Afleveringen
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Patreon Justin has picked some gems and corkers before, like Blood Simple and Hard Eight, and this time he's chosen the little known 1992 comedy, Brain Donors.
"Brain Donors" was produced during a time when Hollywood was revisiting and paying homage to classic comedy styles, and its production was heavily influenced by the desire to recreate the Marx Brothers' iconic brand of humor. The film was written by Pat Proft, known for his work on the "Naked Gun" series, and produced by David Zucker, Jerry Zucker, and Jim Abrahams, the trio behind many successful comedies of the 1980s. Their involvement ensured that the film would be packed with rapid-fire jokes, slapstick, and absurdity, staying true to the spirit of the Marx Brothers while adding a modern twist. The project was initially conceived as a direct tribute to the Marx Brothers, with the working title "Lame Ducks," and the characters were loosely based on Groucho, Chico, and Harpo Marx.
John Turturro, who played the Groucho-esque character Jacques, was a standout in the cast, bringing his unique energy and comedic timing to the role. The production faced challenges in balancing the homage to classic comedy with appealing to contemporary audiences, which led to mixed reactions upon its release. Despite its star-studded creative team and ambitious vision, the film struggled at the box office, partly due to limited marketing and the niche appeal of its humor. However, over time, "Brain Donors" has garnered a cult following, appreciated for its commitment to reviving the chaotic, irreverent spirit of the Marx Brothers. The making of the film reflects a passionate attempt to honor a bygone era of comedy, even if it didn't achieve mainstream success.
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Plot Summary
Roland T Flakfixer, Jacques and Rocco, a trio of eccentric misfits, are hired by the wealthy widow Lillian Oglethorpe to establish a ballet company in honor of her late husband. Their mission quickly spirals into a series of absurd misadventures as they clash with the snobbish elite, outwit a scheming lawyer named Edmund Lazlo , and attempt to pull off a grand ballet performance.
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After being exposed to the so-called bad boys of bodybuilding with Double Trouble last year, Dave decided to pick the breakthrough movie for Peter and David Paul. The Canon Films sword-and-sorcery adventure, The Barbarians.
The Barbarians (1987) was a quintessential example of 1980s sword-and-sorcery filmmaking, helmed by cult director Ruggero Deodato, best known for his controversial work on Cannibal Holocaust. Shot on location in Italy and Yugoslavia, the film embraced the rugged landscapes and ancient ruins of Eastern Europe to create its gritty, fantastical world. The producers, including the legendary Cannon Group, aimed to capitalize on the success of films like Conan the Barbarian, infusing the project with a mix of campy action and over-the-top theatrics. Real-life bodybuilder twin brothers Peter and David Paul, dubbed "The Barbarian Brothers," were cast as the lead warriors, their muscular physiques and comedic chemistry serving as the film’s primary draw.
The production leaned heavily into the aesthetics of the genre, with elaborate costumes, oversized weapons, and practical effects dominating the visual style. Special care was given to creating the film's larger-than-life set pieces, which often featured a mix of brutal combat and exaggerated physical comedy. The soundtrack, composed by Pino Donaggio, added an epic, adventurous tone to the film. While The Barbarians was far from a critical success, it gained a cult following for its unabashed embrace of cheesy spectacle and campy performances. Deodato’s direction ensured that the film maintained a self-aware sense of humor, making it a memorable, if not particularly polished, entry into the sword-and-sorcery genre.
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Plot Summary
Twin brothers Kutchek and Gore are raised as slaves after their peaceful tribe is attacked by the tyrannical warlord Kadar. They grow into mighty warriors determined to reclaim their freedom. Separated as children and forced into gladiatorial combat, the brothers reunite and embark on a quest to rescue their people and recover a magical ruby that holds the key to their tribe's survival. Along the way, they face off against Kadar's forces, monstrous creatures, and treacherous obstacles, relying on their strength, courage, and occasionally bumbling teamwork.
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Zijn er afleveringen die ontbreken?
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Tough Guys was a Phelps family household favourite in the late 1980's and this week we take a look back at a movie long since forgotten.
Tough Guys brought together two Hollywood legends, Kirk Douglas and Burt Lancaster, marking their seventh on-screen collaboration and injecting star power into this comedy crime caper. Directed by Jeff Kanew, who had worked with Douglas on Eddie Macon’s Run, the film aimed to blend comedy and nostalgia with action. Set against the backdrop of the rapidly changing 1980s, the production team leaned into the contrast between the golden age of Hollywood and the modern era, using this as a thematic anchor. Filming primarily took place in Los Angeles, utilizing both urban settings and iconic locations to underscore the characters’ struggle to adapt to contemporary life.
