Afleveringen
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"I'm going to make him an offer he can't refuse."
Welcome to the fourth unsealing of the Future Me Archive! Join Future Tyler and Future Steven as they trundle on through the movies they've always meant to watch but never got a chance to, until now. In this episode, the odd pair take on one of the best films of all time (according to the dude bros of the world), "The Godfather" (#3 on Steven's List), and an off-brand Tim Burton film ... meaning that it's more normal than his usual, AKA "Big Eyes" (also #3 on Tyler's List). Along the way, they'll correct some prior misconceptions surrounding the Simpsons and the Godfather, spend a large amount of time being mean to Tim Burton, and discover that Tom Cruise is - in fact - not James Bond.
If you'd like to tell us what's on your Future Me Archive, feel free to email us at [email protected], or message us on one of them new fangled social media platforms. For more on The Future Me Archive and all things AUS, check out our website at artsunionscience.ca.
"The eyes are the windows to the soul."
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"Now I am become death - the destroyer of worlds."
As promised, the fall out of our AUS Grant Panel is reaching its second phase, as we continue discussing the 10 films that are up for both an Academy Award for Best Picture and an AUS Grant. Join your co-hosts Tyler D. R. Vance and Jennie S. Orton as they dissect the last 5 of the 10 films, focusing on the quality of their filmmaking, their relevance to the year 2023, and the excitement they garner for future endeavors from the filmmaking team. Along the way, they'll tremble before the might of the all-might Bomb, be silenced by a room of white people, listen to a 1950s version of a true crime podcast, stare into the wrong eye for hours, and trundle on down the steps into hell itself.
Stay tuned at the end of the episode for a SPOILER SECTION.
"I think I have the requisite experience and insight to aver that you are and always have been penis cancer in human form."
TIME STAMPS: Conversations for specific movies start at
Oppenheimer ==========5m 55s
American Fiction========36m 18s
Killers of the Flower Moon=54m 43s
The Holdovers==========1h 16m 24s
Zone of Interest=========1h 35m 20s
SPOILER SECTION:
Past Lives==============1h 52m 30s
Zone of Interest=========1h 58m 20s
Killers of the Flower Moon=2h 7m 50s
Anatomy of a Fall========2h 14m 9s
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Zijn er afleveringen die ontbreken?
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"Oh my God! You've never seen 'The Godfather'? This movie is a rich blend of genius and a triumph that Robert Evans..."
We have returned! After a few months hiatus to attend to the little larval human that I recently became custodian to, the Arts Union Science podcast has returned to once again tackle the ten films up for Best Picture at the Academy Awards. And wouldn't you know it, these same films are also contending for the equally coveted AUS Grants that we give out each year.
Join your co-hosts Tyler D. R. Vance and Jennie S. Orton as they rattle on about 5 of the 10 best picture nominees, focusing on the quality of their filmmaking, their relevance to the year 2023, and the excitement they garner for future works from the intrepid artists that made them. Along the way, they'll spend time in Barbie Land, the Alps, New York during the fledgling years of the Internet, Yorgo Lanthimos's weird-ass head, and the splash zone of a bird full of shit.
"Any questions?"
TIME STAMPS:
Conversations for specific movies start at ...
Barbie ========== 6m 35s
Poor Things ====== 37m 20s
Anatomy of a Fall == 59m 40s
Maestro ========= 1h 17m 25s
Past Lives ======== 1h 36m 29s
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"I'm vengeance!"
Welcome back to particularly dark episode of the Arts Union Science Volume 8. Join your corresponding author (Tyler D. R. Vance) and - back by popular demand - this week's first author (Sean W. Phippen) as they travel back to Gotham to look at the cape crusader's most recent outing: The Batman. Along the way, they'll stop to smell the warm tones, wonder who "won the scene", and rank all the other Batman movies ('cause that's what you do these days).
If you'd like to review our findings, feel free to leave us a message at [email protected]. You can accept our findings, accept them with revisions, or outright reject them. Check out the rest of our episodes on Google Podcast, Spotify, Apple Podcast, etc. Also, feel free to learn more about the podcast at www.artsunionscience.ca.
"Fear is a tool. When that light hits the sky, it's not just a call. It's a warning." -
"I'm scared."
Welcome to the third unsealing of the Future Me Archive! Join Future Tyler and Future Steven as they continue their journey through the movies they've always meant to watch but never got a chance to, until now. In this episode, the terrible twins take on a Stanley Kubrick classic that was NOT made in the '90s, "2001: A Space Odyssey" (#2 on Steven's List), and a blast from Italy's past, "Deep Red" (#16 on Tyler's List). Along the way, they'll wonder at the ingenuity of old-timey filmmakers, make some blasphemous remarks that are sure to both at least a few film bros out there, and wax poetic about the nature of homage and inspiration in film.
