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  • Always do your very best to live a life you’re proud of, and if it falls short, have the strength to start over again. I used Better Each Day as my mantra. In the words of 19th century psychologist and pharmacist Emile Coue: “Everyday in every way, I’m getting better and better.”  

    So here’s the spoiler. I moved to Mukilteo WA based on a gut feeling of following my own compass, making new friends and excelling in a career. After 5 years and 8 months I’m graduating from Home Depot Paint Associate to Buyer at Airbus Robotics.

    The following are some words I wrote. Something from a lyric notebook. The spiral notebooks where I write poetry, lyrics, ideas and sometimes just what's on my mind. Here’s an excerpt from one of them.

    “I spend a lot of time with those people. Time well spent. My mind and body get to do what they like best: chat about anything in the world with the brightest group of people I’ve ever met while doing a feel-good workout. Suddenly I realize how good it really is. No amount of money could buy this.”

    These are the guys I see every week morning. I think we all have little slots of time where you’re with your friends, work colleagues or just warm thinkers. Sometimes it's at work, sometimes with your family. For me? I met this motley crue at the local YMCA. There’s over a dozen of us depending on the day. We’re ages from 42-80. Non-exclusive
it just worked out we gelled.

    One of the regulars said the group is a sweet thing. I found what I set out for years ago when I moved here from Aberdeen. This was written for the relationship between her and her sister. Freya and Annie, The Sweetest Thing I’ve Ever Known.

    It’s a team that was formed purely out of showing up to start the day at a gym. That simple gesture of peace to your body and mind is a good way to begin a day on your A game. We do our best work when all cylinders are firing.

    So back to the Trainwreck of Aberdeen. Sometimes life is a complete tornado of disturbing changes and rip offs. I was spending a moment now and then on the edge of I don’t give a shit anymore. With a little help from my friends the train got back on track. And somehow when you look back at it all, it plays out like a finely crafted novel.

    Flashback to June 2016. I moved from a trainwreck in my hometown Aberdeen. I was looking for love in all the wrong places. Maybe it’s ironic the first friend I made when I landed in my new hometown was named Haight. I met Graham Haight as a fellow real estate broker at Windermere and followed him around town like a stray puppy. I was a rescue. He later had me fixed. Then he had me sew some on.

    I joined the same gym, hired the same doctor, dentist and even auto body man as Graham. When I needed to buy a car on my Wendy’s wages budget, he was there with a car dealership of a guy Graham was a corner trainer for in boxing. Graham was my ride for my hand surgery.  I drafted behind him.

    He became my head football coach and the guy to bounce things off. Someone to give me some focus and direction. The big brother I never had.

    My real estate attempt in Mukilteo was an unreachable dream. Competitive beyond my budget and timeframe. I fell back on my painting business, gave guitar lessons, worked at Home Depot and spent the rest of my time writing, producing podcasts and playing an occasional gig.

    All the while, I searched and applied for jobs. Then the pandemic hit.

    I didn’t stop applying for jobs. I was looking for a job in procurement but was willing to start at any level with upward mobility.

    Back in September Graham mentioned his daughter needed some paint work done. She’d just bought a house that’s nearby the Y and only blocks from her new place of employment, Airbus Robotics. 

    I said I

  • Hey to all the Better Each Day Listeners, this is Bruce and welcome to episode 251. Welcome to the show but most importantly welcome to the first annual year end Christmas party where we feature a special theme.

    Now keep in mind that I am, and apparently always will be, a hopeless romantic love song writing fool. One thing we can all agree on is that some songs just need to be written. And some people need to be written about.

    This year the vote was unanimous to introduce some songs you may have heard on previous shows, songs that were inspired by friends. The friends I speak of are sisters Freya and Annie. They are the stars of the show. 

    Now, I wrote, produced and performed everything you’re hearing but it wouldn’t be happening without someone to write about and an audience.

    Just to set the scene, I met Freya and Annie at the local YMCA almost five years ago. They’re happily married with kids but while we’re at the Y we are all kids. 

