Afleveringen
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This week Laura talks to writer, editor, and musician Sam Sodomsky about the trilogy of Great American Songbook albums, Shadows in the Night (2015), Fallen Angels (2016), and Triplicate (2017) – a move that for some legacy artists might be predictable, but that for Bob Dylan was a real curveball.
You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
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In this week’s Bob Dylan Hotline Laura and Rebecca about the way we listen to music – how do shifts in technology affect the way artists present their work and does that change the way we relate to it? Is the album still relevant or on its way out? And how does all this affect what we consider to be part of the Bob Dylan canon?
I barely ended up quoting from it, but do yourself a favour and read Graley Herren's excellent essay on Bob Dylan's 1980 San Francisco Residency.
If you have a question for us, send us a voice memo to [email protected].
For anything else get in touch at [email protected]You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
Book your Bob Dylan Walking Tour of NYC with Rebecca on ramblintours.com.
Get your Definitely Dylan baseball cap here.
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Zijn er afleveringen die ontbreken?
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This week on the Bob Dylan Hotline we're talking about Bob Dylan and Paul McCartney – two extraordinary artists whose paths have crossed several times over the decade, and whose influence on the other has been significant. They're similar in some ways, very different in others – let's talk about it!
Watch the video of this conversation on YouTube.
Check out Dean's radio show the TEN AM here:
If you have a question for us, send us a voice memo to [email protected].
For anything else get in touch at [email protected]You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
Book your Bob Dylan Walking Tour of NYC with Rebecca on ramblintours.com.
Get your Definitely Dylan baseball cap here.
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In this episode, Laura talks to history professor Court Carney about Bob Dylan and Nostalgia – Dylan’s relationship to the past and the future, The Odyssey, and Don Draper.
Here are a few things we reference that you might want to check out:
Eric Lott’s book, Love and Theft: Blackface Minstrelsy and the American Working Class, from which Dylan took the title of his 2001 album.
Mad Men - Carousel pitch
Mad Men - Don’t Think Twice scene
You can buy The Politics and Power of Bob Dylan’s Live Performances: “Play a Song for Me”, edited by Court and Erin C Callahan here.
You can read my essay in this collection, “Today and Tomorrow and Yesterday Too”, about Bob Dylan and Time in the 2020s –which I think is highly relevant in the context of this conversation– for free over on Patreon.
And you can watch the talk I gave in Miami about film, painting, and making time stand still over here:
Court’s Substack and website: https://www.courtcarney.com/
You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
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In today's Bob Dylan Hotline, Laura and Rebecca get a little mystical. Bob Dylan himself has often described the creative process as magical, and through the years has also been drawn to mysticism like the Tarot. We talk about creativity as alchemy, which Tarot card Bob Dylan most identified with, and the spell that music can cast.
The Tarot deck we’re referring to is the Rider-Waite-Smith deck from 1909, illustrated by Pamela Coleman Smith.
Listen to the podcast episode about Creation and Creativity in "My Own Version of You" and "Mother of Muses" here.
If you have a question for us, send us a voice memo to [email protected].
For anything else get in touch at [email protected]You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
Book your Bob Dylan Walking Tour of NYC with Rebecca on ramblintours.com.
Get your Definitely Dylan baseball cap here.
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Buried on one of Bob Dylan's lesser 80s albums, "Brownsville Girl" is consistently cited as one of his greatest and most ambitious songs. Co-written by playwright/screenwriter/director/actor Sam Shepard, the song originally came to life as "New Danville Girl”. It was recorded, put aside, and then ultimately rewritten and overdubbed before finally seeing the light of day.
Laura and Rebecca talk about creative collaboration, the alchemy of the songwriting process, and what we love about "Brownsville Girl"
Find the video of this conversation over on YouTube
Read Bill Lattanzi’s essay that we’re referring to over at the Dylan Review.
Find out more about Mason Moreno’s research into the Dylan/Shepard Tapes over on the Infinity Goes Up on Trialpodcast.
Read Sam Shepard’s play True Dylan over on Esquire.
Watch Gregory Peck’s entire speech introducing Bob Dylan here.
If you have a question for us, send us a voice memo to [email protected].
For anything else get in touch at [email protected]Get your Definitely Dylan baseball cap here.
You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan. -
This week on the Bob Dylan Hotline, Laura and Rebecca brainstorm the best songs and albums to introduce someone to Bob Dylan’s music.
Send us your question to [email protected] ([email protected] for all other inquiries)
Get your Definitely Dylan baseball cap here.
You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
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Laura talks to Jim Windolf, music journalist and features editor at the New York Times, about his new book Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other – and the World, out now with Scribner (US) and White Rabbit (UK).
You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
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Laura and Rebecca answer some more listener questions and talk parasocial relationships, the artist's humanity, and fan loyalty.
Send us your question to [email protected] ([email protected] for all other inquiries)
You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
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Laura and Rebecca discuss the new Bob Dylan Patreon, AI, and eventually answer a question.