The film was produced by Touchstone Pictures, a subsidiary of Disney, which aimed to target a slightly more mature audience with its blend of lighthearted humor and action. Douglas and Lancaster, already familiar with each other's rhythms and dynamics, brought a natural chemistry to their roles, making their performances one of the film’s standout elements. Composer James Newton Howard provided a score that balanced upbeat, jazzy tunes with more sentimental pieces to reflect the characters’ journey. This movie was a fond farewell to the screen partnership of Douglas and Lancaster, celebrating their enduring legacy in cinema.
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Plot Summary:
Harry Doyle and Archie Long are two aging gangsters who are released from prison after serving 30 years for hijacking the last great train robbery. Struggling to adjust to the modern world of the 1980s, the duo quickly realise that society has moved on without them, and their old-school ways no longer fit in. Despite their attempts to go straight, the allure of one final heist proves irresistible as they plot to steal the same train they hijacked decades ago. Meanwhile, a relentless parole officer and their old nemesis, now a retired police officer, are hot on their trail.
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Never one to take the easy choices, supporter and friend of the show Spider-Dan has chosen a sequel by German Director Jörg Buttgereit, in Nekromantic 2.
Buttgereit, building on the underground success of the first Nekromantik film, aimed to create a sequel that delved deeper into themes of love, death, and societal taboos. Shot on a modest budget with a crew of close collaborators, the film maintained its predecessor's grim aesthetic while incorporating more surreal and darkly comedic elements. The production faced logistical challenges due to its provocative subject matter, with limited resources and a reliance on guerrilla filmmaking techniques. Despite these constraints, the team crafted a visually striking and unsettling film, cementing Buttgereit's reputation in the underground horror scene.
The film’s release was equally fraught, as Nekromantik 2 faced immediate backlash from censors in Germany. Authorities deemed it obscene, leading to a temporary ban and a high-profile raid during one of its public screenings. This controversy only heightened the film's cult appeal, drawing the attention of horror enthusiasts and cinephiles intrigued by its boundary-pushing content. Buttgereit, known for his defiance of traditional storytelling and societal norms, embraced the notoriety, using the controversy to highlight the artistic and philosophical underpinnings of his work. Today, Nekromantik 2 remains a polarizing but influential entry in transgressive cinema, often cited as a provocative exploration of love, death, and the limits of human desire.
Check out Dan's work at https://www.spiderdanandthesecretbores.com.
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Plot Summary:
Monika, a young woman with a macabre fascination for death, develops a romantic relationship with the corpse of Rob, the protagonist from the first film. However, Monika's life grows more complicated when she meets and begins dating a living man, Mark, a voice actor with a far more conventional approach to relationships. Torn between her attraction to the living and her morbid obsession with the dead, Monika wrestles with her desires, leading to unsettling and grotesque consequences.
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Helen's pick this week is the 2000 movie which really put Christian Bale on the map, is American Psycho! American Psycho was a journey marked by controversy, creative vision, and a touch of chaos. Initially, the project faced significant challenges, with multiple directors and actors attached to the adaptation of Bret Easton Ellis's infamous novel. Mary Harron eventually took the helm, bringing a sharp satirical perspective to the material. Her insistence on Christian Bale as the lead, despite studio pressure to cast bigger names like Leonardo DiCaprio, proved pivotal in shaping the film’s identity. Bale’s unwavering commitment to the role, including his meticulous physical transformation and deep understanding of the character, set the tone for the entire production.us costume choices. Harron’s direction, alongside co-writer Guinevere Turner, skillfully balanced the satirical elements of the story with its darker undertones. The production faced criticism and protests from the outset due to the book’s graphic contenFilmed in Toronto to replicate 1980s New York City, the movie captured the era's sleek, cold aesthetic with a mix of opulent set design and meticulot, but Harron’s adaptation reined in the gratuitousness, focusing instead on societal commentary. Despite its tumultuous path to the screen, the film ultimately became a cult classic, celebrated for its biting critique of materialism and its razor-sharp performances.
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Plot Summary:
Patrick Bateman, a wealthy and seemingly successful investment banker in 1980s Manhattan, hides a dark and psychopathic side beneath his polished exterior. While obsessing over materialism and social status, Bateman’s mask of normalcy slips as he indulges in increasingly violent and depraved acts. His descent into madness blurs the lines between reality and delusion, leaving viewers to question whether his horrific crimes are real or merely figments of his deranged imagination.
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This week's pick is the turn of one of our longest supporters, Kent! And he's chosen THE road trip movie that spawned a franchise and influenced all that came after. It's the 1983 black comedy, National Lampoon's Vacation!
