Afleveringen

  • Stuck in the middle of the virtuosic violins and the charming celli, the viola seldom gets the spotlight and has been the butt of many an orchestral joke. This episode we talk about a beautiful and often misunderstood inner voice of the orchestra with the help of some of our amazing ESO violists. “Tune in” as we answer the age old questions: What is a viola? What makes them so unique? And why-oh-why are there so many viola jokes?

    Featuring the voices of Principal Violist Keith Hamm and Assistant Principal Violist Ethan Filner.

    You can find the transcript of this episode here,

    Show Notes:

    Sensational Strings - Summer Day Camps at the Winspear Centre

    https://www.winspearcentre.com/tommy-banks-centre/summer-day-camps/

    Rusty Musicians - Summer Camp

    https://www.winspearcentre.com/tommy-banks-centre/rusty-musicians/

    YONA’s Road to Joy Fundraising Concert

    https://www.winspearcentre.com/tickets/events/other/2021/road-to-joy

    Keith Hamm

    Bio

    https://www.winspearcentre.com/more/about/about-eso/meet-the-musicians/strings/keith-hamm/

    Beethoven - Eyeglasses Duo for Viola and Cello | Keith Hamm & Julie Hereish

    https://www.youtube.com/watch?v=G_X6kvwRZic

    Keith Spotify Playlist

    https://open.spotify.com/playlist/1RV71l6sbcKTroIpF6udxK?si=f2d3743383fd4503

    Ethan Filner

    Bio

    https://www.winspearcentre.com/more/about/about-eso/meet-the-musicians/strings/ethan-filner/

    Two Pieces for Violin and Viola | Ewald Cheung & Ethan Filner

    https://www.youtube.com/watch?v=vtvxmXscwL8

    Ethan Spotify Playlist

    https://open.spotify.com/playlist/4BP3uxtLz9XuKT6WHpTZct?si=c5e82e6a81f94ea9

    The Strad

    The History of the Viola Joke

    https://www.thestrad.com/playing-and-teaching/the-history-of-the-viola-joke/5399.article

    WQXR

    Why is the VIola the Butt of so Many Jokes?

    https://www.wqxr.org/story/why-viola-butt-so-many-jokes/

    Carl Rahkonen

    No Laughing Matter: The Viola Joke as Musicians Folklore

    http://www.mit.edu/~jcb/jokes/viola-presentation.html

    New World Symphony

    Viola Visions Festival

    https://www.nws.edu/viola-visions/watch-now/

    National Music Museum: Rivinus Viola

    http://collections.nmmusd.org/Violas/Rivinus/10830/RivinusViola.html

    National Music Museum: Tenor Viola

    http://collections.nmmusd.org/Violas/Guarneri3354/3354GuarneriViola.html

    The Met Museum: Viola d’Amore

    https://www.metmuseum.org/art/collection/search/504490

    The Met Museum: Viola da Gamba

    https://www.metmuseum.org/art/collection/search/503219

    Berliner Philharmoniker Master Class - Viola

    https://www.youtube.com/watch?v=aW0ncJ3-dxQ

    The New York Times

    This is What a $45 Million Viola Sounds Like

    https://www.youtube.com/watch?v=Xe11Pp1g39I

  • Did you know that the Edmonton Symphony Orchestra is 68 years old?! Join us this episode as we take a trip down memory lane to learn more about the early days of the ESO by speaking to musicians that were there from the beginning.

    Featuring the voices of ESO Cellist Ronda Metszies and her mother Hope Metszies, First Violinist Broddy Olson and Musicologist David Gramit!

    Ronda Metszies

    Bio

    https://www.winspearcentre.com/more/about/about-eso/meet-the-musicians/strings/ronda-metszies/

    ESO 101

    https://www.youtube.com/watch?v=D8_11aTGQWM

    Happy 90th Birthday to Hope Metszies Concert

    https://www.youtube.com/watch?v=0fNg1thNTdg

    Edmonton Journal article feat. Hope Mestszies

    https://edmontonjournal.com/entertainment/local-arts/edmonton-symphony-marks-100-years-since-first-eso-concert

    Broddy Olson

    Bio

    https://www.winspearcentre.com/more/about/about-eso/meet-the-musicians/strings/broderyck-broddy-olson/