Send us your question to [email protected]
You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
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A new podcast segment, in which Laura and Rebecca answer your questions about all things Bob.
This one's about movie soundtracks, collaborations, and Geese!
Send us your question to [email protected]
You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
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In this episode I talk to Chicago-based filmmaker, author, and college professor Michael Glover Smith about Bob Dylan the filmmaker, specifically his work on Eat the Document (1972), Renaldo & Clara (1978), and Masked & Anonymous (2003).
Michael’s new book Bob Dylan as Filmmaker: No Time to Think is published by McNidder & Grace on 2nd of March. If you’re in the Chicago area and interested in attending the book launch and screening of Masked & Anonymous on 35mm, you can get your tickets here.
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Being a Bob Dylan fan is a spectrum –whether you identify as a casual enjoyer if his music or a die-hard Bobcat, the umbrella is large and leaves room for multitudes.
Over the past year, many Definitely Dylan episodes have circled around the relationship between artist and audience, how Bob Dylan presents himself and how he is perceived. In the final conversation of 2025 (which you’re hearing in early 2026), we’re approaching this topic from a new angle.
My guest is Elizabeth Cantalamessa, an honest to god philosopher and one of the most fun people you can run into at a Bob Dylan show. We talk about Bob Dylan as the villain and trickster, selling out, and art as spiritual labour.
You can download the C. Thi Nguyen essay “Trust and Sincerity in Art” here.
Tiny correction:
The “Is there anything more American than America” wasn’t a Cadillac but a Chrysler commercial (watch it here). And btw, I’m burying this in the show notes because I’m not sure, but since we’re mentioning Lucy Sante at some point in this episode, I wanted to add that in her preface to Six Sermons for Bob Dylan (the book of sermons she wrote for the Trouble No More film), she mentions that she wrote a “Buick commercial” for him. As far as I’m aware, Dylan has never done a Buick commercial, unless you count the song “From a Buick 6”, so I’m wondering if she was maybe referring to this Chrysler commercial.Bob Dylan and Santana - Toy Guns clip
Bob Dylan and Neil Young - “More of the same”
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You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Theme music by Robert Chaney
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Recently the founder of The Daily Dylan was asked to leave a Bob Dylan concert, apparently for having shared illegally recorded concert videos.
Today we’re talking about the relationship between Bob Dylan and his fans, particularly their ideas of how his music should be engaged with are at odds with the artist’s own.
Find more Rebecca Slaman on her Substack and Twitter. Book a Walking Tour of Bob Dylan’s NYC with Ramblin’ Tours and follow them on Instagram.
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You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan. -
Bob Dylan – the myth, the legend, the enigma? In this episode I revisit an old radio episode on Bob Dylan the Stranger.
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Just over a week after I published a whole episode about how Bob Dylan doesn’t want to be filmed or photographed, he appeared as part of the 40th Farm Aid benefit concert, which was broadcast and live streamed, giving us rare good quality footage of a present day Bob Dylan set!
I invited friends of the pod Rebecca Slaman and Britt Eisnor to discuss the occasion with me. The discussion of the actual Farm Aid set begins at 31:07.
Follow Rebecca on Twitter and Substack, and Britt on Instagram, Twitter or Substack.
Watch Bob Dylan’s set at Farm Aid here.
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At the most recent Outlaw shows, Bob Dylan has been shielding himself from view and it’s become a pretty popular talking point last week. I’ve been thinking about that as well as the upcoming Bootleg Series, filtered it through a 90 year old essay on art and technology and this is the result. 🧡
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You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
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An episode about twins, doubles & duality from the radio archives.
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You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
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Legend has it that Bob Dylan once left his iPod behind and someone copied the contents.
With Canadian musician and songwriter (and future Bob Dylan podcaster) Tim Swaddling).
Find the Spotify playlist “Bob Dylan’s iPod” here.
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You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.
Fred Bals’ blog on Medium
Songs in this episode:
“Let Me Play With Your Poodle” - Hank Penny (Theme Time Radio Hour ep. Thanksgiving Leftovers. CORRECTION: Bob actually played the version by Tampa Red & Big Maceo, but he played several other songs by Hank Penny on the show)
“Smoking in the Boys Room” - Brownsville Station (Theme Time Radio Hour ep. Smoking)
“Mansion on the Hill” - Vernon Oxford
“You Hit Me Like an Atomic Bomb” - Fay Simmons
“Jumping at the Record Shop” - Slim Gaillard
“Whatcha Gonna Do” - George Jones
“It’s a Great, Great Pleasure” - Louis Jordan
“Dragnet For Jesus” - Sister Wynona Carr
“When I Stop Dreaming” - Louvin Brothers
“Killer Joe” - Toots Thielman
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Laura revisits a radio episode from the archives about April anniversaries, some good, many disastrous. And there’s a little side quest about Bob Dylan and Modernist poetry.
One note – I forgot to mention that the performance of “Spring Can Really Hang You Up the Most” is by Betty Carter.
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