If you'd like to tell us what's on your Future Me Archive, feel free to email us at [email protected], or message us on one of them new fangled social media platforms. For more on The Future Me Archive and all things AUS, check out our website at artsunionscience.ca.
"Really, that's good. Very good. Maybe a bit too good ... Too clean. Yes, too precise. Too ... formal. It should be more trashy. See what I mean?"
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âOh Greatest of Kings, indulge me in this friendly Christmas game.â
Perhaps it is fitting that we begin the long awaited first episode in Volume 8 with The Green Knight â a tale of repeated failure in the face of unrealistic expectations (many of them self imposed). Join your corresponding author (Tyler D. R. Vance) and a returning first author / Viking-hater (David Brown) as the two take a look at the chivalric code and how quickly it succumbs to inherent human vices. Along the way, theyâll get into a spirited debate / blood bath about Robert Eggersâ The Northman, marvel at the deepness of Ralph Inesonâs voice, and gush about the bestest little CGI fox in the whole kingdom.
If youâd like to review our submission, feel free to email us at [email protected]. You can tell us if you accept our findings, accept them with revisions, or outright reject them. You can also find us on Facebook, Instagram, and at our own fancy little website: www.artsunionscience.ca (courtesy of Harv Communications https://harvcommunications.ca/).
Join us for more episodes of the Arts Union Science Volume 8, releasing every two weeks (or so) on Spotify, Google Podcast, Apple Podcast, and more.
âWhy greatness? Why is goodness not enough?â
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"If the rule you followed brought you to this, of what use was the rule?"
Welcome to the second unsealing of the Future Me Archive! Join Future Tyler and Future Steven as they continue their journey through the movies they've always meant to watch but never got a chance to, until now. In this episode, the pair take on the strange duo of the Coen Brothers' Oscar-Winning NOT Spaghetti Western, "No Country For Old Men" (#15 on Steven's List), and the low-fi sci-fi never-heard-of-it classic, "Coherence" (#17 on Tyler's List). Along the way, they'll figure out who John Hamm is and who John Hamm is not, refuse to learn about Oscar history, and tumble down the levels of a spoiler staircase.
If you'd like to tell us what's on your Future Me Archive, feel free to email us at [email protected], or message us on Instagram or Facebook. For more on The Future Me Archive and all associated AUS series, check out our website at artsunionscience.ca.
"No, we're not splitting up. We're just going to go in two separate groups."
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We have an announcement to make concerning the state of the podcastial nation and what our future holds. Tune in!
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âMy suit ⊠My tailor ⊠Goodbye.â
Hello and welcome to the final episode in this yearâs AUS Grant Panel! Join your co-hosts Tyler D. R. Vance and Jennie S. Orton as they discuss the most fabulous night in Hollywood, AKA the 95th Academy Awards. Along the way theyâll discuss the lack of love for Banshees of Inisherin, the blasphemy of slighting Babylonâs score, and the Cinderella story that is Everything, Everywhere, All at Once. Then, the dynamic duo announce the winners of the three AUS Grants for this year. Wanna know who won? Then give the episode a listen (or skip to the ~35 minute mark and carry on with your day).
If youâd like to review our findings, feel free to email us at [email protected]. You can also find us on Facebook or Instagram, if social media is your poison of choice. For more episodes of from Arts Union Science, check us out on Spotify, Google Podcast, Apple Podcast, or wherever you get your ear candy.
âOur apologies to Matt Damon âŠâ
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The Oscar's are fast approaching and there's only one thing on everybody's mind: I wonder when the folks at Arts Union Science are going to get their poop in a group and finish reviewing them movies.
Well wait no longer, for the Arts Union Science Grant Panel has reassembled to award the best in cinema with one of our coveted AUS Grants. In this episode, panel co-chairs Tyler D. R Vance and Jennie S. Orton gather to discuss the next 5 of the 10 films nominated for an AUS Grant ... and I've heard that they're also up for an Oscar or something. The discussion is spoiler free, but if you want to be entirely fresh when going into a particular movie, you can find the time stamps below so you can skip to the films you wish to hear about.
If you would like to leave a review of our findings, feel free to email us at [email protected]. You can tell us if you accept our findings, accept them with revisions, or outright reject them. You can also join our small-but-mighty community on Facebook or Instagram.
