Afleveringen
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When mandolinist Sierra Hull was little, her dad told her she was really good "for a ten year old." The older Hull knew Sierra had a fiery passion for the instrument and he knew exactly how to motivate his daughter. He went on to say that if she wanted to go to jams and porch-play for the rest of her life, she'd learned enough. He gave her realistic advice that, if she wanted to dedicate her life to music, she would have to work really hard. Because "that 10 year old cute thing is gonna wear off." Sierra, who would draw pictures of herself playing at the Grand Ole Opry with Alison Krauss and doodle album covers with the Rounder Records logo, took his advice to heart and got to work.
Since then, Hull has shared the stage with more heroes than one could count, she's inspired a new generation of younger players, she's released five albums, and is considered a master of the mandolin. Originally from the small town of Byrdstown, Tennessee, her new album, 'A Tip Toe High Wire,' is set for release March 7. In our Basic Folk conversation Sierra reflects on how growing up in a small town shaped her musical identity alongside bluegrass, gospel, and family traditions. She shares memories of family gatherings filled with music featuring Aunt Betty and Uncle Junior, the profound influence of church hymns, and how these experiences continue to resonate in her playing and songwriting.
Sierra also discusses the significance of 'A Tip Toe High Wire,' her first independent release, highlighting the freedom and growth that come with that independence. She emphasizes the importance of authenticity in her music, allowing herself to explore new sounds while remaining grounded in her bluegrass roots. Elsewhere in the episode, she opens up about her personal growth, the pressures of being labeled a child prodigy, and her journey toward embracing imperfection in her art. We also dive into what we'll call her "Stevie Nicks Era" with the amazing cover-art on the new record. Sierra enjoys playing with elaborate styles in her album artwork and red carpet looks (helloooo CMA Awards). With a candid perspective on the challenges of the music industry, she encourages listeners to find joy in the process while appreciating the beauty of vulnerability
Also woo hoo!!! Happy Basic Folk 300!!!!
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Editorâs note: Basic Folk is pleased to introduce our listeners to one of our favorite podcasts by sharing an episode in our feed!
Folk Files is a podcast hosted by Olivia Harding that seeks to uncover the mysteries of folk music through the ages and dive deep into the tangled history of murder ballads, sea shanties, rebel songs, and other music that has withstood the test of time.
âShady Groveâ is an Appalachian folk song that is often linked to the English ballad âMatty Grovesâ. But what is the actual relationship between them? This episode of Folk Files discusses the meaning of âShady Groveâ and untangles the origins of these two songs.
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Zijn er afleveringen die ontbreken?
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You probably know Gary Louris as the leader of The Jayhawks â or as they refer to themselves, âa band from Minnesota.â The Jayhawks are pioneers of roots rock, alt-country, and Americana. Whatever you wanna call it, theyâve been making records where rock, pop, country, and other forms of American roots music overlap since the mid-1980s.
But Lourisâs hidden superpower is that heâs kind of like a musical Swiss Army knife â heâs basically got a creative skill for any application. Want him and his band to serve as accompanists for some of the most distinctive singer-songwriters, like Wesley Stage and Joe Henry? He can do that. Looking for achingly-perfect, near-fraternal harmonies on hit songs like Counting Crowsâ âMr. Jonesâ? He can (and did) do that. If youâre the Tedeschi Trucks Band or The Chicks and youâre looking for someone to write you some catchy, melodic, roots-pop songs? Garyâs your guy. If thatâs not enough, he has also produced records for artists like Dar Williams, The Sadies, and The Jayhawks, too. Whatever your musical need may be, chances are that Gary Louris can do it.
In between all these varied musical roles, Louris has also found time to release several solo albums, the newest of which â 'Dark Country' â was released earlier this month. He recorded it mostly solo in his home studio and the word on the street is that this collection of songs, inspired by his wife, is his most intimate and romantic album yet. Iâve been a big fan of Gary Louris for basically my entire adult life and enjoyed our wide-ranging Basic Folk conversation, touching on the way technical limitations can shape an artistâs style, what heâs learned from a careerâs-worth of collaborations, his process working on his new solo album, the relationship between versatility and longevity, and what the influence of romance on his songwriting looks like now, in the fifth decade of his music career.
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Singer-songwriter Lilly Hiatt has an interesting way of working melodies and a down to earth way of telling stories about her life and about how she sees the world. All of her albums have cool, crunchy guitar parts that take folk songwriting to a new rockin' level. On her new album 'Forever,' Hiatt's diverse influences are woven into songs that touch on everything from relationships to anxiety and mental health to good old-fashioned rock & roll.
