Afleveringen
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Sofranie is a certified Mindset and Lifestyle Coach with a master's degree in Arts Management from HEC Montreal. A former world champion in Tae Kwon-Do, she won a bronze medal at the Festival Mondial du Cirque de Demain in 2001. With extensive experience as a Circus Artist and Jazz singer, Sofranie combines her diverse background in the performing arts with her knowledge of neuroscience and psychology. She is dedicated to empowering artists to unlock their full potential and transform their lives.
âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Sofranie is a certified Mindset and Lifestyle Coach with a master's degree in Arts Management from HEC Montreal. A former world champion in Tae Kwon-Do, she won a bronze medal at the Festival Mondial du Cirque de Demain in 2001. With extensive experience as a Circus Artist and Jazz singer, Sofranie combines her diverse background in the performing arts with her knowledge of neuroscience and psychology. She is dedicated to empowering artists to unlock their full potential and transform their lives.
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Zijn er afleveringen die ontbreken?
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Ess HoÌdlmoser (they/he) is a Canadian performance artist and author. Essâs awardâwinning circus acts have been shared on international stages like the 40th and 44th Festival Mondial du Cirque de Demain, Franceâs Got Talent, the Moulin Rouge, and more. On screen, you might catch Ess as âCINDYâ on âThe Boysâ, âSâ on âStation 11â, and âMâ on âMotherland: Fort Salemâ; or performing various horrifying bendy feats as a stunt performer (âFrankensteinâ [2025], âWhat We Do In The Shadowsâ, and many more). Copies of Essâs two coffee table books (âSlow Circus: BARBETTEâ [2024] and âSlow Circus: VACUUMâ [2020]) and growing zine catalogue can be found on bookshelves and libraries in every corner of the globe (even Antarctica!) To read about Essâs latest adventures, head Patreon (www.patreon.com/strangewonderfulcreature); books and zines can be found at www.strangewonderfulcreature.com You can find Ess on socials at @strangewonderfulcreature.
âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Ess HoÌdlmoser (they/he) is a Canadian performance artist and author. Essâs awardâwinning circus acts have been shared on international stages like the 40th and 44th Festival Mondial du Cirque de Demain, Franceâs Got Talent, the Moulin Rouge, and more. On screen, you might catch Ess as âCINDYâ on âThe Boysâ, âSâ on âStation 11â, and âMâ on âMotherland: Fort Salemâ; or performing various horrifying bendy feats as a stunt performer (âFrankensteinâ [2025], âWhat We Do In The Shadowsâ, and many more). Copies of Essâs two coffee table books (âSlow Circus: BARBETTEâ [2024] and âSlow Circus: VACUUMâ [2020]) and growing zine catalogue can be found on bookshelves and libraries in every corner of the globe (even Antarctica!) To read about Essâs latest adventures, head Patreon (www.patreon.com/strangewonderfulcreature); books and zines can be found at www.strangewonderfulcreature.com You can find Ess on socials at @strangewonderfulcreature.
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Tiny Good is a seasoned professional in rigging, staging, automation, and technical services, with over three decades of experience. As the founder of Showtech Australia in 1985, Tiny has built a reputation for delivering exceptional service in events ranging from local productions to global spectacles. A licensed Australian rigger and electrician, Tiny holds numerous qualifications, including ETCP Arena and Theatre Rigger, Australian Arena Rigger (a qualification he co-developed), rope technician, scaffolder, crane driver, and aerial rigger. He is also a co-author and coordinator for the International Code of Practice for Entertainment Rigging (ICoPER), including its Chinese translation.
Tiny's portfolio spans two Olympic Games (Sydney and Athens), three Commonwealth Games (Melbourne, Delhi, Gold Coast), 41 Carols by Candlelight, and extensive tours across Australia, Asia, Europe, the Middle East, and North America. He has worked with organizations like Circus Oz, Cirque du Soleil, and NICA, providing rigging, production management, and training.
From K-Pop to corporate events, musical theatre, and television, Tinyâs expertise in rigging and automation has been integral to countless productions. His diverse skill set and dedication to safety and innovation make him a leader in the live performance and event industry.
âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
-
Tiny Good is a seasoned professional in rigging, staging, automation, and technical services, with over three decades of experience. As the founder of Showtech Australia in 1985, Tiny has built a reputation for delivering exceptional service in events ranging from local productions to global spectacles. A licensed Australian rigger and electrician, Tiny holds numerous qualifications, including ETCP Arena and Theatre Rigger, Australian Arena Rigger (a qualification he co-developed), rope technician, scaffolder, crane driver, and aerial rigger. He is also a co-author and coordinator for the International Code of Practice for Entertainment Rigging (ICoPER), including its Chinese translation.
Tiny's portfolio spans two Olympic Games (Sydney and Athens), three Commonwealth Games (Melbourne, Delhi, Gold Coast), 41 Carols by Candlelight, and extensive tours across Australia, Asia, Europe, the Middle East, and North America. He has worked with organizations like Circus Oz, Cirque du Soleil, and NICA, providing rigging, production management, and training.
From K-Pop to corporate events, musical theatre, and television, Tinyâs expertise in rigging and automation has been integral to countless productions. His diverse skill set and dedication to safety and innovation make him a leader in the live performance and event industry.
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Nadia is an actress, writer, and award winning dancer & choreographer.
She trained in flamenco and ballet at the Royal Conservatory of Dance and Drama in Madrid, Spain, and earned her BA in Theatre at the University of Colorado in the US.
When Nadia was 14 she was in a car accident that injured her spinal cord and which requires her to walk with a cane. She hasn't let this impede her career. Nadia has taken every opportunity to find ways of working in the performing arts and challenging othersâ notions of diversity and inclusion.
Nadia's acting credits include theatre, commercials and independent film projects in the UK, Spain, the US and Canada. Her latest role, a lead in Filum, was directed by Claudia HernĂĄndez BarragĂĄn; Filum received the 2019 Audience Award at the ARFF-Berlin.
As a dancer Nadia was a company member with CandoCo in the UK, AXIS Dance in the US, and CompañĂa Y in Spain. She has been featured in works by Stephen Petronio, Bill T. Jones, Arthur Pita, Rafael Bonachela, Davis Robertson, Sonya Delwaide, Chevi Muraday and Asun Noales among others. She performed at the Kennedy Centre (USA) with Mikhail Baryshnikov and has toured North America, Europe and the Middle East. She received the Isadora Duncan Dance Award for best ensemble performance with Jacques Poulin-Denis. One of the many works Nadia has choreographed, Marionette, was selected for competition at the prestigious XVI Certamen CoreogrĂĄfico in Spain.
Nadia is currently writing her second feature film and her first TV show. In January 2022 she became the Artistic Director and choreographer at AXIS Dance Company.
âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
-
Nadia is an actress, writer, and award winning dancer & choreographer.
She trained in flamenco and ballet at the Royal Conservatory of Dance and Drama in Madrid, Spain, and earned her BA in Theatre at the University of Colorado in the US.
When Nadia was 14 she was in a car accident that injured her spinal cord and which requires her to walk with a cane. She hasn't let this impede her career. Nadia has taken every opportunity to find ways of working in the performing arts and challenging othersâ notions of diversity and inclusion.
Nadia's acting credits include theatre, commercials and independent film projects in the UK, Spain, the US and Canada. Her latest role, a lead in Filum, was directed by Claudia HernĂĄndez BarragĂĄn; Filum received the 2019 Audience Award at the ARFF-Berlin.
As a dancer Nadia was a company member with CandoCo in the UK, AXIS Dance in the US, and CompañĂa Y in Spain. She has been featured in works by Stephen Petronio, Bill T. Jones, Arthur Pita, Rafael Bonachela, Davis Robertson, Sonya Delwaide, Chevi Muraday and Asun Noales among others. She performed at the Kennedy Centre (USA) with Mikhail Baryshnikov and has toured North America, Europe and the Middle East. She received the Isadora Duncan Dance Award for best ensemble performance with Jacques Poulin-Denis. One of the many works Nadia has choreographed, Marionette, was selected for competition at the prestigious XVI Certamen CoreogrĂĄfico in Spain.
Nadia is currently writing her second feature film and her first TV show. In January 2022 she became the Artistic Director and choreographer at AXIS Dance Company.
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Davison started her formal training as a dancer with her mother in Toulouse, France. After multiple prizes on the National scene, she obtained her degree in dance and choreography from the Conservatoire National Supérieur de Lyon at the age of 16.