The movie began as an adaptation of John Hughes's short story, “Vacation '58,” published in National Lampoon magazine. The screenplay was penned by Hughes himself, marking one of his early ventures into Hollywood comedy. Directed by Harold Ramis, the film starred Chevy Chase as the hapless family patriarch, Clark Griswold. Chase’s improvisational comedy style helped shape the film’s humor, with Beverly D’Angelo, Anthony Michael Hall, and Dana Barron rounding out the Griswold family. The road trip concept, centered on the Griswold family's disastrous journey to the fictional Wally World amusement park, resonated with audiences, blending slapstick humor with relatable family dynamics.
Principal photography took place across various U.S. locations, including Arizona, California, Colorado, and Missouri, to capture the authentic feel of a cross-country road trip. Notable challenges included shooting in sweltering heat during desert scenes and the logistical complexities of filming with a live moose at the park. The film also saw some creative last-minute changes, such as altering the original ending (where Wally World was closed indefinitely) after test audiences found it too dark. The film's mix of irreverent comedy, Hughes's sharp writing, and Ramis's deft direction made it a critical and commercial success.
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Plot Summary:
Clark Griswold is an overenthusiastic father, determined to take his family on the ultimate cross-country road trip to the Wally World amusement park. Along the way, Clark, his wife Ellen, and their children, Rusty and Audrey, face a series of increasingly absurd and catastrophic setbacks, including a car breakdown, disastrous stays with relatives, a flirtation with a mysterious woman in a Ferrari, and the tragic demise of their aunt's dog. Despite the chaos, Clark's relentless optimism drives the family to press on, culminating in a hilariously chaotic finale at Wally World that underscores the unpredictable and often hilarious nature of family vacations.
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Gor is a planet, a counter Earth, that sits in orbit at the opposite side of the Sun to the Earth we inhabit. And on the Vernal Equinox, this marks the New Year for most Gorean cities. This is the kind of sci-fi, fantasy sword and sorcery that Chris despises, and Dave loves. So it's only right that Dave's pick to see us into the new year would be Gor! But there might be a wildcard in this 1987 loose adaptation which has the review for this much maligned Canon picture going a different way.
The making of Gor (1987) was a quintessential Cannon Films production—big ambitions, tiny budget, and just a dash of chaos. Helmed by Fritz Kiersch (the bloke behind Children of the Corn), the film aimed to bring John Norman's Gorseries to life. Now, Norman's books are… let’s say “divisive,” so the filmmakers wisely ditched the dodgy bits and went all-in on the swords, sandals, and overly shiny chest plates. Shot in South Africa, the production made the most of the sweeping landscapes, though "epic fantasy" occasionally veered into "amateur cosplay." Still, it had that scrappy Cannon charm, the kind of vibe that screams, "This’ll look brilliant on VHS!"
As for the cast, it was a mixed bag. Urbano Barberini and Rebecca Ferratti led the charge, while Oliver Reed—bless him—turned up to chew scenery like it owed him money. Rumor has it Reed’s off-camera antics were just as entertaining as what made it into the final cut. The costumes looked like a sale at the world’s least practical armour shop, and the effects… well, let’s just say they tried. Despite the shoestring budget and dodgy execution, Gor carved out a weird little niche for itself among fantasy film enthusiasts, probably because it’s so delightfully bonkers. It’s the sort of film you stick on late at night with a few mates and some questionable snacks, knowing full well you’re in for some glorious nonsense.
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Plot Summary:
Professor Tarl Cabot is a mild-mannered academic who is accidentally transported to the planet Gor, a savage world ruled by warlords and filled with brutal battles. Upon arrival, Tarl discovers that he’s seen as a prophesied hero destined to free the oppressed people from the tyranny of the evil Sarm and his minions. Armed with a mysterious magical ring and a newfound knack for sword fighting, Tarl joins forces with a group of rebels, including the brave warrior Talena, to overthrow Sarm’s regime. Along the way, Tarl must embrace his inner warrior, navigate treacherous alliances, and decide if he’s willing to leave his old life behind to become the hero Gor desperately needs.
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Recently described as the worst ever Christmas movie, Chris has chosen movie starring Thunder Lips himself, Terry Gene Bollea, or better known as Hulk Hogan. It's the Christmas movie oddity you've never heard of. And probably for good reason, until now.
Directed by John Murlowski, the film was produced on a relatively modest budget, which was probably spent entirely on Hogan’s appearance fee and the special effects, none of which were convincing enough to make this a holiday classic. Attempting to blend action, slapstick humor, and Christmas cheer into one very messy package, the result is a film that feels as awkward as a wig on a bodybuilder.
