Afleveringen
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In an exclusive audio documentary, discover the behind the scenes of the ballet "Grace, Jeff Buckley Dances" supported by CHANEL. Blurring the boundaries between film, dance, visual arts and music, this new creation choreographed by Benjamin Millepied celebrates Jeff Buckley, a mythical figure of the late 20th-century rock scene. Accompanied by musicians covering Jeff Buckleyâs iconic songs, namely the tracks from "Grace", the artistâs only album, twelve dancers give life to a series of tableaux recounting the artistâs artwork and fate.
Ever committed to contemporary creation and dance, CHANEL is honoured to be supporting Benjamin Millepiedâs tribute to Jeff Buckley.
The first performances of "Grace, Jeff Buckley Dances" take place at La Seine Musicale in Paris from 5th to 10th November 2024.
Conversation led by Caroline Broué.
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Pour la quinziĂšme Ă©dition des Rendez-vous littĂ©raires rue Cambon consacrĂ©e Ă lâĂ©crivaine Colette et qui sâest tenue Ă la librairie 7L, Ă Paris, CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison, ont invitĂ© lâautrice Emmanuelle Lambert ainsi que lâactrice et amie de la Maison ClĂ©mence PoĂ©sy.
AnimĂ©e par la journaliste Olivia Gesbert, cette conversation aborde le cheminement de Colette vers lâĂ©mancipation, la façon dont elle nâa cessĂ© de se rĂ©inventer tout au long de sa vie, ainsi que son rapport Ă lâĂ©criture et Ă la nature qui sont intrinsĂšquement liĂ©s.
Collection Harlingue / Roger-Viollet
Colette, Toby-chien parle (in « Les Vrilles de la vigne ») © Librairie ArthÚme Fayard et Hachette Littératures, 2004
© La Nouvelle Revue Française
Colette, La Vagabonde © 1910-1926-1992 Albin Michel
Colette, Chéri © J. Brouty, J. Fayard 1956, © Librairie ArthÚme Fayard, 1984
Colette, Le Blé en herbe © Flammarion, Paris, 1969
PremiĂšre Ă©dition de La Chatte : 1933. © 1931, 1982 et 2007, Librairie ArthĂšme Fayard et Ăditions Grasset et Fasquelle
Colette, La Naissance du jour © Flammarion, 1928
Colette, Sido ; 1er édition 1930 © Librairie ArthÚme Fayard et Hachette Littératures, 2004
Colette, Claudine à l'Ecole © 1900-1930 Albin Michel
Colette, La Retraite sentimentale © Mercure de France, 1907 et 1922
INA, Entretiens avec Colette, 1950
Colette, Les Vrilles de la vigne ; 1ere édition 1958 © Librairie ArthÚme Fayard et Hachette Littératures, 2004
Virginia Woolf, Une chambre Ă soi, 1929
Colette, La fin de Chéri © Flammarion, 1983
Annie Ernaux lors du discours du Prix Nobel de 2022
Choderlos de Laclos, Les Liaisons dangereuses, 1782
Colette, Mes apprentissages : 1ere édition 1936 © Librairie ArthÚme Fayard et Hachette Littératures, 2004
Jean Cocteau, extrait de Passé défini, 1953
© Académie Goncourt
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Zijn er afleveringen die ontbreken?
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Ăcoutez la journaliste Lauren Bastide en conversation avec NadĂšge Erika, autrice dâun premier roman, « Mon petit », publiĂ© aux Ă©ditions Livres AgitĂ©s en 2023. Au cours de cet Ă©change avec Lauren Bastide, NadĂšge Erika souligne le poids du silence et des tabous familiaux et dĂ©crit son rapport compulsif Ă lâĂ©criture. Ensemble, elles Ă©voquent Ă©galement lâimportance, dans son roman, du quartier de Belleville Ă Paris, marquĂ© par des contrastes dont elle Ă©tudie les nuances Ă travers la fiction.
En marge des Rendez-vous littĂ©raires rue Cambon, le podcast « les Rencontres » met en lumiĂšre lâacte de naissance dâune Ă©crivaine dans une sĂ©rie imaginĂ©e par CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison.