Sarah started her professional performance career with several neo-classical and jazz companies in France before moving to North America as an original cast member of CĂ©line Dionâs A New Day. Working with Franco Dragone opened her horizons, and she fell in love with the circus. She continued to refine and broaden her experience when joining Dragone's âLe RĂȘveâ, and later as a cast member of âViva ELVISâ by Cirque du Soleil.Sarah has done several TV appearances in âDancing with the Starsâ, âThe Oprah Winfrey Showâ, âThe Jerry Lewis Telethon and the âAmerican Music Awardsâ.
In 2012, Sarah started her casting career with Cirque du Soleil, first as an Artistic Advisor until 2017, when she became the Head of Casting for the Las Vegas Resident Show Division for 3 more years.
In 2021, fulfilling her need to broaden her experience, Sarah joined Action Horizons, a global stunt company, as the Creative Manager for The Bourne Stuntacular in Orlando, where she cast, trained and managed daily operations for a roster of 80 performers.
In 2023, Sarah joined Feld Entertainment, serving as their Director of Casting and Performance for all stage and floor shows. In the beginning of this year, Sarah was offered to add Ringling Brothers and Barnum and Bailey, to her portfolio. It is with great pride that Sarah gets to bring her diverse experience and expertise to casting the next edition of The Greatest Show on Earth.
âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
-
Davison started her formal training as a dancer with her mother in Toulouse, France. After multiple prizes on the National scene, she obtained her degree in dance and choreography from the Conservatoire National Supérieur de Lyon at the age of 16.
Sarah started her professional performance career with several neo-classical and jazz companies in France before moving to North America as an original cast member of CĂ©line Dionâs A New Day. Working with Franco Dragone opened her horizons, and she fell in love with the circus. She continued to refine and broaden her experience when joining Dragone's âLe RĂȘveâ, and later as a cast member of âViva ELVISâ by Cirque du Soleil.Sarah has done several TV appearances in âDancing with the Starsâ, âThe Oprah Winfrey Showâ, âThe Jerry Lewis Telethon and the âAmerican Music Awardsâ.
In 2012, Sarah started her casting career with Cirque du Soleil, first as an Artistic Advisor until 2017, when she became the Head of Casting for the Las Vegas Resident Show Division for 3 more years.
In 2021, fulfilling her need to broaden her experience, Sarah joined Action Horizons, a global stunt company, as the Creative Manager for The Bourne Stuntacular in Orlando, where she cast, trained and managed daily operations for a roster of 80 performers.
In 2023, Sarah joined Feld Entertainment, serving as their Director of Casting and Performance for all stage and floor shows. In the beginning of this year, Sarah was offered to add Ringling Brothers and Barnum and Bailey, to her portfolio. It is with great pride that Sarah gets to bring her diverse experience and expertise to casting the next edition of The Greatest Show on Earth.
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Dani Ironside is the Company Manager at Bell Shakespeare, bringing experience from roles as a Stage Manager at Sydney Theatre Company, Ensemble Theatre, Lyric Hammersmith, and Belvoir. She holds a Bachelor of Arts in Design for Theatre and Television from Charles Sturt University, and her leadership is built on a deep understanding of theatre production and management.
Dani is passionate about fostering an inclusive, supportive workplace. She is committed to creating a transparent environment where every team member feels valued, empowered, and inspired to grow, contributing to the companyâs shared success.
âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
-
Dani Ironside is the Company Manager at Bell Shakespeare, bringing experience from roles as a Stage Manager at Sydney Theatre Company, Ensemble Theatre, Lyric Hammersmith, and Belvoir. She holds a Bachelor of Arts in Design for Theatre and Television from Charles Sturt University, and her leadership is built on a deep understanding of theatre production and management.
Dani is passionate about fostering an inclusive, supportive workplace. She is committed to creating a transparent environment where every team member feels valued, empowered, and inspired to grow, contributing to the companyâs shared success.
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
-
Alex is an experienced, provocative business coach, working with founders, C-suite and leadership teams to truly understand and shape their own vision. She helps them to create powerful stories that allow them to leap but also design the behaviours, practices and actionable roadmaps that are needed to bring their vision alive. Her work has helped organisations shape new business models and creative structures to deliver innovative products and services. She is also a certified leadership coach an experienced sense-maker and a catalyst for collective energy who brings cross-sector experience, creative thinking and strategic focus to every project.
