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In the tapestry of American entertainment, Red Skelton threads a vibrant color of joy. His journey with NBC began in 1939, a time when radio was the hearth around which America gathered. Sponsored by Avalon Cigarettes, Skelton's voice became a familiar comfort with "Avalon Time." As the world braced for change, on October 7, 1941, Skelton offered a new respite, "The Raleigh Cigarette Program." Here, he wove together a patchwork of characters, each unique in their follies and affections, from the lovably disoriented Cauliflower McPugg to the ever inebriated Willie Lump-Lump.One could hear the laughter of a nation in Junior's catchphrase, "I dood it!" — a phrase that wiggled its way into the very lexicon of America. There was the crafty San Fernando Red, with his peculiar seagull companions, Gertrude and Heathcliffe, and the endearing Clem Kadiddlehopper, whose naiveté often outshone the glitter of high society, much to the chagrin of his cynical father.In those times of global unrest, Skelton's show became a vessel for unity, aiding the war effort by selling bonds, and graced by the Nelson family and the melodic waves of the Ozzie Nelson Orchestra.Yet, the laughter paused in March 1944 when duty called Skelton to serve. Despite a trying time overseas that challenged his spirits, he returned with his humor unscathed, remarking with a chuckle, "I was the only celebrity who went in and came out a private."The show's heartbeats resumed on December 4, 1945, with Skelton breathing life into new follies and characters. The show blossomed with the voices of Lurene Tuttle and Verna Felton, the orchestral talents of David Forrester and David Rose, and the vocals of Anita Ellis, before its final curtain in 1949.As time marches on, an irony unfurls: though Skelton's television legacy casts a long shadow, it's the echoes of his radio days that now find a way into the eager hands of nostalgia seekers, a testament to the enduring allure of a voice and a spirit that captivated a nation.
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In the late 1940s, CBS chairman William S. Paley, a fan of the Philip Marlowe radio series, asked his programming chief, Hubell Robinson, to develop a hardboiled Western series, a show about a "Philip Marlowe of the Old West". Robinson instructed his West Coast CBS Vice President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task.Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye" based on one of their Michael Shayne radio scripts, "The Case of the Crooked Wheel" from the summer of 1948. Two versions were recorded. The first, recorded in June 1949, was very much like a hardboiled detective series and starred Michael Rye (credited as Rye Billsbury) as Dillon; the second, recorded in July 1949, starred Straight Arrow actor Howard Culver in a more Western, lighter version of the same script. CBS liked the Culver version better, and Ackerman was told to proceed.A complication arose, though; Culver's contract as the star of Straight Arrow would not allow him to do another Western series. The project was shelved for three years when producer Norman Macdonnell and writer John Meston discovered it while creating an adult Western series of their own.Macdonnell and Meston wanted to create a radio Western for adults, in contrast to the prevailing juvenile fare such as The Lone Ranger and The Cisco Kid. Gunsmoke was set in Dodge City, Kansas, during the thriving cattle days of the 1870s. Dunning notes, "The show drew critical acclaim for unprecedented realism."Radio cast and character biographiesThe radio series first aired on CBS on April 26, 1952, with the episode "Billy the Kid", written by Walter Newman, and ended on June 18, 1961. The show stars William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell, and Parley Baer as Dillon's assistant, Chester Wesley Proudfoot.
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Mixing Music is a podcast hosted by mix engineers, Dee Kei (@DeeKeiMixes) and Lu Moreno (@MasteredByLu). It is a show about mixing techniques, audio production, mindsets, business advice, and everything Dee Kei & Lu have learned and will continue to learn through their music careers.
The Mixing Music Podcast also covers topics like plugins, DAWs, mixing engineers, mastering engineers, producers, and even tips and tricks for Pro Tools, Logic, FL Studios, Ableton, Studio One, Cubase, and more.
In our exclusive episodes, James Parrish (@jamesdeanmixes) and Dee Kei react to interviews with various audio engineers, music producers, and YouTubers to help you understand the most useful advice for making better music
The Mixing Music Podcast is sponsored by Antares (Auto Tune), Plugin Boutique, Lauten Audio, Sweetwater, & Filepass,
Find Dee Kei and Lu on Social Media:
Instagram: @DeeKeiMixes @MasteredByLu
witter: @DeeKeiMixes
Join the ‘Mixing Music Podcast’ Group: Discord & Facebook
The Mixing Music Podcast is filmed and recorded at Dee Kei's Personal Mixing Studio in Los Angeles, California.