In our Basic Folk conversation, we talked about the lessons that Lilly learned growing up the daughter of legendary songwriter John Hiatt and what it meant to her to see her dad go through the ups and downs of the music business while having the humility and self belief to keep going. She also talks about how she thinks about herself as a performer â and how that's changed since the pandemic. Before the pandemic Hiatt had a couple of really big records ('Trinity Lane,' 2017 and 'Walking Proof,' 2020) that gained a lot of hype and attention. Once coronavirus hit, she had to sit in the house and ask the big questions like a lot of us did. She sat with the loneliness, alienation, and uncertainty.
You can hear in our interview just how much mutual respect and admiration we have for each other and how much belief we have in one another, not only as songwriters, but as women and as people who are in recovery. Very LYLAS vibes, lots of laughs.
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SiriusXM's folk radio programmer Mary Sue Twohy has not had a straight career path, but it's certainly been adventurous. Mary Sue, who is about to be inducted into the Folk DJ Hall of Fame, has held many different jobs over her life, most notably as a touring singer songwriter and as a beloved folk radio programmer, host and active community member. It all began in a vibrant musical and creative home in Aberdeen, New Jersey. With fond memories of family gatherings filled with guitars (and banjos!), laughter, and a distinctive 70s aesthetic, Mary Sue reflects on how her father's love for folk music has shaped her own artistic journey. We dive into how his favorite music, from Joan Baez to the Nitty Gritty Dirt Band, have resonated throughout her life.
As a seasoned musician and now a prominent figure in the radio world, Mary Sue discusses her transition from performing artist to radio programmer at SiriusXM (she currently manages The Village, the folk channel along with several other channels). She emphasizes the importance of connection in radio, both with the audience and the artists she showcases, highlighting how her background as a musician allows her to curate a unique listening experience. Her passion for folk music and her commitment to uplifting diverse voices within the genre shine through as she shares insights on compassion, community, and the healing power of music.
Throughout our conversation, Mary Sue's authenticity and warmth are evident as she navigates topics like her hobbies outside of music, the significance of compassion in her work, and her recent induction into the Folk DJ Hall of Fame. We also touch on her thoughts about the Bob Dylan movie and engage in a fun lightning round where she shares her favorite songs and memorable moments from her career.
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Although the ever-enigmatic Sam Moss is not a great swimmer, he named his latest album 'Swimming.' The folk singer with a gentle demeanor is back with thoughtful songs and captivating melodies. Hailing from New England, Sam has carved out a unique niche in the folk world, blending naturalistic themes with an introspective approach to songwriting. We explore how his New England roots continue to influence his music â despite his current residence being Virginia â and how his upbringing in a family of visual artists has shaped his artistic sensibilities.
Sam also talks about how movement and the natural world inspire his songwriting, if not with more oblique lyrics. We dig into his latest album 'Swimming,' where he boldly embraces more direct lyrical expressions; we discuss the balance between mood and narrative in his work, too. Our Basic Folk conversation touches on his journey from a shy young musician to a confident performer, as well, thanks in part to the encouragement of close friends like Jackson Emmer. He counts Emmer, who he played with in old-time duo The Howling Kettles, as one of his greatest inspirations for following his own creative arrow in music.
Elsewhere in the episode, we explore Sam's passion for woodworking, a skill he honed as a respite from musical burnout. He describes the satisfaction of crafting tangible objects and how this practice complements his musical endeavors. We also really dive into his feelings around the word "gentle," which is often used to describe his music and persona. He doesn't actually mind being known as a gentle personâ in fact, he hopes people do find his music soft and tender and, in that gentleness, that they still leave feeling his songs' striking impact.
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Anna B Savage is down to earth and witchy as hell at the same time. Over her three albums, she's cultivated a memorizing sound and epic image â like David Bowie, Bjork, Kate Bush, etc. â that's gained her a god-like reputation. A reputation which preceded the actual human being behind the art, leaving some to wonder what it would be like to speak to her. Turns out, she's a grounded, kind of goofy, and perfectly normal person. In our Basic Folk conversation, we explore the duality of her persona â Anna Savage versus her stage name of Anna B Savage â and how her new album, 'You & i are Earth,' reflects a blending of these identities with a focus on nature and love.
