Afleveringen

  • 🎉 Special Bonus Episode! 🎉

    Welcome to episode 49.5 of ARTMATTERS: The Podcast for Artists—a special teaser leading up to our milestone 50th episode!

    We’ve got an incredible guest lined up for Episode 50, someone whose impact on contemporary art is legendary. I can’t wait for you to hear our conversation. Stick around until the end for a sneak peek—you might recognize the voice!

    Episode Highlights:

    A sneak preview of Episode 50’s guest (any guesses?)Big news about new, limited-edition ARTMATTERS merch 🎁How you can - and should! - join our growing Patreon community for exclusive perks!

    Thanks for being part of the ARTMATTERS family—your support means everything. Episode 50 drops January 2nd. Mark your calendars, and happy holidays!

    👉 Support the Podcast: Join on Patreon
    👉 Shop Merch: Click Here


    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists:

    Today we conclude our 3-part conversation with the artist Jeff Way. Jeff has lived and worked in New York’s Tribeca neighborhood since 1969. Featured in the 1973 Whitney Biennial and a subsequent solo exhibition, Way’s work has been shown at institutions like the New Museum, the Contemporary Arts Museum in Houston, and the ICA Philadelphia. His innovative Chalk Line Paintings, begun in the late 1960s, explore the grid through layered lines of raw pigment, a technique he revisits in his most recent Eccentric Squares series. Jeff’s solo exhibition, Then and Now: 1970 to 2024 opened earlier this year with Storage Gallery in New York and was featured in The New York Times and the Brooklyn Rail.

    In this week’s episode, I talk with the Jeff about his journey through expectations and his artistic growth, favorite exhibitions and the importance of continuity, and the ways in which teaching often intersected with his practice. We also discuss his advice for young artists and what makes a good critique.

    Enjoy this conversation with the artist Jeff Way.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Jeff Way
    www.jeffwayart.com
    insta: @jeffwayart

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

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  • Today on the podcast we continue our conversation with Jeff Way, an artist who has lived and worked in New York’s Tribeca neighborhood since 1969. Featured in the 1973 Whitney Biennial and a subsequent solo exhibition there, Way’s work has been shown at institutions like the New Museum, the Contemporary Arts Museum in Houston, and the ICA Philadelphia. His innovative Chalk Line Paintings, begun in the late 1960s, explore the grid through layered lines of raw pigment, a technique he revisits in his recent Eccentric Squares series. With works in major museum collections, including the Whitney and the Philadelphia Museum of Art, Way continues to push the boundaries of color, form, and dimensionality.

    In part two of my conversation with Jeff Way, we delve deeper into the influences and processes that have shaped his artistic career. Jeff reflects on the importance of community and collaboration, sharing how these connections have impacted his work over the years. We discuss his early successes, the confidence they inspired, and how he’s navigated both praise and criticism throughout his career. With thoughtful reflections on his legacy, Jeff offers a candid look at the highs and lows of a lifetime dedicated to art.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Jeff Way
    www.jeffwayart.com
    insta: @jeffwayart

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Happy Thanksgiving and welcome back to another episode of ARTMATTERS!

    Today on the podcast we start our conversation with Jeff Way, an artist who has lived and worked in New York’s Tribeca neighborhood since 1969. Featured in the 1973 Whitney Biennial and a subsequent solo exhibition there, Way’s work has been shown at institutions like the New Museum, the Contemporary Arts Museum in Houston, and the ICA Philadelphia. His innovative Chalk Line Paintings, begun in the late 1960s, explore the grid through layered lines of raw pigment, a technique he revisits in his recent Eccentric Squares series. With works in major museum collections, including the Whitney and the Philadelphia Museum of Art, Way continues to push the boundaries of color, form, and dimensionality.

