Afleveringen
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Isabelle Imbert welcomes Fuchsia Hart, Sarikhani Curator for the Iranian Collection at the Victoria and Albert Museum in London. Fuchsia is an art historian specialised in the artistic productions of 19th century Iran, ruled by the Qajar dynasty between 1789 and 1925, and particularly on the reign of Fath 'Ali Shah Qajar, who reigned from 1797 till 1834. His patronage is known to us today through his numerous portraits and courtly arts, but also his important architectural patronage of Shia shrines, which is the topic of Fuchsia's ongoing doctoral research. In the episode, she talks about the arts, kingship and diplomacy of Fath 'Ali Shah, as well as her work in the V&A.
Follow the Art Informant on Instagram and XFollow Fuchsia Hart on Instagram, X and on her websiteFuchsia Hart: "Contagion or Cure? A History of Healing and Pandemic in Qom", Ajam, 5 Dec 2020Fath Ali Shah Qajar and Qajar Iran Fuchsia Hart, "The Tomb of Fath-ʿAli Shah Qajar" (recording), Youtube Video, "Private Video" Channel, April 2023Moya Carey, Persian Art: Collecting the Arts of Iran in the 19th Century, London: V&A, 2018 (available on Amazon)Markus Ritter, Moscheen und Madrasabauten in Iran 1785-1848: Architektur zwischen Rückgriff und Neuerung [The Architecture of Mosque and Madrasa in Early Qajar Iran: between re-adaptation and innovation], Leiden and Boston: Brill 2006 (partially available on Academia)Keelan Overton, Kimia Maleki, "The Emamzadeh Yahya at Varamin: A Present History of a Living Shrine, 2018–20", Journal of Material Cultures in the Muslim World, vol. 1, 1-2 (2021) (open source)Assef Ashraf, Making and Remaking Empire in Early Qajar Iran, Cambridge Uni Press: 2024Information and pictures of the Masjid-e Shah in Tehran, built by Fath 'Ali Shah (Archnet.org)A set of six Coalport plates made for Nasir al-Din Shah Qajar, England, dated 1290 AH/ 1873-74, Sotheby's London 24 April 2024, lot 50A large Canton bowl and dishes made for Nasir al-Din Shah Qajar, Persia, dated 1294 AH/ 1877, Sotheby's London 24 April 2024, lot 87
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In this episode, Isabelle Imbert welcomes Nur Sobers-Khan, doctor in Islamic studies and curator of Islamic arts. Nur started working in curation immediately after getting her Ph.D. in 2012, and has since worked in several collections, looking at Islamic manuscripts, but also objects and archival material. Her various experiences constitute a great opportunity to learn more about the different layers of a curator role and the skills learned along the way. In the episode, she talks about the different institutions she has worked in, as well as her ongoing research on South-Asian manuscripts and the so-called Delhi collection of manuscripts in the British Library.
Follow the Art Informant on Instagram and XFollow Nur Sobers-Khan on Academia, X, Instagram and LinkedInExhibitions: Marvellous Creatures : Animal Fables in Islamic Art, exhibition catalogue from the Museum of Islamic Art, Doha, 2015'Building Our Collection: Mughal and Safavid Albums' Museum of Islamic Art, Doha, 2015Qajar Women: Images of Women in 19th-century Iran (Milan: Silvana Editoriale, 2016)Doctoral research: Slaves Without Shackles: Forced Labour and Manumission in the Galata Court Registers, 1560–1572 (Berlin: Klaus Schwarz Verlag, 2014)The "Delhi library" in the British Library: “Muslim Scribal Culture in India Around 1800: Towards a Disentangling of the Mughal Library and Delhi Collection” in Scribal Practice and the Global Cultures of Colophons, 1400-1800 New Transculturalisms, ed. C.D. Bahl and S. Hanß (Switzerland, 2022)More information on the "Delhi Library": Dr Saqib Baburi, "Sufism and Persian Manuscripts from the Delhi Collection, British Library", talk given at the British Library in 2018 (audio)"Learning Lessons from the Cyber-Attack", British Library cyber incident review,
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Zijn er afleveringen die ontbreken?
