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Sounding History is a podcast about the global history of music with an unexpected twist. Your hosts, music historians Tom Irvine and Chris Smith, explore sonic impacts of the extraction of resources from the Earth’s environment. Instead of narrating music history as a story about performers, composers, and works, we explore how extraction economy (and the historical processes that came with it, such as settler colonialism, enslavement, and environmental destruction) made the world of sound we live in today.
In each episode we introduce two "postcards": sonic micro-histories that illustrate how music can be understood through stories about labor (how we work), energy (how we power their lives), and data (how we consume and transfer information). We use this categories to explore new layers of narrative about music on a global scale. Our goal is a music history for a new era: the Anthropocene, the age of human-generated climate change.
We work as researchers and university teachers in the US and Britain. But between us we have long experience outside of the ivory tower, as musicians in styles from folk to early music, as radio hosts, and public speakers. In Sounding History we turn to the new medium of podcasting, looking to share with listeners stories about people and their soundworlds that have not been heard before.
Tom teaches at the University of Southampton in the UK and is also a Fellow of the Alan Turing Institute, the UK's national research institute for data science and AI. Chris directs the Vernacular Music Center at Texas Tech University. Between us we have written and edited books about the history of music and dance in the United States, the soundscapes of the Western Encounter with China, and the global history of German music. Sounding History, and the book project that goes with it (a global music history of music for general readers). Sounding History is not our first collaboration. Decades ago, we worked together in public radio and performed together in early music ensembles, laying a groundwork of curiosity and spontaneity for our partnership today. Join us as we take up this new collaboration, a music history for our times. -
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Dan Hörning och David Oscarsson tar upp olösta mord, försvinnanden och mysterier i en podd som bara ställer frågor utan att ge några svar.
Stöd oss med 20 kronor + moms i månaden och i gengäld slipper du all reklam i podden. Lyssna helt reklamfritt direkt! https://plus.acast.com/s/olostamord.
Hosted on Acast. See acast.com/privacy for more information.
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Mixing Music is a podcast hosted by mix engineers, Dee Kei (@DeeKeiMixes) and Lu Moreno (@MasteredByLu). It is a show about mixing techniques, audio production, mindsets, business advice, and everything Dee Kei & Lu have learned and will continue to learn through their music careers.
The Mixing Music Podcast also covers topics like plugins, DAWs, mixing engineers, mastering engineers, producers, and even tips and tricks for Pro Tools, Logic, FL Studios, Ableton, Studio One, Cubase, and more.
In our exclusive episodes, James Parrish (@jamesdeanmixes) and Dee Kei react to interviews with various audio engineers, music producers, and YouTubers to help you understand the most useful advice for making better music
The Mixing Music Podcast is sponsored by Antares (Auto Tune), Plugin Boutique, Lauten Audio, Sweetwater, & Filepass,
Find Dee Kei and Lu on Social Media:
Instagram: @DeeKeiMixes @MasteredByLu
witter: @DeeKeiMixes
Join the ‘Mixing Music Podcast’ Group: Discord & Facebook
The Mixing Music Podcast is filmed and recorded at Dee Kei's Personal Mixing Studio in Los Angeles, California.
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The April 1999 massacre at Columbine High School hurtled the United States into an era of mass shootings. Now, a quarter century later, the horrors of that day have become an almost regular facet of American life, and gun violence a record-smashing epidemic. Clad in both camouflage and Kevlar, 21st-century America is a bastion of freedom where workplaces require active shooter protocols, schools run lockdown drills, and the Second Amendment has become a religion unto itself.
Guns are a uniquely American problem, but the U.S. wasn’t always like this. LONG SHADOW: IN GUNS WE TRUST explores the story of the people — some names you'll know, some you won't — who changed the way America relates to guns, for better or worse. This season, host Garrett Graff, in collaboration with The Trace, chronicles how firearms moved from being an ordinary part of the background of rural life to a menacing element of modern American life.
