Afleveringen
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We're not used to seeing refreshing, high-quality movies (other than intended Oscar palyers) hit theatres in January, or as some like to call it, Dumpuary. Of course, there are always exceptions, like Paddington 1 and 2, Split, or Cloverfield.
This January, on the brink of February, writer-director Drew Hancockâs feature debut, Companion, joins that list. The romcom-esque sci-fi thriller, starring Sophie Thatcher and Jack Quaid, undeniably brings a fresh perspective to one of the most pressing topics of our time.
Drew is more than just a promising new voice in the industry. In our conversation, he shares how he got his start, his unique approach to exploring new technology through an unexpected lens, and the surprisingly quick process of landing the perfect producers for his project, the team behind Barbarian.
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As we rapidly approach the 40th Independent Spirit Awards, you'll hear a few conversations with this year's nominees. One of them is comedian, writer, director, and star of her own feature debut: Vera Drew!
In our conversation with her, she shares the ups and downs of bringing The People's Joker to lifeâa film that defies not only genre but all expectations. Beyond that, Vera takes us on a trip down multiverse lane, dissects the character, the very idea of the Joker and all it represents, and much more!
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Zijn er afleveringen die ontbreken?
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One of the few things the pandemic couldnât put a stop to was creativity. Our next guest is a perfect example: first-time director Gala del Sol, who began developing her debut feature during a time of great uncertainty.
Galaâs incredibly ambitious Rains Over Babel premieres at Sundance in the NEXT section, offering something fresh and new while working within a familiar story and structure.
In our conversation, we discuss the birth and evolution of the film, the importance of our upbringing, and how intentional the Dante adaptation was.
(Photo credit: Gala del Sol Films) -
Three worlds, three dimensions? Not necessarily... However, director Flora Lauâs interpretation of the search for something both on a physical and spiritual level is exactly what we get to witness in Floraâs second feature LUZ.
To up the ante, we havenât been joined by this many guests before, as this time, in writer-director Flora Lau, producer Yvette Tang, actresses Sandrine Pinna and Huang Lu, and composer Mimi Xu.
In our conversation with them, the group reflects on the physical manifestation of the previously cited search in the form of a deer, connecting different places and worlds, or how the characters can still stay grounded and ethereal despite the filmâs mammoth thematic undertakings. -
We could write endlessly about why you should look out for Amanda Kramer's By Design, but weâll let the filmâs synopsis speak for itself: âA woman swaps bodies with a chair, and everyone likes her better as a chair.â Honestly, what more do you need to strap in and watch this hour and a half long film starring Juliette Lewis, Mamoudou Athie, and narrated by Melanie Griffith?!
Like all films, there are two sides to the story: one behind the camera and one in front of it. We had the incredible opportunity to speak with both Amanda Kramer, the beautifully twisted mind behind it all, and Mamoudou Athie, one of the actors bringing it to life. From materialism and physical performance to writing for actors and believing in the project youâre starring in, we cover it all.
(Photo credit: Amanda Kramer, Courtesy of Sundance Institute | photo by Patrick Meade Jones) -
Even though this yearâs edition of the Sundance Film Festival has just kicked off, today marks the release of one of the buzziest titles from last yearâs festival. Weâre talking about none other than one of the two Steven Soderbergh movies to see the light of day (well, actually the silver screen), the technically ingenious, thematically spooky Presence!
Our guest today is someone who you might know from TV shows such as This Is Us or The Knick, and films like Guardians of the Galaxy Vol. 2. In Soderberghâs newest, actor Chris Sullivan plays a husband to Lucy Liu, and a father to Callina Liang and Eddy Maday.
Chris not only shares a name with his character in Presence, but is also a recent father of two, who spoke to us about his experience on the project in general, and didnât shy away from discussing the technicalities of the film in detail either! -
As far as the art of cinematography goes, few are as accomplished or, dare I say, as revered as Edward Lachman. A frequent collaborator with Todd Haynes and a former partner to Paul Schrader and Steven Soderbergh, Ed has left an indelible mark on the craft.