In this episode, Anna reflects on the realization of her parents' unusual musical paths (they are both opera singers) and how it influenced her own creative pursuits. We delve into her songwriting journey, her love for birds, and the evolution of her unique singing voice, which blends classical influences with a jazz singer's sensibility. Anna also opens up about her stage fright and the progression of her confidence as a performer. She touches on the complexities of being an English person living in Ireland and the importance of understanding the historical context of her new home.
As we navigate the themes of 'You & i are Earth,' Anna reveals the inspiration behind the track "Agnes" and the mysterious allure of the 17th-century plate that inspired the album's title. With a lighthearted lightning round, we learn about her favorite birthday tea, her ideal stage outfit, and her witchiest recent activity, too.
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Carolyn Kendrick's latest project explores complex themes of moral panic, tradition, and the figure of the devil (AKA Satan, AKA Lucifer). The LA-based songwriter opens up about the inspiration behind her album, 'Each Machine,' which is accompanied by a thought-provoking zine. In our Basic Folk conversation, she discusses the significance of the color red in her work, symbolizing themes of anger, danger, and familial ties, and how it contrasts with the black and white imagery used throughout the project.
Carolyn also shares her unexpected journey into researching the devil, sparked by a podcast project that ended up overtaking her life, leading her to interview the leader of the Satanic Temple, among many others. This deep dive into the topic became a way for her to process the overwhelming political and cultural landscape. She candidly discusses the challenges of maintaining balance while being consumed by such a heavy subject matter (spoiler alert: she did not maintain balance AT ALL).
We also touch on Carolyn's work in podcasting (You're Wrong About, You Are Good) and how it has influenced her approach to music. She reflects on the importance of integrating culture and music, creating a world-building experience that connects various aspects of her life. Carolyn's creation of the Gender Equity Audio Workshop, along with co-producer and 'Each Machine' collaborator Isa Burke, highlights the power of women supporting each other in the music industry, fostering an environment where questions can be asked without fear of judgment.
She expands on her exploration of traditional songs through a devilish lens, which allowed her to examine how their meanings shift when viewed in this context. She also discusses her dual versions of the hymn "Are You Washed in the Blood," inspired by Naomi Klein's book 'Doppelganger,' and how they represent different facets of her musical identity.
Throughout this episode of Basic Folk, Carolyn Kendrick offers insights into forgiveness and harm, emphasizing the need for solution-focused actions in today's society. Our chat concludes with a fun and quirky Satan-themed lightning round, where Carolyn shares her favorite pop culture depictions of Satan and imagines a music festival in hell. The devil is fun again!
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Multi-talented musician and producer Josh Kaufman is known for his work with Josh Ritter, The National, and his band Bonny Light Horseman. I've known Josh for many years, after meeting him in Pittsburgh while he was on tour with Dawn Landes. I felt instant friendship with him (and honestly with the entire Dawn Landes band that day). We haven't seen each other very much over the last 15 years, but since he left that impression on me I've always rooted for him in his career.
In our Basic Folk conversation, Josh shares anecdotes from his childhood, including memories of his journalist mother interviewing legendary musicians and the backstage snacks that left a lasting impression. He reflects on his early musical influences, the role of music in his family, and how his parents supported his passion for music from a young age. Then we dive into Josh's experiences playing in bands in New York City during his high school years and how those formative experiences shaped his relationship with music and the city itself.
As a producer, Josh discusses his approach to working with artists, emphasizing the importance of capturing the raw, live energy of a performance. He talks about his instrumental album, 'What Do the People in Your Head Say to Each Other,' and how embracing imperfection has become a central theme in his work. He also touches on his collaborations with notable musicians, including Bob Weir of the Grateful Dead, and the impact of those experiences on his career. Josh Kaufman is the most sought out producer in roots music these days. Look out for him producing some great records in 2025 and beyond.
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In 2024, Vermont's Lutalo released their debut album, The Academy. In this episode of Basic Folk, they share the profound influence of their father, whose deep love for artistry and creativity laid the foundation for Lutalo's musical path. We delve into the broad variety of their influences, from underground hip-hop to African drumming classes, each shaping their unique sound and approach to music. Lutalo's candid reflections on their experiences in a private prep school reveal the complexities of navigating expectations and identity as a scholarship student, offering insights into the pressures and opportunities that come with such an environment. We also get a glimpse into their life in Vermont, where they find peace and grounding in a tiny house on a mountain, learning carpentry and building a future studio.