    David Gramit

    Bio

    https://www.ualberta.ca/wirth-institute/people/wirth-institute-academic-advisory-board/david-gramit.html

    Winspear Centre

    ESO history

    https://www.winspearcentre.com/more/about/about-eso/history/

    Procol Harum Info and CD

    https://www.winspearcentre.com/more/about/about-eso/eso-recordings/procol-harum/

    Tommy Banks

    https://www.winspearcentre.com/more/about/about-winspear/history/tommy-banks/

    The Canadian Encyclopedia

    The Edmonton Symphony Orchestra

    https://www.thecanadianencyclopedia.ca/en/article/edmonton-symphony-orchestra-emc

    Music in Edmonton

    https://www.thecanadianencyclopedia.ca/en/article/edmonton-alta-emc

    Edmonton Historical Board

    The Capitol Theatre

    https://www.edmontonsarchitecturalheritage.ca/index.cfm/structures/capitol-theatre/

    The New Yorker

    Jane Little video

    https://www.youtube.com/watch?v=qNBRl8taaQM

    Rusty Musician Summer Camp

    https://www.winspearcentre.com/tommy-banks-centre/rusty-musicians/

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  • What are conductors up to on the podium, anyways? This episode we speak to four conductors in Canada to find out! Join us as they share stories, tips, and insights from on-and-off the podium - answering common questions and debunking some myths about the profession. (Bonus!) Musicologist Dave Baker speaks to us about some of the history of the ever-changing role of conductors over time.

    Featuring the voices of ESO Chief Conductor Alex Prior, ESO Assistant Conductor and Community Ambassador Cosette Justo Valdés,

    Allegra Chamber Orchestra Conductor and Music Director Janna Sailor, ESO Musicologist Dave Baker.

    Artist in Residence and Community Ambassador at Symphony Nova Scotia/Barrett Principal Education Conductor & Community Ambassador with the Toronto Symphony Orchestra Daniel Bartholomew-Poyser.

    Show Notes

    Dave Baker | Bio, ESO 101 videoDaniel Bartholomew-Poyser | Website, Disruptor Conductor Documentary, FacebookThe Canadian Encyclopedia | The Brunswick FourCosette Justo Valdés | Bio, ESO 101 videoMusic Appreciation course: The Music of Latin AmericaJanna Sailor | Website, FacebookAllegra Chamber Orchestra | Website, Facebook, Composer Mentorship ProgramAlex Prior | Bio, FacebookMusic Appreciation course: Innovation & Inspiration: New Music of the Last Century
  • What is the difference between a violin and a fiddle? Join us this episode to find out as we look at the history of this instrument in Canada, and the impact it has had along the way. Learn more about the wonderful and diverse world of fiddling from Fiddlers, Historians and Musicologists. One thing we can guarantee- this episode is sure to get your feet tapping!

    Featuring the voices of Métis fiddler John Arcand, Historian Laureate Amber Paquette, Old Time fiddler Calvin Vollrath, Musicologist David Gramit, Fiddler Daniel Gervais, and Edmonton Traditional Métis Dancer Lyle Donald!

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    Show Notes

    Links Mentioned

    Amber Paquette | Website | Instagram | FacebookJohn Arcand | WebsiteEdmonton Traditional Métis Dancers | Facebook, WebsiteCalvin Vollrath | WebsiteDaniel Gervais | WebsiteDavid Gramit | BioThe Canadian Encyclopedia | Fiddling, Music of the Métis, James BradyThe National Film Board of Canada | The Fiddlers of James Bay, How the Fiddle FlowsPEI Guardian | National Fiddle Day Senate footageEdmonton City as Museum Project | Garneau: A Neighbourhood of NationsEdmonton City Archives | Laurent Garneau PhotosRamona Sinclair | Manitoba Historical Society, Manitoba ArchivesFrances Beardy | Bio, Manitoba Historical Society
  • Mozart once said "in my eyes and ears, the organ will forever be the King of Instruments." Why, you may ask? Join us to find out! We pull out all the stops to explore this unique instrument - from its history to talking shop with organ builders, players, and maintainers. As a bonus, you’ll also get an audio tour of the instrument's power and capabilities. If you don't already love the organ, you will by the end of this episode!

    Featuring the voices of Organist Jeremy Spurgeon, Davis Concert Organ Curator Jerrold Eilander, Musicologist D.T Baker, and Vice President and Artistic Director of Orgues Létourneau Andrew Forrest.

