Afleveringen
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This week its our final episode of our Mini Christmas season.
We're talking Ruining a day's trading in The World Trade Centre, Giant Clothes Pegs, Cream Cheese and The USA's most famous seamstress.
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Trading Places is a 1983 American comedy film directed by John Landis and written by Timothy Harris and Herschel Weingrod. Starring Dan Aykroyd, Eddie Murphy, Ralph Bellamy, Don Ameche, Denholm Elliott, and Jamie Lee Curtis, the film tells the story of an upper-class commodities broker (Aykroyd) and a poor street hustler (Murphy) whose lives cross when they are unwittingly made the subjects of an elaborate bet to test how each man will perform when their life circumstances are swapped.
Harris conceived the outline for Trading Places in the early 1980s after meeting two wealthy brothers who were engaged in an ongoing rivalry with each other. He and his writing partner Weingrod developed the idea as a project to star Richard Pryor and Gene Wilder. When they were unable to participate, Landis cast Aykroyd—with whom he had worked previously—and a young but increasingly popular Murphy in his second feature-film role. Landis also cast Curtis against the intent of the studio, Paramount Pictures; she was famous mainly for her roles in horror films, which were looked down upon at the time. Principal photography took place from December 1982 to March 1983, entirely on location in Philadelphia and New York City. Elmer Bernstein scored the film, using Wolfgang Amadeus Mozart's opera buffa The Marriage of Figaro as an underlying theme.
Trading Places was considered a box-office success on its release, earning over $90.4 million to become the fourth-highest-grossing film of 1983 in the United States and Canada, and $120.6 million worldwide. It also received generally positive reviews, with critics praising both the central cast and the film's revival of the screwball comedy genre prevalent in the 1930s and 1940s while criticizing Trading Places for lacking the same moral message of the genre while promoting the accumulation of wealth. It received multiple award nominations including an Academy Award for Bernstein's score and won two BAFTA awards for Elliott and Curtis. The film also launched or revitalized the careers of its main cast, who each appeared in several other films throughout the 1980s. In particular, Murphy became one of the highest-paid and most sought after comedians in Hollywood.
In the years since its release, the film has been praised as one of the greatest comedy films and Christmas films ever made despite some criticism of its use of racial jokes and language. In 2010, the film was referenced in Congressional testimony concerning the reform of the commodities trading market designed to prevent the insider trading demonstrated in Trading Places. In 1988, Bellamy and Ameche reprised their characters for Murphy's comedy film Coming to America.
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This week we're starting our mini Christmas season with the absolutely, categorically a Christmas film, Lethal Weapon.
We learns abut what happens when you don't wear a bike helmet, talk US Suicide rates, The Queen of Christmas Darlene Love and how we should have all seen the signs that Mel Gibson was a bad un even in 1987.
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Lethal Weapon is a 1987 American action film directed by Richard Donner and written by Shane Black. It stars Mel Gibson and Danny Glover alongside Gary Busey, Tom Atkins, Darlene Love, and Mitchell Ryan. In Lethal Weapon, a pair of mismatched LAPD detectives—Martin Riggs (Gibson), a former Green Beret who has become suicidal following the death of his wife, and veteran officer and family man Roger Murtaugh (Glover)—work together as partners.
The film was released on March 6, 1987. Upon its release, Lethal Weapon grossed over $120 million (against a production budget of $15 million) and was nominated for the Academy Award for Best Sound. It spawned a franchise that includes three sequels and a television series, with a fourth sequel in development.
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Zijn er afleveringen die ontbreken?
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This week we're back with another Patron's choice. This time Mrs Planty and she's picked Teenage Vampire Flick The Lost Boys.
Join us as we talk the REAL Murder capital of the world, the top five illegal jobs, Nanuk of the North and DC Comic books.