Lutalo's music speaks for itself. It feels like there's a new generation of folk artists coming out, with creators like Lutalo who are dedicated to crafting new a type of folk â even if their music is genre-agnostic. Lutalo is making really cool songs and they're making waves, and could be compared to so many legendary artists and bands. You can't quite put your finger on what their sound is, but they are a heavy-hitting songwriter and we think they're going to be huge.
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Jerry Douglas is widely regarded as the best Dobro player in the world. Alison Krauss, Emmylou Harris, and James Taylor are counted among his many collaborators and his four-decade career has earned him 16 GRAMMY Awards and numerous other accolades. In our Basic Folk conversation, he shares stories about his upbringing in Warren, Ohio, where his father's steel mill job and love for music instilled in him a strong work ethic and a passion for playing. He also talks about getting scouted as a teenager by The Country Gentlemen, one of the greatest bluegrass bands ever, who eventually took young Jerry on tour.
We also discuss Douglas' latest album, 'The Set,' which showcases his mastery of the resophonic guitar and features a unique blend of bluegrass, country, and Americana sounds. He also opens up about his experiences working with Molly Tuttle, John Hiatt, and other notable musicians, highlighting the importance of collaboration and creative freedom. Our chat offers a glimpse into Jerry Douglas' life, influences, and artistic approach through his humility, humor, and dedication to his craft.
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Basic Folk features honest conversations with folk musicians hosted by Cindy Howes and Lizzie No. We approach interviews with warmth, humor and insightful questions. Since 2018, this podcast has dignified under the radar roots musicians by providing a platform that they might not otherwise have. Youâll hear interviews from Three-time Grammy-winning guitar gods like Molly Tuttle, Haitian American folk legends like Leyla McCalla and deep feelers like songwriter John Hiatt.
Basic Folk is dedicated to showcasing the best in folk, bluegrass, acoustic and americana including Black, Brown and Queer folx who have been excluded, or felt like they did not belong, in the folk world. Cindy & Lizzie each bring a unique perspective to these honest conversations with folk musicians. We are equally dedicated to repainting the broad landscape of folk music as we are to tearing down the ivory towers of the music industry. What would Bruce Springsteen do if he ever got the keys to that mansion on the hill? Let's find out together on Basic Folk.
Basic Folk is pleased to be an official production of The Bluegrass Situation. Thanks for listening.
Welcome to Basic Folk.
Basic Folk's theme and music are composed by Dietrich Strause
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It's 2024 recap time on Basic Folk! Cindy & Lizzie dive into a most special year-end reflection, featuring highlights from our honest conversations with folk musicians. We revisit THE top episode of the year, Anna Tivel & Jeffrey Martin's insightful discussion on navigating artistic challenges and living a simple life. Cindy shares her favorite episode featuring her co-host Lizzie No talking about her career-defining album, Halfsies (our 250th episode!). In turn, Lizzie's favorite honest convo came from Leyla McCalla onboard the Cayamo Cruise. We sat in the ship lounge and dug in with Leyla about the "folk process" and her thoughts on cruising, as a Haitian-American, as we ported in Hispaniola aboard a luxury cruise line. (Spoiler: it is complex!)
Basic Folk checks in with friend Jontavious Willis about his biggest lesson of 2024 and what defining success as an independent artist looks like as he has just released his latest West Georgia Blues. We also welcome Rose Cousins' heartfelt words on embracing change as she prepares to release her next record, Conditions of Love - Vol. 1 (out March 14, 2025). As the episode ends, Lizzie leaves us with some words of wisdom:
"We are at a time of year where your body wants to be doing less. We've just survived a chaos clown show of violence in the election. Our culture is shifting rapidly. It's okay if the things that used to work for you don't work anymore. You're allowed to start over. You're allowed to try new things. You're allowed to tell people in your life, 'I've changed.' You're allowed to listen to new artists. You're allowed to change how you dress. You can do it all. 2025 is a new year and you have freedom. And that's my blessing to you." - Lizzie No.
Goodbye 2024!