    When I see them it's in a noisy environment full of competition for their attention. Sometimes I’ll squeeze in for a chat and hear a story that leads to a song like this one.

    Roses and Strawberry Rain was inspired by my friend Annie, now grown and a mother of two, who played with Little Ponies
the toy Little Ponies. So I did my best to capture a story about a little girl playing pretend with her hero and champion race horse, Strawberry Rain. Rain wins the roses at the Kentucky Derby, the rain washes time away and years later she tells her children about her legendary story of
Roses and Strawberry Rain.

    Annie’s older sister Freya, who like Annie, is the warmest of warm people. Going nose to nose with Annie’s miraculous ability to jump rope and defy gravity, Freya, who has super powers also, saw the crappy clothes I wore when I performed
my ragamuffin clothes weren’t hittin’ it and she went into her rescue mode to save my sorry ass. Freya took me by the wrist and we went clothes shopping. And she organized a photo shoot with Annie as part of Operation Dress Bruce for new promo pics.

    One of the new promo images created by Annie was the result of a filter that, I don’t know if it was intentional or not, formed several images of my head in the shape of a heart. It looked like a kaleidoscope version of a heart with me in my Freya shirt.

    Sometimes something is said in the morning workout that rings in my head and becomes a lyric. In this case it was a scenario where Annie stopped me briefly during our morning ant farm gym jam to tell me a quick Annie happy word about nothing in particular
to which I smiled and looked blankly at her. She responded, “that’s all I got.” 

    I turned, walked away and looked back. I thought “That’s all I got?” Other than stand ups, who says “that’s all I got?” I turned to see her waiting for me with a goofy smile.

    That’s all I got? Sometimes we end a conversation with “that’s all I got”...or even end a sentence.

    I used color names from Home Depot paint for this “xanadu, limousine leather and melody” list of paint color names. “Comfort words and hearts and rainbows in my feed, that’s all I need.” 

    Annie introduced me to her mother Kerri at the gym one morning about three years ago. It was hugely apparent where some of Annie and Freya’s magic came from.

    My little song Kerri is about a small town girl meeting a small town boy, on bicycles, on a sunny summer day and Kerri announcing to the world “someday I’ll marry that boy.” If it sounds like it could be a true story, it is. Well 50 years and 6 children later
Kerri and Dad are still a small town girl and a small town boy.

    Combine Kerri, Freya and Annie, put them in a blender and voila, a song, the...

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  • Hey folks and welcome to the Better Each Day Podcast Radio Show with your host, Bruce Hilliard. This is a special episode with the ghost of John Oates past. I was reflecting on a conversation from a while back where we talked about band names, the Beatles and Hall and Oates being two of them, and the famous Abandoned Luncheonette.

    So here are a couple of covers starting with one from an album called Help! It’s by that band with the name that catches on after a while, the Beatles.

    I just recorded this last night. The Bee Gees’ To Love Somebody.

    Here are two songs in a row that I wrote about my imaginary romance.

    This is a song I’m proud to say was written and recorded by two brothers of different mothers from mine, the Murchy Brothers with On The Harbor
that would be Grays Harbor where we grew up together.

    Thank you so much for listening. Here’s on more of my tunes. This one is one of those “stop and smell” the roses
Doesn’t Anybody Fall In Love No More.

  • Hey folks and welcome to the Better Each Day Podcast Radio Show with your host, Bruce Hilliard. We had a storm here in Mukilteo WA that knocked out our power yesterday. I was reduced to a pencil and an acoustic guitar, two of the best inventions ever.

    This song was the result.