(00:00) Introduction
(00:54) PrĂ©sentation de NadĂšge Erika et de «âŻMon petit » par Lauren Bastide
(02:53) Sa rencontre avec lâĂ©criture
(05:47) Sur le silence
(06:51) La nécessité de raconter son histoire
(12:54) Ne pas oser se considérer comme romanciÚre
(14:49) Avoir son livre pour la premiĂšre fois entre les mains
(16:18âŻ) Ă propos de la rĂ©ception du roman
(17:43) Lecture dâun extrait de «âŻMon petit » par NadĂšge Erika
(19:09) Ă propos du processus dâĂ©criture de son roman
(27:56âŻ) Ăcrire sur la mixitĂ© sociale Ă Belleville
(34:08) Ăcrire sur son deuil
(37:46) à propos de la réception du roman
(45:13) Le questionnaire de fin du podcast «âŻLes RencontresâŻÂ»
NadÚge Erika, Mon petit, © Livres Agités, 2023
© Livres Agités
© Prix de la Ville 2024 du Salon du livre fĂ©minin dâHagondange
© Radio France - France Inter â Charlotte Perry
© Ăditions Stock
© Prix Les Inrockuptibles, prix littéraire du magazine « © Les Inrockuptibles » édité par Les Editions Indépendantes
© les Editions Grasset & Fasquelle
© Fondation La Poste
© Prix [du métro] Goncourt © Epiceum
« Pas besoin de permis » Paroles et Musique de Benjamin Biolay © Bambi Rose, Amo Bliss Music
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Listen to author and critic Erica Wagner in conversation with Lauren Elkin, writer of âScaffoldingâ, her first novel published by Chatto & Windus in 2024 which raises questions about marriage, fidelity and abortion. Through this conversation with Erica Wagner, Lauren Elkin discusses her writing process and the influence of her experience as a researcher on her work as a novelist. Together, they also talk about Paris, the city where the story takes place and where Lauren Elkin lived for many years, the feminist movements that inspired her as well as her conception of love.
As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.
(00:00) Introduction
(00:56) Presentation of Lauren Elkin and her novel âScaffoldingâ by Erica Wagner
(04:10) On the authorâs early vocation as a writer
(05:16) Exploring real life with fiction
(06:08) On writing within two time frames
(07:24) On choosing Belleville, Paris as the backdrop of her novel
(10:07) The difference between writing fiction and non-fiction
(11:56) On her literary and cultural influences for this novel
(13:38) The importance of psychoanalysis in her novel
(15:51) Reading an extract of âScaffoldingâ by Lauren Elkin
(17:40) On the writing process of her novel
(20:31) On feminism
(23:35) The most challenging aspects of writing
(25:26) On knowing when a book is finished
(26:01) On the reception of the book
(32:28) The ending questionnaire of âles Rencontresâ
Lauren Elkin, Scaffolding © Lauren Elkin, 2024.
Excerpt from Scaffolding by Lauren Elkin. Copyright © 2024 by Lauren Elkin. Used by permission of Farrar, Straus and Giroux. All Rights Reserved
Copyright © Deborah Levy, used by permission of The Wylie Agency, LLC
Lauren Elkin, Flùneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London, © Lauren Elkin, 2016. Vintage, 2017
Lauren Elkin, Flaneuse: Women Walk the City in Paris, New Yok, Tokyo, Venice and London by Lauren Elkin. Copyright © 2016 by Lauren Elkin. Used by permission of Farrar, Straus and Giroux. All Rights Reserved
© PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Michelle Perrot The Bedroom, An Intimate History, Translation by Lauren Elkin, © Yale University Press, 2018
Histoire de chambres, Michelle Perrot © Ăditions du Seuil, 2009, Points, 2018
Claude Arnaud, Jean Cocteau: A Life, Translation by Lauren Elkin and Charlotte Mandell, © Yale University Press, 2016
Claude Arnaud, Jean Cocteau © Ăditions Gallimard, 2003
© French-American Foundation â United States Translation Prize
Lauren Elkin, No 91/92: notes on a Parisian commute, published by Les Fugitives, London, in 2021
Lauren Elkin, Art Monsters: Unruly Bodies in Feminist Art, © Lauren Elkin 2023
Victor Hugo, Les Misérables, 1862
Elizabeth Bowen, The House in Paris, © Elizabeth Cameron, 1935, Copyright © renewed by Elizabeth D. C. Cameron 1963
Georges Perrec, Ellis Island, P.O.L, 1995
Mayra Davey, Index Cards: Selected Essays, © New Directions, 2020
Mary Beard, Women & Power: A Manifesto, © Profile Books, 2017
James Wood, How Fiction Works, © Wylie Agency
How Fiction Works by James Wood, Copyright © 2008 by James Wood. Used by permission of Farrar, Straus and Giroux. All Rights Reserved
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Palme dâor Ă Cannes en 1984, le film de Wim Wenders, « Paris, Texas », marque un tournant dans lâhistoire du cinĂ©ma. Quarante ans plus tard, le film vient dâĂȘtre restaurĂ© avec le soutien de CHANEL et prĂ©sentĂ© en avant-premiĂšre au Festival de Cannes. Lâoccasion pour Wim Wenders de revenir sur la genĂšse de ce long-mĂ©trage incontournable, livrer ses anecdotes de tournage et Ă©voquer son rapport au temps.