Despite the lack of chemistry, a confused premise, and a budget that was far less than what was needed for the visual effects, the production team managed to pull something together—although “together” seems a generous term. The filming was done mostly on location in the sunny California suburbs, which doesn't exactly scream "winter wonderland." And yet, there were attempts at creating Christmas magic, including a series of disjointed action sequences, an obligatory villain, and a final scene that looked like it was filmed in a single afternoon, probably after the crew had already packed up for the holiday season. Hogan himself was reportedly less than thrilled with his role but went through with it because, well, it was work. When it was finally released, Santa with Muscles didn't exactly set the box office on fire, but it did secure a spot in the annals of 'so-bad-it’s-good' cinema.
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Plot Summary:
Blake Thorne, a wealthy and self-absorbed businessman, suffers amnesia after an accident and believes he is actually Santa Claus. After the accident, he stumbles into a mall where a group of orphans and their caretaker are being threatened by a villain who wants to take control of the orphanage. With his newfound belief that he is Santa, Blake, now in the role of an unexpectedly jolly and bumbling hero, must save the children and foil the villain’s plans. All while struggling with his confused identity and learning the true meaning of Christmas.
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Matt, aka the Black Country Vlogger, has chosen the iconic Run Lola Run from 1998 this week. Checkout Matt's vlog here: https://www.youtube.com/@BlackCountryVlogger
The production of Run Lola Run was a testament to director Tom Tykwer's innovative vision and determination to push the boundaries of German cinema. Filmed predominantly in Berlin, the movie leveraged the city’s vibrant and modern aesthetic to create an urban, pulsating backdrop for the story. Tykwer’s use of kinetic camera work and rapid editing, combined with a blend of live-action and animated sequences, gave the film its distinct and high-energy style. The unique visual approach was complemented by a techno-heavy soundtrack, composed by Tykwer and collaborators Johnny Klimek and Reinhold Heil, which underscored the tension and pace of Lola’s journey. These creative choices not only shaped the film’s unique identity but also aligned with the burgeoning techno culture of 1990s Berlin.
Casting was a critical aspect of the production, with Franka Potente taking on the physically demanding role of Lola. Her fiery red hair, a decision made during pre-production, became an iconic visual marker of the film. The production schedule was tight, requiring a mix of meticulous planning and on-the-spot improvisation to capture the dynamic movement through the city. Tykwer’s hands-on approach and collaboration with his team ensured that the film’s technical challenges—like its seamless transitions between timelines—were executed flawlessly. Released to critical acclaim, Run Lola Run became a breakout success internationally, cementing its reputation as a modern classic and demonstrating the potential of German cinema to innovate on a global stage.
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Plot Summary:
Lola embarks on a desperate mission to save her boyfriend, Manni, who has lost 100,000 Deutsche Marks meant for a dangerous gangster. With only 20 minutes before Manni resorts to a desperate act, Lola sprints through the city, encountering different people and obstacles along the way.
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In supporter Mike's last pick and appearance he went with a classic 90's British flick, Trainspotting. And this time he's swung the dial to little renowned sword and sorcery adventure, Dragonslayer!
Dragonslayer (1981) was an ambitious collaboration between Paramount Pictures and Walt Disney Productions, marking a rare foray into darker, more mature fantasy for Disney. Directed by Matthew Robbins, the film was developed as a gritty and realistic take on medieval mythology, deviating from the lighter tone often associated with fantasy films of the time. The screenplay, written by Robbins and Hal Barwood, aimed to explore themes of faith, power, and heroism. Principal photography took place in the rugged landscapes of Wales and Scotland, chosen for their authentic medieval atmosphere, and the production faced significant challenges in capturing the epic scope of the story while dealing with unpredictable weather and remote locations.
The standout feature of the film was its groundbreaking special effects, particularly the creation of the dragon, Vermithrax Pejorative. To bring the creature to life, the production team employed a combination of animatronics, puppetry, and the pioneering go-motion technique developed by Industrial Light & Magic (ILM). This approach allowed for smoother, more lifelike movements than traditional stop-motion animation. Phil Tippett, the lead visual effects artist, played a crucial role in crafting Vermithrax, which has since been hailed as one of the most convincing cinematic dragons ever created. Despite mixed reviews upon release, Dragonslayer gained a cult following and remains a landmark in special effects innovation, bridging the gap between the practical techniques of the past and the CGI-dominated future of filmmaking.
