Afleveringen
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This episode of the Theorist Composer Collaboration features the composer Will Davenport and his piece Concerto for 6 String Electric Violin. Music theorist Aaron D’Zurilla talks with Will about his year in composition, reflections on graduate studies, writing a masters thesis, orchestrating electric strings, composing large pieces, and how to get the most out of academic study.
Will contact:
https://www.tccollaboration.com/guests/will-davenport/
Donate to the TCC:
https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
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Performance credits for Concerto for 6 String Electric Violin:
Soloist: Noah J. Gruenberg
Violins: Emelia Ulrich, Chris Chiarotti
Viola: Jacob Grice
Cello: Thu Vu
Bass: Maximillian Levesque
Conductor: Brian Junttila
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This episode of the Theorist Composer Collaboration features the artist Alivia Hunter alongside her songs, Clementine, You wouldn’t believe, and Icarus. Music theorist Aaron D’Zurilla discusses with Alivia her background, writing process, cultural inspirations, the folk music scene, narrative subversions in lyrics, and her perspective on music theory.
Alivia contact:
https://www.aliviahunter.com/
Donate to the TCC:
https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Performance credits:
Alivia Hunter
Victoria Griffin
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Zijn er afleveringen die ontbreken?
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This episode of the Theorist Composer Collaboration podcast is a TCC Roundtable, with today’s topic being Women in Composition. Featuring the composers Mary Denney and Ky Nam Nguyen, we discuss their own experiences, historical and current discrimination, genuine representation, and ways to create a more open and equitable field.
Mary Denney contact: https://www.tccollaboration.com/guests/mary-denney/
Ky Nam Nguyen contact: https://www.tccollaboration.com/guests/ky-nam-nguyen/
Donate to the TCC: https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
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This episode of the Theorist Composer Collaboration podcast features the composer Katherine Bergman and her piece Land of Cloud Tinted-Water. Music theorist Aaron D’Zurilla discusses with Katherine her background, evoking natural landscapes, field research, writing for percussion ensembles, and composing for both educational and professional settings
Katherine contact:
Website: https://www.katherinebergman.net/
Instagram: https://www.instagram.com/katherinebergman/
Donate to the TCC:
https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
The Land of Cloud-Tinted Water was performed by the Minnesota Percussion Trio:
Bob Adney
Erik Barsness
Paul Hill
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This episode of the Theorist Composer Collaboration podcast features Dr. Francisco Javier de Alba and his piece Uncharted. Music theorist Aaron D’Zurilla discuss with Dr. “Paco” de Alba his background, diverse musical influences, career anxiety, expression in music, and the directions of modern composition.
Dr. de Alba contact:
Website: https://www.fjdmusic.com/
Email: [email protected]
Instagram: https://www.instagram.com/pacodealba33/
Donate to the TCC:
https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Performed by the Arcane Reed Quintet:
Oboe: Lauren Glomb
Alto Saxophone: Ben Macdonald
Clarinet: Michael Robinson
Bass Clarinet: John Harden
Bassoon: Bradley Johnson
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This episode of the Theorist Composer Collaboration podcast is the first TCC Roundtable, with today’s subject being The Classical Canon. Music theorist Aaron D’Zurilla discusses with performer/educator Dr. Pamela Mireles and music theorist Albert Wheeler to define the canon, who is in it, who is excluded, issues with pedagogy, structural change with tangible solutions to these issues.
Dr. Pamela Mireles contact: https://www.instagram.com/pamina_miza/
Albert Wheeler contact: https://www.instagram.com/wheeler_albert_/
Donate to the TCC:
https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
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This episode of the Theorist Composer Collaboration podcast features Professor Nadine Silverman and her piece Voix des Femmes. Music theorist Aaron D’Zurilla discuss with Professor Silverman her background, styles of composition, networking, subverting sexism in musical form, pushing for representation, and other issues in modern music theory/composition.
Professor Silverman contact:
Website: https://www.nadinesilverman.com/
Email: [email protected]
Instagram: https://www.instagram.com/nadine.clarinet/
Donate to the TCC:
https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Performed by the Voix des Femmes ensemble:
Eb/Bb Clarinet: Donna Noyes
Bb Clarinet: Laura Grantier
Bb Clarinet: Melissa Lander
Bass Clarinet: Jennifer Everhart
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This episode of the Theorist Composer Collaboration podcast features Professor Douglas Boyce and his piece Ars Poetica. Music theorist Aaron D’Zurilla discusses with Professor Boyce his background, modernism, Ars Poetica, collaborating with the poet Marlanda Dekine, issues with market thinking and topics in modern music theory and composition.
