Afleveringen
-
Through folktales, memoir and hard science, Robin Wall Kimmerer’s Braiding Sweetgrass argues for the intertwining of Indigenous knowledge systems and empirical science, to support ‘mutual flourishing’ between humans and the environment. Braiding Sweetgrass was an enormous success for a small press publication, becoming a bestseller and a touchstone for readers searching for alternatives to extractivist realpolitik.
In this episode, Meehan and Peter look at the most compelling features of Kimmerer’s technique – reminiscent of Darwin at his best – and where her book risks scientific overreach.
Learn more about your ad choices. Visit megaphone.fm/adchoices -
In ‘A Room of One’s Own’, Virginia Woolf writes about how radical it feels to read the sentences: ‘Chloe liked Olivia. They shared a laboratory together…’. Woolf probably didn’t know the work of her contemporary Jean Rhys, but if she had read ‘A Voyage in the Dark’ (1934), she might well have marvelled at, and even envied, its radical realism. Rhys’ story of a young woman who moves from the Caribbean to England and enters a world of financial and sexual exploitation was drawn from experiences unavailable to Woolf.
In this episode, James is joined by the biographer Miranda Seymour to discuss Rhys’s virtuosity of technique and detachment, her extraordinary ear for dialogue and the places where her mastery of realist method gave way to modernism.
Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applecrwaor
Other podcast apps: https://lrb.me/closereadingswaor
Read more in the LRB:
Mary-Kay Wilmers on Jean Rhys: https://lrb.me/waorep701
Carole Angier on Rhys's letters: https://lrb.me/waorep702
Learn more about your ad choices. Visit megaphone.fm/adchoices -
Zijn er afleveringen die ontbreken?
-
When Thomas Platter, a Swiss tourist, went to see ‘Julius Caesar’ at the Globe Theatre in 1599, it wasn’t Shakespeare’s language that attracted his attention but the ready availability of refreshments and the high quality of the players’ clothes. The revolution in playmaking that he witnessed on the south bank of the Thames reflected widespread innovations in London’s cultural life in the reign of Elizabeth I. For the first time, we can see the city clearly, in the panoramas and maps inspired by Dutch artists. New ideas about history are emerging in the works of Stow and Holinshed. And the growth of trade through piracy, with a new centre of commerce in Thomas Gresham’s Royal Exchange, marks the beginning of England's imperial expansion.
In this episode, Rosemary is joined again by Vanessa Harding to discuss this extraordinary moment in London’s history and some of the reasons behind it, from Elizabeth’s genius for survival to the city’s lack of a university.
Reading by Duncan Wilkins
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applesignuplr
Other podcast apps: https://lrb.me/scsignuplr
Read more in the LRB:
Charles Nicholl on Elizabethan true crime: https://lrb.me/lrep601
Michael Dobson on Shakespeare's life: https://lrb.me/lrep603
Colin Burrow on Walter Raleigh: https://lrb.me/lrep02
Learn more about your ad choices. Visit megaphone.fm/adchoices -
In her diary entry for 20 November 1797, Dorothy Wordsworth describes a late afternoon walk with her brother William and Samuel Taylor Coleridge. ‘ We went eight miles in the dark,’ she wrote, ‘William and Coleridge employing themselves in laying the plan of a ballad.’ This was the origin of the opening poem of the ’Lyrical Ballads’, published the following year – the book often seen as marking the beginning of Romanticism.
In this episode, Seamus and Mark discuss the strange hallucinatory power of ‘The Rime of the Ancient Mariner’ and Coleridge’s search for a meter that could capture the force of his imagination. They also consider some of the poem’s many interpretations, from the influence of abolitionist writing to William Empson’s reading of the shooting of the albatross, and consider whether it’s best understood as a terrible encounter at a wedding reception.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applesignupnp
Other podcast apps: https://lrb.me/scsignupnp
Read more in the LRB:
Barbara Everett on Coleridge the modernist: https://lrb.me/npep601
Susan Eilenberg on the life of Coleridge: https://lrb.me/npep602
Marilyn Butler on the Lyrical Ballads: https://lrb.me/npep603
Learn more about your ad choices. Visit megaphone.fm/adchoices -
The idea that a river is a living being has important legal consequences. But it also has imaginative consequences, which can, in George Eliot’s words, ‘enlarge the imagined range for self to move in’. In ‘Is a River Alive?’ (2025), Robert Macfarlane travels with the lawyers, Indigenous people, scientists and others who are working to protect rivers in Ecuador, India and Quebec, and challenges himself to see rivers in a way that widens the category of life.