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In today’s episode, Isabelle Imbert welcomes Dr Suzanne Compagnon, post-doctoral fellow at the university of Utrecht. Suzanne recently got her Ph.D. from the University of Vienna with a thesis focused on Turkish Ottoman painting, and more specifically on the single-page figures produced by the painters Levni and Bukhari in the first quarter of the 18th century. Ottoman painting in general has not been studied as much as its Persian and Indian counterparts, and Suzanne dived into the topic with passion. In the episode, they talk about the career and work of these two painters, their sources of inspiration, powdered wigs, bonnets, and much more.
Follow the Art Informant on Instagram and XFollow Suzanne on AcademiaRead Suzanne's Ph.D. dissertation online (open access)Esin Atil, Levni and the Surname: the Story of an Eighteenth-Century Ottoman Festival, University of Washington Press, 2000. Review of the book and reproductions of paintings on Istanbul traveloguewebsite (2014)Gwendolyn Collaço, "‘Word-Seizing’ Albums: Imported Paintings from ʿAcem and Hindūstān on an Eclectic Ottoman Market", Ars Orientalis, 51 (2021), pp. 133-187 (open access on Academia)Album Arabe 6076, Bibliotheque nationale de France (digitised) Album Arabe 6077, Bibliotheque nationale de France (digitised) Click here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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Isabelle Imbert welcomes Pr Stephane Pradines, Professor of Islamic Art, Architecture and Archaeology at the Aga Khan University in London. Stephanes is an archaeologist with a particular expertise on Sub-Saharan Africa, a large region that is being discussed for the first time on this podcast, and for today the Swahili coast in the East. In the episode, they talk about Stephane’s past and ongoing archaeological projects, before diving into the architecture of the Swahili coast, artistic exchanges in the Indian ocean, as well as the practice of archaeology in different terrains and climates.
Follow the Art Informant on Instagram and XFollow Stephane Pradines on AcademiaStephane's profile and list of publications on the Aga Khan University websiteStephane's publications mentioned in the episode: "Early Swahili Mosques: The Role of Ibadi and Ismaili Communities, Ninth to Twelfth Centuries", Muslim Cultures of the Indian Ocean, Edinburgh Uni Press: 2023Historic Mosques in Sub-Saharan Africa, from Timbuktu to Zanzibar, Brill: 2022"Islamic Archaeology in the Comoros: The Swahili and the Rock Crystal Trade with the Abbasid and Fatimid Caliphates", Journal of Islamic Archaeology, vol 6-1 (2019)"Madagascar, the Source of the Abbasid and Fatimid Rock Crystals: New Evidence from Archaeological Investigations in East Africa", Seeking Transparency: Rock Crystals across the Medieval Mediterranean, A. Shalem, C. Hahn (eds), Gebr. Mann Verlag: 2020More information: Pradines, S., Blanchard, P., "From Zanzibar to Kilwa : Eighteenth and Nineteenth Century Omani Forts in East Africa", Fort, 47 (2019)Pradines, S., "Sufi in War: Persian influence on African weaponry in the 19th century Mahdist Sudan", JAAS, XXII (2018)Pardines, S., "Swahili Archaeology New edition", Encyclopedia of Global Archaeology, Springer International Publishing 2018Click here for more episodes of the ART Informant.
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For the 2 years anniversary of the ART Informant podcast, I welcome... myself. A very special host comes in to ask me questions about my newly released children's book, La Tortue et les Deux Canards, et autres fables de La Fontaine de source arabe, published at Versant Sud Jeunesse. We also talk about the podcast, of course, how and why it started, how it is going, and where I hope to take it in 2024. I hope you'll enjoy this very special episode!
Follow the Art Informant on Instagram and XFollow Isabelle Imbert on Instagram, LinkedIn and AcademiaLa Tortue et les Deux Canards et autres fables de la Fontaine d'origine arabe, Versant Sud Jeunesse, 2023.Kalila wa Dimna in Islamic Arts and Literature with Annie Vernay-Nouri and Aida El Khiari, ART Informant Podcast, 2022.Shahnama made for the Mughal emperor Jahangir in 1021H/ 1612. Millon, 3 May 2018, lot 227A Page of the Royal Padshahnama, From the St Petersbourg Muraqqa’, Millon & Associés, 3 Dec. 2019, lot 366Click here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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In today’s episode, we take a step aside from Islamic & Indian art history to welcome Alexander Herman, director of the Institute of Art & Law in London. Alexander is specialised in the complex legislation of art and cultural heritage, and has recently published The Parthenon Marble dispute: Heritage, Law, Politics (Bloomsbury). In the episode, he offers the most valuable introduction to cultural heritage and provenance laws. He talks about his investigation in the dispute surrounding the Parthenon marbles, as well as several high profile cases involving art pieces, protection of cultural heritage and how to make sure the art you buy is legal and protected.