    Runaway

    Thinking again of leaving it all behind

    Packing my things and wondering why oh why I feel this sometimes

    You and I will runaway, taking our time, let the whirlwinds blow

    You and I will runaway, I wanna run away with you

    You and I will run away, taking it easy time can wait

    And I will run away with you

    So sleep silent angel go to sleep until the morning comes

    There is a place, where we both can live and never live without love

    You and I will runaway, taking our time, let the whirlwinds blow

    You and I will runaway, I wanna run away with you

    You and I will run away, taking it easy time can wait

    And I will run away with you

    Here’s a set of originals. I’ll list the titles in the show notes. I hope you enjoy your drive with me on an ocean road to wherever you want. A little influence from the Byrds and anyone with a 12-string Rickenbacker.  I’m Going Home.

  • Bruce Hilliard speaking. The leaves are falling, times are a-changin’ and I heard Mr. Wines took the coda. My most influential band director Mr. Wines passed away a few days ago. In music, a coda is a passage that brings a piece of music to an end. It may be as simple as a few measures, or as complex as an entire section. This guy was an entire opus, an epic rock opera for me and many others. Mr. Wines, one of my personal influences and motivators of my music career, passed last Sunday October 23rd 2022. He was 97. A long life for anyone. It deserved a long coda. He was the lifeblood of my music community
the Professor Harold Hill from The Music Man. And to think he was old by my standards when I had him in his late forties
what seems like a lifetime ago.

    In my hometown Aberdeen WA, Hampton Rudolph Wines is a legend. He came to us as a young teacher from Eastern Washington, Pasco is the city I remember him mentioning. In Aberdeen he set a standard for excellence in everything from marching band, symphonic band, pep band, stage band, brass choir for Christmas, witty humor and other psychological mind games he messed us up with.

    So, after working closely with him during some very formative years of my life, I’m writing a pod letter to my dear and recently passed high school band coach, teacher and visionary, Mr. Wines.

    Dear Mr. Wines,

    Thanks for the mind games. I say mind games in a good way. You knew what we were capable of and figured out ways to trick us into achieving it. You taught us as teenagers the importance of discipline and accountability. You preached respect for our instruments and uniforms and most importantly the attitude to carry it off with 100+ other students fueled mainly by fries and hormones.

    You used signature phrases like “well this week is shot”, “moxie, intestinal fortitude” and if we sucked you encouraged us with suggestions like “you might as well take that horn and make it into a planter.”

    The “this week is shot” speech was a landmark in my way of thinking everything, yes everything, is funny. Do you remember how 52 weeks per year could be shot year after year?

    Every Monday morning sounded like this: Well today is Monday and the day is half shot already. Tomorrow will rain so we can’t rehearse on the field but we can stay inside but since it’s Tuesday we’ll be getting ready for Wednesday
and that day is shot. (And he’d be diagramming this on the chalkboard.) That leaves Thursday and Friday. Friday is the pep rally and game (actually the Friday concert at the football stadium). So Thursday is the only day of the week we can do anything
unless it rains. (Which it did.)

    And Mr. Wines
I was apprehensive to visit you in your house on the hill later in life because when you’re busy you say “don’t bug me man.” I wonder what you think about the current educational system. I believe you took an early retirement when budget cuts hit the arts first. Many people were disappointed to see you retire.

    Music was morphing into the rock era and in your lifetime went from Gershwin to Nirvana, from analog to digital and back. From formally educated musicians and composers to garage bands. Did you like my bands Denny and the Chadwicks and Tahola Toilet Authority? 

    Somehow those that followed your fundamentals went on to appreciate your white glove inspections. You literally wore white gloves during our periodic inspections of our gear.  You commanded cosmetically perfect white marching shoes to march in the football field mud. 

    And...

  • The weather is changing, the leaves are too, here are my songs just for you. Ahh, to be a brilliant master of rhyme. Rhyme’s disease. And now
from Johann Sebastian Bach’s Toccata in D minor to my Roses and Strawberry Rain in D major.

    Roses and Strawberry Rain

    Just To Know You

    Sweetest Thing

    Kerri

    Pollyanna

    Endless Rain

    Thanks for listening!

  • When I was a little kid I watched American Bandstand because I liked the songs Dick Clark and company selected for his top hits it’s what the kids want countdown. Based on what I heard, I walked downtown to Aub Schmidt’s music store with a dollar in coins and bought a 45.