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Matt Koplik is the most opinionated, foul-mouthed, and passionate theatre geek with access to a mic. Every week, Matt and a guest explore Broadway history by diving into the careers of the artists who shaped it. Whether discussing Sondheim and Sweeney or Herman and Dolly, Matt is sure to give you fun facts, deep analysis, and lots of four letter words. Tune in!!
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An unofficial fan podcast all about 'The Archers' on BBC Radio 4 based in Ambridge.
Mid week catch-ups and weekend cast interviews.
With Philippa, Katie, Lauren & Quentin.
Each week Philippa will be joined by one of the team to chat about what happened, so far, that week.
Hosted on Acast. See acast.com/privacy for more information.
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The show dedicated to revealing the plays of William Shakespeare as tasty entertainment for today’s hungry audience. Be you actor or observer, this show offers a fresh look at some very old goods.
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A Broadway podcast just for you! Join Bryan (@nuttyplofessor), Kevin (@jaegerkev), and Kimberly (@kimbercoops) every Tuesday as they hang out with members of the Broadway community. Fun games, crazy conversations, and all kinds of drinks with your favorite theatre people. Follow them on twitter and instagram: @broadwaysted
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Welcome to the Jazz Congress Podcast, showcasing discussions between musical luminaries attending one of the jazz industry’s premiere networking events.
Presented by Jazz at Lincoln Center and JazzTimes, Jazz Congress is an annual conference designed to bring together artists, media, and industry leaders in the global jazz community to exchange ideas and nurture the jazz community and support the music. To learn more and purchase tickets, visit jazzcongress.org. -
The professional storytellers at StoryLink Radio, known as Seanchaí, are committed to bringing stories to Life through the spoken word as in traditional oral storytelling. We present stories of many genres...
Ancient Myths and Legends, short stories, full length novels, science fiction and high fantasy, philosophy, traditions, drama, fiction, non-fiction, romance, theatre, ghosts & haunts, suspense, stories of the strange, and more!
Our stories may be drawn from contemporary sources, or from some dusty near-forgotten tome. Regardless it is a treat like no other to listen to the stories & tales presented in a "live" format with the emotion and feeling a true professional storyteller brings.
The Seanchai's job is much more than purely entertainment. The Seanchaí is the custodian of stories and traditions in need of preservation, and possesses the skill to ignore the inhibitions of modern day stifled conversations and instead focuses their attention on presenting those of us with keen ears - with the stories of the past, sometimes the present and, perhaps, even of what's to come.
The infectious tones that we hear from their lips allow us to momentarily slip away from the modern day and very real world and conjure up images of Yesterday, Tomorrow, and Fantasy.
So enter here, and let us be your Seanchaí for a time! -
This is a series of podcasts captured from live/video chats with HKU MUSE Artists at the University of Hong Kong, hosted by professors in the Music Department. Find out what music resonates in the artists’ minds in challenging times, how their musical journeys unfold, and their thoughts on the works that they present in the HKU MUSE Concert Series. Many of the episodes have an accompanying Spotify playlist with the music discussed during the conversation.
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Shipwreck: A History Play About 2017
Audio Version and Original Stage Play by Anne Washburn
Directed and Freely Adapted by Saheem Ali
Produced by The Public Theater In a co-production with Woolly Mammoth Theatre Company
Original Music Composed and Performed by The Bengsons
Sound Designer Palmer Hefferan
Audio Engineering by UltraViolet Audio; Matt Boynton Owner and Chief Engineer; Lead Audio Engineer Ania Grzesik
Assistant Audio Engineer Beth Lake
In Fall 2020, as the election draws near, tune in to a searing and searching new audio drama from acclaimed playwright Anne Washburn about America’s present-day divisions, seen through the eyes of the very recent past. SHIPWRECK centers on a group of liberal friends gathered at an upstate farmhouse on a day of crystalline beauty. While the weather outside grows increasingly apocalyptic and the conversation within grows precariously honest, the group discovers that in turbulent times, every dinner invitation comes at a cost. Slated to be a stage production in The Public’s 2020 season, SHIPWRECK has been re-worked specifically for an audience listening from home or headphones. Saheem Ali directs this harrowing and hilarious masterpiece about race, religion, family and the nightmarish fallout of the American experiment.