(00:00) Introduction
(00:35) Wim Wenders sur le succÚs de son film « Paris, Texas »
(01:10) Sur le processus de restauration du film avec le soutien de CHANEL
(03:15) Wim Wenders sur son rapport au temps
(04:13) Le rÎle du cinéma selon Wim Wenders
(04:58) Sa redécouverte du film « Paris, Texas » aprÚs la restauration
(06:07) Anecdotes de tournage
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Ăcoutez la journaliste Lauren Bastide en conversation avec RaphaĂ«lle Red, autrice dâun premier roman, « Adikou », publiĂ© aux Ă©ditions Grasset en 2024 et dans lequel lâhĂ©roĂŻne, en quĂȘte identitaire, part Ă la recherche de ses origines au Togo. Au cours de cet Ă©change, RaphaĂ«lle Red revient sur les auteurs qui lâinspirent, tels que James Baldwin, Audre Lorde et LĂ©onora Miano, et affirme son goĂ»t pour le rap, qui a influencĂ© le rythme singulier de son texte. Ensemble, elles Ă©voquent Ă©galement sa maniĂšre dâinscrire une narration fĂ©minine dans la tradition littĂ©raire du rĂ©cit de voyage et remarquent lâinfluence des blogs et dâinternet sur le rapport des jeunes Ă©crivains Ă lâĂ©criture.
En marge des Rendez-vous littĂ©raires rue Cambon, le podcast « les Rencontres » met en lumiĂšre lâacte de naissance dâune Ă©crivaine dans une sĂ©rie imaginĂ©e par CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison.
(00:00) Introduction
(00:54) Présentation de Raphaëlle Red et de son roman « Adikou » par Lauren Bastide
(02:29) Ă propos de la rencontre de lâautrice avec lâĂ©criture
(03:58) Lâinfluence des blogs et dâinternet sur le rapport Ă lâĂ©criture des jeunes Ă©crivains
(04:42) Ă propos du choix de RaphaĂ«lle Red dâĂ©crire en français
(06:18) Lâinfluence des sciences sociales sur son approche de la littĂ©rature
(07:58) à propos de son goût pour le rap
(09:51) Ă propos de ses rencontres inspirantes avec des auteurs et autrices
(13:09) Le processus de publication du roman
(15:50) Lecture dâun extrait de « Adikou » par RaphaĂ«lle Red
(18:27) Ă propos du processus dâĂ©criture du roman
(23:20) Ă propos des choix narratifs du roman
(26:19) Ă propos de lâhĂ©ritage littĂ©raire du roman de voyage
(28:00) Lâimportance de la sensorialitĂ© dans le roman
(30:03) Ă propos du titre du roman
(31:08) à propos de la réception du livre
(36:42) Le questionnaire de fin du podcast « les Rencontres »
Adikou © Raphaëlle Red et les Editions Grasset, 2024
© les Editions Grasset & Fasquelle
© La Maison des artistes de Baguida
Post-it est une marque déposée de 3M Company
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Listen to author and critic Erica Wagner in conversation with Kaliane Bradley, writer of âThe Ministry of Timeâ, her first novel published by Sceptre in 2024. Through this conversation with Erica Wagner, Kaliane Bradley talks about her passion for writing since childhood, the literary and historical sources that inspired her for this novel, and the power of fiction. Together, they also discuss how her experience as an editor has influenced her work as a writer, and highlight the collaborative aspect of creating a book.