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The Lost Boys is a 1987 American comedy horror film directed by Joel Schumacher, produced by Harvey Bernhard with a screenplay written by Jeffrey Boam, Janice Fischer and James Jeremias, from a story by Fischer and Jeremias. The film's ensemble cast includes Corey Feldman, Jami Gertz, Corey Haim, Edward Herrmann, Barnard Hughes, Jason Patric, Kiefer Sutherland, Jamison Newlander and Dianne Wiest.
The film follows two teenage brothers who move with their divorced mother to the fictional town of Santa Carla, California, only to discover that the town is a haven for vampires. The title is a reference to the Lost Boys in J. M. Barrie's stories about Peter Pan and Neverland, who, like vampires, never grow up. Most of the film was shot in Santa Cruz, California.
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This week we're talking Peter Pan Syndrome, Hulk Hands, John C Reilly Muppets, Sleepwalking, boats and Hoes
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Step Brothers is a 2008 American comedy film directed by Adam McKay, produced by Jimmy Miller and Judd Apatow, and written by Will Ferrell and McKay from a story by Ferrell, McKay, and John C. Reilly. It follows Brennan (Ferrell) and Dale (Reilly), two grown men who are forced to live together as brothers after their single parents, with whom they still live, marry each other. Richard Jenkins, Mary Steenburgen, Adam Scott, and Kathryn Hahn also star. Ferrell notably sings "Por Ti Volaré" during the film's climatic scene while Reilly plays drums. [2]
The film was released by Sony Pictures Releasing on July 25, 2008, two years after Talladega Nights: The Ballad of Ricky Bobby. Both films feature the same main actors, as well as the same producing and writing team. It grossed $128.1 million and received mixed reviews.
Plot
39-year-old Brennan Huff and 40-year-old Dale Doback are immature adults still living at home. Brennan lives with his divorced mother, Nancy, and Dale lives with his widowed father, Robert. Robert and Nancy meet, fall in love, and marry, forcing Brennan and Dale to live together as step brothers. Brennan and Dale initially despise each other, and after Brennan defies Dale's order not to touch his drum set, a fight erupts between them. They are grounded with no television for a week and are ordered to find jobs within a month or be evicted.
When Brennan's arrogant classist younger brother Derek, a successful helicopter leasing agent, visits with his family, he openly ridicules Dale and Brennan, and Dale punches him in the face. Brennan is awed that Dale stood up to Derek, while Derek's discontented wife Alice finds Dale's courage attractive, and begins a sexual affair with him, unbeknownst to Derek. Brennan and Dale bond over their shared tastes and interests, particularly music. Brennan had given up singing after Derek and his friends jeered his performance in a school musical. Robert, meanwhile, schedules several job interviews for them, but they perform poorly and then are attacked on their way home by school children. Robert and Nancy reveal that with Derek's help they plan to sell the house, retire and travel the world on Robert's sailboat. They also sign Brennan and Dale up for therapy and set up bank accounts for them to live off of until they find work. Brennan falls in love at first sight with his therapist, Denise, but the attraction is not mutual.
At Derek's birthday party, Dale and Brennan present a pitch video for their entertainment company, "Prestige Worldwide", that includes a music video, "Boats 'N Hoes", which they filmed on Robert's boat without his knowledge. The presentation backfires when the video shows the boat crashing, shattering Robert and Nancy's sailing dreams and straining their marriage. On Christmas, Robert and Nancy announce they are getting divorced, upsetting Brennan and Dale, who blame each other. Brennan and Dale go their separate ways, live independently and gradually become functioning adults.
Brennan gets a job at Derek's helicopter leasing firm and volunteers to oversee a prestigious event, the Catalina Wine Mixer. He hires the catering company that employs Dale and invites Robert and Nancy to...
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This week Planty is in his Element as both Derby County and Leeds get beat and Michael Sheen does a really good Brian Clough in The Damned United. John is less impressed.
Join us as we visit Saltergate, Elland Road, Old Wembley and The Baseball Ground.
We find out what happened to Derby Baseball Club, Batman Vs Don Revie and why films lie to us about cars and songs.
