dinner (00:54:37) Closing credits (01:01:44)Credits: Recorded in Los Angeles, San Francisco, and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Showâs HQ Page, Gender at the Oscars
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Bonjour! The Best in Show crew digs into the Best International Feature race, with an entrĂ©e of an interview between Brian, Juliette Binoche and Tran Anh Hung about their CĂ©sar-nominated collaboration, The Taste of Things. Gemma, Mia and Brian also divulge the recipe for the International Feature category and how its submissions workâand briefly bring in Perfect Days director Wim Wenders and Society of the Snow's J.A. Bayona as a treat.
Chapters:
Opening credits (00:00:00) News (00:02:22) Behind the curtain: J.A. Bayona (00:14:07) Juliette Binoche and Tran Anh Hung interview (00:27:28) Winner Winner Chicken Run Dinner (00:48:07) Closing credits (00:59:40)Sponsor: Focus Featuresâ Lisa Frankenstein
Credits: Recorded in Los Angeles and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Showâs HQ Page
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The Best in Show team welcomes our East Coast correspondent Adesola Thomas to chat about her best of the Park City fest, among them the raucous Irish-language rap-musical Kneecap, sisterly drama In the Summers and coming-of-age charmer DĂŹdi (ćŒćŒ). Then, Mia and Gemma head to Osage County with five-time Oscar-nominated costume designer Jacqueline West for an in-depth interview on her âmethod costumingâ techniques for Killers of the Flower Moonâwhich included close collaboration with fellow nominees Lily Gladstone and Martin Scorsese, as well as Osage wardrobe consultant Julie OâKeefe. She also shares how she creates a real-life closet to help her actors inhabit their charactersâ wardrobes, an insightful approach that Jessica Chastain has requested on all of her films since working with West on The Tree of Life.
Chapters:
Opening credits (00:00:00) News (00:01:28) Sundance (00:07:27) Jacqueline West interview (00:19:58) Winner Winner Chicken Run Dinner (00:50:31) Closing credits (00:59:42)Credits: Recorded in Los Angeles, New York and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo and our newsletter edited by George Fenwick. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Showâs HQ Page
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The 96th Academy Award nominations have been announced, and the Best in Show crew have both axes to grind (Charles Melton of May December, you will be avenged!) and champagne bottles to pop (Justine Triet of Anatomy of a Fall, you will be fĂȘted!). Plus, Spider-Slim swings Across the Spider-Verse to chat with the directors behind Letterboxdâs highest rated film of 2023: Joaquim Dos Santos, Kemp Powers and Justin K. Thompson.
Chapters:
Opening credits (00:00:00) Oscar noms (00:01:47) Behind the curtain: Animation (00:23:18) Spider-Man: Across the Spider-Verse interview (00:39:02) Winner Winner Chicken Run Dinner (00:50:27) Closing credits (01:00:58)Sponsor: Sony Pictures
Credits: Recorded in Los Angeles and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Showâs HQ Page
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The BAFTA nominations are inâLily Gladstone and Andrew Scott are out. Whatâs that about? London Editor Ella Kemp joins Mia and Gemma for a rant. Plus: the invisible but visceral art of sound design with The Zone of Interest and Poor Things sound designer Johnnie Burn, Society of the Snow director JA Bayona, and Killers of the Flower Moon sound mixer Mark Ulano.
Chapters:
Opening credits (00:00:00) BAFTAs (00:02:39) Sound design (00:13:13) JA Bayona interview (00:20:50) Mark Ulano interview (00:28:26) Johnnie Burn interview (00:29:42) Winner Winner Chicken Run Dinner (00:46:13) Closing credits (00:58:06)Sponsor: Searchlight Picturesâ All of Us Strangers
Credits: Recorded in Los Angeles, London, and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Showâs HQ Page, Gemmaâs interview with Molly Manning Walker, Ellaâs interview with Charlotte Regan
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We are so temporarily back. This time around â â â â â â Slimâ â , Mia, and Mitchell discuss the upcoming slate of movies and why you might need to add them to your own watchlists including Challengers, Nosferatu, Dune: Part Two, and also tease new podcast plans. They also look ahead outside the most popular movies and shuffle their watchlists just like old times.â â â â Weekend Watchlist â Updated Weekly listâ â â â > movies mentioned in this episode.Chapters:
Opening credits (00:00:00) 2024 preview Top 10 through 6 (00:02:09) 2024 preview Top 5 through 1 (00:20:03) Watchlists shuffles (00:39:02) Watchlist check-in (00:52:04) Closing credits (00:57:48)Credits: Recorded in Philadelphia PA, Newark DE and Los Angeles CA. Edited by Slim. Theme music: ââ IZONâ by Trent Walton. Production manager: Sophie Shin. The Letterboxd Show is a TAPEDECK production.