Mike & Dave have a monthly Star Wars pod with fellow VHS support Maff, plus Mike, Dave & Chris have collaborated on numerous podcast in the past, to find all of Mike's links, go here: https://linktr.ee/GenuineChitChat
As Mike noted in his recording, he has discussed Dragonslayer in-depth with his wife Megan, fellow VHS supporter Spider-Dan and Ria Carrogan of the Femme On Collective, in their series "Disney Discussions", found on the feeds of Genuine Chit-Chat, Spider-Dan & The Secret Bores and Femme On. The episode was released on Spider-Dan's pod in September 2022! Listen wherever you're listening to the VHS Strikes Back, or find all DD episodes (with video) in this YouTube playlist: https://www.youtube.com/playlist?list=PLcO1Ib_BGD8ajqsEDJPAYC0DSuIUqa26e
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Plot Summary:
Young sorcerer’s apprentice Galen embarks on a perilous quest to slay Vermithrax Pejorative, a fearsome dragon terrorizing a kingdom that appeases it with human sacrifices. Armed with his late master’s enchanted amulet and his growing confidence, Galen ventures into danger, facing the dragon’s fiery wrath and uncovering political intrigue that reveals the kingdom’s rulers have sinister motives of their own. Combining themes of heroism, faith, and sacrifice, the film delivers a gritty, visually striking fantasy tale that stands out for its groundbreaking special effects and its unflinching portrayal of medieval darkness.
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Cry-Baby is the pick of this week's supporter, Lucky LouLouGreen!
Cry-Baby (1990), directed by John Waters, was a deliberate foray into mainstream filmmaking while retaining Waters' signature offbeat style. Set in 1950s Baltimore, the movie serves as a satirical homage to teen musicals like Grease and rebellious youth culture. Waters assembled a unique cast, headlined by Johnny Depp in his first major film role post-21 Jump Street, as he sought to break free from his teen heartthrob image. Alongside Depp, the ensemble included Ricki Lake, Traci Lords, and Patricia Hearst, with Waters blending Hollywood newcomers with eccentric cult personalities. Filmed on location in Maryland, the production leaned heavily on a retro aesthetic, featuring vibrant costumes, classic cars, and rockabilly-inspired musical numbers. Waters worked closely with choreographers and musicians to infuse the film with both authenticity and absurdity, creating a stylized yet tongue-in-cheek tribute to 1950s pop culture.
Despite Waters' reputation as a cult filmmaker, Cry-Baby was produced with significant studio backing from Universal Pictures, granting it a larger budget than his previous works. This collaboration with a major studio presented challenges, as Waters had to balance his trademark subversive humor with the commercial expectations of a broader audience. The film’s over-the-top humor and campy sensibilities divided critics upon release, but it gained a devoted following over time, particularly among fans of musical comedies and Waters' unconventional storytelling. While Cry-Baby didn’t achieve box office success, it cemented Waters' ability to inject mainstream cinema with his rebellious flair and ultimately inspired a Tony-nominated Broadway adaptation in 2007, solidifying its status as a cult classic.
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Plot Summary:
Rebellious teen, Wade "Cry-Baby" Walker, captures the heart of Allison Vernon-Williams, a straight-laced girl from the conservative "square" crowd. Their romance sets off a rivalry between the rowdy, leather-clad "drapes" and the prim, uptight "squares", leading to a series of musical showdowns, quirky antics, and over-the-top drama.
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It's time to go back to the summer of 1997 with the British comedy and Dave's pick for the week, The Full Monty.
Directed by Peter Cattaneo and written by Simon Beaufoy, the film was shot on a tight budget of £3.5 million in Sheffield, England, the industrial city where the story is set. The choice of location was pivotal, as it allowed the filmmakers to authentically depict the struggles of a working-class community hit hard by economic decline. The production team used local landmarks and worked with real residents to add an extra layer of realism to the film. Despite financial constraints, the crew maximized resources, crafting a story that was both intimate and universal.
Casting played a crucial role in bringing the film to life, with Robert Carlyle leading the ensemble as Gaz. Many of the actors were lesser-known at the time, which lent authenticity to their portrayals of everyday men grappling with unemployment and self-doubt. The iconic final striptease scene was a nerve-wracking challenge for the cast, as it required them to overcome their own anxieties to deliver a pivotal, uplifting moment. Set to a soundtrack of classic tunes like Hot Chocolate's You Sexy Thing and Tom Jones's You Can Leave Your Hat On, the film captured a perfect blend of humor and pathos. To the surprise of its creators, The Full Monty became a sleeper hit, earning over $250 million worldwide and multiple awards, including an Oscar for Beaufoy's screenplay.
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Plot Summary:
A group of unemployed steelworkers in Sheffield, England, are struggling with financial woes and feelings of inadequacy. They hatch a bold plan to perform a one-night-only striptease act to earn quick cash. Led by the charming but down-on-his-luck Gaz, the ragtag group includes his best friend Dave, who battles body image issues, and Gerald, their former boss hiding his own unemployment. As they awkwardly rehearse their routine, the men bond over their shared struggles, discovering newfound confidence and camaraderie.