    Being a fan of vocal harmonies, Beach Boys and Four Seasonsy stuff, I heard this version of “I’ve Got Rhythm” by the Happenings. I had the honor of speaking with David Libert, the baritone and arranger of the Happenings a couple days ago and he said the stereo separation he did were copying the Mammas and the Papas strong stereo separation. As you’ll hear in the following chat with David, I say no one invented anything from zero. So here it is, from Bruce’s 45 collection, “I’ve Got Rhythm” and listen for the lead vocal on the left and the other Happenings happening on the right.

    David Libert had such a long and interesting career in the music business, his friends encouraged him to write a book about it
so he did. 

     

    The result is an autobiography 50-plus years in the making aptly entitled Rock and Roll Warrior, recently released on Sunset Blvd Books.  It’s a chronicle of David’s inner circle life in the music industry as a popular international performer, singer/songwriter, tour manager, booking agent, producer, and drug dealer on the Sunset Strip.  It’s a story so wild, so crazy, so over-the-top that it can only be true. He was Alice Cooper’s road manager and knows as much about the business as anyong
so he wrote a book on his experiences.

  • Thanks for listening. I've had a few requests for some original music...and maybe a new one. Here it is, Polyanna:

    Pollyanna

    You don’t even know me , so how can you show me what to do

    You don’t even need  me, if only for less lonely night

    You shouldn’t go on thinking we’ll be someday

    And turn that  darkness into day?

    I don’t know

    (Chorus)

    Pollyanna won’t you please come out of the rain

    You know you’re driving me insane

    Always looking for a miracle

    Always searching for revelation

    How can a loser ever win?

    You’re always looking for a miracle

    Always searching for a supernova

    Somehow you always find your way

    You find your way  

    You find silver lining, somewhere were the skies are always blue

    Wake up when your makeup starts to run

    Boo hoo’n when you do the things you do 

    You always find a way to make things work

    Catch a falling star and you’ll get burnt

    No, not you (ding)

    (Chorus)

  • Me and my buddies from shop class sang this at the junior high talent assembly. Our band was the Beach Balls, vetoed by the elder teacher with glitzy cat-eye glasses that hovered over the production and basically censored our really good work. The word “balls” was too radical so I suggested instead of Beach Balls, how about the Sons of the Beaches? “Sons”?, “beaches”?”...nothing satanic there! We settled for the Leech Boys.

    My first memories were of 78 rpms with about 25% of the Mom/Dad record club collection being the standard 33 ⅓ rpm vinyl that prevail to this day.

    By the time I was old enough to buy a record, 33 ⅓ albums were the norm and the coolest things ever invented. But for affordability? Forty-fives. And you could avoid the filler crap songs on albums that were fairly common in those days. Buy the songs you liked, avoid paying more for lame filler songs on the LP and when the album you liked came out
buy it and listen with friends.

     

    Here’s more from a random grab of songs from my ancient gallery of 45s From an Old Box. These are the songs I liked, maybe didn’t buy but currently am holding
waiting for the unknown owner from 1963 to call.

    Please enjoy the memories and scratches, the way we used to listen with gum.

  • Hey everyone and we have a surprise in store for us. I, while looking through my memorabilia for a Johnny Quest outdoor horizons adventure club card (made that up) I ran across an old brown box full of 45s.

    So, randomly, here are ten or eleven 45 r.p.m. records played on a 1972 turntable I found while looking for my retainer.

    I was into Santana/Page/Hendrix for guitar inspiration but for melodies and vocals, this apparently was what I was listening to as a young teen.

    I think these are the melodies and sincerity that people miss.

    These are the songs I listened to in bed, in the dark on my General Electric clock radio that I could operate the knobs proficiently at the top of my head without looking.