As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.
(00:00) Introduction
(00:57) Presentation of Kaliane Bradley by Erica Wagner
(04:28) On the authorâs vocation as a writer
(06:40) The sources of inspiration for âThe Ministry of Timeâ
(12:24) On the publication process
(15:51) Reading an extract of âThe Ministry of Timeâ by Kaliane Bradley
(17:26) On her narrative choices
(23:43) On her writing process
(25:50) On the publishing profession
(27:39) On the reception of the book
(32:37) On the powers of fiction
(35:14) The ending questionnaire of âles Rencontresâ
Kaliane Bradley, The Ministry of Time © Hodder & Stoughton, 2024
Normal People © Sally Rooney, 2018 Publisher by Faber and Faber Ltd
Conversations with Friends © Sally Rooney, 2017 Publisher by Faber and Faber Ltd
Emma Donoghue, The Wonder © Little, Brown & Company, 2016
Copyright © 2016 by Emma Donoghue Ltd
Copyright © Alice Birch
Copyright © Sebastiån Lelio
Emma Donoghue, The Wonder © Picador, 2016
The Wonder by Emma Donoghue © 2016. Published in Canada by HarperCollins Publishers Ltd
Eleanor Catton, Birnam Wood © Granta Books, 2023
© Eleanor Catton 2023
Birnam Wood by Eleanor Catton. Copyright © 2023 by Eleanor Catton. Used by permission of Farrar, Straus and Giroux. All rights Reserved
© Penguin Classics
© Penguin Press
© Catapult Books
© Granta Books
© The Willowherb Review
© Extra Teeth
© Electric Literature
Kaliane Bradley, The Wishing Dance © Hodder & Stoughton, 2021
Compilation copyright - Pippa Marland & Anita Roy, Gifts of Gravity and Light © Hodder & Stoughton, 2021
© Hodder and Stoughton
© Harper Bazaar
© Royal Society of Literature
Dan Simmons, The Terror © Little, Brown and Company, 2007
Audrey Niffenegger, The Time Travellerâs Wife, Vintage Classic, 2022
Emily St. John Mandel, The Sea of Tranquility, Penguin Books, 2022
Kurt Vonnegut, Slaughterhouse-Five, Penguin Books, 1999
© Sceptre Books
Wikipedia trademark used with permission from the Wikimedia Foundation
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Primary vocation of the House, Haute Couture is a space of absolute freedom, allowing for every dream and creative audacity. In the third episode of these conversations led by GĂ©raldine Sarratia at the 31, rue Cambon, and recorded on the occasion of the Fall-Winter 2024/25 Haute Couture show, friend of the House Naomi Campbell evokes her personal experience of CHANEL Haute Couture and her close relationship with the House, from her first Haute Couture show to the present day. She also opens up about her journey as a trailblazer in the fashion world.
(00:00) Introduction
(02:42) On the long lasting relationship between Naomi Campbell and CHANEL
(03:08) On the experience of wearing CHANEL Haute Couture
(12:15) On savoir-faire and fittings
(13:50) On the Fall-Winter 2024/25 Haute Couture collection
(15:05) On dance and being a model
(18:46) On the timelessness of CHANEL Haute Couture and the codes of the House
(20:22) On freedom
(21:53) On the fashion industry
(25:03) On her relationship to time
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Ăcoutez la journaliste Lauren Bastide en conversation avec AurĂ©lie Lacroix, autrice dâun premier roman, « LâUnique objet de mon regard », publiĂ© par Cambourakis en 2023 et dans lequel elle ravive les souvenirs dâune passion amoureuse. Au fil de la conversation, Lauren Bastide et AurĂ©lie Lacroix reviennent sur la place de la littĂ©rature dans sa famille, la prise de conscience de sa vocation dâĂ©crivaine dĂšs lâadolescence et la nĂ©cessitĂ© de publier un premier roman Ă lâĂąge adulte. Ensemble, elles Ă©voquent Ă©galement son rapport Ă lâart, qui rĂ©unit les deux personnages au-delĂ du chaos de leur relation.