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The Damned United is a 2009 sports drama film directed by Tom Hooper and adapted by Peter Morgan from David Peace's bestselling 2006 novel The Damned Utd – a largely fictional book based on the author's interpretation of Brian Clough's ill-fated tenure as football manager of Leeds United in 1974.
Originally proposed by Stephen Frears, he pulled out of the project in November 2007, and Hooper took over. Filming took place from May to July 2008. Marking the fifth collaboration between screenwriter Peter Morgan and actor Michael Sheen, who plays Clough, the film was released in the United Kingdom on 27 March 2009 and in North America on 25 September.
Despite controversy due to the film's numerous historical inaccuracies and its poor performance at the box office, The Damned United received critical acclaim upon release, with particular praise given for Sheen's performance. It received numerous award nominations including the British Independent Film Award for Best Supporting Actor, the ALFS Award for British Supporting Actor of the Year, the Satellite Award for Best Actor in a Motion Picture, Drama and Best Actor in a Supporting Role and the Writers' Guild of Great Britain Award for Best Feature Film Screenplay.
Don Revie, the highly successful manager of Leeds United, is appointed manager of
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This week we're Kooky and Spooky with what is possibly the best of the Boomer TV to film remakes of the 1990's.
Join us as we talk cancelled Hollywood producers, Orion's money worries and some of the finest casting of 1991.
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The Addams Family is a 1991 American supernatural black comedy film based on the characters from the cartoon created by cartoonist Charles Addams and the 1964 television series produced by David Levy.[4] Directed by former cinematographer Barry Sonnenfeld in his feature directorial debut, the film stars Anjelica Huston, who was nominated for a Golden Globe for her performance as Morticia Addams, Raul Julia as Gomez Addams, and Christopher Lloyd as Fester Addams. The film focuses on a bizarre, macabre, aristocratic family who reconnect with someone whom they believe to be a long-lost relative, Gomez's brother Fester Addams.
The film was noted for its turbulent production. Originally developed at Orion, the film went $5 million over budget due to constant rewrites throughout shooting; health problems of people involved in the filming; and an overall stressful filming for Sonnenfeld himself, which caused multiple delays. The rise in production costs from the film's $25 million budget to $30 million led Orion, financially struggling and fearful of another big-budget flop, to sell the film to Paramount, who completed the film and handled the film's domestic distribution. Orion distributed the film internationally through Columbia Pictures. The film was commercially successful, making back almost seven times its production costs, and was followed by a sequel, Addams Family Values.
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This week we're off to Ireland's Premier Theme Park where we learn about Banshees, Pan-Am and the demise of The Big Bopper.
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High Spirits is a 1988 fantasy comedy film written and directed by Neil Jordan and starring Steve Guttenberg, Daryl Hannah, Beverly D'Angelo, Liam Neeson and Peter O'Toole. It is an Irish, British and American co-production.
Set in a remote Irish castle called Dromore Castle, County Limerick, High Spirits is a topsy-turvy comedy with thematic leanings towards Ireland's rich folklore regarding ghosts and spirits, where the castle starts to come to life with the help of such denizens.
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Note: Looks like the Gramlins got in the podcast Machine and ruined the last ten mins (I mean of this podcast, that can't be hard!) but this is a reuploaded and fixed version for you all.
Sorry about that, we've sent John out back to murder Gizmo.
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This week we welcome Aaron from the Zed1 Podcast ( @zed1podcast ) As a Patron he has the opportunity to pick a film for his episode and boy did he pick a belter in Young Frankenstein.
Join us as we talk The Black Forest, Frau Blucher *neigh*, Ovaltine and The Village People.
Zed1 Podcast is The UK's premier Audio Drama about a couple stuck in the Zombie apocalypse.