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Frank Drebin first graced our screens in 1982 with Police Squad, but 6 episodes is all we got. Fast forward 6 years and we get to this week's Chris pick with The Naked Gun: From the Files of Police Squad!
The production of The Naked Gun was like a case file thick with mystery, mayhem, and, most likely, unpaid parking tickets. Directed by the Zucker brothers with a firm grip on comedy and a loose grip on reality, this cinematic marvel brought Lieutenant Frank Drebin to the big screen, much to the delight of the three people who remembered Police Squad! from 1982. They say this movie was made on a modest budget, but Frank's always said, if you can’t solve it with duct tape and a pair of sensible shoes, you’re probably not on his police force. The budget might’ve been low, but the jokes were plentiful, and if one didn’t work, we were already onto the next one by the time the first one hit the ground.
They brought Frank to Los Angeles, where the sun is as relentless as a perp with nothing to lose. The Zuckers and Abrahams had a vision: combine slapstick and deadpan to make every scene feel like an all-points bulletin of laughter. With a crack team of talented actors and stuntmen who were probably just as confused as anyone, they pulled it off, and The Naked Gun became an instant classic. It’s not every day that the badge, the gun, and a suspect list full of clowns come together, but when they do, you can bet Frank’ll be there, saying something profoundly misguided. And remember, if you see something suspicious… well, keep it to yourself.
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Plot Summary:
I, Lieutenant Frank Drebin, find myself on the trail of a sinister plot—someone wants to harm the Queen of England during her visit to Los Angeles. Naturally, I can’t let that happen, not on my watch, and certainly not before lunch. As I dive into my investigation, things get complicated. There’s Jane, a mysterious woman who’s got more charm than a box of donuts and who may or may not be involved with a devious businessman named Vincent Ludwig. Ludwig, by the way, is planning something big, and I don’t mean a charity bake sale.
So there I am, trying to stop an assassination attempt, win Jane’s heart, and look good in a cheap suit—all at once. Somehow, it all ends with me frantically searching the stands at a baseball game, dodging mascots and hot dog vendors as I try to save the Queen. But don’t worry; I handle it with all the precision and grace you’d expect from a seasoned detective. In the end, justice is served, more or less, and I come out looking like a hero.
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New supporter Gareth has chosen a cult classic comedy horror movie this week with 1990's Tremors.
Tremors was a collaborative effort between director Ron Underwood, producer Gail Katz, and writers S.S. Wilson and Brent Maddock, who crafted a unique blend of science fiction, horror, and comedy. Filming took place primarily in the arid landscapes of the California desert, specifically in the small town of Lone Pine, which provided the perfect backdrop for the film's fictional setting of Perfection, Nevada. The production team faced the challenge of creating realistic, underground monsters known as Graboids, which required innovative practical effects. The creature designs were brought to life by the visual effects team led by Amalgamated Dynamics, who used a combination of animatronics and puppetry to create the menacing and memorable Graboids.
Despite a modest budget, Tremors benefited from a talented cast that included Kevin Bacon, Fred Ward, and Reba McEntire, whose performances helped elevate the film's quirky humor and charm. The filmmakers strived to balance suspenseful moments with comedic relief, making the movie appealing to a wide audience. Upon its release, Tremors received positive reviews for its clever writing, engaging characters, and practical effects, which set it apart from typical creature features of the era. Though initially modest in box office success, it garnered a strong cult following over the years, leading to several sequels and solidifying its status as a beloved classic in the genre.
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Plot Summary:
Residents of the small desert town of Perfection, Nevada, find themselves in a precarious situation when a series of mysterious deaths and strange tremors signal the arrival of giant, underground monsters known as Graboids. As local handymen Val and Earl team up with a motley crew of townsfolk, including a seismologist and a survivalist couple, they must band together to outsmart and survive these deadly creatures determined to eliminate anyone who ventures above ground.
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Herb's picked a few Aussie classics and this week's pick is no exception with the war drama Gallipoli!
Gallipoli, directed by Peter Weir, was a large-scale and highly ambitious undertaking that sought to depict the experiences of young Australian soldiers during the ill-fated Gallipoli campaign of World War I. Weir, who co-wrote the film with David Williamson, worked closely with producer Patricia Lovell and cinematographer Russell Boyd to bring the story to life with authenticity and emotional depth. Filming primarily took place in South Australia and Egypt, using real locations to evoke the desolate battlefields of the Gallipoli Peninsula. The filmmakers worked hard to realistically depict the soldiers’ journey from rural Australia to the trenches, emphasizing the historical details of the era and the grim realities of war.