In this episode, Meehan and Peter assess Macfarlane's quest and look at the different kinds of writing he deploys along the way, including adventure story, biography and philosophy. They also look back to the origins of the rights of nature movement at the University of Southern California in the 1970s and consider whether the choice between seeing a river as either a resource or a fellow being is a false one.
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://lrb.me/applecrnature
In other podcast apps: https://lrb.me/closereadingsnature
Read more in the LRB:
Rebecca Solnit on water: https://lrb.me/nicep601
Kathleen Jamie of Robert Macfarlane: https://lrb.me/nicep602
Learn more about your ad choices. Visit megaphone.fm/adchoices -
In August 1923, halfway through writing ‘Mrs Dalloway’, Virginia Woolf recorded a new idea in her diary: she would ‘dig out beautiful caves’ behind her characters, and ‘the caves shall connect, and each comes to daylight at the present moment’. This was Woolf’s ‘tunnelling process’, a transformative approach that led to the novel's celebrated modernist innovations, with its depiction a group of circulating consciousnesses in London over the course of one day. But underlying these innovations are the techniques of 19th-century realism, and in this episode James Wood explores what Woolf owes to Dickens and Flaubert, and the ways she breaks down these certainties to arrive at the ultimate unknowability of character.
Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applecrwaor
Other podcast apps: https://lrb.me/closereadingswaor
Read more the LRB:
Jacqueline Rose on Woolf: https://lrb.me/realismep601
Gillian Beer on Woolf‘s essays: https://lrb.me/realismep602
David Trotter on ‘Mrs Dalloway’: https://lrb.me/realismep603
Learn more about your ad choices. Visit megaphone.fm/adchoices -
At the start of the 16th century London was still recognisably medieval, crowded within its walls, dominated by churches and monasteries and deeply tied to Catholic Europe. By the end of Henry VIII’s reign, much of that world had vanished. The Reformation not only changed the religious practices of its inhabitants, it brought a widespread transfer of property that reshaped the character and activity of the city and turned it into a theatre of power, punishment and debate.
Rosemary is joined by Vanessa Harding, emerita professor of London history at Birkbeck, University of London, to look at the events that transformed London into a commercially expanding and ideologically contested Protestant capital under the Tudors, from the arrival of Caxton’s printing press in Westminster and the beginnings of an aristocratic West End to Mary I’s brutal attempt to restore Catholic England.
Reading by Duncan Wilkins
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applesignuplr
Other podcast apps: https://lrb.me/scsignuplr
Read more in the LRB:
Hilary Mantel on England under Mary I: https://lrb.me/lrep504
Lucy Wooding on Henry VIII and the merchants: https://lrb.me/lrep502
Patrick Collinson on Henry VIII's Reformation: https://lrb.me/lrep503
Learn more about your ad choices. Visit megaphone.fm/adchoices -
Have you got four minutes to share your feedback on Close Readings? It will help shape how we develop the podcast over the coming year.
We’ve set up a short survey here: https://www.surveymonkey.com/r/XCR7LQ7
Thanks for your time, and for listening to our podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices -
‘Tam o’ Shanter’ first appeared as a lengthy footnote in Francis Grose's Antiquities of Scotland (1791) after Robert Burns convinced Grose to include the ruined Alloway Kirk in his volume, and its supernatural associations (invented by Burns). Its story of the drunken Tam's encounter with witches in the stormy Ayrshire landscape has served as both a celebration and chastisement of Scottish masculinity ever since its publication, but the attitude of its narrator remains elusive throughout. In this episode, Seamus and Mark discuss the poem’s moral and stylistic turns, its influence on Wordsworth and Coleridge, and what it owes to the Augustan perfectionism of Pope.
They then turn to a much darker example of Romantic narrative poetry, George Crabbe’s ‘Peter Grimes’ (published in his collection The Borough in 1810), and explore the bracing realism and psychological insight in the story of a Suffolk fisherman who destroys the apprentices placed in his care.
This episode also features a bonus conversation with Andrew O’Hagan, who reads extracts from 'Tam o’ Shanter' and explains why the poem’s reliably contradictory narrative voice is so useful for anyone learning to write stories.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applesignupnp
Other podcast apps: https://lrb.me/scsignupnp
Read more in the LRB:
Karl Miller: Peeping Tam: https://lrb.me/npep501
Neal Ascherson on Burns's life: https://lrb.me/npep502
Learn more about your ad choices. Visit megaphone.fm/adchoices -
In ‘Gaia: A New Look at Life on Earth’ (1979), James Lovelock proposed that the Earth is something like a single living organism, capable of manipulating its circumstances and the environment to suit its needs. While many scientists reject the fullest formulation of this idea, it has nonetheless had a profound influence on our understanding of the ways in which animal and plant life interact with the non-living parts of the environment, to the extent that observations in biological and earth systems science are often assessed for which version of Gaia they might support.