    Show Notes

    Links Mentioned

    Davis Concert Organ | Info, Book a Tour!Jeremy Spurgeon | Bio, Toccata and Fugue in D minor videoD.T Baker | Bio, CourseEdmonton Journal | Hidden Spaces: Davis Concert Organ (feat. Jerrold Eilander)Orgues Létourneau Ltée | WebsiteAndrew Forrest | BioThe Art of the Organ-Builder book | InfoOpus d'Amour documentary | The Making of the Davis Concert OrganChristopher Herrick | Organ Fireworks Recording

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  • We’ve all heard that expression “Practice Makes Perfect”, but what does this really mean? This episode we take a closer look at practicing and performance psychology - examining what goes through the mind of a performer when it’s time to walk on stage. This is Part Four of our “Behind the Screen” series that takes a deep dive into the past, present and future of orchestral auditions.

    This episode features the voices of ESO principal bassoonist Bianca Chambul, her father and former Olympic athlete Dr. Borys Chambul, as well as the expertise of the Peak Performance Psychologist Dr. Don Greene and audition coach and Metropolitan Opera percussionist Rob Knopper.

    Show Notes:

    Links Mentioned:

    Bianca Chambul - BioBianca Chambul & Alex Prior - Mendelssohn Song Without WordsDr. Borys Chambul - WebsiteDr. Don Greene - Website, Ted TalkRob Knopper - Website

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  • The screened audition process was adopted by orchestras in the 70’s and 80’s to try to reduce bias in the hiring process- but is it still working? This episode we look at the role of an orchestral musician in the 21st century and discusses how to change the paradigm to achieve diversity and inclusion through music. This is Part Three of our “Behind the Screen” series that takes a deep dive into the past, present and future of orchestral auditions.

    Featuring the voices of ESO Music Director Emeritus Bill Eddins and Afa Dworkin, President and Artistic Director of The Sphinx Organization.

    Show Notes:

    Links Mentioned:

    Bill Eddins - Bio, WebsiteMetroNOME brewery - Facebook, WebsiteAfa Dworkin - BioThe Sphinx Organization - Composer Resource DirectoryThe Sphinx Organization - Catalog of Latin American Cello WorksPhilip Herbert - Website, Sphinx Virtuosi recordingAllan Gilliand - Website, ESO recordingThe New York Times - To Make Orchestras More Diverse, End Blind AuditionsThe New York Times - Musicians on How to Bring Racial Equity to Auditions

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  • Orchestras everywhere were once “Boys Only Clubs”. This episode we look into the gender bias and the history of women in Canadian orchestras. Join us for Part Two of our “Behind the Screen” series that takes a deep dive into the past, present and future of orchestral auditions.

    Featuring the voices of Musicologist and author of the book From Kitchen to Carnegie Hall: Ethel Stark and the Montreal Women's Symphony Orchestra Maria Rachwal, ESO Assistant Principal Trombone Kathryn Macintosh, and ESO Assistant Conductor and Community Ambassador Cosette Justo Valdés.

    Show Notes:

    Links Mentioned:

    ESO Recording - A Concert for New YorkMaria Noriega Rachwal’s book- From Kitchen to Carnegie HallCosette Justo Valdés - BioKathy Macintosh - BioOrchestras Canada - Leadership and Gender in Canadian Orchestras

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  • Musicians in the orchestra come from all walks of life, but there is one thing that we all have in common - auditions. This episode, we look at what a musician must go through in order to win a seat in the Edmonton Symphony Orchestra. This is Part One of our “Behind the Screen” series that takes a deep dive into the past, present and future of orchestral auditions.

    Featuring the voices of ESO Concertmaster Robert Uchida, Principal Cello Rafael Hoekman, and Assistant Principal Trombone Kathy Macintosh.

    Show Notes:

    Links Mentioned:

    Robert Uchida - BioRobert Uchida - Bach’s Sonata No.2 “Allegro”Rafael Hoekman - BioKathy Macintosh - Bio

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  • Welcome to ESO Offstage - a new podcast that gives you an insider's look into the Edmonton Symphony Orchestra and its community. Join ESO double bassist Max Cardilli as he covers the rapidly evolving world of the orchestra by speaking with people from all walks of life. ESO, like you've never heard it before.

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