Casting Mel Gibson and Mark Lee as the young soldiers Archy and Frank, Gallipoli highlighted the friendships, idealism, and patriotism that drove many Australians to enlist. Gibson, who was then relatively unknown, delivered a powerful performance alongside Lee, capturing the emotional toll of the war on young men. To create the movie’s climactic scenes, the production team used hundreds of extras and recreated significant portions of the battlefield, ensuring the film’s epic yet tragic feel. Though budget constraints were a challenge, the film achieved a lasting impact, celebrated for its historical significance, poignant storytelling, and for portraying a pivotal moment in Australian and World War I history.
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Plot Summary:
Two young Australians, Archy and Frank, are inspired by a sense of adventure and patriotism to join the army during World War I. After undergoing basic training and developing a close friendship, they are sent to fight in the Gallipoli campaign against the Ottoman Empire. As they face the brutal realities of war, Archy and Frank come to understand the futility and horror of the battle they are part of.
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Stephen has picked some crackers in the past, and this time, he's chosen the iconic 1991 biopic The Doors.
The production of The Doors (1991), directed by Oliver Stone, was a passionate and meticulous effort to capture the wild spirit of Jim Morrison and the iconic 1960s rock band. Stone, known for his intense filmmaking style, had long been fascinated by Morrison and sought to tell a story that reflected both the mysticism and chaos surrounding the band's rise to fame. Val Kilmer was cast as Jim Morrison, with his intense commitment to the role standing out—Kilmer spent months studying Morrison's mannerisms, voice, and even his singing style. The film incorporated many real-life locations from the band’s history, including Los Angeles’ Sunset Strip, and used these settings to evoke the authentic feel of the late '60s counterculture.
Stone's production team faced the challenge of balancing a factual representation of the band's history with a more stylized, mythical portrayal of Morrison's journey. With the help of surviving band members like Ray Manzarek and Robby Krieger, the production sought to ensure the film remained true to the music and the spirit of The Doors. However, some of Morrison’s portrayal as a self-destructive, hedonistic figure led to disputes over historical accuracy, with band members and critics arguing that Stone leaned too heavily on the mythic aspects of Morrison’s persona. Despite these debates, the film was praised for its dynamic cinematography, a powerful performance by Kilmer, and a soundtrack that introduced The Doors’ music to a new generation.
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Plot Summary:
The movie follows the rise and fall of Jim Morrison and his legendary rock band, The Doors. The film chronicles Morrison's journey from a college student in Los Angeles to a countercultural icon, exploring his deep connection to music, poetry, and the darker aspects of his psyche. As the band gains fame, Morrison’s increasing substance abuse and erratic behavior lead to tensions with his bandmates and those closest to him.
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Blake has been a great friend and supporter for a good while now. And hopefully after this review of 1993's Fatal Instinct he still is!
Fatal Instinct was an ambitious attempt to spoof the popular erotic thrillers of the early 1990s, but it quickly became an exercise in comedic misfires. Directed by Carl Reiner, a seasoned comedy veteran, the film set out to parody films like Basic Instinct and Fatal Attraction, blending noir elements with slapstick humor. Reiner cast Armand Assante, known for his serious roles, as the deadpan detective-lawyer Ned Ravine, hoping his straight-faced delivery would amplify the absurdity. The production leaned heavily into noir aesthetics, using moody lighting, shadowy sets, and sultry music to mimic the atmosphere of the thrillers it aimed to lampoon.
Despite the experienced cast and high production values, the film struggled from the outset. The humor, though abundant, felt forced and overplayed, often missing the mark. The balance between parody and slapstick proved difficult to maintain, resulting in a film that felt awkward and uneven. The production team’s commitment to visually recreating the noir vibe couldn't save the film from its misjudged comedic tone, and upon release, Fatal Instinct was met with largely negative reviews. Although it failed to resonate with most audiences, the film did eventually gain a small cult following, largely due to its status as a "so-bad-it's-good" comedy.
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Plot Summary:
Ned Ravine is both a lawyer and a detective because, why not? He’s caught in the middle of a web of utter nonsense: his wife’s trying to bump him off for the insurance money, his psychotic mistress is obsessed with him, and his innocent assistant is head over heels for him. All while he’s trying to solve crimes, and defend the people he's caught in court. The plot throws every classic noir trope into a blender, hits "chaos," and pours out a mad cocktail of mistaken identities, ridiculous schemes, and over-the-top seductions.
