Afleveringen
-
Matt and Sophie dive into Pixar's latest original film, Hoppers, a movie that left them surprisingly cold despite its glowing reviews and stunning animation. While the beavers are undeniably adorable, the visuals are beautiful, and supporting characters like Titus and George provide some genuinely funny moments, neither host can shake the feeling that something important is missing.
The discussion explores Pixar's increasingly difficult challenge of creating new stories in a world where every theme feels familiar, from grief and environmentalism to family relationships and finding your place. They compare Hoppers to films such as Turning Red, Encanto and The Sheep Detectives, questioning why those stories connected emotionally while this one never quite lands.
Along the way, they discuss anime influences in Pixar's animation style, the film's unusual "animal avatar" concept, whether George the beaver is actually the real protagonist, and why a movie can be visually spectacular yet still struggle to make you feel anything at all.
Hosted on Acast. See acast.com/privacy for more information.
-
Matt and Sophie revisit Fool's Gold, the 2008 treasure-hunting adventure that reunited Matthew McConaughey and Kate Hudson after How to Lose a Guy in 10 Days. What follows is less a discussion about buried treasure and more an exploration of why McConaughey remains such a magnetic screen presence, even when the material around him is decidedly average.
The pair discuss the film's sun-soaked escapism, questionable logic, paper-thin villains and endless shirtless scenes, before diving into the actor's transformation from rom-com king to Oscar winner. Along the way, they explore the origins of the "McConnaissance", the strange appeal of adventure movies, why some stars can carry almost any film, and how Fool's Gold fits into McConaughey's career.
There's also time for a detour into Jurassic Park, Toy Story 5, and the unique talent Matthew McConaughey seems to possess for making people simultaneously want to hug him and punch him.
Hosted on Acast. See acast.com/privacy for more information.
-
Zijn er afleveringen die ontbreken?
-
In this episode of Can I Change My Score?, Sophie and Matt investigate The Sheep Detectives, the unlikely murder mystery that somehow became Hugh Jackman’s highest-rated film. What starts as a quirky tale of talking sheep solving their shepherd’s murder turns into something far deeper, tackling grief, memory, loss and the question of what makes a life meaningful. Along the way, they discuss why the film is much more adult than the trailer suggests, the surprisingly clever whodunnit at its heart, standout performances from a stacked cast, and how a movie about animated sheep managed to pull at their heartstrings. Sophie wonders if it’s really a family film, Matt dives into its unusual production history, and both try to decide if the emotional journey outweighs a slightly too-neat ending. Plus: British villages designed by Americans, police stations with neon signs, Amazon Studios’ unexpected hot streak, and why sheep suddenly look a little different after leaving the cinema.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt return to Barbie to see if the pink-powered phenomenon still works without the full Barbenheimer buzz. Sophie revisits the joy of Barbie Land, Margot Robbie’s perfect casting, Ryan Gosling’s full Ken-ergy, and that America Ferrera monologue, while Matt questions Ken’s “beach” credentials and whether the film is secretly more about Ken than Barbie (he's obsessed with Ryan Gosling, evidently). There’s praise for the sets, the soundtrack, the 2001: A Space Odyssey opening, Dua Lipa hiding in plain sight, and a surprising amount of confusion around ghost logistics. Barbie still has plenty of sparkle, but outside the 2023 hype machine, the plastic starts to bend a little.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt head straight home from the cinema to talk about Project Hail Mary, a big, funny, surprisingly heartfelt sci-fi adventure powered almost entirely by Ryan Gosling doing what Ryan Gosling does best. There’s a dying sun, a panicked scientist, a spaceship full of problems, and an alien friendship that somehow manages to be both ridiculous and adorable. Sophie weighs up the film’s length against its charm and and Gosling’s ability to make swallowing a tablet feel relatable, while Matt marvels at the comedy and the practical effects, and both agree that this is far more than just “a space film”. It’s funny, warm, weirdly moving, and one of the most entertaining cinema trips they’ve had in a while, even if a few repeated beats stop it from reaching full masterpiece status.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt finally tackle Peaky Blinders: The Immortal Man, the long-awaited Netflix follow-up to the gangland saga that gave us hats, brooding, and Cillian Murphy staring into the middle distance like it’s an Olympic sport.
Sophie goes in hoping for atmosphere, style and a proper send-off, only to find herself underwhelmed by fuzzy lighting, flat emotion and a plot that never quite catches fire. Matt is even harsher, questioning the script, the missing spark of the old series, and a certain typewriter-on-a-barge moment that nearly sends him over the edge.