PS. The name of the film critic mentioned in the discussion on Everything, Everywhere, All at Once is Walter Chaw from Film Freak. Check out his reviews of Turning Red and Everything, Everywhere, All at Once at the links below:
https://www.filmfreakcentral.net/ffc/2022/03/turning-red.html
https://www.filmfreakcentral.net/ffc/2022/03/everything-everywhere-all-at-once-1.html
This episode includes discussions on:
All Quiet on the Western Front (8:55 - 24:45)
Tar (24:45 - 37:28)
Avatar: The Way of Water (37:28 - 52:28)
Elvis (52:28 - 1:13:46)
Everything, Everywhere, All at Once (1:13:46 - 1:31:03)
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The Oscarâs are fast approaching and thereâs only one thing on everybodyâs mind: I wonder which movies are going to win the Arts Union Science Grants this year.
Thatâs right! The Arts Union Science Grant Panel has reassembled to award the best in cinema with one of our coveted AUS Grants. In this episode, panel co-chairs Tyler D. R. Vance and Jennie S. Orton gather to discuss the first five of the 10 films nominated for an AUS Grant ⊠oh and theyâre also nominated for an Oscar for Best Picture, if youâre into that sort of thing. The discussion is spoiler free, but if you want to be entirely fresh when going into a particular movie, you can find the time stamps below so you can skip to the films you wish to hear about.
If youâd like to leave a review of our findings, feel free to email us at [email protected], or join our small-but-might community on Facebook and Instagram.
This episode includes discussions on:
Triangle of Sadness (7:08 â 27:10)
Women Talking (27:10 â 45:35)
Top Gun: Maverick (45:35 â 1:01:43)
The Fabelmans (1:01:43 â 1:20:30)
The Banshees of Inisherin (1:20:30 â 1:39:44)
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"We have such sights to show you!" ~ Hellraiser
The Arts Union Science podcast has a new offspring! Welcome to the first episode of the Future Me Archives, a series in which your usual corresponding author (Tyler D. R. Vance) is joined by Steven Harvey to systematically watch the movies that they kept putting off to a future date. For their inaugural voyage, the hapless pair take on an odd double feature: the 80's horror classic Hellraiser (#19 on Steven's List) and the oddly-yet-aptly named The Man Who Killed Hitler and Then the Big Foot (#10 on Tyler's List). Along the way, the two will discuss taboo's place in horror movies, the difficulty of mixing zaniness with sentiment, and how many Tom Selleck moustaches fit into a Steven Siegal ponytail.If you would like to comment on this unsealing of the Future Me Archive, feel free to leave us an email at [email protected].
"That day, I just killed a man. What he stood for was unstoppable." ~ The Man Who Killed Hitler and Then the Big Foot
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âAye. And if my grandmother had a wheel, sheâd be a wagon.â
After some months of other nonsense, the human journey continues with Star Trek III: The Search for Spock. Join your thesis supervisor (Tyler D. R. Vance) and our resilient thesis student (Daniel G. Schep) as the two of them weather the lukewarm waters of the third entry in Stark Trekâs film franchise. Along the way theyâll salute the Enterprise for its service, pine for the themes and well-preserved hammy-ness that defined the previous entry, and praise James Horner for raising a collection of decent scenes into the highest echelons of Star Trek cinema. Also, if youâre interested in hearing what it sounds like when Tyler and Dan chat without having to worry about sounding intelligent (or even coherent), then make sure to stick around for the after-episode blooper section.
If youâd like to review our findings, feel free to email us at [email protected], or leave us a comment on Facebook/Instagram. You can tell us if you accept our findings, accept them with revisions, or outright reject them. Other episodes of the Arts Union Science podcast (and its accompanying Star Trek-related theses) can be found on Spotify, Apple Podcast, Google Podcast, or wherever you get your podcasts.
âThe more they overthink the plumbing, the easier it is to clog up the drain.â
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The Arts Union Science podcast finishes off Volume 5 with its first ever conference. Buckle up for three presentations on movies from MUBI, the curated streaming service that is sweeping the nation. With each presentation a new speaker will highlight a particular film that can be found on MUBI. These include Kathleen Xuâs presentation on The Act of Killing (a documentary about the horrifying ways that war criminals justify/glorify their acts of genocide), Aditi Rameshâs talk on Decision to Leave (a Hitchcockian neo noir thriller by Korean director Park Chan Wook), and Steven Harveyâs demonstration on Demons (an â80s horror movie with shlocky effects and even shlockier ADR). The films are all available on MUBI, but the conversations can only be found here.
If you'd like to review our findings, feel free to email us at [email protected]. You can tell us if you accept our findings, accept them with revisions, or outright reject them.
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âMichael was a private person and Diane was definitely not a private person.â
The Arts Union Science podcast returns in artificial Super8 for its penultimate episode of Volume 7. Join your corresponding author (Tyler D. R. Vance) and this weekâs first author (Nicole V. Stawikowski) as they talk âStories We Tellâ, the 2012 personal documentary by Canadian filmmaker Sarah Polley. Along the way, theyâll reflect on how movies strike differently with age, marvel at how Polley is able to capture the humanity in all of her familial subjects and throw the most umbrageous shade at both âBlondeâ and the 1970âs Italian film âSwept Awayâ ⊠it makes sense in context.