En marge des Rendez-vous littĂ©raires rue Cambon, le podcast « les Rencontres » met en lumiĂšre lâacte de naissance dâune Ă©crivaine dans une sĂ©rie imaginĂ©e par CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison.
(00:00) Introduction
(00:56) PrĂ©sentation dâAurĂ©lie Lacroix et de « LâUnique objet de mon regard » par Lauren Bastide
(02:06) Ă propos de sa vocation dâĂ©crivaine
(05:01) Ă propos de lâĂ©criture de son premier roman
(10:18) De lâĂ©dition Ă lâĂ©criture
(11:44) Les autrices qui lâont inspirĂ©e
(12:34) Ă propos du processus de publication de son roman
(16:28) Lecture dâun extrait de « LâUnique objet de mon regard » par AurĂ©lie Lacroix
(18:07) Ă propos du contexte dâĂ©criture et des choix narratifs de son roman
(22:42) Ă propos de lâimportance de lâart dans le roman
(26:14) Ă propos du thĂšme de lâamour
(28:17) Ă propos du lien entre lâautrice et la narratrice du roman
(29:14) à propos de la réception du livre
(31:30) Le questionnaire de fin du podcast « Les Rencontres »
AurĂ©lie Lacroix, LâUnique objet de mon regard, 2023, © Ăditions Cambourakis.
Collection Verticales © Ăditions Gallimard
© Ăditions Gallimard
© Agence Trames
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FidÚle à son engagement en faveur de la littérature et de la création contemporaine, CHANEL renouvelle son soutien au festival MOT pour Mots organisé par Le Monde, Le Nouvel Obs et Télérama.
Ă lâoccasion de lâouverture de la quatriĂšme Ă©dition du festival, lâambassadrice et porte-parole de la Maison Charlotte Casiraghi a retrouvĂ© les autrices Sarah Chiche et AurĂ©lie Lacroix pour une Ă©dition spĂ©ciale des Rendez-vous littĂ©raires rue Cambon animĂ©e par Elisabeth Philippe, journaliste au Nouvel Obs. Ensemble, elles ont parlĂ© dâĂ©criture et de la place de la littĂ©rature dans leur vie.
© Festival MOT pour Mots.
Les EntĂ©nĂ©brĂ©s, Sarah Chiche, © Ăditions du Seuil, 2019, Points, 2020.
Saturne, Sarah Chiche, © Ăditions du Seuil, 2020, Points, 2021.
Les Alchimies, Sarah Chiche, © Ăditions du Seuil, 2023, Points, 2024.
© Ăditions du Seuil.
AurĂ©lie Lacroix, LâUnique objet de mon regard, 2023, © Ăditions Cambourakis.
© Rencontres Philosophiques de Monaco
© Le Nouvel Obs
Sarah Chiche, LâInachevĂ©e, 2008, © Ăditions Grasset & Fasquelle.
HervĂ© Guibert, Fou de Vincent, 1989, © Les Ăditions de Minuit.
© Ăditions Grasset
Annie Ernaux, Passion Simple, 1991, © Ăditions Gallimard.
Joan Didion : Le Centre ne tiendra pas, Griffin Dunne, © Didion Doc, Netflix, 2017.
Joan Didion, LâannĂ©e de la pensĂ©e magique © 2005 © Editions Grasset & Fasquelle, 2007, pour la traduction française
The Year of Magical Thinking by Joan Didion. Copyright © 2005 by Joan Didion. Published by HarperCollins Publishers. All Rights Reserved.
Fernando Pessoa, Le Livre de l'intranquillité, Traduit en français par Françoise Laye, © Christian Bourgois Editeur, 1988.
Ann Veronica Janssens, Mukha, 1997.
© KHM-Museumsverband
Léon Tolstoï, Anna Karénine, 1873
Albert Cohen, Belle du Seigneur, 1968, © Ăditions Gallimard.
Edith Wharton, Le temps de lâinnocence, 1920
Laurence Plazenet, La blessure et la soif, 2009, © Ăditions Gallimard.