They dig into Rebecca Ferguson’s unconvincing gypsy mystique, Barry Keoghan’s Tommy-lite energy, the absence of the old family chaos that made the series sing, and the awkward truth that without the Peaky Blinders name, this might not feel like much at all. Stylish, brooding and occasionally gripping, but missing the bite, swagger and emotional punch that made the early seasons unforgettable.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt finally catch up with The Fall Guy, the stunt-filled action comedy they somehow missed in cinemas, only to discover on Netflix that it’s exactly the kind of film that makes you wonder why you didn’t watch it sooner. Ryan Gosling plays Colt Seavers, a stuntman with feelings he can’t quite articulate, Emily Blunt is the director-love-interest Jody Moreno with sharp comic timing and plenty of bite, and together they stumble through explosions, conspiracies, movie-within-a-movie chaos, and a romance that somehow manages to be sweet, funny, and never too syrupy.
They chat about why the film feels like a love letter to old-school Hollywood, how the chemistry between Gosling and Blunt does a lot of heavy lifting, why the second half loses just a little momentum, and how a practical stunt movie about stunt people somehow ended up helping the stunt industry get its long-overdue Oscar category. There’s also room for cowboy-level Ryan Gosling admiration, Miami Vice boat trivia, a hat accident that stayed in the film, and a brief detour into why some actors simply have that movie star thing.
Not every film needs to reinvent cinema; some just need to be funny, charming, practical, and packed with enough crashing cars to make Steven Spielberg happy.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt finally catch up with Sinners, the Oscar-magnet genre mash-up set in 1930s Mississippi. What begins as a simple story about two brothers opening a juke joint quickly spirals into vampires, blues music, community politics, and one extremely persistent Irish folk song that refuses to leave Matt’s brain. Sophie bravely navigates the film’s horror elements (after a brief recovery from several jump scares), while Matt dives deep into its themes, from oppression in the Deep South to the surprising historical connections between Irish immigrants and Native American tribes. Along the way, they unpack Michael B. Jordan's portrayal of twins, the hypnotic musical sequences, a surprisingly intimidating Irish jig, and why the film’s working title was apparently Grilled Cheese. They also debate whether the story’s simplicity is part of its charm or a missed opportunity, question a slightly underwhelming final showdown with the vampires, and agree that the film’s atmosphere, performances and music are doing a lot of heavy lifting.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt wade through Kelly Reichardt’s The Mastermind, a slow-burn, 1970s-set anti-heist movie that looks gorgeous, sounds incredible, and steadfastly refuses to make its audience feel anything. What starts with lush autumnal colours, jazzy needle-drops, and the promise of a clever art theft quickly drifts into an extended study of a man gently… existing. Sophie struggles to locate any actual unraveling, Matt questions the film’s commitment to its own premise, and both hosts wonder why a movie about failure is so allergic to tension, desperation, or emotional consequence. Along the way, they unpack the misused potential of Alana Haim, the mystery of Josh O’Connor’s performance, the difference between slow cinema and stalled cinema, and why watching cars drive around is not a substitute for character development. Stylish, inert, and oddly beig; this is one mastermind that never quite earns the title.
Hosted on Acast. See acast.com/privacy for more information.
-
In this Christmas episode of Can I Change My Score?, Sophie and Matt abandon the usual rules and take stock of a year spent in dark cinemas and on slightly uncomfortable sofas. There are films they definitely meant to watch, films they loved more than expected, and films that left them wondering how two hours could feel so long. Sophie defends a few unpopular choices, Matt draws some very firm lines about what should and shouldn’t exist, and both agree that going to the cinema is still the best part — even when the movie isn’t. It’s festive reflection, gentle arguing, and end-of-year honesty, with absolutely no scores changed.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt return to the Knives Out universe for Wake Up Dead Man: A Knives Out Mystery, a murder mystery that arrives armed with religious symbolism, familiar accents, and a runtime that refuses to take the hint. Benoit Blanc is back, sounding more confident than ever, but the case itself sprawls across churches, bars, books-about-books, and a reveal that takes its sweet time getting to the point. The pair unpack why the film feels oddly small despite its ambition, how an all‑star cast ends up sidelined by exposition, and why subverting the murder‑mystery genre for the third time starts to feel like homework. Along the way, they praise a few striking visual moments, question the geography, and wonder when exactly the emotional investment was meant to kick in. Two and a half hours later, the mystery is solved — but the sense of satisfaction never quite arrives.