Follow the Art Informant on Instagram and XFollow Alexander Herman on X and LinkedInThe Institute of Art and LawAlexander Herman, The Parthenon Marbles Dispute: Heritage, Law, Politics, Bloomsbury, 2023 (Bloomsbury)The 1970 UNESCO conventionThe 1954 Hague ConventionUnited Nations Security Council Resolution 2347 for protection of cultural heritage in Iraq and SyriaThe 1995 UNIDROIT conventionAnne-Marie O'Connor, The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, Knopf Doubleday: 2015 (Amazon)Peter Watson, The Medici Conspiracy: The Illicit Journey of Looted Antiquities. From Italy's Tomb Raiders to the World's Greatest Museums, PublicAffairs, 2007 (Amazon)Art Law Podcast: "Turkey’s Quest for the Stargazer", part 1, 2 Dec. 2021Art Law Podcast: "Turkey’s Quest for the Stargazer", part 2, 2 Mar 2022The Art Loss RegisterThe Lost Art DatabaseThe ICOM Red ListsAlexander Herman, "Methods of Securing Returns: Tough Stance of New York District Attorney Over Ancient Persian Artefact", Art, Antiquity and Law, Vol 23, Issue 4, 2018 (get in touch for a free copy)
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artifacts discussed in the episode.
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For the 30th episode of the ART Informant, Isabelle Imbert travels to mediaeval Spain with Dr Mariam Rosser-Owen, curator of the Middle Eastern Section in the Victoria and Albert Museum. Al-Andalus, Muslim Spain and Portugal, is particularly recognised for its rich production of carved ivory objects and its architecture, which Mariam and Isabelle talk about at length in the episode. They also discuss Mariam's role as a curator in the Victoria and Albert museum in London, the ongoing changes in the museum, and Mariam fascinating collaborations with contemporary artists.
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Follow the Art Informant on Instagram and TwitterFollow Marian Rosser-Owen on Instagram and AcademiaArticulating the Ḥijāba: Cultural Patronage and Political Legitimacy in al-Andalus, Brill, 2021Mariam's publications on the V&A blogMosque of Cordoba, information and pictures (Archnet)The Ardabil Carpet, Persia, 16th c. (V&A)Fatimid rock crystal ewer, Egypt, 10th-11th c. (V&A)Book of Gifts and Rarities: Selections Compiled in the Fifteenth Century from an Eleventh-Century Manuscript on Gifts and Treasures, trans. Ghada Hijjawi-Qaddumi, Harvard, 1997Ivory Act 2018Abbas AkbariMalek GnaouiShahpour PouyanSphero-Conical Vessels: Evidence from Baalbek (Lebanon), Valentina Vezzoli (Khamseen)Click here for more episodes of the ART Informant.
Mentioned in the Episode and Further LinksClick here to see the reproductions of artifacts discussed in the episode.
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In this episode of the ART Informant, Isabelle Imbert welcomes Dr Amanda Phillips, Associate Professor of Islamic Art and Material Culture at the University of Virginia. Amanda specialises in the consumption and trade of textiles in Ottoman Türkiye. It is the topic of her latest book: Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean, published in 2021 (University of California Press). In the episode, they talk about the techniques and particularities of Ottoman silks, such as the so-called Studenica silk, and of course of crimson and gold-embroidered velvets made in Bursa, particularly well represented on the market, as well as academic career, book writing, and much more.
Follow the Art Informant on Instagram and TwitterFollow Amanda Phillips on Instagram and AcademiaAmanda Phillips, Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean, University of California Press, 2021.Amanda Phillips, Everyday Luxury, Art and Objects in Ottoman Constantinople, 1600-1800, Verlag Kettler, 2018 (free access).Nurhan Atasoy, Walter B. Denny, IPEK. The Crescent & the Rose: Imperial Ottoman Silks and Velvets, Azimuth, 2001Work of Pr Suraiya N. Faroqhi on AcademiaChristie's, "Collecting guide: Ottoman silk velvet panels", 2019Nazanin Hedayat Munroe, "Silks from Ottoman Turkey", MET Museum blog, 2012Click here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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In the episode, Isabelle Imbert welcomes Bharti Lalwani, art critic and perfume maker, and Dr Nicolas Roth, visual librarian at Harvard University Library, gardener and historian of horticultural knowledge and practices in India. Bharti and Nicolas have collaborated on an online exhibition: Bagh-e Hind, the Garden of India, a unique project combining art history and perfume making to recreate smells of Rajput and Mughal paintings. In the episode, they talk about the creation of the exhibition, smells, shared visual cultures, the accessibility of art history to all, and more.