    On this episode we discuss Jeff's return to his early ideas and techniques, tracing how his style has evolved through changing mediums and approaches. Jeff shares insights into the balance between precision and mistakes in his process, the role of collage and masking tape in his work, and the transparency and layering of color that define his signature aesthetic. We also discuss how he embraces both mess and finesse in his art. From his early artistic influences to his current exploration of grids and eccentric forms, this conversation offers a compelling look into the life and work of a masterful painter and thinker.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Jeff Way
    www.jeffwayart.com
    insta: @jeffwayart

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.



  • Welcome back to ARTMATTERS: The Podcast for Artists.

    On today’s episode we talk with artist Mark Joshua Epstein, whose work has been widely exhibited in the U.S. and internationally. A graduate of the Slade School of Fine Arts, Epstein has held residencies at prestigious institutions like the British School at Rome. His work has appeared in publications such as the New York Times and Hyperallergic, and he is currently an artist-in-residence at the Sharpe Walentas Studio Program in Brooklyn, NY.

    Today we dive into more of Marks artistic practice starting with flexible tape and it’s role in creating borders that carry cultural and compositional weight. We discussed the intimidation of starting a new work, the rhythm and tempo of an artist process and the transformative impact of critiques. This conversation also touches on the books that inspire studio practice, advice for acrylic painters and some thoughtful guidance for younger artists navigating their creative journeys.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    ABOUT ARTMATTERS:

    Host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    Guest: Mark Joshua Epstein
    www.markjoshaepstein.com
    insta: @markjoshuaepstein

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    On today’s episode I speak with artist Mark Joshua Epstein, whose work has been widely exhibited in the U.S. and internationally. A graduate of the Slade School of Fine Arts, Epstein has held residencies at prestigious institutions like the British School at Rome. His work has appeared in publications such as the New York Times and Hyperallergic, and he is currently an artist-in-residence at the Sharpe Walentas Studio Program in Brooklyn, NY.

    Today’s conversation delves into Mark’s artistic development, beginning with his transition from working on paper to using foam and epoxy clay. He describes his process of creating frames using foam, epoxy, and a proprietary gesso mix, and his eventual shift to Aqua resin and fiberglass for larger works. Epstein emphasizes the importance of maintaining a playful, improvisational approach while balancing durability and vulnerability in his work. He also discusses the challenges and joys of his "fabrication season," where he creates panels without even initially envisioning the final paintings.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Mark Joshua Epstein
    www.markjoshaepstein.com
    insta: @markjoshuaepstein

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    My guest back again today is Helen Frederick, an artist whose career has spanned decades of innovation in printmaking, paper-making, and interdisciplinary collaboration. Helen earned both her BFA and MFA from the Rhode Island School of Design, and went on to found Pyramid Atlantic, a hub for contemporary printmaking, hand paper-making, and book arts.

    Her work is held in over 45 international collections and has been exhibited in prestigious institutions like the Phillips Collection, MoMA Kyoto, the Whitney Museum, and many more. She has also served on numerous arts boards and panels and is a Professor Emeritus at George Mason University.

    In today’s episode, Helen and I discuss working from leftovers, strengthening your position for creation, will power, perfection and survival. Helen also explains how she finds answers in chaos, why she believes artists are warriors and together we explore a collaborative series of works she is currently in the middle of.

    This conversation is continued from last week’s episode. Enjoy!

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Helen Frederick
    readingroadstudio.com
    helenfrederick.com
    insta: @helenfrederick

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    My guest today is Helen Frederick, an artist whose career has spanned decades of innovation in printmaking, paper-making, and interdisciplinary collaboration. Helen earned both her BFA and MFA from the Rhode Island School of Design, and went on to found Pyramid Atlantic, a hub for contemporary printmaking, hand paper-making, and book arts.

    Her work is held in over 45 international collections and has been exhibited in prestigious institutions like the Phillips Collection, MoMA Kyoto, the Whitney Museum, and many more. She has also served on numerous arts boards and panels and is a Professor Emeritus at George Mason University.