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt sprint head‑first into The Running Man, Edgar Wright’s dystopian game‑show thriller starring Glenn Powell, several baffled supporting actors, and more product placement than a Super Bowl commercial. Sophie battles a full-body vibe rejection within the first ten minutes, Matt questions the film’s understanding of money, physics, and human behaviour, and both hosts struggle to figure out who this movie is for (other than Puma). They break down erratic character choices, inconsistent world‑building, suspiciously shiny six-packs, and a towel scene that raises more questions than the entire plot. Two hours and thirteen minutes later, the only thing still running is their patience.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt dive headfirst into Guillermo del Toro’s long-awaited Frankenstein. Did it reanimate the Gothic classic or just shuffle stylishly across the screen for two and a half hours? Sophie’s confused about the romance subplot, Matt’s baffled by how the monster looks runway-ready, and both agree the most horrifying part was how little they actually felt. It’s a monster mash of big performances, big prosthetics, and missed emotional beats — with extra credit (but not extra stars) for Jacob Elordi’s commitment to the bit.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt head back to the cinema – and back to 2012 – for the 13th anniversary re-release of ParaNorman. It’s spooky season, and this cult stop-motion gem still holds up (and looks even better in faux-3D). Matt’s enchanted by Laika’s craftsmanship, toilet-bound uncles, and Halloween deep cuts; Sophie’s swooning over the chubby charm of Neil and wondering aloud how long someone can stare at a puppet’s butt and still call it art. They discuss zombies, witch trials, parental disappointment, and why stop-motion might be the most unnecessary (yet most magical) way to tell a story.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt gamble on The Ballad of a Small Player, a slow, spectral tale of vice, fate, and soggy banknotes somewhere off the coast of Macau. Sophie’s taken by the dreamlike mood and neon melancholy; Matt’s hung up on haunted money stashes and Colin Farrell looking like he hasn’t seen a shower since the Bush administration. Tilda Swinton’s somewhere in there, too – maybe. Probably. Definitely? They unpack the film’s elusive plot, its folklore undercurrent, and what happens when a man loses everything but still keeps betting.
Hosted on Acast. See acast.com/privacy for more information.
-
In this spookily subterranean episode of Can I Change My Score?, Sophie and Matt emerge from Bristol’s Redcliffe Caves after watching The Bride of Frankenstein—a 1935 classic that’s equal parts gothic, goofy, and glorious. Between Boris Karloff’s earnest grunts and Elsa Lanchester’s five minutes of fame (spent mostly screaming), the hosts wonder: how did something this silly become so iconic? They unpack Boris’s dental drama, drunken cinematographers, and a very confused bat, before realising that “Smoke good. Wine good. Movie… very good.”
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt break into Roofman, the new based-on-a-true-story film starring Channing Tatum (and quite a lot of him) and Kirsten Dunst. They dissect the film’s tone confusion, the strange blend of heist and heart, and why it never quite lands its big emotional swings. Was it meant to be funny? Are we supposed to root for this guy? Also: unrequested nudity, baffling montages, and a moral crisis unfolding between the bike aisle and the Barbie Dreamhouse display. Just another day at the movies.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt take on Paul Thomas Anderson’s One Battle After Another, a sprawling, noisy, and oddly funny adaptation of Thomas Pynchon’s Vineland. Both hosts land on the same score (a rare feat!) but for very different reasons: Sophie’s swept along by the atmosphere, Matt can’t get over Sean Penn’s twitchy eyelids, and both are floored by how the film nails its sound design but fumbles its finale. Was it a masterpiece trimmed too long, or a messy epic saved by stellar performances? Expect nacho talk, Alana Haim cameos, and at least one argument about whether DiCaprio’s paycheck was worth it.
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt revisit The Wonder, Sebastián Lelio’s slow-burning tale of miracles, misery, and medicine in post-famine Ireland. Sophie’s swooning over the cinematography and Florence Pugh’s impeccable spoon work, while Matt’s digging deep into the film’s themes of belief, trauma, and small-town control. From fourth wall breaks to real-life mother-daughter casting trivia, the pair dive into why this Netflix sleeper might just be the Florence Pugh film people are sleeping on. It’s haunting, hypnotic, and yes – a bit woeful (in the best way).
Hosted on Acast. See acast.com/privacy for more information.
-
In this episode of Can I Change My Score?, Sophie and Matt dive into The Roses – a dark comedy about a marriage slowly (and sometimes violently) unravelling. Sophie’s sipping bubbly and hunting for more chaos, Matt’s quietly admiring the script’s British bite, and both wonder if Olivia Colman and Benedict Cumberbatch make the most believable toxic couple in years. Was this the dark romcom they were promised – or did the trailer oversell the carnage? Tune in for thoughts on marriages, murder attempts, and whether British passive aggression is the real villain.
Hosted on Acast. See acast.com/privacy for more information.
- Laat meer zien