Follow the Art Informant on Instagram and TwitterFollow Bharti on Instagram and check Lithrab PerfumeryFollow Nicolas on Instagram and AcademiaBagh-e Hind exhibitionAli, Daud, and Emma J. Flatt, eds. GardenandLandscapePracticesinPre-colonialIndia:HistoriesfromtheDeccan. New Delhi: Routledge India, 2012.Click here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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In today’s episode, Isabelle Imbert welcomes Hiba Abid, doctor in Islamic Arts History and curator for Middle Eastern and Islamic Studies in the New York Public Library. Isabelle and Hiba have known each other for a long time, so it was time to catch up on the topics that passionate Hiba, in particular the history of manuscripts production in the Muslim West, a region still often ignored. Hiba is now a newly appointed curator and gives the audience real insights into her role, as well as the particularities of the NY Public library Middle-Eastern collection and its significance.
Follow the Art Informant on Instagram and TwitterFollow Hiba on Twitter and AcademiaMaterial Images and Mental Ziyāra: Depicting the Prophet’s Grave in North African Devotional Books (Dalāʾil al-Khayrāt), Journal of Material Cultures in the Muslim World, 1 (2020), 331-354.New York Public Library Umberto Bongianino, The Manuscript Tradition of the Islamic West. Maghribi Round Scripts and the Andalusi Identity, Edinburgh University Press, 2022.Click here for more episodes of the ART Informant.
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Isabelle Imbert welcomes Valentina Bruccoleri, doctor in Chinese art history and postdoctoral researcher of the Marco Polo Centre for Global Europe-Asia Connections at the university of Venice. Valentina is a specialist of Chinese ceramic, and more precisely, she specialises in the artistic interactions between the Persian dynasties of the Timurid (1370-1507) and Safavid (1501-1722), and the Chinese Yuan (1279–1368) and Ming (1368-1644) dynasties. In the episode, they talk about the production and trade of blue & white porcelains and celadons, of the circulation of ceramic forms and decorative motifs and of the reception of Chinese ceramics in the Persianate sphere, all from a Chinese perspective.
Follow the Art Informant on Instagram and TwitterFollow Valentina Bruccoleri on Instagram and Academia"Éléments islamiques dans la porcelaine impériale chinoise du début de la dynastie Ming (1368-1435)", 2020Ruy González de Clavijo, ambassador of Henry III of Castile to the court of Timur (1403-1406) Historia del gran Tamorlan e itinerario y enarracion del viage, y relacion de la embaxada que Ruy Gonçalez de Clavijo le hizo, por mandado del muy poderoso señor rey Don Henrique el Tercero de Castilla, 1412 (Biblioteca virtual Miguel de Cervantes)Narrative of the Embassy of Ruy Gonzalez de Clavijo to the Court of Timour at Samarcand, A.D. 1403-6, translated Sir Clements Robert Markham, 1859 (Google book)Didier, Michel, Chen Cheng, 1365-1457: ambassadeur des premiers empereurs Ming, Paris- Louvain, Éditions Peeters, 2012 (Amazon.co.uk).Rossabi, Morris, « Two Ming Envoys to Inner Asia », T'oung Pao, 1976, vol. 62, p. 1-34. (jstor)A Soup for the Qan: Chinese Dietary Medicine of the Mongol Era As Seen in Hu Sihui's Yinshan Zhengyao, Brill, 2010. Click here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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Isabelle Imbert welcomes Dr Eleonore Cellard, researcher in early Qur'anic manuscripts and specialist in codicology and palaeography. She holds a Ph.D. from the Ecole Pratique des Hautes Etudes in Paris and have been working ever since on uncovering the secrets of the oldest Quranic manuscripts. In the episode, they talk about when and how the Qur’an was put into writings and the characteristics of early Quranic manuscripts, including the challenges to date and locate them. We also talk about an important project Eleonore is currently conducting on early Moroccan manuscripts, and the urgency of documenting them.