Think Shaun of The Dead meets The Archers.
https://zed1podcast.weebly.com/
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Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks. The screenplay was co-written by Brooks and Gene Wilder. Wilder also starred in the lead role as the title character, a descendant of the infamous Dr. Victor Frankenstein. Peter Boyle portrayed the monster.[4] The film co-stars Teri Garr, Cloris Leachman, Marty Feldman, Madeline Kahn, Kenneth Mars, Richard Haydn, and Gene Hackman.
The film is a parody of the classic horror film genre, in particular the various film adaptations of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus produced by Universal Pictures in the 1930s.[5] Much of the lab equipment used as props was created by Kenneth Strickfaden for the 1931 film Frankenstein.[6] To help evoke the atmosphere of the earlier films, Brooks shot the picture entirely in black and white, a rarity in the 1970s, and employed 1930s-style opening credits and scene transitions such as iris outs, wipes, and fades to black. The film also features a period score by Brooks' longtime composer John Morris.
A critical and commercial success, Young Frankenstein ranks No. 28 on Total Film magazine's readers' "List of the 50 Greatest Comedy Films of All Time",[7] No. 56 on Bravo's list of the "100 Funniest Movies",[8] and No. 13 on the American Film Institute's list of the 100 funniest American movies.[9] In 2003, it was deemed "culturally, historically or aesthetically significant" by the United States National Film Preservation Board, and selected for preservation in the Library of Congress National Film Registry.[10][11] It was later adapted by Brooks and Thomas Meehan as a stage musical. The film was nominated for two Academy Awards: Best Adapted Screenplay (for Wilder and Brooks) and Best Sound.
In 2014, the year of its 40th anniversary, Brooks considered it by far his finest (although not his funniest) film as a writer-director.[12]
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This week we're doing Werewolves, Cujos, Gremlins and Avengers as we talk about 1981's The Howling.
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The Howling is a 1981 American horror film directed and edited by Joe Dante. Written by John Sayles and Terence H. Winkless, based on the novel of the same name by Gary Brandner, the film follows a news anchor who, following a traumatic encounter with a serial killer, visits a resort secretly inhabited by werewolves. The cast includes Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine, Slim Pickens, and Elisabeth Brooks.
The Howling was released in the United States on March 13, 1981, and became a moderate success, grossing $17.9 million at the box office. It received generally positive reviews, with praise for the makeup special effects by Rob Bottin. The film won the 1980 Saturn Award for Best Horror Film and was one of the three high-profile werewolf-themed horror films released in 1981, alongside An American Werewolf in London and Wolfen.
Its financial success aided Dante's career, and prompted Warner Bros. to hire Dante and Michael Finnell as director and producer, respectively, for Gremlins (1984). A series consisting of seven sequels arose from the film's success.
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This week we're back in the USSR and we know just how lucky we are, Boy!
We're talking, Concertos, Communism and laying in state.
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Death of Stalin was picked by our Patron Lee Davis, and grateful we are too.
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The Death of Stalin is a 2017 political satire black comedy film written and directed by Armando Iannucci and co-written by David Schneider and Ian Martin with Peter Fellows. Based on the French graphic novel La Mort de Staline (2010–2012), the film depicts the internal social and political power struggle among the members of the Soviet Politburo following the death of leader Joseph Stalin in 1953. The French-British-Belgian co-production stars an ensemble cast that includes Steve Buscemi, Simon Russell Beale, Paddy Considine, Rupert Friend, Jason Isaacs, Olga Kurylenko, Michael Palin, Andrea Riseborough, Dermot Crowley, Paul Chahidi, Adrian McLoughlin, Paul Whitehouse, and Jeffrey Tambor.