    In today’s episode, We dive into Helen's experience learning papermaking in India, and how the physicality of paper and pulp play a huge role in her art to this day. We also discuss controlling production, manifesting your own materials, collaboration, overcoming limitations and daily check-ins with friends. Plus, she takes us through her pulp painting process! I had a blast talking with Helen. Her passion and perspective make this episode one you dont want to miss. This conversation will be continued on next week’s episode, Let’s jump into it!

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Helen Frederick
    readingroadstudio.com
    helenfrederick.com
    insta: @helenfrederick

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    On today’s episode we speak with visual artist, Gerardo Camargo.

    I joined Gerardo in his studio where we discussed his drawings and assemblages, and the choreography of home-construction. We also speak about limitation, scarcity, uncertainty and the ways Gerardo’s studio practice and perspectives shifted after he emigrated to the United States.

    Gerardo is a self-taught artist from Mexico City. He began working as a cartoonist at the age of 12. In 2002 he was saelected by the Mexican National Council for Culture and the Arts as a Promising Emerging Artist. In 2004, he co-founded Zarco Gallery, an independent space for contemporary art in Cuernavaca His work has been shown in galleries and museums in Mexico and the United States. Gerardo lives and works in Washington, D.C.

    Enjoy the episode!

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Gerardo Camargo
    www.camargoprojects.com
    insta: @gerardocamargoartist

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    On today’s episode we continue our wonderful conversation with the artist Cianne Fragione.

    Today, we discuss the use of non-traditional materials, hear stories from her early career and education, some early opportunities and career reflections from her time in the Bay area. We talk about recipes, patinas and dance, finding good alternatives to destructive moods, and how to trust that odd work when it comes quick and effortless.

    Cianne Fragione was born in 1952 and currently lives and works in Washington D.C. She has developed her process-oriented work over five decades, crossing boundaries between abstract painting and sculpture, object, and image. She has exhibited extensively in solo and group exhibitions at national and international venues and has been the recipient of many awards, fellowships, and residencies, including the Milton and Sally Avery Arts Fellowship and The Legacy Project sponsored by the Joan Mitchell Foundation to name just a few.

    Enjoy my conversation with the artist Cianne Fragione!

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Cianne Fragione
    www.ciannefragione.com
    insta: @ciannefragione

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    On today’s episode I get a whirlwind tour of the techniques, recipes and studio practices, of the spectacular Cianne Fragione.

    This conversation will be a two-parter, and will be concluded next episode. Today, in part one, we discuss making your own paints, why lead white is such a fantastic color, chaos vs organization, Cianne’s warm-up books, adhesives, “the shake test”, prepping surfaces, rhythm, paper, and the joy of destruction. Cianne also speaks extensively on the making of her massive 24-part painting entitled Heaven and Earth are Dressed in Their Summer Wear, completed in 2012.

    Cianne Fragione was born in 1952 and currently lives and works in Washington D.C. She has developed her process-oriented work over five decades, crossing boundaries between abstract painting and sculpture, object, and image. She has exhibited extensively in solo and group exhibitions at national and international venues and has been the recipient of many awards, fellowships, and residencies, including the Milton and Sally Avery Arts Fellowship and The Legacy Project sponsored by the Joan Mitchell Foundation to name just a few.

    Enjoy the episode!

    P.S. Cianne and I discuss multiple artworks in her studio which were included in the studio visit photo collection and can be found as a free post on my Patreon page. So feel free to click here and you can look while you listen:)

    Enjoy my conversation with the artist Cianne Fragione!

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and share on Instagram!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Cianne Fragione
    www.ciannefragione.com
    insta: @ciannefragione

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    Today I speak with the Washington DC-based artist Tom Bunnell. Tom received his BA and BFA in Art and Art History from the University of Oregon in 1995 and his MFA in Painting from American University in 1998. Tom has exhibited nationally and internationally and he currently teaches art at St Stephen’s & St Agnes School and American University.