Follow the Art Informant on Instagram and TwitterFollow Eleonore Cellard on Twitter and AcademiaEleonore's fundraiser (Go Fund Me)The Birmingham Qur'an in the University of BirminghamLeaves of the Monumental Qur'an attributed to Caliph 'Uthman (BNF Arabe 324)Click here for more episodes of the ART Informant.
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Isabelle Imbert welcomes Daniel Newman, professor at Durham University, specialist of Arabic language and literature and passionate about Medieval Arabic cooking books and culinary tradition. For years, Daniel has been recreated Medieval recipes, especially from the "Garden flowers in elegant food" (Zahr al-ḥadīqa fi ‘l-aṭʿima al-anīqa), written by Shihāb al-Dīn Aḥmad Ibn Mubārak Shāh in Egypt in the first half of the 15th century. In the episode, he talks about his work as a translator, the link between food and medicine and his experimentation with Medieval cuisine.
Follow the Art Informant on Instagram and TwitterFollow Daniel Newman on Instagram and on AcademiaDaniel Newman's profile on Durham University's website"Eat like a Sultan": Daniel Newman's website where he recreates Medieval recipesThe Sultan's Feast : A Fifteenth-Century Egyptian Cookbook (Bilingual Edition), Saqi Books, 2020The Sultan's Sex Potions: Arab Aphrodisiacs in the Middle Ages, Saqi Books, 2014Click here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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In the first episode of 2023, Isabelle Imbert welcomes Dr Sterenn Le Maguer, archaeologist and specialist of the history of incense trade in the Islamic world before the 16th century. Sterenn is what we could call an archaeologist of smells, but she’s also the first archaeologist to come on the podcast, so in the episode, we talk about methodology and techniques of archaeology, but also of smell profiles and the importance of incense consumption in Islamic societies.
Follow the Art Informant on Instagram and TwitterFollow Sterenn on LinkedIn and AcademiaArchaios: Archaeology, Culture & Heritage Anya H. King, Scent from the Garden of Paradise. Musk and the Medieval Islamic World, Brill, 2017.Axelle Rougeulle, Sharma: Un entrepôt de commerce medieval sur la côte du Ḥaḍramawt (Yémen, ca 980-1180), Archaeopress Archaeology, 2015SENSIS: The senses of Islam, research programme in the university of Utrecht"This Ancient Mud Skyscraper City is the 'Manhattan of the Desert'" National GeographicClick here for more episodes of the ART Informant.
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Mentioned in the Episode and Additional InformationClick here to see the reproductions of artefacts discussed in the episode
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In the last episode of 2022, Isabelle Imbert welcomes Nilosree Biswas, Indian filmmaker and writer, author of Banaras: Of Gods, Humans and Stories and Alluring Kashmir: The Inner Spirit, as well as her latest book, Calcutta on your plate. Nilos grew up in Calcutta and has an intimate knowledge of its culinary cuisine, but through her book, she writes the history and tells the story of colonialism, communities, and particularly women. Through her knowledge and skills for storytelling, she paints the rich and complex cultural landscape of the city. This was a very enlightening conversation about an enlightening book.
Follow the Art Informant on Instagram and TwitterFollow Nilosree on Instagram and TwitterGet your copy of Calcutta on your plate Click here for more episodes of the ART Informant.
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This episode is part 2 of the interview with Dr Rachel Parikh, doctor in Islamic and Indian art history and curator specialised in arms and armours. In Part 1, her and the host, Dr Isabelle Imbert talked about her career as an art historian, her research on the Falnama manuscript in the Khalili collection, and her shift to curating. In this episode, they continue their conversation and focus on arms and armours of the Islamic and South-Asian lands. This is a very large field of inquiry, with few specialists and many unknowns, so Rachel was the perfect guest to talk about it and share her passion.
Trigger warning: this episode contains mentions to killing and certain details regarding executions.
Follow the Art Informant on Instagram and TwitterFollow Rachel Parikh on InstagramRachel Parikh, The Khalili Falnama, London: Khalili Foundation, 2022Exhibition "Power and Piety: Islamic Talismans on the Battlefield", curated by Rachel ParikhClick here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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In this episode, Isabelle Imbert welcomes Dr Rachel Parikh, doctor in Islamic and Indian art history and curator specialised in arms and armours. Rachel and Isabelle started talking and didn’t see the time go by, ending up with a very long episode. After a vote on Instagram, it was decided that the episode would be divided in two, Part 1 focusing on Rachel’s career, her research on the Falnama manuscript in the Khalili collection, and her shift to curating, while Part 2 will be dedicated solely to arms and armours.