Episodes featured:
Anna Tivel & Jeffrey Martin: https://basicfolk.com/anna-tivel-jeffrey-martin-eyeballs-ice-cream-and-portland-oregon/
Lizzie No: https://basicfolk.com/lizzie-no-the-goat-on-gender-tiaras-and-leveling-up/
Leyla McCalla: https://basicfolk.com/leyla-mccallas-joyful-rebellion-sun-without-heat-and-the-freedom-of-play/
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Dave Simonett, lead singer and songwriter of the bluegrass-adjacent Trampled by Turtles, is a talented musician AND a great outdoorsman. From the small town of Mankato, Minnesota, to the vibrant music scenes of Duluth and Minneapolis, Simonett shares his upbringing in a musically-inclined, nature-loving family, shaped by the sounds of church hymns and classic rock. In our Basic Folk conversation, he opens up about his dual passions for music and the great outdoors, recounting his experiences with pheasant hunting and conservation efforts in Minnesota. He reflects on the parallels between the camaraderie found in hunting and playing music, emphasizing the importance of trying new things and embracing the unknown. We also delve into the evolution of Trampled by Turtles' unique sound â described as a "butterfly's heartbeat" â and the band's journey from traditional bluegrass to their own distinct style.
Elsewhere in the episode, Simonett talks about the challenges and rewards of maintaining artistic integrity in the music industry while balancing creative growth with commercial pressures. He shares insights on his band's latest project, Always Here, Always Now, a dual EP featuring recordings by both Trampled by Turtles (Always Here) and his solo project, Dead Man Winter (Always Now). He wrote five songs and instead of picking a band to record the tracks, he handed them over to both bands to do what they will to the music. The results are very cool to listen to side by side. The episode wraps up with a fun lightning round, where Dave reveals his dream supergroup and favorite hunter orange accessory (gotta be safe out there!).
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I (lizzie) first came across Becca Stevens via her collaboration with string group The Attica Quartet. Her new album, Maple to Paper, is really different from her previous releases. If you think you know everything that there is to know about Becca Stevens as a singer, songwriter, arranger, and producer, you are wrong. And you are going to be so amazed by this new record. It's completely stripped down, featuring just her guitar and her voice. During the pandemic, Stevens started getting inspired to write songs about her family, about her mom, about grief, about becoming a mother. She decided to record Maple to Paper in her home in Princeton, New Jersey. The result is a super intimate and adventurous, bold and personal album which is full of amazing performances.
In our Basic Folk conversation we also got to talk about some of her notable collaborations. The most interesting one, to me, was hearing about how she considers the late David Crosby a continuous spiritual co-writer. In addition to her friendship with Crosby, Stevens has collaborated with so many more incredible musicians including Jacob Collier and Sufjan Stevens on the Illinoise Broadway musical. She has a really unconventional approach to infusing pop, jazz, and folk into her work. Maple to Paper became an instant classic for me the minute I heard it. I'm really excited for our listeners to hear the song, "Shoulda Been There for Me," which feels like an old school R&B tune, but arranged for a contemporary folk record.
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Hot off the heels of Twisted Pines' latest release, Love Your Mind, Kathleen Parks is here to dig into her uncelebrated polka origins. Daughter of renowned trumpetist Eric Parks, the younger Parks grew up in New York's Hudson Valley in a very creative family (her mother was also a dancer and the one who made Kathleen practice all the time). She started young on the violin and was surrounded by her dad's polka music, as he was a member of The Jimmy Stir's Orchestra, which my dad â also a Polka-Head â calls "the top polka band revered by all polka bands." Parks even sat in with the band as a teen, when she would occasionally fill in for their violinist. She fully embraced her strong Irish roots not only in music, but also dance, which she calls her second love. After accepting a full scholarship to Berklee College of Music in Boston, she started meeting and jamming with bluegrass musicians in the area, especially at the Cantab Lounge, famous for its weekly bluegrass night. This is where her new band Twisted Pine scored a residency and started building a following.
On their new record, Kathleen is the de facto lead singer, which she's just fine with. She also explains the band in one phrase: "Let's see what happens." That philosophy is definitely present on the new record, which is filled with wild vocal performances and sees the band operating at its highest level. In our Basic Folk conversation, we explore the mental health themes highlighted in âFunky People,â a song about how difficult it can be to take care of yourself on the road and the relief you find in people you meet. Plus, we cover âAfter Midnight (Nothing Good Happens)â and finally find out what time one should go to bed at a bluegrass festival. It's always earlier than you think.
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Friends and collaborators, Edie Carey & Sarah Sample teamed up in 2014 for their first album Til the Morning: Lullabies and Songs of Comfort. The pair both had babies and were wanting to do a project that centered around calming music for both children and adults. They were shocked at the album's reception by adults (aka non-babies) who listened after experiencing grief, trauma and huge loss. This type of music certainly had an important place in the world. Now, they have done it again, but with more of a focus on calming music for adults with their follow-up: Lantern in the Dark: Songs of Comfort and Lullabies, which includes some originals, their first co-write and new interpretations of songs by Wilco, The Beatles, Cyndi Lauper and James Taylor.