The film premiered on 8 September 2017 at the Toronto International Film Festival. It was released theatrically in the United Kingdom by Entertainment One Films on 20 October 2017, in France by Gaumont on 4 April 2018, and in Belgium by September Film Distribution on 18 April 2018. It received critical acclaim and various accolades, including nominations for two British Academy Film Awards, one of which was for Outstanding British Film, and 13 British Independent Film Awards, four of which it won. There was fierce opposition to the film in Russia, where it was seen as "anti-Russian propaganda", and it was banned there, as well as in Kyrgyzstan, for allegedly mocking the Soviet past and making fun of the USSR.[4][5]
Plot
On the night of 1 March 1953, Joseph Stalin calls the Radio Moscow director to demand a recording of the just-concluded live recital of Mozart's Piano Concerto No. 23. The performance was not recorded; not wanting to anger Stalin, the director hurriedly refills the now-half-empty auditorium, fetches a new conductor to replace the original one, who has passed out, and orders the orchestra to play again. Pianist Maria Yudina initially refuses to perform for the cruel dictator, but ultimately is bribed to comply.
Meanwhile, Stalin is hosting a tense, but rowdy, gathering of Central Committee members at his home, the Kuntsevo Dacha. As Foreign Minister Vyacheslav Molotov leaves, NKVD-head Lavrentiy Beria reveals to Nikita Khrushchev and Deputy Chairman Georgy Malenkov that Molotov is to be part of the latest purge. When the concert recording arrives, Stalin finds a note Maria slipped in the record sleeve, admonishing Stalin and expressing hope for his death. He reads it, laughs, and suffers a cerebral haemorrhage. Despite hearing him fall, Stalin's guards, fearful of being punished for disturbing him, do not enter his office.
Stalin's housemaid discovers him unconscious the next morning. The members of the Central Committee each learn about the situation through their own networks and rush to the dacha. Beria, the first to arrive, finds Maria's note. Once Malenkov, Khrushchev, Lazar Kaganovich, Anastas Mikoyan, and Nikolai Bulganin arrive, the Committee finally decides to send for a team of doctors. Most of the best doctors in Moscow have been arrested for being part of an alleged plot, thus the doctors who can be found are not impressive. After a brief bout of terminal lucidity, Stalin dies. While the members of the Committee return to Moscow, Beria's order for the NKVD to take over the Soviet Army–held security postings across Moscow is carried out.
Beria and Khrushchev vie for the support of Molotov and Stalin's children, Svetlana and her unstable,...
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Join us this week for shops real and made up, Non-Union Johnny Five and why you shouldn't miss leg day.
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Chopping Mall is a 1986 American independent techno-horror film co-written and directed by Jim Wynorski, produced by Julie Corman, and starring Kelli Maroney, Tony O'Dell, John Terlesky, Russell Todd, Paul Bartel, Mary Woronov, and Barbara Crampton. It focuses on three high-tech security robots turning maniacal and killing teenage employees inside a shopping mall after dark.
The film was test-screened under the title Killbots by its distributor, Concorde Pictures. After it performed poorly with test audiences, the film was re-titled Chopping Mall, and approximately 19 minutes were excised.
In the years since its release, Chopping Mall has gone on to develop a cult following, and been subjected to film criticism for its perceived themes of human consumption and excess during the Reagan Era in the United States.
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They said it couldn't be done! Or that it shouldn't be done... one of those things was definitely said.
Yet here it is, the live recording of our Live show debut. Shrek!
We'll learn about The muffin man, the history of the boxing ring, that onions DON'T have layers and loads more!
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I don't know what to put in this bit now we don't have a live show to promote
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Shrek is a 2001 American animated fantasy comedy film loosely based on the 1990 children's picture book of the same name by William Steig. Directed by Andrew Adamson and Vicky Jenson (in their feature directorial debuts) and written by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S. H. Schulman, it is the first installment in the Shrek film series. The film stars Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow. In the film, an embittered ogre named Shrek (Myers) finds his home in the swamp overrun by fairy tale creatures banished by the obsessive ruler Lord Farquaad (Lithgow). With the help of Donkey (Murphy), Shrek makes a pact with Farquaad to rescue Princess Fiona (Diaz) in exchange for regaining control of his swamp.