  • We don’t smoke and we don’t chew, we’re the class of ‘72. I was honored to play at an Aberdeen High School class reunion 1972 and had a great time and I’m not surprised. The acoustics in the party venue well
as big boomy rooms go, the sound wasn’t optimum so to those who couldn’t hear the troubadour, this is for you.

  • Hey everyone! And welcome to the Better Each Day Podcast Radio Show
the show that features recording artists and their work. That’s what we usually do but this episode is all about a party I’ll be playing in a week. It’s taking me back home to Aberdeen Washington or Warshington for the washing impaired.

    Aberdeen, the town that put the Gator on the Animal House movie via Bill Murray who watched in person our hometown ritual dance, the Gator, performed at the Rocker by our beer soaked Schmenges flailing on the dance floor like freshly caught fish on a dock. He told someone at SNL and low and behold, the John Belushi Gator. 

    Aberdeen was the childhood home of both football icon John Elway and Patrick Simmons of the Doobie Brothers. William E. Boeing was a local and Nirvana sprouted out of a garage just down the street.

    Most importantly to me are the friends and family that came with the magic of growing up there. I remember a happy childhood with neighbor kids everywhere. We were the baby boomers and we knew how to have fun. As a kid, I’d go to door of my buddie’s homes, knock politely and ask in my best Eddie Haskell voice if their precious child could come out and play with the well adjusted neighbor Bruce.

    Then we’d go out and build a howitzer slingshot or blow something up. Hot air or hydrogen balloons with fuses, model cars with fuses, everything with fuses.

    As I got into my 60s I found myself metaphorically going from door to door to see if anyone could come out and play. It seems in our old age we’ve become jaded and have seen and done it all. No one to play with anymore.

    Until one day I received a call from Aberdeen friend Paul Koski asking if I’d like to take a three hour tour on his awesome boat with Ginger and Mary Ann. (I made up the Ginger and Mary Ann part but the boat was pretty cool.) Plus, I got to reunite with some people I hadn’t seen in a long time.

    We did two of those boating day trips and had plans to travel to Finland to visit his relatives and see the sights. COVID put that on the back burner but last March we drove to Helena MT and back in four cold and snowy days. The goal? To deliver a car and visit with his brother-in-law and have fun. We did both. I’m so glad I got to know him beyond our teenage years.

    He returned to his wife and home at Aberdeen Gardens to complete his new house. What was to be his final home I assume. He was killed working on it about a month ago in a tragic accident. He never moved in.

    His friends gathered for a rememberance and there was still a sense of numbness. Those get-togethers can be so healthful and bring some smiles but for me there was a silver lining bonus of being asked to play a set at Aberdeen High School’s graduating class of 1972 reunion in a week. 

    Now those guys graduated two years prior to my class of ‘74 but having known many of these classmates, my friend Paul being one, I said “yes, where, when” without hesitation.

    So from my heart to all the Aberdeen High School Weatherwax graduates of 1972, here with us or gone, my song I’m Coming Home. There’s a line at the end: It’s not on a map, only a poet would know, I’m coming home.

  • Hey, it's Bruce Hilliard with today’s guest Tommi Tikka with a message to go to the Born Free Foundation and he and several generous and concerned musicians have donated time and music to the cause
cause that’s what we do.

    Please kick back and listen to our chat and music from the Born Free climate change project.

    Born Free Climate Change Contributions Welcome Here!

  • Hey, it's Bruce Hilliard with today’s most excellent guest Steve Blaze, lead guitarist in of one of the hottest rock bands I’ve heard in years, Lillian Axe. Their latest album From Womb To Tomb will be released on CD on  August 19 by Global Rock Records.  This is the band’s first new album in ten years and it comes ahead of their first UK headline dates in 29 years.

    Coming up, a few cuts from the LP written by our guest Steve Blaze and a chat with Steve!

  • Hey it's Bruce and come see me in concert at the Black Lab Gallery and Bar in Everett WA on Saturday July 23rd (that’s 2022) at 8:00. And please welcome today’s guest Silvano Ancelotti
From Italy, its Uncle Bard and the Dirty Bastards and some of the best Irish pub music you’ll ever hear.