    In today’s episode, Tom and I discuss his origins as an abstract painter, his drawings, painting from observation, motifs, Tom’s confidence in materials and mistrust of process, how these days he efficiently utilizes shorter amounts of studio time, the need to protect the ideas within the studio, and we also discuss some of Tom’s recent paintings in depth. We also trash Philip Guston a little bit.

    Enjoy the show.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Tom Bunnell
    insta: @electriczither
    Interview with The Studio Visit
    Interview with The Semi-Finalist

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    My guest today is Ebtisam Abdulaziz. Ebtisam is a multidisciplinary artist and writer. She explores issues of identity and culture through installation, performance, mixed-media, painting and works on paper. She has exhibited extensively and internationally including the 53rd Venice Biennale as part of the United Arab Emirates and Abu Dhabi Pavilions. Her installations, paintings, works on paper and videos are held in numerous public and private collections.Her video work Autobiography from 2007 was purchased for the Guggenheim Museum collection in Abdu Dhbai. Additionally Abdulaziz was named as one of 100 Powerful Arab Women of 2013. She has been living and working in Washington, D.C. since 2014.

    In our conversation, Ebtisam explains her art-making as a mix of meditation, play and practicality. We discuss her drawings, her mentor Hassan Sharif, her daily practice, how her practice relates to her audience, how she judges ideas only after they are complete, and so much more. Enjoy the show!

    About Ebtisam Abdulaziz:

    Combining the scientific with the arbitrary, Abdulaziz draws from her training in science and mathematics, methodically exploring subconscious states and the expansiveness of daily life. She creates codes, systematic structures, graphic language, and performative gestures to force viewers to question their assumptions about rules in the natural and formulaic world. The intimate juxtapositions of these concepts center awareness on our surrounding environment and the issues that perplex and shape us.

    In addition to the Venice Biennale, Ebtisam Abdulaziz's work has been exhibited at the 7th and 10th Sharjah Biennial, Sharjah, United Arab Emirates; Dubai Next, Basel; The Institut du Monde Arabe, Paris, France; The Kunst Museum, Bonn, Germany; The Mori Art Museum, Tokyo, Japan; Benin Biennial 2012, Kora Centre, Benin; FotoFest Biennial, Art in Houston, Texas; Cara Gallery; Smack Mellon gallery in New York; NYUAD Art Gallery; Guggenheim Abu Dhabi, The Florida Museum of Photographic Arts; Tampa; American University Museum at the Katzen Arts Center. In 2014, her work was part of the touring exhibition of Past Forward: Contemporary Art from the Emirates, which took place across several American cities and is included in international collections. Her installations, paintings, works on paper and videos are held in numerous public and private collections.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Ebtisam Abdulaziz
    www.artistebtisamaziz.com
    insta: @ebtisamabdulaziz

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    Today begins my Washington DC Artists Edition, a six-part series I could not be more excited to release.

    Starting today with my guest, the wonderful Cheryl D. Edwards.

    Edwards is an African American artist who was born in 1954. She began studying art in 1987 in New York City in a class at the Art Student League taught by Ernest Crichlow.

    Edwards has been living and working in Washington, DC for the past 28 years. She has exhibited in many shows in DC, New York, Virginia, Maryland, Miami, Texas, Pennsylvania, Rotterdam, Monaco, and Hong Kong. Her medium is oil, ink, printmaking, mixed media, and acrylics.

    On this episode Edwards and I speak about authenticity, the courage to fail, artists helping artists, space, deconstruction, abstraction, searching for something elusive, annual intentions and so much more.

    I had a fantastic time speaking with Cheryl, and I am beyond proud to be sending her stories, advice, experience, ideas and vibes out there into pod-radio land. Enjoy the show.