After purchasing rights to Steig's book in 1991, Steven Spielberg sought to produce a traditionally-animated film adaptation, but John H. Williams convinced him to bring the project to the newly founded DreamWorks in 1994. Jeffrey Katzenberg, along with Williams and Aron Warner, began development on Shrek in 1995, immediately following the studio's purchase of the rights from Spielberg. Chris Farley was cast as the voice for the title character, recording most of the required dialogue, but died in 1997 before his work on the film was finished; Myers was hired to replace him, and gave Shrek his Scottish accent. The film was initially intended to be created using motion capture, but after poor test results, the studio hired Pacific Data Images to complete the final computer animation. Shrek parodies other fairy tale adaptations, primarily animated Disney films.[7]
Shrek premiered at the Mann Village Theatre In Westwood, and was later shown at the 2001 Cannes Film Festival, where it competed for the Palme d'Or,[4][8] making it the first animated film since Disney's Peter Pan (1953) to be chosen to do so.[9] The film was theatrically released by DreamWorks Pictures in the United States on May 18, 2001, and grossed over $492 million worldwide, becoming the fourth highest-grossing film of 2001. It was widely praised by critics for its animation, voice performances, soundtrack, writing and humor, which they noted catered to both adults and children. Shrek was nominated for the Academy Award for Best Adapted Screenplay and won the first Academy Award for Best Animated Feature.
The film's major success helped establish DreamWorks Animation as a competitor to Pixar in feature film computer animation. Three sequels have been released—Shrek 2 (2004), Shrek the Third (2007), and Shrek Forever After (2010)—along with two spin-off films—Puss in Boots (2011) and Puss in Boots: The Last Wish (2022)—with other productions, notably Shrek 5, in development. It is also regarded as one of the most influential animated films of the 2000s and one of the greatest animated films ever made. The United States Library of Congress selected Shrek for preservation in the National Film Registry in 2020, becoming the first animated film of the 21st century to be preserved.
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This week the boys are off down the docks to listen to Jean Michel Jarre and visit serial killer Dennis Nilsen's murder house.
It's Clive Barker's classic Sexy horror, Hellraiser!
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Also on our Patron Planty reading Hellbound Heart by Clive Barker.
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Dont forget to join us at Megacon Carlisle on 17th August where we will be performing our first ever live show on the subject of Shrek.
£5 + Booking. Get your ticket here:
https://www.trybooking.com/uk/events/landing/58993
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Hellraiser is a 1987 British supernatural horror film written and directed by Clive Barker in his directorial debut,[7] Based on Barker's 1986 novella The Hellbound Heart, the film’s plot concerns a mystical puzzle box that summons the Cenobites, a group of extra-dimensional, sadomasochistic beings who cannot differentiate between pain and pleasure. It stars Andrew Robinson, Clare Higgins, Ashley Laurence, and Doug Bradley as the leader of the Cenobites, identified in the sequels as "Pinhead"
The film was followed by nine sequels, the first seven of which featured Bradley reprising his role as Pinhead. A franchise reboot, also titled Hellraiser and executive produced by Barker, was released in 2022.
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This week we're dropping a bunch of facts and nonsense regarding Vietnam, Go Pros and Drug montages with Joe from Hallmark of Greatness. We'll be back next week with a full length fil-um episode so hold tight!
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"White Rabbit" is a song written by Grace Slick and recorded by the American rock band Jefferson Airplane for their 1967 album Surrealistic Pillow. It draws on imagery from Lewis Carroll's 1865 book Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass.
It was released as a single and became the band's second top-10 success, peaking at number eight[6] on the Billboard Hot 100. The song was ranked number 478 on Rolling Stone's list of the 500 Greatest Songs of All Time[7] in 2004, number 483 in 2010, and number 455 in 2021 and appears on The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 1998, the song was inducted into the Grammy Hall of Fame.[8]
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This week the boys are heading back to 1996 with the Patron's Choice.
Thanks to Gadget, not only for supporting us but picking an absolute belter.
We're learning about the invention of the Bicycle Bell, Schlemiels, Giant Satellite arrays and that all you need is love.