Follow the Art Informant on Instagram and TwitterFollow Rachel Parikh on InstagramRachel Parikh, The Khalili Falnama, London: Khalili Foundation, 2022Exhibition "Power and Piety: Islamic Talismans on the Battlefield", curated by Rachel ParikhClick here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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In this episode, Isabelle Imbert welcomes Dr Esra Alhamal, doctor in design and visual artist specialised in Islamic illumination. Esra has been researching and creating biomorphic patterns for many years, as well as teaching the art of illumination in London and creating her own paint with natural pigment from a Medieval recipe. In the episode, we talk about her artistic practice, as well as her research on Safavid biomorphic pattern in architectural ceramic. She is also a fellow host of the Art Illuminated podcast, in which she interviews artists and makers working with traditional techniques.
Follow the Art Informant on Instagram and Twitter Follow Esra on Instagram and LinkedInRead Esra's doctoral dissertation from the University of East London (open access)Follow the Art Illuminated podcast on InstagramWebsite of Art Illuminated, home of the podcast and illumination courses Bristle and Brush, natural paint shopWebsite of Farkhondeh Ahmadzadeh, Esra's teacherFollow Ayten Tiryaki, calligraphy and illumination master, on Instagram Click here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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In today’s episode, Isabelle Imbert welcomes Dr Firuza Melville, director of research of Cambridge Shahnama centre for Persian Studies and eminent specialist of the Persian poet Firdausi (c. 933-1020) and his Shahnama, the book of kings telling the epic history of Iran before Islam. The text was illustrated many times, including under the reign of Safavid ruler Shah Tahmasp (r. 1524-76). His manuscript was finished around 1535 and is considered by most as the pinnacle of Persian painting. Pages of the manuscript sometimes appear on the market, and one page will be sold at Sotheby's on the 26th October, so it is a perfect time to invite a great specialist to talk about the text, the manuscript and its history.
Firuza’s computer made some impromptu interventions at different points of the recording, which I couldn’t remove. I apologize for the inconvenience and hope it won’t be too distracting.
Follow the Art Informant on Instagram and Twitter Follow Firuza on Instagram and AcademiaThe Cambridge Shahnama Centre for Persian StudiesDatabase of the Shahnama project in Cambridge Digital Library Florentine Shahnama, oldest surviving manuscript of the Shahnama, dated 614 H./ 1217Sotheby's catalogue: Rustam recovers Rakhsh from Afrasiyab's herd, Shahnameh of Shah Tahmasp, attributed to Mirza 'Ali, Persia, Tabriz, Royal Atelier, circa 1525-35Pages of Shah Tahmasp's Shahnama in the Metropolitan Museum Click here for more episodes of the ART Informant.
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Isabelle Imbert welcomes Dr Melanie Gibson, Art Historian specialised in Islamic ceramics, editor of the art history series at Ginkgo library, and board member and scientific advisor of the Leighton House in London. Melanie has been involved in teaching, research and edition for many years and has a wealth of experience to share. She has also participated in the restoration of the Arab hall in the London house of 19th century British artist Frederick Leighton, which will reopen to the public on the 15th October. Melanie gives us a tour of the house and explain in great details the intricacies of its breathtaking decors and the constitution of Leighton's collection.
Follow the Art Informant on Instagram and TwitterFollow Melanie Gibson on Instagram and AcademiaMelanie Gibson, "'An Oriental Kiosk': The Building of the 'Arab Hall' at Leighton House in London", Orientations, 2020 (on academia.edu)Gingko Library's website Essays in Honour of Carol and Robert Hillenbrand, 2022Barbara Brend, Treasures of Herat, Two Manuscripts of the Khamsah of Nizami in the British Library, 2022Leighton House, London (official website)Shahrzad Ghaffari's website (artist responsible for the new mural in Leighton House)Owen Jones, The Grammar of Ornament, 1856 (on archive.org)Click here for more episodes of the ART Informant.
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Mentioned in the Episode and Further LinksClick here to see the reproductions of artefacts discussed in the episode.
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