In this episode, Meehan Crist and Peter Godfrey-Smith look at the origins of the Gaia hypothesis in the radical work of Lynn Margulis and the contributions of Lovelock’s academic collaborator Dian Hitchcock, and in the science of cybernetics. They then consider the degree to which any formulation of Gaia can explain certain processes, from the impact of the ecological competition between daisies on the reflection of solar radiation to the carbon-silicate cycle and its control of carbon dioxide levels, and consider some of Lovelock’s wilder theories, including his suggestion that humans should merge their minds with those of whales.
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://lrb.me/applecrnature
In other podcast apps: https://lrb.me/closereadingsnature
Read more in the LRB:
Meehan Crist on ‘Novocene’: https://lrb.me/natureep501
Peter Godfrey-Smith on Lovelock: https://lrb.me/natureep502
Learn more about your ad choices. Visit megaphone.fm/adchoices -
In the late 1870s, shortly after the publication of Anna Karenina, Tolstoy experienced what might be described today as a midlife crisis. In his short autobiographical book A Confession, finished in 1880, he questioned what meaning there is in life that is not annihilated by the inevitability of death. His answer was to live according to God’s law, a realisation that shaped that rest of his life and writing, and guides the story of his late masterpiece, The Death of Ivan Ilyich (1886).
To discuss The Death of Ivan Ilyich and its place both in Tolstoy’s work and the development of realism, James is joined by the novelist Elif Batuman. They consider the way Tolstoy takes up Flaubert’s contempt for bourgeois life and strips it down to a spare fable of delusion and awakening, and why the unique authority of his style has proved so resistant to the critiques of realism in the 20th century.
Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applecrwaor
Other podcast apps: https://lrb.me/closereadingswaor
Read more in the LRB:
Michael Wood on War and Peace: https://lrb.me/realismep501
James Meek on the death of Tolstoy: https://lrb.me/realismep502
John Bayley on Tolstoy's diaries: https://lrb.me/realismep503
Learn more about your ad choices. Visit megaphone.fm/adchoices -
Mary Shelley signed off her introduction to the 1831 edition of Frankenstein by bidding her ‘hideous progeny go forth and prosper’. In this episode of The Man Behind the Curtain, Tom McCarthy and Thomas Jones look at the machinery that Shelley used to assemble her immortal creature and bring it to life. As well as its origins and afterlives, they consider the many systems that the novel draws on, challenges, reproduces and mutates – the laws of nature, philosophy, science, the human body, the traditional family – and ask whether the real horror at the heart of Frankenstein is not the creature so much as incest.
The Man Behind the Curtain is a bonus Close Readings series running this year. The next episode will be on ‘Middlemarch’, released in a couple of months.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://lrb.me/closereadingsmbtc
For Spotify and other apps: https://lrb.me/applecrmbtc
Read more in the LRB:
Anne Barton on Mary Shelley: https://lrb.me/frankensteincr01
Caroline Gonda on the original Frankenstein: https://lrb.me/frankensteincr02
Learn more about your ad choices. Visit megaphone.fm/adchoices -
If historians of medieval London had a patron saint, it might well be Edward I. While many English monarchs chose to leave London to its own devices, Edward decided from the start of his reign in 1272 to put pressure on the city to justify its liberties. The result was a profusion of bureaucracy, most notably in the Letter Books, that describe the life of London and its people in vivid detail, from disputes, petitions and regulations to the names of all the city’s apprentices. This record-keeping was good for the city too, reinforcing a powerful system of guilds supporting hundreds of trades and a flourishing merchant and consumer culture.
But when the Black Death arrived in England in 1348, London’s population was devastated, and its social and economic life transformed. In this episode, Rosemary is joined again by Matthew Davies, professor of urban history at Birkbeck, to continue the story of England’s capital through its rapid rise in the first half of the 14th century and a long period turmoil thereafter, including the Hundred Years’ War, the revolts of Wat Tyler and Jack Cade, and the Wars of the Roses.
Reading by Duncan Wilkins
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applesignuplr
Other podcast apps: https://lrb.me/scsignuplr
Read more in the LRB:
Tom Johnson: No More Baubles: https://lrb.me/lrep401
Learn more about your ad choices. Visit megaphone.fm/adchoices -
Sometime in 1711, a twenty-year-old aristocrat, Lord Petre, snipped a lock of hair, without permission, from the head of Arabella Fermor, a celebrated beauty. The incident caused an irreconcilable rift between the two families, who were both Catholic. Shortly afterwards, the young poet Alexander Pope, also Catholic, was approached by a friend who suggested he turn the incident into a comic poem. The result was one of the bestselling poems of the age, ‘The Rape of the Lock’ (1712), a mock-epic that fused the grand styles of Homer, Virgil and Milton with an acerbic social satire, in which the gods are reimagined as airy sylphs guarding the honour of the heroine, Belinda.