Professor Boyce contact:
Website: https://www.douglasboyce.net/
Email: [email protected]
Marlanda Dekine Website:
https://www.marlandadekine.com/
Donate to the TCC:
https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
The text of Ars Poetica was written by the poet Marlanda Dekine, with them also performing the spoken word in the recording.
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This episode of the Theorist Composer Collaboration podcast features the composer Michael Dixon and their piece Albireo. Music theorist Aaron D’Zurilla discusses with Michael experiences in compositional development, writing for the carillon, Albireo, “democratized” music, accessibility in composition, and music theory as a profession.
Michael contact:
Email: [email protected]
Facebook: https://www.facebook.com/profile.php?id=100013712014894
Instagram: https://www.instagram.com/michael.r.dixon/
Donate to the TCC:
https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Albireo was performed by Rayyan Merchant on the Eijsbouts carillon located within the University of Florida's Century Tower.
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This episode of the Theorist Composer Collaboration podcast is the first TCC Roundtable, with today’s subject being Collaboration in Reality. Music theorist Aaron D’Zurilla discusses with composers Justine de Saint Mars and Will Davenport the practice of collaboration with peers, performers, and faculty. We talk about the real benefits and issues of pursuing collaboration in the music world, and explore tangible solutions.
Justine Contact Page:
https://www.tccollaboration.com/guests/justine-de-saint-mar/
Will Contact Page:
https://www.tccollaboration.com/guests/will-davenport/
Donation Link:
https://buymeacoffee.com/tccollaboration
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
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Featured on this episode of the Theorist Composer Collaboration podcast is the composer Dr. Daniel Townsend and his piece The Vibration of Ancient Incarnations. Music theorist Aaron D’Zurilla discusses with Dr. Townsend his background, the value of improvisation, avant-garde accessibility, graphic notation, and pedagogical development in music theory and composition.
Dr. Townsend Contact Links
Website: https://www.dantownsendmusic.com/
Email: [email protected]
Instagram: https://www.instagram.com/feelthekeys/
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
The Vibration of Ancient Incarnations was performed by the University of Florida New Music Vocal Ensemble.
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Featured on this episode of the Theorist Composer Collaboration podcast is the composer Jane Kozhevnikova and her piece Remember Me Then. Music theorist Aaron D’Zurilla discusses with Jane her background and journey through music, jazz improvisation, poetry, interdisciplinary composition, Remember Me Then, and issues in contemporary music.
Jane Contact Links:
Website: https://www.janekmusic.com
Email: [email protected]
Instagram: https://www.instagram.com/currierjane/
Facebook: https://www.facebook.com/jane.kozhevnikova/
“Remember Me Then”
by Jane Kozhevnikova
In the bubbling water,
in the sea of loneliness,
in the bright lights of a yellow star,
in the long black night,
in the pink daybreak,
in the dry soil
at the top of the rock,
Remember the song we sang
over and over,
Remember that fine
and simple sound,
Remember me
Then.
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Remember Me Then was performed by the BlackBox Ensemble, featuring the vocalist Alina Tamborini.
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Featured on this episode of the Theorist Composer Collaboration podcast is the composer Jake s. Jordan and his piece The Last of Sailing Ships. Music theorist Aaron D’Zurilla discusses with Jake his background, storytelling in music, absolute music, writing for non-western instruments, orchestration, The Last of Sailing Ships, and issues in modern music.
Jake Contact Links:
Email: [email protected]
Instagram: https://www.instagram.com/jakejordancomposer/
A full episode transcript is also available on our host website on the corresponding episode page a few weeks after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
The Last of Sailing Ships was performed by the Florida State University Wind Ensemble.
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Featured on this episode of the Theorist Composer Collaboration podcast is the composer Mary Denney and her piece Voice Memories. Music theorist Aaron D’Zurilla discusses with Mary her background, programmatic music, Voice Memories, collaborations with performers, evoking nostalgia, and personal connections in modern composition.
Mary Contact Links:
Website: https://sites.google.com/view/marymdenneymusic/home?authuser=0
Email: [email protected]
Instagram: https://www.instagram.com/marymdenney_music/
A full episode transcript is also available on our host website on the corresponding episode page a week after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Voice Memories was performed by the 28/78 New Music Ensemble.
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Featured on this episode of the Theorist Composer Collaboration podcast is the composer Natalia Rojcovscaia-Tumaha and her piece Philosophy of a Miracle. Music theorist Aaron D’Zurilla discusses with Natalia her background, writing for opera, artistic collaboration, orchestral composition, humanistic approaches to art and music theory in context.
Natalia Contact Links:
Website: https://rojcovscaiatumaha.wixsite.com/official
Email: [email protected]
Facebook: https://www.facebook.com/N.RojcovscaiaTumaha
Instagram: https://www.instagram.com/natalia_rojcovscaiatumaha/
To See a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.