Francisco de Goya, Les DĂ©sastres de la guerre, 1810-1815
Francisco de Goya, Le Chien, 1819-1823
Francisco de Goya, Le sommeil de la raison engendre des monstres, 1799
Madame de La Fayette, La Princesse de ClĂšves, 1678
Alfred de Musset, On ne badine pas avec l'amour, 1861
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Listen to author and critic Erica Wagner in conversation with Michelle Min Sterling, writer of âCamp Zeroâ, her first novel published by Bragelonne in 2023, in which she imagines a futuristic world confronted with the consequences of climate change. Through this conversation with Erica Wagner, Michelle Min Sterling discusses the origins of her novel and her sources of inspiration, both historical and contemporary, and describes her relationship with the genres of dystopia and utopia in literature. Together, they also evoke the role of women in her story and the way fiction can raise awareness of environmental issues.
As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.
(00:00) Introduction
(00:58) Presentation of Michelle Min Sterling and her novel âCamp Zeroâ by Erica Wagner
(03:56) On the authorâs early vocation as a writer
(07:28) On the literary genres of dystopia and utopia
(10:11) On the publication process of her novel
(12:42) Reading an extract of âCamp Zeroâ by Michelle Min Sterling
(14:46) On the origin of her novel
(17:08) The role of women in her novel
(19:30) The historical and contemporary events that inspired the novel
(22:37) On the ancestry of the main character
(25:22) On the authorâs writing process
(26:56) The influence of her teaching career on her writing process
(28:46) On the reception of the book
(34:14) The power of fiction to raise awareness of environmental issues
(36:42) The ending questionnaire of âles Rencontresâ
Michelle Min Sterling, Camp Zero © Atria Books, 2024
© The Globe and Mail
Camp Zero reads like a chronicle of the present © David Moscrop, 2023
© The London Times
Camp Zero by Michelle Min Sterling review by
Houman Barekat © The London Times, 2023
Omar El Akkad, American War, Knopf, 2017
Octavia Butler, Parable of the Sower © Hachette, 2019
Margaret Atwood, MaddAddam Trilogy, Penguin Random House, 2014
The Dispossessed. Copyright © 1974 by Ursula K. Le Guin. An edition of this book was published in 1974 by Harper & Row, Publishers.
Severance by Ling Ma. Copyright © 2018 by Ling Ma. Used by permission of Farrar, Straus and Giroux. All Rights Reserved.
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Dans un documentaire sonore exclusif, découvrez les coulisses du spectacle Notre Sacre, fruit de la collaboration artistique entre les amis de la Maison Abd Al Malik et Blanca Li ainsi que David Grimal.
FidĂšle Ă son attachement Ă la crĂ©ation contemporaine et Ă la danse, la Maison CHANEL a lâhonneur de soutenir ce projet qui s'inscrit dans la continuitĂ© des liens unissant historiquement Gabrielle Chanel au Sacre du Printemps. Produit par la Philharmonie de Paris et prĂ©sentĂ© pour la premiĂšre fois dans la Grande salle Pierre Boulez, Notre Sacre est une adaptation contemporaine du cĂ©lĂšbre Sacre du Printemps de Stravinsky. Ce spectacle, mis en rĂ©cit par Abd Al Malik, avec Blanca Li Ă la mise en scĂšne et David Grimal Ă la direction musicale, fait se rencontrer danse, musique et poĂ©sie contemporaine, comme un symbole dâunitĂ© et de vivre-ensemble.
Entretiens menés par Dorothée de Cabissole.
(00:00) Introduction
(01:06) Blanca Li sur les liens de CHANEL et la danse
(01:38) Blanca Li sur lâĂ©laboration de « Notre Sacre »
(06:50) Abd Al Malik sur la place de la poésie dans cette piÚce
(09:28) Abd Al Malik et David Grimal sur leur collaboration artistique
(11:23) David Grimal sur Igor Stravinsky et son « Sacre du Printemps »
(13:25) David Grimal sur son rÎle de directeur musical au sein de « Notre Sacre »
(15:09) Blanca Li sur la diversité
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Ăcoutez la journaliste Lauren Bastide en conversation avec Alice Renard, autrice dâun premier roman, « La ColĂšre et lâEnvie », publiĂ© par les Ă©ditions HĂ©loĂŻse DâOrmesson en 2023, dans lequel elle explore la complexitĂ© des relations de lâhĂ©roĂŻne, une adolescente neuroatypique, et son ouverture progressive au monde. Au fil de la conversation, Lauren Bastide et Alice Renard Ă©voquent le sentiment de frustration Ă lâorigine du roman et de son titre, le dĂ©sir de lâautrice de cĂ©lĂ©brer la beautĂ© du monde ainsi que le pouvoir Ă©mancipateur de lâĂ©criture. Ensemble, elles reviennent Ă©galement sur son goĂ»t pour la littĂ©rature du Moyen Ăge et pour les diffĂ©rentes formes dâĂ©criture, du thĂ©Ăątre Ă la poĂ©sie.