William Hazlitt wrote of the poem that ‘you hardly know whether to laugh or weep’, and in this episode Seamus and Mark discuss why Pope's masterpiece is at once the funniest poem in the English language and an essay on the seriousness of trivial things.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applesignupnp
Other podcast apps: https://lrb.me/scsignupnp
Read more in the LRB:
Claude Rawson on 'The Rape of the Lock': https://lrb.me/nppope01
Colin Burrow on Pope: https://lrb.me/nppope02
Learn more about your ad choices. Visit megaphone.fm/adchoices -
The ‘great acceleration’ is a term used to describe the dramatic surge in the 1950s of both human and earth systems indicators that marked a shift from a relatively stable planetary state to one that's characterised by increasing environmental instability. Alongside measures of carbon dioxide, nitrous oxide and methane levels, this shift can be tracked in numerous other areas of human activity, such as GDP, financialisation, foreign direct investment and the spread of telecommunications.
In ‘The Burning Earth’ (2024), Sunil Amrith uses history as a way of understanding why we got to this moment, drawing on multiple strands of human activity over more than 500 years to trace the origins of environmental crisis. In this episode, Meehan and Peter interrogate some of Amrith’s major themes and examples, from the damaging impact of 18th-century ideas of freedom on our relationship to the natural world, to his analysis of postwar environmentalism through the figures of Hannah Arendt, Rachel Carson and Indira Gandhi.
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://lrb.me/applecrnature
In other podcast apps: https://lrb.me/closereadingsnature
More from the LRB:
https://www.lrb.co.uk/the-paper/v45/n24/alexander-bevilacqua/friend-or-food
https://www.lrb.co.uk/the-paper/v42/n22/pooja-bhatia/the-end-of-the-plantocracy
https://www.lrb.co.uk/the-paper/v39/n05/benjamin-kunkel/the-capitalocene
Meehan Crist and Alison Bashford on Indira Gandhi and the anthropocene:
https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/climate-politics-and-procreation-alison-bashford
Recommendations for the London Review Bookshop from Sunil Amrith: https://www.londonreviewbookshop.co.uk/blog/2025/october/british-academy-book-prize-2025-sunil-amrith-s-reading-recommendations
Learn more about your ad choices. Visit megaphone.fm/adchoices -
‘Instead of sheets – dirty tablecloths.’ The notebooks of Anton Chekhov are full of enigmatic observations such as this, the unexplained details that suggest a whole scene, short story or character. When asked by an actor how he should play the role of Trigorin in The Seagull, Chekhov simply answered: ‘he wears checked trousers’. As James Wood argues, this mastery of the telling detail is central to Chekhov’s radical realism. Unlike Flaubert and Ibsen, Chekhov sought to avoid imposing authorial meaning or irony, instead handing over perception to his characters. In this episode, James looks at three of Chekhov’s stories, ‘Gusev’ (1890), ‘The Bishop’ (1902) and ‘The Lady with the Little Dog’ (1899), and the ways in which each seeks to curb the judgment or expectations of the reader to foreground the experiences of his characters, even beyond death.
Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applecrwaor
Other podcast apps: https://lrb.me/closereadingswaor
Further reading in the LRB:
John Bayley on Chekhov's stories: https://lrb.me/realismep401
Donald Rayfield on Chekhov's love letters: https://lrb.me/realismep402
Joseph Frank on Chekhov's life: https://lrb.me/realismep403
James Wood on Chekhov's life: https://lrb.me/realismep404
Learn more about your ad choices. Visit megaphone.fm/adchoices -
When the Angles, Saxons and Jutes began settling across England in the wake of the Roman retreat in the early fifth century, the city they found on the north bank of the Thames was hardly a city at all. Within its walls were the great abandoned ruins of antiquity, ‘the works of giants’ as one Anglo-Saxon poet put it, and little else. For hundreds of years the site was patchily inhabited, but two features indicated its future importance. In 604, the first Bishop of London was appointed, leading to the continuous presence of Christianity and the founding of St Paul’s Cathedral; and down the river, the emergence of the Anglo-Saxon settlement of Lundenwic near where Covent Garden is today confirmed the area’s prime position as a trading centre.