Today, weâre discussing Maria, the Angelina Jolie-led drama that marks Edâs second collaboration with Chilean auteur Pablo LarraĂn following El Conde. The film, centered on the infamous opera singerâs final days, came with its share of challenges, demanding but, as you might expect, solvable.
In our conversation, Ed reflects on his steadfast commitment to shooting on film, shares insights into the largely Budapest-based production, and reveals what keeps drawing him back to certain creative partnerships.
(Photo credit: Pax Jolie-Pitt / Netflix) -
Itâs one thing to make a film about tragic historical events, but itâs another to depict them gracefully and objectively. This is exactly what director Tim Fehlbaum, his crew, and the stellar ensemble of Peter Sarsgaard, John Magaro, Ben Chaplin, and Leonie Benesch set out to do in the movie September 5.
During our sit-down with Tim, he shared what led him to his third feature, his connection to the 1972 Munich events, his approach to directing this incredibly talented cast, and the complexities of the emotional and technical sides of the story.
(Photo credit: JĂŒrgen Olczyk / Paramount Pictures) -
Very few actors possess the level of versatility and underappreciation as Shea Whigham. From starring in indie gems like Wristcutters: A Love Story and Take Shelter to blockbuster franchises such as Mission: Impossible and acclaimed TV shows like Boardwalk Empire, Sheaâs range is undeniable.
Last June marked the Tribeca premiere of his team-up with Carrie Coon for Jeffrey Reinerâs crime dramedy Lake George, where Shea plays Don, a white-collar ex-convict who forms an unlikely alliance with Phyllis, played by Coon.
We can also see Shea in 2025âs first major Netflix release, the miniseries American Primeval, where he portrays yet another vastly different character, Jim Bridger, a 19th century historical figure.
Shea and Ăron dive into topics like taste, the parallels and contrasts between Don and Jim, the character work behind both roles, and the one question he just had to ask Anthony Hopkins while shooting Joel Schumacher's Bad Company.
(Photo credit: Daniel Prakopcyk) -
You probably know by now that we wouldnât even risk not talking about the unexpected yet glorious return of VistaVision, with none other than The Brutalist cinematographer Lol Crawley!
Brady Corbetâs third featureâs been the talk of the town ever since itâs buzzy Venice premiere and Silver Lion win.
Lol tells us not only about his approach to photographing buildings, but what makes his collaboration with Brady go, and we even try to define the undefinable: beauty.
(Photo: Courtesy of A24) -
Our coverage of one of 2024's most masterfully crafted films wouldnât be complete without the mind responsible for executing its extraordinary visual language. So, with that, we present our breakdown of Nickel Boys, featuring cinematographer Jomo Fray.
Among other things, Jomo tells us about how he is choosing projects, the evolution of the filmâs unique look and the creative process behind it, as well as the subsequently obvious, yet unexpected challenges the team faced along the way. -
2024's final episode features cinematographer Rina Yang, who joins us to discuss her work on The Fire Inside, the debut feature from cinematographer-turned-director Rachel Morrison.
In our chat, we dig into the challenges of capturing the inspiring yet painfully real story of boxer Claressa Shields, from adapting to the Flint, Michigan setting to incorporating different lighting techniques into the story and production.
Rina also shares insights on avoiding sport biopic clichĂ©s, creating an authentic visual language, and the connections between her and Shieldsâ journey.
(Photo credit: Tram Kolluri / MGM Studios) -
The Peanut Butter Falcon, you remember that one, right? Well, the directing duo of Michael Schwartz and Tyler Nilson are back with Los Frikis! And whatâs more punk than staying in the world of indies instead of chasing a big studio deal?
In our in-depth conversation with the two, we dive into the creative decisions behind their follow-up to their debut feature, their choice to take a universal story to early â90s Cuba, and the ever-evolving (but not always for the better) landscape of independent moviemaking.
(Photo credits: David Alan Harvey / Los Frikis) -
We don't talk enough about the cinematography of documentaries. But we should. And this time, we did.