Featuring Mia Barron , Brooke Bloom, Phillip James Brannon , Bill Camp, Rob Campbell, Raúl Esparza, Sue Jean Kim, Jenny Jules, Bruce McKenzie, Joe Morton, Jeremy Shamos, and Richard Topol. -
高容玄幻歷史武俠：殘天闋、武唐、十朝，後黃易時代的武俠新傳奇！
高容擅長以優美精練的文字，架構出大時代場景，情節布局深遠，畫面生動如影劇，更散發著雋
永的人文哲思。
首部作品《殘天闋》一出版即震撼武林，被喻為東方版的《權力遊戲：冰與火之歌》
節目中，除了小說內容首次公開連載，更將深談創作概念。
殘天闋有聲武俠小說 2021.1.25起，週一至週四，每晚10點播出
作品列表：
2013年，以豐富奇想、開闊深刻的內容，出版130萬字魔幻武俠鉅作《殘天闋》。
2015年，以考究的史學，融合玄幻武俠，推出95萬字古典優雅的《武唐》。
2019年，以嚴謹的編年史蹟、磅礴大氣的五代十國為背景，推出73萬字《十朝》首部曲《隱龍》。
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Soundfly 聲音新翅膀-監製全球發行
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傳遞心動的聲音 製造聲音的幻想世界
Love!Love!播聲計畫
是一群由Podcaster組成的廣播劇團。希望可以用聲音傳遞美妙的故事。
如果你也喜歡廣播劇，也喜歡聽故事，歡迎追蹤我們
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等待的時刻，通勤的時刻，一杯咖啡的時間，就能在推理、懸疑、浪漫、耽美BL之間探索不同的世界！
本podcast放置作者本生燈的小說創作，故事會邀請聲音演員以有聲書、廣播劇的方式呈現！
背景配樂：《生式軼聞》／黃明雅（小太陽）
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鬼故事恐怖的地方在於，無意間聽到的
我是勃勃
我會用輕鬆的方式來分享恐怖故事
大部分的故事都來自身邊朋友經歷、網路上故事
而故事會在稍微修正後再做成節目唷
喜歡我的可以訂閱我唷~~
如果聽眾有不錯的故事也可以寄信給我
我會幫你們錄製成節目
信箱:[email protected]
平均一周上1-2集節目~
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我們相信文學擁有治癒人心的力量。夢迴書房，與你分享每一個難忘的故事。
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No one would have believed, in the last years of the nineteenth century, that the Earth was being scrutinised and studied from across the gulf of space. With infinite complacency, humanity went about its little affairs, serene in its assurance of its empire over matter. It is possible that the micro-organisms we watch under a microscope, do the same. Few people gave thought to the idea of life on other planets, and none imagined that it could be so vastly superior in intellect to ourselves. No one considered the possibility of extra-terrestrial danger. Yet the eyes that regarded our planet were envious and unsympathetic, and slowly and surely drew their plans against us.
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Binge hundreds of your favorite Mystery and Suspense Stories!
View our entire collection of podcasts at www.solgood.org
All Librivox recordings are in the public domain
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月下地圖日常中透過分享書本中的觀點和身邊的事物給大家。靜下來的時間，尋回最初的力量，成為最真實的自己。
從小到大經常聽到大人們叫自己俾心機聽書或俾心機讀書。一向左耳入右耳出的我，長大後才發現閱讀書本和文章的樂趣。隨著科技發展，人們對書本同文字的熱度減少，隨之而來影片媒體變得更加多人關注。在這個快速運轉的世界，我想透過有聲書的形式，分享書本、分享文章、分享文字給大家。
另一方面可以令到更多人認識廣東話，令廣東話可以保存落去。
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"Kashtanka," a shaggy-dog story penned by Anton Chekhov in seven parts and first published in 1887, relates the experiences of its eponymous heroine, a fox-faced, reddish dachshund-mix, whose name means 'little chestnut.' After her detestation of music causes her to become separated from the carpenter with whose family she had been living, Kashtanka finds herself taken up by an unusual vaudevillian and goes to live among an assortment of other intelligent animals, each of whom is observed with the characteristic empathy and humor that stamp Chekhov's work.
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This is a Librivox Recording. All Librivox recordings are in the public domain.
