Afleveringen
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Artist and photographer Ingrid Pollard and curator Freya Monk-McGowan discuss the history behind the Lesbian Archive, now housed at Glasgow Womenâs library, and how it led to Ingridâs exhibition No Cover Up.
Audio extracts from No Cover Up are used with permission of artist, Ingrid Pollard.
Read the episode 11 transcript.
Visit the website at: glasgowinternational.org
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete BurnsGI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
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Filmmaker Margaret Salmon and curator Kirsteen Macdonald discuss how feminist economics was the starting point for their exhibition âHome Economicsâ which centres around Margaretâs new film âIcarus (After Amelia)â.
Extracts from Icarus (After Amelia) are used with permission of Margaret Salmon, Maria Fusco and Tracyanne Campbell
More info here:
https://glasgowinternational.org/digital-events/margaret-salmon-home-economics/
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete BurnsGI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
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Zijn er afleveringen die ontbreken?
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In this episode D. Graham Burnett and Sal Randolph discuss their upcoming GI event âThe Dance of Attentionâ, their involvement in the research collective ESTAR(SER) www.estarser.net and their shared interest in the history and practices of attention.
More info here:
https://glasgowinternational.org/digital-events/d-graham-burnett-stevie-knauss-sal-randolph/Production Credits:
Producer: Lynsey Moyes
Original Music: Pete BurnsGI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
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This episode is an edited version of an event which was recorded in April 2020 as part of Glasgow Internationalâs online programme. GI director, Richard Parry, chairs a panel discussion on the Festivalâs theme of âAttentionâ with guests Orit Gat, Brian Dillon and Stefanie Hessler.
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete BurnsGI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
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Graham Fagen and Maria Fusco reflect on the importance of names and how they relate to our identity and culture - themes explored in Grahamâs exhibition âThe Ping Pong Club (an archive of the misspelling of Graham Fagen)
Gl2021 runs 11 â 27 June. Visit the website at: https://glasgowinternational.org/
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete BurnsGI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
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In Part Two of their conversation, Awuor Onyango and Sekai Machache explore the legacy of African diaspora in Scotland and Kenya and talk about the perspectives gained from their respective journeys to Glasgow and Nairobi.
(Strong language warning)
Gl2021 runs 11 â 27 June. Visit the website at: https://glasgowinternational.org/
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete BurnsGI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
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Awuor Onyango and Sekai Machache talk about how their friendship developed whilst working on their joint exhibition Body of Land which touches on themes of diaspora, ancestry, spirituality and femininity.
Gl2021 runs 11 â 27 June. Visit the website at: https://glasgowinternational.org/
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete BurnsGI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
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Attention is the theme of this yearâs Glasgow International Festival. One of its early events is a screening of Twelve Theses on Attention - a film inspired by the document of the same name drafted by The Friends of Attention, whose members include Stevie Knauss and D Graham Burnett. In this episode Stevie and Graham discuss the background to the creation of the Friends of Attention and why thereâs an urgent need to generate conversation around the subject.
Gl2021 runs 11 â 27 June. Visit the website at: https://glasgowinternational.org/
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete Burns
Readings from âTwelve Theses on Attentionâ (The Friends of Attention)GI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
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Catalina Barroso-Luque and Daniella Valz Gen discuss the forced evolution of their joint project Deslices during the Covid crisis. Occupying the spaces âwhere bodies are lost in translationâ, they explore how language has influenced the work and the similarities and differences between their respective Latin American and South American identities.
Gl2021 runs 11 â 27 June. Visit the website at: https://glasgowinternational.org/
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete Burns
Extracts from Deslices used with permission of Catalina Barroso-Luque and Daniella Valz Gen. Sound design in Deslices: Richard McMaster.GI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
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Aman Sandhu and Andrew Black describe the inspiration behind their joint exhibition âThe Magic Roundabout and The Naked Manâ. They explore their shared interest in challenging accepted norms and reflect on how their friendship has affected their creative practice.
Gl2021 runs 11 â 27 June. Visit the website at: https://glasgowinternational.org/
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete Burns
Extracts from The Naked Man in April used with permission of artist, Andrew Black
GI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund -
Richard Parry, director of Glasgow International, introduces the Encounters podcast which brings together artists, curators, writers and makers in a series of creative conversations. The hope is to generate fresh perspectives on art and its role in the world now, as well as shedding light on individual and collaborative creative processes. Richard also gives some background into the decision to choose âAttentionâ as the theme of this yearâs Glasgow International.
Gl2021 runs 11 â 27 June. Visit the website at: https://glasgowinternational.org/
Production Credits:
Producer: Lynsey Moyes
Original Music: Pete Burns
GI Encounters is supported by the Scottish Governmentâs Expo and Arts Fund