Alex loves working together with others in order to bring cross-sector experience, diverse thinking and collective energy to any project. Her career spans over 30 years in the creative industries, working with creative agencies, large corporate partners, start-ups and NGOs.âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
-
Alex is an experienced, provocative business coach, working with founders, C-suite and leadership teams to truly understand and shape their own vision. She helps them to create powerful stories that allow them to leap but also design the behaviours, practices and actionable roadmaps that are needed to bring their vision alive. Her work has helped organisations shape new business models and creative structures to deliver innovative products and services. She is also a certified leadership coach an experienced sense-maker and a catalyst for collective energy who brings cross-sector experience, creative thinking and strategic focus to every project.
Alex loves working together with others in order to bring cross-sector experience, diverse thinking and collective energy to any project. Her career spans over 30 years in the creative industries, working with creative agencies, large corporate partners, start-ups and NGOs.@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Carmen Morgan is a national activist leading conversations at the forefront of the field on equity, inclusion, and racial justice issues. She is the founder and director of artEquity, a national organization that provides tools, resources, and training to support the intersections of art and activism. She has provided leadership development and organizational planning for staff, executives, and boards for over 100 non-profit organizations. She is the 2020 recipient of the Paul Robeson Award by Actorsâ Equity Association and Actorsâ Equity Foundation and a YBCA 100 honoree. Sheâs on faculty at Yaleâs David Geffen School of Drama where she addresses issues of identity, equity, and inclusion in the arts.
For over twelve years she worked with the Oregon Shakespeare Festival (OSF) on structural and organizational equity. With her guidance, OSF implemented innovative programming, policies, and new organizational structures to support ongoing inclusion efforts. In addition, she served as the consultant for Theatre Communications Groupâs diversity and inclusion initiatives and programming, where she partnered with TCG to launch a national Equity, Diversity, and Inclusion Institute for theatres. She has supported national and regional cohorts and provided customized resources to theaters and arts organizations in the US and Canada, including Art Institute of Chicago, National Endowment for the Arts, New York Theatre Workshop, Woolly Mammoth, Long Wharf Theater, Hubbard Street Dance, Stages Repertory, Denver Center for the Performing Arts, Cal Shakes, Steppenwolf, New York Foundation for the Arts, Association for the Performing Arts Service Organization, League of American Orchestras, Opera America, Association of Performing Arts Presenters, and Professional Association of Canadian Theatres, to name a few.
Prior to founding artEquity, for fifteen years Carmen directed Leadership Development in Interethnic Relations (LDIR), a nationally-recognized social justice program co-sponsored by Asian Americans Advancing Justice, the Central American Resource Center, and the Martin Luther King Dispute Resolution Center. Prior to her work with the LDIR program, Carmen was the Associate Regional Director for the American Friends Service Committee (AFSC), an international human rights organization, where she oversaw human rights work on the US/Mexico border; gay liberation and sovereignty education work in Hawaiâi; and tenant rights and racial/economic justice work in California and Arizona.
Carmen is a founding member of the California Chapter of the National Association for Multicultural Education (NAME), a former Human Services Commissioner, and is currently on the Board of Directors for Black Women for Wellness, a community-based organization serving women in South Los Angeles. She has presented at numerous national conferences including the National Conference on Race and Ethnicity, National Association for Multicultural Education, Grantmakers in Health, Grantmakers in the Arts, Americans for the Arts, The California Endowment, and the Robert Woods Johnson Foundation, to name a few. Carmenâs work is rooted in popular education, community organizing, and a commitment to social justice. She remains dedicated to community building and activism, and has worked in the non-profit sector for over 20 years.
âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
-
Carmen Morgan is a national activist leading conversations at the forefront of the field on equity, inclusion, and racial justice issues. She is the founder and director of artEquity, a national organization that provides tools, resources, and training to support the intersections of art and activism. She has provided leadership development and organizational planning for staff, executives, and boards for over 100 non-profit organizations. She is the 2020 recipient of the Paul Robeson Award by Actorsâ Equity Association and Actorsâ Equity Foundation and a YBCA 100 honoree. Sheâs on faculty at Yaleâs David Geffen School of Drama where she addresses issues of identity, equity, and inclusion in the arts.