In our conversation, we tackle the concept of comfort. What is a good balance of comfort and what they experienced in the surprise reaction from their first record. It was also a great time to talk about their experience as touring musicians with young babies... the types of questions they would get asked that they are sure their male counterparts with young children would not get. They talk about the songs on the album, one of which was written by Edie in the aftermath of her mom's sudden and recent passing. We wrap it all up, of course, by hearing each of their James Taylor stories and a delightful bedtime-themed lightning round.
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I woke up today and my wife told me the news. I went for a walk in the woods and found myself thinking about We Shall Overcome and singing it by myself surrounded by fallen leaves and pine trees. I put on Dawn Landesâ new album: The Liberated Womanâs Songbook, I thought about women of the past and how they found their strength. I started posting clips of women who appeared on Basic Folk this year. As I was listening, I wanted to put these voices together all in one spot because I found strength and comfort here. I hope it helps you, wherever you are, whoever you voted for.
Take care today. Weâll be here for you.
Featuring voices of: lizzie no, Sarah Jarosz, Aoife O'Donovan, Dawn Landes, Amy Helm, Missy Raines, Peggy Seeger, Michaela Anne, Ana Egge, Denitia, Liv Greene, KaĂŻa Kater, Humbird, Leyla McCalla.
Feedback? Email us: [email protected]
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We're starting with the end in our conversation with Kasey Anderson. On the pod, we've covered a lot of firsts; debut album, origin stories and the beginnings. Ever since I (lizzie) have known Kasey, his social media bio has been "gradually retiring songwriter." I'm always teasing him about "What does that mean? When are you going to retire?" Officially, this latest album, 'To the Places We Lived,' is Kasey's "last album." I want to put that in very heavy quotes because I hate to imagine a world where a great songwriter friend of mine is not making records. I think his insistence on this album as the last one has more to do with saying goodbye to parts of the music industry that he wants to release and ways of being in the world that he doesn't want to engage with anymore. What do we need to let go of? What do we need to release? That's the place where this album begins.
We talk about Kasey's whole songwriting career. The moment where he went surprise viral for one of his political songs, "The Dangerous Ones." We talk about his time being incarcerated and what that taught him about himself, what it taught him about the world, what it taught him about white supremacy. We talk about his family. We talk about his sobriety and his work in helping others get clean and stay clean, and what staying clean means in a holistic and gentle sense. The songs on this album are mournful, literate, and very, very fun. My favorite is "Back to Nashville;" it's a rock and blues song. Kasey is the type of artist who can write a really contemplative song about self reflection or grief or loss, and then a blues rocker that makes you want to shake your ass in the next second.
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Editorâs note: For this episode, we invited our friend Mark Erelli to interview Chuck Prophet. The two are familiar with each other's work through songwriting together for Mark's latest album Lay Your Darkness Down (2023). We're thrilled to welcome Mark back as guest host!
Chuck Prophet has been a mainstay on the indie and Americana music scenes since the 1980s, before either designation was a common part of the rock ânâ roll lexicon. Through his guitar work in the seminal psychedelic desert rock band Green On Red, musical collaborations with Kelly Willis, Kim Richey, and Warren Zevon, and a string of over a dozen solo records, Prophet has carved out a respected niche in rock music history with his âCalifornia Noirâ sound. Itâs a streak he probably could have kept riding for the rest of his career, if not for his sudden diagnosis with lymphoma a couple years ago. During his treatment and eventual recovery from cancer, Prophet found solace in his record collectionâin particular the vibrant rhythms and danceable energy of Cumbia. He eventually sought out a favorite local band in the genre to jam, and then formally collaborate on Wake The Dead, Prophetâs first new solo album in four years. The project blends his longtime band The Mission Express with members of the Cumbia outfit Quiensave, and the result is equal parts familiar and fresh.
I have firsthand knowledge of Prophetâs freewheeling collaborative process, having worked with him and his longtime songwriting partner Klipschutz on a song for my 2020 album Blindsided. I once taught with Chuck at a folk festival songwriting school, and was relieved to be able to play before him at the instructor open mic, because no one wants to follow Chuck Prophet. His musical catalog is so deep and broad that itâs both inspiringâŠand a bit overwhelming. It was a joy to re-connect with him for a wide-ranging conversation about his new album, that also touched upon his sense of humor, guitar playing techniques, surfing culture, and even his favorite Bob Seger song.
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