En marge des Rendez-vous littĂ©raires rue Cambon, le podcast « les Rencontres » met en lumiĂšre lâacte de naissance dâune Ă©crivaine dans une sĂ©rie imaginĂ©e par CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison.
(00:00) Introduction
(00:54) PrĂ©sentation dâAlice Renard et de son roman « La ColĂšre et lâEnvie » par Lauren Bastide
(02:16) Ă propos de la vocation dâĂ©crivaine de lâautrice
(03:42) Ă propos de la neuroatypie
(05:50) Ă propos de la polyphonie narrative du roman
(07:02) à propos de la littérature médiévale
(09:02) Les auteurs et autrices qui ont inspiré Alice Renard
(10:30) Ă propos du processus de publication du roman
(12:25) Lecture dâun extrait de « La ColĂšre et lâEnvie » par Alice Renard
(15:01) Ă propos du processus dâĂ©criture du roman
(19:21) Ă propos du titre du roman
(20:50) Ă propos du thĂšme de lâamour et de lâĂąge explorĂ©s dans le roman
(25:50) Ă propos du format Ă©pistolaire
(27:41) Ă propos des relations du personnage principal
(28:13) Le rĂŽle de lâĂ©criture selon Alice Renard
(29:02) à propos de la réception du roman
(33:07) Le questionnaire de fin du podcast « les Rencontres »
Alice Renard, La ColĂšre et lâEnvie, © Ăditions HĂ©loĂŻse d'Ormesson, 2023.
Chrétien de Troyes, Lancelot ou le chevalier de la charrette, XIIÚme siÚcle.
Albert Camus, Noces, © Ăditions Gallimard, 1950.
Marguerite Duras, Le ravissement de Lol V. Stein, © Ăditions Gallimard, 1964.
Alice Renard, Peaux vives © Alice Renard
Laurent Bénégui, Les étoiles doubles, © Julliard, 2023.
© Le Monde.
© Le Prix Méduse.
© Fondation Marcel Bleustein-Blanchet de la Vocation
© Radio France - France Inter.
Milos Forman, Amadeus, © The Saul Zaentz Company, 1984
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For this thirteenth edition of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon] that was held at the 7L library in Paris, CHANEL and Charlotte Casiraghi, ambassador and spokesperson for the House, invited novelist and essayist Rachel Cusk, along with model and friend of the House Naomi Campbell.
Moderated by author and critic Erica Wagner, this encounter dedicated to the work of Rachel Cusk considers motherhood, how to explore personal stories through literature and the rework of the literary form it requires: âI think I always felt that my duty was to reality and how the novel could show that and contain it.â
Extract from A Life's Work, Copyright © 2001, 2008, Rachel Cusk, used by permission of The Wylie Agency (UK) Limited.
Excerpt from A Life's Work: on Becoming a Mother by Rachel Cusk. Copyright © 2001 by Rachel Cusk. Reprinted by permission of Picador. All Rights Reserved.
Saving Agnes by Rachel Cusk © Rachel Cusk, 2019. Reprinted by permission of Faber and Faber Ltd.
Saving Agnes by Rachel Cusk. Copyright © 1993 by Rachel Cusk. Reprinted by permission of Picador. All Rights Reserved.
© Whitbread PLC.
© Costa Book Awards
The Country Life by Rachel Cusk © Rachel Cusk, 2019. Reprinted by permission of Faber and Faber Ltd.
The Country Life by Rachel Cusk. Copyright © 1997 by Rachel Cusk. Reprinted by permission of Picador. All Rights Reserved.
In the Fold © Rachel Cusk, 2005.
Arlington Park © Rachel Cusk, 2006.
Arlington Park by Rachel Cusk. Copyright © 2006 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.
Outline Copyright © 2014 Rachel Cusk, used by permission of The Wylie Agency (UK) Limited.
Outline by Rachel Cusk. Copyright © 2014 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.