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This is a Patron's choice episode picked by loyal supporter of the pod, Gadget
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Dont forget to join us at Megacon Carlisle on 17th August where we will be performing our first ever live show on the subject of Shrek.
£5 + Booking. Get your ticket here:
https://www.trybooking.com/uk/events/landing/58993
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Independence Day (also promoted as ID4) is a 1996 American science fiction action film[2][3] directed by Roland Emmerich, written by Emmerich and the film's producer Dean Devlin, and stars an ensemble cast that consists of Will Smith, Bill Pullman, Jeff Goldblum, Mary McDonnell, Judd Hirsch, Margaret Colin, Randy Quaid, Robert Loggia, Vivica A. Fox, James Rebhorn, and Harvey Fierstein. The film focuses on disparate groups of people who converge in the Nevada desert in the aftermath of a worldwide attack by a powerful extraterrestrial race. With the other people of the world, they launch a counterattack on July 4—Independence Day in the United States.
While promoting Stargate in Europe, Emmerich conceived the film while answering a question about his belief in the existence of alien life. Devlin and Emmerich decided to incorporate a large-scale attack having noticed that aliens in most invasion films travel long distances in outer space only to remain hidden when reaching Earth. Shooting began on July 28, 1995, in New York City, and the film was completed on October 8, 1995.
Considered a significant turning point in the history of the Hollywood blockbuster, Independence Day was at the forefront of the large-scale disaster film and sci-fi resurgence of the mid-late 1990s. It was released worldwide on July 3, 1996, but began showing on July 2 (the same day the film's story begins) in original release as a result of a high level of anticipation among moviegoers. The film received mixed reviews, with praise for the performances, musical score and visual effects, but criticism for its characters. It grossed over $817.4 million worldwide,[2] becoming the highest-grossing film of 1996 and the second-highest-grossing film ever at the time, behind Jurassic Park (1993). The film won the Academy Award for Best Visual Effects and was nominated for the Academy Award for Best Sound.[4]
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This week the boys are ringing you on the landline to ask what's your favourite scary movie?
We're talking Budweiser adverts, Fubu and how to dispose of a body in a bid to get some of those sweet true crime podcast downloads.
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This is a Patron's choice episode picked by loyal supporter of the pod, Ali
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Ali is also the current custodian of Carlisle Megacon, where we will be performing our first ever live show on the subject of Shrek.
£5 + Booking. Get your ticket here:
https://www.trybooking.com/uk/events/landing/58993
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Scary Movie is a 2000 American slasher parody film directed by Keenen Ivory Wayans and written by Marlon and Shawn Wayans (who both also star), alongside Buddy Johnson, Phil Beauman, Jason Friedberg and Aaron Seltzer. Starring Jon Abrahams, Carmen Electra, Shannon Elizabeth, Anna Faris, Kurt Fuller, Regina Hall, Lochlyn Munro, Cheri Oteri, and Dave Sheridan, it follows a group of teenagers who accidentally hit a man with their car, dump his body in a lake, and swear to secrecy. A year later, someone wearing a Ghostface mask and robe begins hunting them one by one.
The film is a parody of multiple genres including the horror, slasher, and mystery film genres. Several 1990s films and TV shows are also spoofed, and the script primarily follows the plot of the slasher films Scream and I Know What You Did Last Summer. Some films and TV shows like Halloween, The Shining, Friday the 13th, The Usual Suspects, The Sixth Sense, The Blair Witch Project, The Matrix and Buffy the Vampire Slayer were also parodied in some scenes.
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This week we're heading to Val Verde with John Matrix and all the one liners you can fit in to a 90 minute Arnold Film.
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Don't forget to grab your tickets to out live show at Megacon Carlisle. £5 + Booking fee.
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Commando is a 1985 American action thriller film directed by Mark L. Lester and produced by Joel Silver. It stars Arnold Schwarzenegger in the lead role, alongside Rae Dawn Chong, Alyssa Milano, Vernon Wells, Bill Duke and Dan Hedaya. The musical score was composed by James Horner.