Lists & Links: Paul Oyamaâs The Bikeriders review; Jeff Zhangâs Hit Man review; Zacâs Love Actually review, Dareâs Cop Land review, lorddnewtonâs Wonka review
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In this art direction-focused episode of Best in Show, Mia chats with the production designers behind the mad world of Poor ThingsâJames Price and Shona Heathâabout their human anatomy-inspired sets, and Gemma catches up with an old friend: Grant Major, Academy Award-winning production designer of a little film saga called The Lord of the Rings. The crew also hears from a few contenders at the Governors Awards (including a serenade from The Holdoversâ Dominic Sessa), rages against the SAG nomination snubs (WHERE is Charles Melton?!) and goes in on those Golden Globes (Stone and Gladstone world domination). Oh, and Mark Ruffalo, Yorgos Lanthimos and olâ blue eyes Cillian Murphy may just stop by, too.
Chapters:
Opening credits (00:00:00) Governorâs Awards (00:02:17) SAG Nominations (00:15:05) Golden Globes (00:17:47) Production Design (00:26:45) Grant Major interview (00:28:00) James Price + Shona Heath interview (00:46:25) Winner Winner Chicken Run Dinner (01:06:12) Closing credits (01:15:17)Credits: Recorded in Los Angeles, Palm Springs, and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Showâs HQ Page, Wood & Ellaâs Playtime reviews
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The Letterboxd crew pops the champagne and rounds up a roundtable for a celebration of 2023 cinema! We detail the results of our annual Year in Review, highlight the highest rated films of the year across categories and continents, reflect on the controlled chaos of our own personal stats and anticipate what 2024 has in store (the returns of Robert Pattinson and Bong Joon-ho). Plus, a New Yearâs present from the creative team behind our communityâs #1 favorite: Spider-Man: Across the Spider-Verse.
Featuring the voices of Slim, Mia Lee Vicino, Gemma Gracewood, Brian Formo, Mitchell Beaupre, Sophie Shin, Ella Kemp, Flynn Slicker and Aaron Yap.
Chapters:
Opening credits (00:00:00) Highest Rated Overall (00:05:09) Highest Rated Animated (00:14:41) Most and Highest (00:20:29) Mailbag / Most Hearts to Watches (00:32:03) World of Cinema (00:34:17) Canada + Music Films (00:36:06) Highest Rated Genres (00:44:45) Highest Rated Horror (01:00:32) Highest Rated Romance / Short Films (01:08:17) Stat Surprises Roundtable (01:21:28) Closing credits (01:41:50)Credits: Recorded in Los Angeles, New York City, Auckland, London, Toronto, Nantucket, Delaware and Philadelphia. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: 2023 Year in Review, Best in Showâs HQ Page, list of movies mentioned, Emoji Movie Channelâs Blue Giant review, Ruth Panâs Barbie review, Val The Movieguyâs Falling in Love Like in Movies review, Jackâs The Swan review
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This week, the Best in Show crew dives deep into two documentaries that just made the 96th Academy Awards shortlist. After answering some mailbag questions about pesky release dates and Oscars eligiblity rules, London Editor Ella Kemp swoops in to take us in front of the camera with Jon Batisteâthe composer and subject at the center of American Symphonyâthen Gemma goes behind the camera with Maciek Hamela, director of In the Rearview, which chronicles the immediate refugee crisis created by Russiaâs invasion of Ukraine. Plus, Mia discovers the cat-centric Chlotrudis Awards, leading to her and Brianâs creating a new awards body for film and feline fans.
Chapters:
Opening credits (00:00:00) Oscar shortlist reckons (00:01:51) Listener mailbag (00:09:59) American Symphony thoughts (22:51) Jon Batiste interview (00:27:33) Maciek Hamela interview (00:44:29) Winner Winner Chicken Run Dinner (00:53:08) Closing credits (01:04:53)Credits: Recorded in Los Angeles, Auckland, London, and Toronto. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Showâs HQ Page, Sydneyâs Society of Snow review
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This special episode includes interviews with two renowned film editors: first up, Letterboxdâs own video editor AJ tells us what makes good editing and lists his favorite examples of movie cutting from 2023. And then, one of AJâs 2023 picks, Jennifer Lame, joins Mia Lee Vicino and Brian Formo for a chat about working with Christopher Nolan, Greta Gerwig, Noah Baumbach and Ari Aster. Lame breaks down why she loves editing talking scenes and why she really wants to work on a comedy. And finally, because Chicken Run: Dawn of the Nugget has finally been released, Gemma Gracewood brings her thoughts on the overdue sequel home to roost.