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One of Dave's childhood favorites, despite a fair sledding from mates, is up for scrutiny this week! And with a 16 year old Jennifer Connely heading up against a middle aged pop star, what could possibly go wrong?
directed by Jim Henson, was an ambitious blend of puppetry, live-action, and cutting-edge visual effects for its time. The film was a collaboration between Henson and executive producer George Lucas, with a screenplay by Monty Python’s Terry Jones. Conceptual artist Brian Froud, known for his work on The Dark Crystal, played a significant role in designing the fantastical creatures and the world of the labyrinth itself. The movie’s central character, Jareth the Goblin King, was brought to life by David Bowie, who also contributed original songs to the soundtrack, adding a surreal, musical dimension to the film. With a cast that included young Jennifer Connelly and over 100 puppets, the production involved complex puppetry, animatronics, and special effects to bring the magical world to life.
The film was shot primarily at Elstree Studios in the UK, where elaborate sets were built to depict the vast, dreamlike maze. Henson's Creature Shop faced technical challenges, especially with creating characters like Hoggle, a puppet requiring multiple operators to control its facial expressions and movements. Though the film was not a box office success upon release, Labyrinth gained a devoted cult following over the years, praised for its imaginative design, memorable characters, and Bowie’s iconic performance. The film's mix of fantasy, music, and pioneering practical effects has since solidified its place as a beloved classic in fantasy cinema.
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Plot Summary:
Sarah's a 16-year-old girl who is frustrated by her babysitting duties and wishes her infant brother Toby would be taken away by the Goblin King. When her wish is granted and Jareth kidnaps Toby, Sarah has 13 hours to navigate a vast, magical labyrinth to save him before he is turned into a goblin. Along the way, she encounters a host of strange creatures and overcomes various challenges, learning about bravery and friendship. As she gets closer to Jareth's castle, Sarah must confront her own fears and insecurities to rescue Toby and return home.
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Chris stumbled across the original Cage while looking for the worst martial arts movies ever made. So it was only a matter of time before he picked the sequel to cover.
The production of Cage II (1994) is a bit like the cinematic equivalent of an underdog pub brawl—scrappy, gritty, and utterly unapologetic. Directed by Lang Elliott, it’s the kind of low-budget, direct-to-video action flick that harks back to the days when you’d stumble across VHS tapes in a bargain bin and think, "What’s this? Lou Ferrigno punching people for 90 minutes? Sold!" Ferrigno, still riding the wave of his Incredible Hulk fame, teams up with fellow action stalwart Reb Brown, and together they bring all the testosterone-laden camaraderie and fight choreography you’d expect from a film like this. With the focus squarely on practical stunts and hand-to-hand combat, the production maximized what little budget they had by keeping things simple and throwing as many punches as possible.
The film itself is gloriously of its time—grimy underground fight scenes, a plot that’s practically wallpaper for the action, and the kind of over-the-top performances you can’t help but love. Ferrigno and Brown’s onscreen chemistry does most of the heavy lifting, which is fortunate because the budget didn’t allow for any flashy effects or polished cinematography. It’s all raw, muscle-bound energy, which, let’s be honest, is exactly what the audience signed up for. Cage II may not have been a critical darling, but it found its place among fans of 90s action schlock, and that’s no small feat.
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Plot Summary:
Billy Thomas, a brain-damaged Vietnam War veteran, is once again dragged into the brutal world of underground cage fighting. Kidnapped by a criminal syndicate and forced to fight for his life, Billy must rely on his strength and instincts to survive a series of deadly matches. Meanwhile, his loyal friend Scott Monroe sets out on a mission to rescue him, battling against the ruthless criminals who are exploiting Billy for their own gain. Together, the two friends must navigate a violent and dangerous world to find freedom.
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Supporter Leigh's chosen a cult-classic horror movie this week with Demons from 1985. Directed by Lamberto Bava and produced by Dario Argento, is a classic Italian horror film known for its intense gore, vibrant visuals, and relentless pace. The production took place in Berlin, with much of the action set inside an old movie theater, where a group of strangers attends the screening of a mysterious horror film.
Notable for its high-energy approach and practical effects, with Bava and Argento collaborating to create a visceral experience. The transformation sequences and makeup effects were designed to be as grotesque and graphic as possible, setting a new standard for splatter horror. The soundtrack, featuring a mix of heavy metal and synth-driven music from bands like Motley Crue and Billy Idol, heightened the film's aggressive and frenetic atmosphere.
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Plot Summary:
A group of people were invited to a special screening at a mysterious Berlin cinema. Unbeknownst to them, the film they watch is a demonic horror, and when one of the attendees gets injured by a prop mask from the display, she begins to transform into a demon herself. Chaos erupts as the infection spreads, turning the moviegoers into ferocious, bloodthirsty demons. The survivors are forced to fight their way out of the sealed theater while the terrifying situation escalates.
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