- William Blake, Auguries of Innocence
A full episode transcript is also available on our host website on the corresponding episode page a few days after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Philosophy of a Miracle was performed by The Orchestra Unleashed ensemble under the direction of conductor Gustav Hoyer in Los Angeles, California.
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Featured on this episode of the Theorist Composer Collaboration podcast is the composer Russell N. Avellanosa and his piece Lavender in a London Fog. Music theorist Aaron D’Zurilla discusses with Russell his background, musical identities, writing for orchestra, textural development, collaborations in performance, counterpoint, curation vs. creation, and issues within pedagogy.
Russell Contact Links:
Email: [email protected]
Instagram: https://www.instagram.com/rightnowaudio/
A full episode transcript is also available on our host website on the corresponding episode page a few days after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Lavender in a London Fog was recorded by the University of Florida Symphony Orchestra under the direction of Dr. Tiffany Lu.
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Featured on this episode of the Theorist Composer Collaboration podcast is the composer Isabella Temperville and her album Infernal Suite. Music theorist Aaron D’Zurilla discusses with Isabella her background, musical inspirations, literary workings, Infernal Suite, the lore to a completely original fantasy setting, multi-media projects, and what composition means in a grand scope.
Infernal Suite streaming:
https://open.spotify.com/album/1sHkpJTRo7Rs1gsi0CrKea?si=9QZ__CB3QHaFmM7dGtjLOA
Isabella Contact Links:
Email: [email protected]
Instagram: https://www.instagram.com/streetcomposer/
YouTube: https://www.youtube.com/channel/UC0Uk6rQ7d40fT3P42f10SMA
A full episode transcript is also available on our host website on the corresponding episode page a few days after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Infernal Suite was written, mastered, and self-published by Isabella Temperville.
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Featured on this episode of the Theorist Composer Collaboration podcast is the artist project The Housing Crisis, also known as the singer/songwriter Dylan O’Brian. Music theorist Aaron D’Zurilla discusses with Dylan his background, compositional journey, musical identities, Close to Something, his upcoming album, and the current relationships of theory and composition.
Close to Something streaming links:
Spotify: https://open.spotify.com/track/5RZ4aEbWjSbkmxojT7T8qt?si=a609f4e822d1439a
Apple Music: https://music.apple.com/us/album/close-to-something/1738451611?i=1738451613
The Housing Crisis Contact Links:
Email: [email protected]
Linktree: https://linktr.ee/thehousingcrisis
A full episode transcript is also available on our host website on the corresponding episode page a few days after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Close to Something was written, recorded, and produced by Dylan O’Brian, electric guitar by Trevor Griffin.
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Featured on this episode of the Theorist Composer Collaboration podcast is the composer Brian Junttila and his piece Concertino for Saxophone. Music theorist Aaron D’Zurilla discusses with Brian his background, inspirations, art music, Concertino for Saxophone, styles of composition, and the place of new music within a larger academic context.
Brian Contact Links:
Website: junttilastudios.com
Email: [email protected]
YouTube: https://www.youtube.com/@BrianJunttila
Instagram: https://www.instagram.com/brianjunttila/
Facebook: https://www.facebook.com/brian.junttila
A full episode transcript is also available on our host website on the corresponding episode page a few days after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
Performance credits for Concertino for Saxophone:
Saxophone – Dawson Coleman
Flute – Julia Sills
Clarinet – Renzo DeCarlo
Piano – Adam Ravain
Violins – Mackenzie Nies/Cesar Paredes
Viola – Jacob Grice
Cello – Samantha Grice
Contrabass – Gene Waldron
Conductor – Michael Andrew Creighton
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Featured on this episode of the Theorist Composer Collaboration is the producer Ben Williams and his album On My Own. Music theorist Aaron D’Zurilla discusses with Ben his background, music education, compositional inspirations, production work in DAWs, On My Own, classical music elitism, and the roles of music theory in the modern landscape.
Ben Contact Info and On My Own Link
Email: [email protected]
Spotify: https://open.spotify.com/artist/2WJ2vWtzg5hP4ffEJTT5uW?si=E4zSL7T-RqqUpljRP_yPNw&nd=1&dlsi=99557470926c4703
Instagram: https://www.instagram.com/benwilliams1219/
A full episode transcript is also available on our host website on the corresponding episode page a few days after the initial upload at https://www.tccollaboration.com/
Make sure to follow the TCC social media and hosting accounts on:
Facebook: https://www.facebook.com/profile.php?id=61557900086297
Instagram: https://www.instagram.com/tc_collaboration/
Website: https://www.tccollaboration.com/
On My Own was written, performed, and mastered by Ben Williams
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