    Upcoming / Current Exhibition Notes:

    This upcoming weekend, Cheryl Edwards is participating in the Seattle Art Fair where she will be represented by Monte Azul Arts Center in collaboration with Stewart Gallery. She is also currently exhibiting in Gilejeje Denmark at the Paper Academy.

    About Cheryl Edwards:

    Cheryl is a 2023, 2022, 2021 and 2015 DC Commission on the Arts and Humanities Fellowship Awardee. Cheryl is the winner of the Black Writers Fellowship: Reporter awarded by Hand Papermaking, Inc. Cheryl is an awardee in the Art Cart: Saving the Legacy project selected by the Research Center for Arts and Culture. The Art Cart Project resulted in the archival of her artwork in the Academic Commons Columbia University archives. Cheryl was also a Senior Advisor to the Executive Director of the David Driskell Center (2015-2023,University of Maryland), a member of the Education Committee of the McClean Project for the Arts and an Advisor to the Washington Sculptors Group in Washington, D.C.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Cheryl Edwards
    www.cheryledwards.org
    insta: @cdedwardsstudio

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    On today’s episode I speak with Joe Hollier. Joe is a multi-disciplinary artist from Brooklyn. He is also the co-founder of The Light Phone.

    Joe and I met back in the day, participating in group shows around Brooklyn. Back then i knew him as a collage artist, who was also hard at work on a mysterious plastic gadget. That gadget turned out to be The Light Phone, a simple phone that makes calls and helps keep distractions to a minimum.

    I actually picked up a Light Phone earlier this year and much later put 2 and 2 together that this was Joe’s project. So I looked Joe up and asked if he’d like to sit down with me sometime and talk about art and life and phones. He said “yes.” Here’s my conversation with Joe Hollier.

    Joe Hollier studied design at the School of Visual Arts. He is a filmmaker, designer, director, and entrepreneur. He likes to make stop animations, collages, patterns and drawings, music videos, documentaries, and books.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Joe Hollier
    www.joehollier.com
    http://www.thelightphone.com
    insta: @joehollier

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists!

    Today on ARTMATTERS, Brooklyn-based artist Dik Liu and I finish up last week’s conversation. On today’s episode Dik talks about living in New York since the 80s, teaching, being a loner, his museum habits, painting when he doesn’t know the outcome, spending decades painting light and Leonard Bernstein. He also gave me some personal advice on my practice, which was too good not to include. So that’s there too.

    A little background on the man: Dik F. Liu received his MFA from Yale University. He is widely represented in exhibitions throughout the U.S. As a teacher, Liu has taught at Cooper Union, Hofstra University, and the School of Visual Arts and is currently teaching at the New York Academy of Art, Pratt Institute, and the New School University.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Dik Liu
    www.dikliu.com
    insta: @dik_liu

  • Welcome back to ARTMATTERS: The Podcast for Artists.

    On today’s episode I speak with the artist Dik Liu. I studied with Dik back in the day and was thrilled when he accepted my invitation to join me for this episode.

    Dik F. Liu received his MFA from Yale University. He is widely represented in exhibitions throughout the U.S. As a teacher, Liu has taught at Cooper Union, Hofstra University, and the School of Visual Arts and is currently teaching at the New York Academy of Art, Pratt Institute, and the New School University.

    Today we discuss observational painting, Manet, skill, ego, abstract painting, color and light, Dik’s practice and material curiosity, the Maroger Formula, the economy of brushwork, consistency, failure, Rembrandt, world-building and painting as a form of engagement or escapism. It was great to reconnect with Dik, the man is a wealth of information and experience. This conversation is a two-parter, so stay tuned next week for the dramatic conclusion.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Dik Liu
    www.dikliu.com
    insta: @dik_liu

    Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

  • Welcome back to ARTMATTERS: The Podcast for Artists
    On today’s episode I speak with NYC-based artist, Langdon Graves!