Chapters:
Opening credits (00:00:00) AJâs editing favorites (00:03:59) Jennifer Lame interview (00:22:59) Winner Winner Chicken Run Dinner (00:46:58) Closing credits (00:59:37)Credits: Recorded in Los Angeles, San Francisco, Christchurch and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Showâs HQ Page, AJâs Letterboxd profile, Assemble
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Seasonâs greetings! Join us as the Letterboxd crew sits down with their hot chocolate for a roundtable discussion about Love Actually.
Slimâ watches this âclassicâ for the first time in preparation and welcomes â Gemmaâ , â Miaâ , and Ella into the Letterboxd Studio to walk down memory lane on their first-time watches, how viewings of certain movies change over time, favorite moments, and much more. Ella explaining the haunted inner workings of a Build-a-Bear workshop to Gemma will likely stay with you for several years. They also discuss how not to seduce someone, the bonkers fashion and musical choices, if Mr. Firth has rebounded into fully formed human being on-screen, and of course offer up some other holiday romantic comedy recommendations. Itâs a miracle!
Chapters:
Opening credits (00:00:00) Love Actually roundtable (00:005:23) Holiday Rom Com Recommendations (00:56:35) Closing credits (01:03:24)Sponsor: NEONâs Ferrari.Credits: Recorded in Auckland, LA, London, and Philadelphia. Edited by Slim. Theme music: âVampiros Danceotequeâ by Moniker. Editorial producer: Brian Formo. Production manager: Sophie Shin. The Letterboxd Show is a TAPEDECK production. Email us!
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This special episode features multiple interviews with award-winning actors: first up, London editor Ella Kemp speaks with Oscar nominee and Letterboxd pal Paul Mescal about All of Us Strangers, his wider reflections on awards season and his âshadyâ Letterboxd account. Meanwhile in Los Angeles, our birthday girl Mia enjoyed a casual chat about movies with Paulâs co-star Andrew Scott at the filmâs premiere, and in Atlanta, our East Coast correspondent Adesola Thomas rocked our centerpiece interview with Jeffrey Wright about American Fiction, AndrĂ© 3000 and Westworld. ACTING!
Sponsor: Disney Bundle
Credits: Recorded in Los Angeles, London and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Chapters:
Opening credits (00:00:00) LA Film Critics Association winners (00:02:16) Mailbag (00:09:45) Paul Mescal interview (00:19:50) Jeffrey Wright interview (00:34:20) Winner Winner Chicken Run Dinner (00:51:02) Closing credits (01:03:24)Lists & Links: List of movies mentioned, Best in Showâs HQ Page, Jackâs An Oscar-worthy life list
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May December screenwriter Samy Burch joins Mia and Gemma for a chat, fresh from her New York Film Critics Circle win for Best Screenplay. Topics range from Melanie Lynskey to Sister Act to Persona (and Burchâs favorite Letterboxd review), and how the presence of major tabloid figures such as Monica Lewinsky informed her themes of media obsession, performance and agency. We also welcome our London editor Ella Kemp and Best in Show newsletter scribe George Fenwick to give us the lowdown on their attending the British Independent Film Awards, including its big winner All of Us Strangers. Cheers!
Sponsor: Film Independent
Credits: Recorded in Los Angeles, London and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Chapters:
Opening credits (00:00:00) BIFA (00:04:06) Samy Burch (00:16:32) Winner Winner Chicken Run Dinner (00:39:55) Closing credits (00:44:15)Lists & Links:
List of movies mentioned
Film Independentâs HQ page on Letterboxd
Ella & Georgeâs Letterboxd profiles
Brianâs interview with Todd Haynes
Christian Jacob RamĂłn & Josiah Morganâs May December reviews
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The season two premiere of Best in Show kicks off with a very special guest: Sean Fennessey, Head of Content at The Ringer, co-host of The Big Picture podcast and fellow awards obsessive. Gemma, Mia and Brian interrogate Sean about his favorite films of the year so far, and he talks about finding Letterboxd more useful than Wikipedia (his words!) for the sheer encyclopedic knowledge of awards season availableâall thanks to your listsâand the time he watched Sunshine with Drew Barrymore.
Sponsor: GKIDS/The Boy and the Heron
Chapters:
The Boy and the Heron (00:00:00) Opening credits (00:01:27) Sean Fennessey (00:08:12) What we watched (00:54:50) Closing credits (01:01:37)Credits: Recorded in Los Angeles and Auckland. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: âHyperlightâ by Letterboxd member Trent Walton (AKA Echo Wolf), artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Links: Best in Showâs new HQ page on Letterboxd; Awards Season 2023-2024 list; Sean Fennesseyâs Letterboxd profile; Miaâs interview with Martin Scorsese; Martin Scorseseâs Letterboxd profileLists mentioned: List of movies mentioned, Sean Fennesseyâs David Fincher, Ranked, The Killer List, Men, Alone
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