Daughters premiered in January at Sundance and was released on Netflix in August. The film, co-directed by Natalie Rae and Angela Patton, centers on and follows four young girls preparing for a special Daddy-Daughter Dance with their incarcerated fathers. This event is part of a unique fatherhood program in a Washington, D.C. jail. For most of these girls, the dance is their only opportunity to touch or hug their fathers during sentences that, in some cases, span as long as 20 years.
A film this heartfelt calls for an equally compelling conversation, and Michael Cambio Fernandez, the documentary's cinematographer, delivered exactly that.
In our chat, Cambio walks us through not only his early works but also his life before becoming a cinematographer, his involvement in Daughters, how he navigated its most challenging moments, and how he found the balance between the intentional and unexpected directions the story took. -
The series adaptation of Gabriel GarcĂa MĂĄrquezâs One Hundred Years of Solitude has captivated audiences for a week now in its highly anticipated series adaptation. While a story of this scale requires time to fully absorb, weâve got a little ânudgeâ to help you dive deeper: our interview with the TV showâs cinematographers, Maria Sarasvati Herrera and Paulo Perez.
In this conversation, they take us behind the scenes, sharing not only the journey of bringing the show to life but also their personal reflections on reading the novel and envisioning its world, plus cross-border heritage. -
To start the week strong, we sit down with cinematographer Markus Förderer and production designer Julian M. Wagner to discuss their work on Tim Fehlbaumâs September 5.
The duo shares their initial reactions to the script, how they approached the sensitive subject of the Munich massacre, and the extensive research that went into their technical and material decisions, in order to ensure that the gravity of the event is honored with precision. -
After its world premiere in late August at the Telluride Film Festival, the adaptation of Colson Whiteheadâs 2019 novel, Nickel Boys has taken festivals, awards season, and audiences by storm over the past few months.
We had the opportunity to sit down with writer-director RaMell Ross after a screening and Q&A of the film at the Camerimage Festival, where it played as part of the Directorsâ Debut Competition. Then, a week before RaMellâs masterpiece (yes, you read that right) releases in a limited number of theaters, we connected with the two leads, Ethan Herisse and Brandon Wilson, who portray Elwood and Turner in the acclaimed film.
Our conversations with the three of them cover the crucial topic of the filmâs visual language, both behind and in front of the camera, along with the unexpected challenges and the weight of the responsibility that comes with striving for authenticity.
(Photo credits: L. Kasimu Harris / Orion Pictures / Amazon Studios) -
Our coverage of Sing Sing is far from over! Why would it be? Awards season has just begun!
This week, weâre joined by the filmâs co-writer and producer, Clint Bentley. After his feature directorial debut, Jockey, Clint passed the directorâs chair to his longtime collaborator, Greg Kwedar.
In our conversation with Clint, we explored his and Gregâs working relationship, its dynamics, the delicacy and profound impact of Sing Sing, and the many ways art can help us heal and survive. -
After lensing one of last yearâs most unexpected yet remarkable double-feature pairings - Barbie and Killers of the Flower Moon - Rodrigo Prieto, widely regarded as one of his generationâs finest cinematographers, brings us his feature directorial debut, Pedro PĂĄramo.
This time around on the show, we had the privilege of sitting down with Rodrigo at Camerimage, the worldâs No1 festival dedicated to the art of cinematography. During our conversation, we talk about the experience of adapting one's favorite book into a feature-length project, navigating the fears and pressures that come with it, and the power images hold.
(Photo credit: Juan Rosas / Netflix) -
Following the widely successful stage production of August Wilsonâs The Piano Lesson, Malcolm Washington has chosen the story as his feature directorial debut, with the film produced by his father, Denzel Washington, and Netflix.
Three actors reprise their roles from the stage production, bringing their immense talent to the screen: Samuel L. Jackson, John David Washington, and, last but not least, todayâs guest, Ray Fisher!
Ray was kind enough to join us on the show to discuss the evolution of his relationship with the character of Lymon, the importance of the collaborators and peers who surround him, and his journey through the ever-changing waves of the entertainment industry.
(Photo credit: David Lee / Netflix) - Laat meer zien