    Together we sit down in her Bushwick studio and speak about building objects, combining mediums, Trompe-l'oil, different kinds of drawing, efficiency, the lead-up to an exhibition, different kinds of flow-states, preciousness, physical fatigue after long studio sessions, teaching, mentorship and community, a few ideas about contemporary art education, relief printmaking, variations, reading, and multi-tasking.

    Langdon Graves is a New York City-based artist with a BFA from Virginia Commonwealth University in Painting and Printmaking and an MFA from Parsons School of Design. She is adjunct faculty now at both Parsons and the MFA program at Pratt Institute. Langdon is represented by Dinner Gallery in New York and has had solo exhibitions in New York, Florida, Virginia, Arkansas, Vermont and Massachusetts and has participated in group shows and fairs throughout the United States, Canada, Europe and Australia. Langdon has attended the Fountainhead Residency in Miami, the Kunstenaarsinitiatief Residency and Exhibition Program in the Netherlands, the Object Limited residency in Bisbee, Arizona and STONELEAF Retreat in upstate New York. She is a recipient of Canson & Beautiful Decay’s Wet Paint Grant and has been featured in Art in America and Artnet, Maake, VICE Creators, Juxtapoz, Art F City, Blouin Artinfo, Hyperallergic and Madeline Schwartzman’s See Yourself X.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Langdon Graves
    www.langdongraves.com
    insta: @laaang

  • Welcome back to ARTMATTERS: The Podcast for Artists!

    I’m recording this intro from Washington DC where I’m rounding up a couple last interviews of the tour. It’s been a great trip so far and I’m very excited to share these conversations with you later this summer.

    On today’s episode i speak to LA-based artist Georgina Clapham. I met Georgina on the PLOP artist residency in London back in 2018 and I was very excited to hear she had moved to LA to get her Masters at Otis College of Art and Design, which is where we sat down for this interview.

    Today we talk humor, finishing touches, allowing for discomfort, change, and what it feels like before change, stagnation and the return of joy and passion, seeing yourself in a painting, making yourself more available, new tools, the vulnerability of drawing, working unmonitored and a lot more.

    Georgina Clapham was born in Somerset, England. She has previously attended City and Guilds of London Art School, and The Glasgow School of Art. In 2015 she was awarded The Richard Ford Travel Scholarship to draw at the Prado Museum, Madrid, Her work has been exhibited across the UK and internationally, holding her debut solo show, ‘Mythologies and Metamorphoses,’ at Triumph Gallery, Moscow in 2018.

    Enjoy this conversation with the artist Georgina Clapham.

    You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!

    If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!

    If you have an any questions you want answered, write in to [email protected]

    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Georgina Clapham
    www.georginaclapham.com
    insta: @georgina.clapham

  • Welcome back to ARTMATTERS: The Podcast for Artists!
    My guest today is Catherine Howe. Catherine is a New York-based artist who has exhibited throughout the United States and Europe for over thirty years, including exhibitions at the Corcoran Gallery of Art in Washington, DC, MoMA PS 1 in New York, and the Albright-Knox Art Gallery in Buffalo. Her work has been reviewed by Art in America, Artforum, Art Critical, The New York Times, The New Yorker, and the Los Angeles Times.
    On today's episode, Catherine and I discuss color, mise en place, gallery requests, speed, snark, pressure, an ecstatic practice, tuning out chatter, a crisis of confidence, resilience and change, enjoying contradiction, trust, gratitude and the three types of studio visits from hell.

    Special Note:
    For all my listeners in the LA area, Catherine Howe's upcoming exhibition Wallflower, opens May 18 at Von Lintel Gallery in Los Angeles and runs through July 6. I highly recommend checking this one out! Opening reception for wallflower is Saturday, May 18 from 4-7 Now on to the show….

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    host: Isaac Mann
    www.isaacmann.com
    insta: @isaac.mann

    guest: Catherine Howe
    www.catherinehoweartist.com
    insta: @catherineahowe