Crackling with rich archival tape and riveting eyewitness and expert interviews, this narrative podcast examines threads of history that are vitally relevant to our current political climate. In LONG SHADOW’s Signal Award-winning first season, Graff, a Pulitzer-finalist and a best-selling author and historian, examined the lingering questions of 9/11, the worst terrorist attack on U.S. soil. Season two, which won an Edward R. Murrow Award for best podcast, chronicled how bloody tragedies at the hands of federal agents led to the rise of American far-right extremism and ultimately the January 6 insurrection. Season three, winner of three Signal Awards (best history podcast, best documentary podcast, and best activism, public service & social impact podcast) will help listeners understand how simply carrying firearms has become its own act of defiance, and how a very specific, carefully manufactured fear has driven explosive demand for guns across America.
How did we get here? Subscribe and listen to LONG SHADOW to find out.
LONG SHADOW: IN GUNS WE TRUST is produced by Long Lead and Campside Media in collaboration with The Trace, and is distributed by PRX.
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中史DSE補習老師同你細講歷史趣事
希望令更多人愛上歷史
同時亦希望用一個生動有趣嘅做法講解歷史
幫助學生記史
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In never-before-heard interviews, this gripping new series takes you inside one of New Zealand’s most controversial legal cases, when a kind of madness gripped Christchurch, resulting in a miscarriage of justice that would take 30 years to put right. Peter Ellis, the Creche Case & Me is an 8-part Newsroom Investigates podcast presented by Melanie Reid - or watch the series at Newsroom.co.nz
Hosted on Acast. See acast.com/privacy for more information.
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Autumn 2012 - UCL's Lunch Hour Lecture Series is an opportunity for anyone to sample the exceptional research work taking place at the university, in bite-size chunks. Speakers are drawn from across UCL and lectures frequently showcase new research and recent academic publications. Lunch Hour Lectures require no pre-booking, are free to attend and are open to anyone on a first-come, first-served basis.
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Facebook page: https://www.facebook.com/soundroompodcast
❖❖ Electronic music platform ❖❖
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◆◆ "First of all, Romanian electronica is considered its own genre because of its very specific movements and ambient grooves which most other music doesn't have. No other genre of music that I've heard had such complex production methods where you can mix amazing bass grooves with minimalistic percussions/details, super organic sounds and elegant break-beat kicks which fit so perfectly together (and I've heard all from old school house to new deep techno and all in between). As far as Romania getting the title,it's mainly because they are the ones who took it to the next level,mind you this music is a form of micro-house/minimal that had been already in production for many years but on a very underground level - until Romania made it more popular (of course with the help of Ricardo Villalobos). The style of music really is something special,more intellectual in my opinion,because it takes a very trained ear to really understand it and enjoy it. For everyone whom is criticizing that it's only for druggies, this is very invalid information. Maybe the fact that it's so complex - it takes the average listener to take drugs in order to expand their mindset to listen and understand, but for those that get it, they do not need anything in order to enjoy such great abstract style of music." ◆◆ -
Booking https://www.facebook.com/russiamusic/
[email protected]
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Welcome to Baba Beach Cloud. Whether you're a music lover or simply looking to have a good time, Baba Beach Cloud promises an unforgettable experience where you can immerse yourself in the rhythm of the day or night, surrounded by the beauty of the beach and the warmth of the tropical atmosphere.
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The Bodleian Libraries at the University of Oxford is the largest university library system in the United Kingdom. It includes the principal University library - the Bodleian Library - which has been a legal deposit library for 400 years; as well as 28 other libraries across Oxford including major research libraries and faculty, department and institute libraries. Together, the Libraries hold more than 12 million printed items, over 80,000 e-journals and outstanding special collections including rare books and manuscripts, classical papyri, maps, music, art and printed ephemera. Members of the public can explore the collections via the Bodleian’s online image portal at digital.bodleian.ox.ac.uk or by visiting the exhibition galleries in the Bodleian's Weston Library. For more information, visit www.bodleian.ox.ac.uk.
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Conversations With Matt Dwyer is a music podcast that focuses on the lives and work of legendary, established and emerging new artists. The interviews are not your typical Q&A format but an unfolding organic conversation that shines a light on the lesser explored corners of an artist's work, life, triumphs and challenges. Some past guests included Wayne Coyne of the Flaming Lips, Van Dyke Parks, Lou Barlow, Donita Sparks of L7, Boots Riley and Jenn Wassner of Wye Oak/Flock Of Dimes. Conversations With Dwyer was also the catalyst for John Lurie selling his series "Painting With John," to HBO.
Hosted on Acast. See acast.com/privacy for more information.
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