    Folk/Rock music, spiced up with Irish Trad! Based in the north of Italy (weird, innit?) and made up of lads who, in one way or another, lived or spent too much time in Ireland!

    Too rock for the Folkies and too folk for the Rockies, the Bastards could please or disappoint almost everyone. Formed back in 2007, they play a unique blend of folk/rock and Traditional Irish Music. Uilleann pipes, tenor banjo, mandolin, Irish flute: there are few others bands in the folk/rock scene that could compete with the Bastards in terms of deep knowledge of Irish

    Traditional Music and Irish culture and society.

    As written in a review of the first album, “Uncle Bard & The Dirty Bastards don’t pretend to be Irish. [...] They are showing “huge gratitude and all the due respect to Irish music and culture”. They are really Ireland’s adopted sons and have brought a new breeze to the European Celtic rock scene.”

    CONTACTS

    Management: [email protected]

    Booking: [email protected]

    Web: www.ubdirtybastards.com

    Facebook: www.facebook.com/UBDirtyBastards

    Instagram: www.instagram.com/dirtybastards

  • It’s a Thursday edition of the Better Each Day Podcast Radio Show and here’s the reason. The Zombies are in town. Live at the Historic Everett Theater tomorrow night at 7:00 PM, tickets are still available. And next week Saturday July 23rd I’ll be at Black Lab Gallery and Bar in Everett
two blocks away from the Zombies’ show the week prior so you can hang at the park for a week and just walk to my show.

    Here’s a conversation from last September (when we first warned the village folk that the Zombies were coming) with Colin Blunstone, the voice of the Zombies’ #1 hit Time Of The Season.

  • Asher began classical violin training at the tender age of 2 and had already performed with the Buffalo philharmonic by age 13.

    Asher’s expertise in trans-genre improvisation has led him to a career as a soloist in demand, performing at venues such as Madison Square Garden, Carnegie, Lincoln Center, the Jacob Javitz Center and across four continents. Asher has also been featured on PBS, and has made headlines on CNN, WABC, and NBC and many other major news sources.

    Asher is known for breakdancing across stages with his LED electric violin, in addition to performing as a DJ violinist, bringing his experience as a live performer and technical prowess as an audio editing and mixing guru to countless clubs and stages across the country.

  • Thank you for being here with me, Bruce Hilliard and today’s guest Flood Dud, yes me, to talk about blind dates. You can say what you want about them, or even worse
.go on one. This can be a marathon event to locate someone you like but with the right amount of perseverance I’ll be finding a mate.

    There’s no better defining moment between artificial intelligence, in this case the dating app on my iPhone, compared humanoids, in particular your friends that know what you like, than the blind dating process. 

    The blind dating process that involves a matchmaking algorithm that’s set up to keep us using their app, flipping and flipping through screens in search of love only to meet this awe inspiring person and embarrassing yourself into permanent submission. 

    Smart Picks. Up sells. You have to budget your dating app investment to allow a few bucks for the date. I’m doing a reverse Houdini here. How hard can it be to get locked into a trick? I’ve become great at escaping but getting handcuffed and submerged in ice water in a coffin hanging from the Space Needle is getting harder and harder to find these days.

    I went on a college blind date when I was 19. It was possibly the funnest date ever for me. It was a WSU barn dance in a small grange building in the middle of a wheat field in the Palouse of Eastern Washington. She was a short freckled faced chubby girl in bib overalls and a “let’s go have fun” face.

    We got drunk on the way there, parked on a small road and with only the light of far off grange we cut across the pitch dark field to save time. Without being able to see where hell we were, we fell ass-over-tea-kettle into a 15 foot deep irrigation ditch full of mud. It was so dark we couldn’t see and when we realized we couldn’t climb the slippery muddy embankment to escape the bowels of death, we started laughing. And man, it’s hard to climb out of a muddy irrigation ditch when drunk and laughing hysterically. 