For over twelve years she worked with the Oregon Shakespeare Festival (OSF) on structural and organizational equity. With her guidance, OSF implemented innovative programming, policies, and new organizational structures to support ongoing inclusion efforts. In addition, she served as the consultant for Theatre Communications Groupâs diversity and inclusion initiatives and programming, where she partnered with TCG to launch a national Equity, Diversity, and Inclusion Institute for theatres. She has supported national and regional cohorts and provided customized resources to theaters and arts organizations in the US and Canada, including Art Institute of Chicago, National Endowment for the Arts, New York Theatre Workshop, Woolly Mammoth, Long Wharf Theater, Hubbard Street Dance, Stages Repertory, Denver Center for the Performing Arts, Cal Shakes, Steppenwolf, New York Foundation for the Arts, Association for the Performing Arts Service Organization, League of American Orchestras, Opera America, Association of Performing Arts Presenters, and Professional Association of Canadian Theatres, to name a few.
Prior to founding artEquity, for fifteen years Carmen directed Leadership Development in Interethnic Relations (LDIR), a nationally-recognized social justice program co-sponsored by Asian Americans Advancing Justice, the Central American Resource Center, and the Martin Luther King Dispute Resolution Center. Prior to her work with the LDIR program, Carmen was the Associate Regional Director for the American Friends Service Committee (AFSC), an international human rights organization, where she oversaw human rights work on the US/Mexico border; gay liberation and sovereignty education work in Hawaiâi; and tenant rights and racial/economic justice work in California and Arizona.
Carmen is a founding member of the California Chapter of the National Association for Multicultural Education (NAME), a former Human Services Commissioner, and is currently on the Board of Directors for Black Women for Wellness, a community-based organization serving women in South Los Angeles. She has presented at numerous national conferences including the National Conference on Race and Ethnicity, National Association for Multicultural Education, Grantmakers in Health, Grantmakers in the Arts, Americans for the Arts, The California Endowment, and the Robert Woods Johnson Foundation, to name a few. Carmenâs work is rooted in popular education, community organizing, and a commitment to social justice. She remains dedicated to community building and activism, and has worked in the non-profit sector for over 20 years.
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Dawn, a Las Vegas native, has over 30 years of experience in the Events, Exhibition, and Entertainment industries. She has managed a wide range of events globally, from Olympic Games sponsor operations to large casino property openings in Macao. With a career spanning Asia and the Middle East, she has led diverse teams to deliver exceptional client and stakeholder experiences. She currently serves as Executive Director for Client Experience at Pico Middle East, where she leads a division of three teams, one of which is for the newly opened Pico Abu Dhabi office.
âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
-
Dawn, a Las Vegas native, has over 30 years of experience in the Events, Exhibition, and Entertainment industries. She has managed a wide range of events globally, from Olympic Games sponsor operations to large casino property openings in Macao. With a career spanning Asia and the Middle East, she has led diverse teams to deliver exceptional client and stakeholder experiences. She currently serves as Executive Director for Client Experience at Pico Middle East, where she leads a division of three teams, one of which is for the newly opened Pico Abu Dhabi office.
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Anna RobbEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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Jack Marsh began his circus career with Circus Flora in 1986 when he was just two years old: he rode a Clydesdale also named Jack. Marsh has since served the company through his juggling, acrobatics, and creative energy. After working as a corporate attorney in New York, Marsh ran away to re-join the circus, inspired to help Circus Flora create new and innovative productions. Marsh served as the Executive Producer of the New York Cityâs Big Apple Circus from 2019-2022 and is the Circus Consultant on âCome Alive,â a live immersive production of The Greatest Showman in London, premiering later this year. Marsh holds a B.A. in Economics from Harvard University and a J.D. from the University of Wisconsin.
âATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version:
https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396â
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Kat LandryEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
-
Jack Marsh began his circus career with Circus Flora in 1986 when he was just two years old: he rode a Clydesdale also named Jack. Marsh has since served the company through his juggling, acrobatics, and creative energy. After working as a corporate attorney in New York, Marsh ran away to re-join the circus, inspired to help Circus Flora create new and innovative productions. Marsh served as the Executive Producer of the New York Cityâs Big Apple Circus from 2019-2022 and is the Circus Consultant on âCome Alive,â a live immersive production of The Greatest Showman in London, premiering later this year. Marsh holds a B.A. in Economics from Harvard University and a J.D. from the University of Wisconsin.
@stagelync
The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com
Credits for the StageLync Podcast
Hosts: Kat LandryEditor: Rose Anne FermocilMusic: Jeremy WilliDesign: Em HoltProduction Coordinator: Roselle BernardoProducers: Anna Robb and Andrea Honis
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