Commando was released in the United States on October 4, 1985, where it received praise for the action sequences and humor.
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This week the Patreon wheel spun and landed on Gavin from The Be There With Belson Podcast.
He picked what is equally the best and worst film we've ever watched for the podcast.
we'll be doing the usual why must films lie to us as well as David Niven convincing no one about his age and GONGMAN TM.
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Be There with Belson Podcast is two brothers trying to make sense of the world or at least make each other laugh.
https://podcasts.apple.com/gb/podcast/be-there-with-belson/id1484563935
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Don't forget to grab your tickets to out live show at Megacon Carlisle. £5 + Booking fee.
https://www.trybooking.com/uk/events/landing/58993
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A Matter of Life and Death is a 1946 British fantasy-romance film set in England during World War II.
Written, produced and directed by Michael Powell and Emeric Pressburger, the film stars David Niven, Roger Livesey, Raymond Massey, Kim Hunter and Marius Goring. The film was originally released in the United States under the title Stairway to Heaven, which derived from the film's most prominent special effect: a broad escalator linking Earth to the afterlife.
In 1999, A Matter of Life and Death placed 20th on the British Film Institute's list of Best 100 British films.[6] It ranked 90th in The Sight and Sound Greatest Films of All Time 2012[7] poll, regarded by some as the most authoritative in the world, and 78th in 2022.[8]
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This week the boys are back in Boston talking Tools, Gladys Knight, Guns and Fried Chicken with Denzel in 2014's The Equalizer
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We are playing our first ever live show at Megacon Carlisle on 17th August and we're included in the cost of your ticket!
£5 + Booking fee for nerd stalls, cosplay contests and events... Get your Megacon Tickets here:
https://www.trybooking.com/uk/events/landing/58993
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From Wiki:
The Equalizer is a 2014 American action thriller film directed by Antoine Fuqua and written by Richard Wenk.[1][5] It is based on the 1980s TV series of the same title and the first of three films starring Denzel Washington in the lead role. The cast includes Marton Csokas, Chloë Grace Moretz, David Harbour, Bill Pullman, and Melissa Leo. Washington plays Robert McCall, a former Marine and former Defense Intelligence Agency Paramilitary Operations Officer who reluctantly returns to action in order to protect a teenage trafficking victim from members of the Russian mafia.
Principal photography took place in Massachusetts from May to September 2013. The world premiere for The Equalizer was held at 2014 Toronto International Film Festival on September 7, 2014, and it was released in theaters worldwide on September 26, 2014. The film received mixed reviews from critics and grossed $192.3 million worldwide.
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TRIGGER WARNING: The subject of this film is coercive and abusive relationships
This week we're talking, Clams, Cape Cod's Long Distance bus service and the cost of learning to swim in Scotland.
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We're performing our first ever live show on 17th August as part of Carlisle Megacon, amongst the Cosplayers and folk playing Magic the gathering... we guess.
Join us as we talk about Shrek at Carlisle's Richard Rose Academy. It's £5 for the full day and not just us.
Tickets available here: https://www.trybooking.com/uk/events/landing/58993?
Give us a quid and we'll let you pick your own episode and give you a shout out.
https://www.patreon.com/100thingsfilm
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Socials and that eh?
100thingswelearnedfromfilm.co.uk
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Sleeping with the Enemy is a 1991 American psychological thriller film directed by Joseph Ruben and starring Julia Roberts, Patrick Bergin, and Kevin Anderson. The film is based on Nancy Price's 1987 novel of the same name.[2] Roberts plays a woman who fakes her own death and moves from Cape Cod to Cedar Falls, Iowa to escape from her controlling, obsessive, and abusive husband, but finds her peaceful new life interrupted when he discovers her actions and tracks her down.
Sleeping with the Enemy was released theatrically on February 8, 1991. It received generally negative reviews from the critics, but was a box office success, grossing $175 million on a production budget of $19 million.
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