    Climbing out involved inadvertently pulling one another back to the bottom of the ditch which got us laughing to paralyzation. The picture we posed for later is one of the best mud photos ever taken at a dance.

    That was then, this is now. The dating scene for us old guys is brutal. If you’re married, stay there. Don’t be thinking you can put on your “hey I’m hittin’ it now” look on and strut out there with the confidence of Buddy Love. I read in the one Christmas gift I received this year, Dating for Dummies, you should never talk about other women on these trial dates. So stay tuned because just as I felt the Titanic start to wobble and sink I played the “talk about other women” card.

    I was at the meet up bar before my mystery date and spotted her oddly shaped butt as she waddled though the doors. I waved to her and pulled out her chair. Something told me I was in for an awkward test of my character.

    We chatted for a minute and ordered. She said she was dying for a rum and coke so she ordered a Margarita and meatballs. I wanted a glass shard Tabasco smoothy but stuck with the near beer I’d been nursing before the princess arrived.

    Then the screening began. It began with the description of her favorite husband
the one that could do everything I do only far better. He played every instrument and was an awesome DJ. He was ambidextrous and had perfect pitch. I wanted to say “same here” but walking on water wouldn’t have impressed this jaded lady.

    So it was my turn to impress. I wanted to use the airline joke and tell her in the unlikely event of a water landing, we could use her ego as a floatation device, but no. Here’s what I did.

    I changed the topic to my YMCA friend Freya. My way too young Freya is happily married and is in no way romantically involved, at least that she knows of, with me. Freya was my helper smurf when I needed advice as to a place to meet this ice cold blind date super sized Slurpee. 

    My...

  • Chuck Wright is today’s guest. When Chuck is not fighting crime by night, he is best known as the bassist from Quiet Riot!  

    Thank you for being here with me, Bruce Hilliard and today’s guest Chuck Wright, to talk about his new and first solo album, or project as he refers to it, Chuck Wright’s Sheltering Sky.

    Chuck is proud and excited to release his debut solo album, Sheltering Sky, on Los Angeles-based Cleopatra Records, on May 20.   The album features guest appearances by several of Wright’s musical peers including keyboardist Derek Sherinian (Dream Theater/Billy Idol), guitarist Lanny Cordola (House of Lords), vocalist Jeff Scott Soto (Yngwie Malmsteen), Troy Luccketta (Tesla) and the late Mr. Big drummer, Pat Torpey.The album’s 11 tracks also illustrate Wright’s impressive songwriting ability as he either wrote or co-wrote all nine original songs on the album.  Also included is an edgy, intense version of Bjork’s “Army of Me” along with a soulful, Celtic-rock take on the The Youngbloods classic, “Darkness, Darkness.”  Chuck also produced and engineered most of the album. Sheltering Sky exhibits a diversity and breadth of musical styles that embraces facets of Wright’s hard rock legacy while also delving into a more varied side of Chuck’s musical vision with well-written songs that feature ethereal guitar work, tasteful, soulful 70s era influences, Prog, Jazz Fusion and even a bit of heavy funk.  Besides his usual outstanding bass work as performed on a variety of different bass instruments, Wright also contributes on keys and acoustic guitar on several tracks.The new single from Sheltering Sky is Throwin’ Stones, a fierce and passionate call for the end of armed conflict, a call which couldn’t be more perfectly timed for today’s world.  It features a heavy funk groove that emphasizes Wright’s powerhouse playing and the various playing techniques for which he is known.
  • Thank you for being here with me, Bruce Hilliard telling you they tattooed her in darkness. That is a line from Goddess Reborn, a song we’ll hear and hear all about from guest and rockin’ it James Carr. James is the front for the James Carr Band. If you get a chance, check them out. Very good. James Carr plays some kick ass guitar and what a great vocalist! 

    Okay, I’m back with a couple minutes to play this by request. A song I wrote about a promise made by a little girl to a little boy one sunny day in the 60s. Her name and the name of the song, Kerri.