By the time Alfred repelled the Danes in the ninth century, London’s value had been realised, and the symbolic movement of the royal court from Winchester to Westminster under Edward the Confessor set London’s trajectory. In this episode, Rosemary is joined by Matthew Davies, professor of urban history at Birkbeck, to trace this story of London through the multiple invasions, grand projects and power struggles that took it from a field of ruins to a flourishing medieval capital.
Reading by Duncan Wilkins
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applesignuplr
Other podcast apps: https://lrb.me/scsignuplr
Further reading in the LRB:
Eamon Duffy on Westminster: https://lrb.me/lrep301
Ferdinand Mount on Henry III: https://lrb.me/lrep304
Tom Shippey on Alfred: https://lrb.me/lrep302
Ysenda Maxtone Graham on the Strand: https://lrb.me/lrep303
Get in touch: [email protected].uk
Learn more about your ad choices. Visit megaphone.fm/adchoices -
When Milton came to describe Eve’s tasting of the forbidden fruit, he knew he couldn’t rely on suspense to grip the reader. Instead, he used multiple genres and perspectives to interrogate the moral and emotional significance of ‘man’s first disobedience’, self-consciously drawing on the resources of Renaissance tragedy, pastoral and love poetry to achieve his great innovation, the Christian epic. In this episode, Seamus and Mark look at the ways in which Milton’s study of temptation and free will became an unparalleled expression of poetic brilliance, from its thrillingly ambiguous and seductive depiction of Satan to its vivid dramatisation of the reproachful lovers confronting the consequences of their misdeeds, and ultimately its claim to being the finest love poem in English.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applesignupnp
Other podcast apps: https://lrb.me/scsignupnp
Read more in the LRB:
Colin Burrow: Loving Milton https://lrb.me/npmilton01
Tom Paulin: Milton and the Regicides: https://lrb.me/mpmilton02
Tobias Gregory: Milton’s Theology: https://lrb.me/npmilton03
Get in touch: [email protected].uk
Learn more about your ad choices. Visit megaphone.fm/adchoices -
In Blue Machine (2024), Helen Czerski refigures the ocean as an enormous planetary engine, converting light and heat into motion. Her book invites us to see the ocean not as an ‘absence’ but an intricate series of operations that makes life as we know it possible.
In this episode, Meehan Crist and Peter Godfrey-Smith reflect on the ways Czerski’s book has altered their thinking about the ocean, and whether new perspectives can ever be enough to change public policy.
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://lrb.me/applecrnature
In other podcast apps: https://lrb.me/closereadingsnature
Get the book: https://lrb.me/czerskicr
More from the LRB:
Richard Hamblyn on deep-sea exploration:
https://www.lrb.co.uk/the-paper/v27/n21/richard-hamblyn/hurrah-for-the-dredge
Katherine Rundell on the greenland shark:
https://www.lrb.co.uk/the-paper/v42/n09/katherine-rundell/consider-the-greenland-shark
Liam Shaw on coral:
https://www.lrb.co.uk/the-paper/v44/n22/liam-shaw/in-the-photic-zone
Amia Srinivasan reviews Peter’s book on octopus minds:
https://www.lrb.co.uk/the-paper/v39/n17/amia-srinivasan/the-sucker-the-sucker
Film: Forecasting D-Day
https://www.lrb.co.uk/podcasts-and-videos/videos/lrb-films-interviews/forecasting-d-day
Next episode: ‘The Burning Earth’ by Sunil Amrith
https://lrb.me/amrithcr
Learn more about your ad choices. Visit megaphone.fm/adchoices -
Dostoevsky’s 1864 novella doesn’t contain the descriptive detail, impersonal narration or many other features of 19th-century realism established by Flaubert. The book’s two-part structure, which starts with a 40-year-old’s furious rant against rationalism and moves on to present three humiliating episodes from his earlier life, offers no kind of conclusion. Instead, it is the unbearable moments of psychological truth that make ‘Notes from Underground’ a revolutionary development in the history of realism.
In this episode, James Wood is joined by the novelist and critic Adam Thirlwell to consider Dostoevsky’s mastery of the inner life and the experiences that shaped his hostility to rational egoism, from being subjected to a mock execution and four years in a Siberian prison camp to his reading of Hegel and a visit to London’s Crystal Palace.
Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Apple Podcasts: https://lrb.me/applecrwaor
Other podcast apps: https://lrb.me/closereadingswaor
Read more in the LRB on Dostoevsky:
John Bayley: https://lrb.me/realismep301
Daniel Soar: https://lrb.me/realismep302
Michael Wood: https://lrb.me/realismep303
Learn more about your ad choices. Visit megaphone.fm/adchoices - Laat meer zien