If youâd like to review our submission, feel free to email us at [email protected]. You can tell us if you accept our findings, accept them with revisions, or outright reject them. Join us for more episodes of the Arts Union Science Volume 7, releasing every two weeks (or so) on Spotify, Google Podcast, Apple Podcast, and more.
âI did sense she was a woman of secrets. But they were artfully hidden.â
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âAnd when he had opened the fourth seal, I heard the voice of the fourth beast say, âCome and seeâ.â
Behold the newest episode of the Arts Union Science podcast. Join your corresponding author (Tyler D. R. Vance) as well as returning first author and burgeoning Star Trek expert (Daniel G. Schep) as they discuss something very different than Star Trek: the Soviet-era war film âCome and Seeâ. Along the way, they will marvel at the intensity of this pulls-no-punches war crime movie, stare slack-jawed at the most devasting scene put to film, and still manage to end up briefly talking about Star Trek.
If youâd like to review our submission, you can email us at [email protected]. Join us for more episodes of the Arts Union Science Volume 7, releasing every two weeks (or so) on Spotify, Google Podcast, Apple Podcast, and more.
âAnd I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him.â
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âIâm so scared.â
Volume 7 of the Arts Union Science podcast continues with a look into a film that is definitely a âSpookyâ: The Blair Witch Project. Join your corresponding author (Tyler D. R. Vance) and returning first author (Jennie S. Orton) as they chaotically lurch their way through the lo-fi classic that launched the found footage horror craze. Along the way, theyâll touch on the viral marketing campaign that made this film such a sensation, stan the heck out of one Heather Donahue, and relive past trauma from their first forays into horror movies as children.
If youâd like to review our submission, feel free to email us at the [email protected], all one word with no caps. You can tell us if you accept our findings, accept them with revisions, or outright reject them. Join us for more episodes of the Arts Union Science Volume 7, releasing every two weeks (or so) on Spotify, Google Podcast, Apple Podcast, and more.
âLet's not call him âthe Captain,â you illiterate TV people. It's âthe Skipper.ââ
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âYou will die! Like the others before you, one by one, we will take you.â
Emerging victorious from a dismal forest near you, itâs a new volume of the Arts Union Science podcast. Join your corresponding author (Tyler D. R. Vance) and this weekâs first author (Steven Harvey) as they tackle the often imitated but rarely exceeded low-fi horror flick: The Evil Dead. Along the way, theyâll delve deep into the franchise as a whole, lament horror franchisesâ obsession with overstaying their welcome, and hear from other superfans of the Deadites, including the fallen angel himself: Satan.
A reminder that you can always email your corresponding author at [email protected]. You can tell us if you accept our findings, accept them with revisions, or outright reject them. Join us for more episodes of the Arts Union Science Volume 7, releasing every two weeks (or so) on Spotify, Google Podcast, Apple Podcast, and more.
âHail to the King, baby.â
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"KHAAAAAAAAN" . . . I mean, I had to do it.
Welcome back to another chapter in the expanding Arts Union Science Thesis on the six original Star Trek movies. Return to the subject of Trek with your thesis supervisor (Tyler D. R. Vance) and the world's most game doctoral candidate (Daniel Schep) as they discuss Star Trek II: The Wrath of Khan. Along the way, they'll praise the titular Khan for his hammy brand of vengeance, continue to slander crazy ol' McCoy for his bursts of rage, and pay tribute to some of the best acting in Star Trek.
Episodes of the Arts Union Science Thesis release at the end of each volume, until the inevitable day that the journey ends. Catch them on Google Podcast, Apple Podcast, Spotify, or wherever you get your podcasts.
"It's a far, far better thing that I do, than I have ever done; a far, far better rest that I go to than I have ever known."
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âIt's human nature to lie. Most of the time we can't even be honest with ourselves.â
The Arts Union Science Podcast returns with the final episode of Volume 6. Join your corresponding author (Tyler D. R. Vance) and this weekâs first author (Phil Linden) as they attempt to unravel the truth within the lies of Rashomon, the Akira Kurosawa film from 1950. Along the way, theyâll gush about the beautifully thematic setting, ponder on what Rashomon has to say about a modern era where we canât even agree on which way is up, and somehow spend ten whole minutes talking about King of the Hill . . . surprisingly, it is relevant.
If youâd like to leave a review of our findings, feel free to email us at [email protected]. You can tell us if you accept our findings, accept them with revisions, or outright reject them.
Join us for more episodes of the Arts Union Science, releasing every two weeks on Spotify, Google Podcast, Apple Podcast, and more.
âI donât care if itâs a lie. As long as its entertaining.â
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