Transit by Rachel Cusk © Rachel Cusk, 2018. Reprinted by permission of Faber and Faber Ltd.
Transit by Rachel Cusk. Copyright © 2016 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.
Kudos by Rachel Cusk © Rachel Cusk, 2019. Reprinted by permission of Faber and Faber Ltd.
Kudos by Rachel Cusk. Copyright © 2018 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.
Extract from Second Place by Rachel Cusk © Rachel Cusk, 2021 Reprinted by permission of Faber and Faber Ltd.
Excerpt from Second Place by Rachel Cusk. Copyright © 2021 by Rachel Cusk. Reprinted/Used by permission of Farrar, Straus and Giroux. All Rights Reserved.
Extract from Second Place Copyright © 2021 Rachel Cusk, used by permission of The Wylie Agency (UK) Limited.
© Association Prix Femina.
Rachel Cusk, Aftermath: On Marriage and Separation, © Faber & Faber, 2019.
Extract from Aftermath: on marriage and separation by Rachel Cusk. Copyright © 2012 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.
Parade © Rachel Cusk, 2024.
Parade by Rachel Cusk. Copyright © 2024 by Rachel Cusk. Forthcoming from Faber & Faber Ltd. and Farrar, Straus and Giroux in June 2024. All Rights Reserved.
From The New York Times Magazine. © 2016, The New York Times Company. All rights reserved. Used under license
Mrs Dalloway © Virginia Woolf, 1925
Elena Ferrante, The Lost Daughter, Translated by Ann Goldstein, © Europa, 2008. First published 2006 by Edizioni e/o as La figlia oscura
La figlia oscura by Elena Ferrante © 2006 by Edizioni E/O.
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Listen to author and critic Erica Wagner in conversation with Sheena Patel, writer of âIâm a Fanâ, her first novel published by Rough Trade Books in 2022, and soon to be published in French by Gallimard. In her novel, Sheena Patel explores the blurred lines between reality and the online world through the involvement of an unnamed female character in an unequal romantic relationship. Through this conversation with Erica Wagner, Sheena Patel talks about her desire to capture the spirit of her time. They also evoke âFour Brown Girls Who Writeâ, a collective of women writers created with her friends to support each other in their writing processes.
As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.
(00:00) Introduction
(00:56) Presentation of Sheena Patel by Erica Wagner
(03:51) On the authorâs vocation as a writer and her collective
(07:24) The writers that inspire her
(09:46) On the publication process
(12:12) Reading an extract of âIâm a fanâ by Sheena Patel
(14:56) On her narrative choices, her writing and editing process
(20:00) On the sense of having a voice
(21:09) On the blurred lines between reality and the online world
(22:08) The ending questionnaire of âles Rencontresâ
Sheena Patel, I'm a fan, © Sheena Patel, 2022. Cover © Granta Books, 2023.
© Rough Trade Books.
Women Who Run with the Wolves by Clarissa Pinkola Estes, Ph.D., published by
Ballantine Books, copyright © 1992, 1955 by Clarissa Pinkola Estes, Ph.D.
Minor Feelings : An Asian American Reckoning by Cathy Park Hong, Random House, 2020.
Martine Syms, Shame Space, 2020. © Martine Syms. Published by Primary Information.
Martine Syms, The African Desperate, © Dominica Publishing, 2022
Maggie Nelson, Bluets, © Copyright 2009 by Maggie Nelson, Wave Books, 2009
The Argonauts © 2015 by Maggie Nelson. First published by Graywolf Press, Minneapolis.
© Guardian News & Media Ltd 2024.
Kathy Acker, Blood and Guts in High School, © Grove Press, 1984.
Celia Dale's A Spring Love is available from Daunt Books Publishing.
© The British Book Awards.
© The Women's Prize.
© Swansea University Dylan Thomas Prize.
© Jhalak Prize.
© Foyles. All Rights Reserved.
© Los Angeles Times.
Sheena Patel, I'm a fan, Translated into French by French novelist and translator Marie Darrieussecq, © Ăditions Gallimard, 2025.
Juan Carlos Medina, The Limehouse Golem, ©
New Sparta Films, 2016.
Roshni Goyate, Sharan Hunjan, Sunnah Khan, Sheena Patel, 4 BROWN GIRLS WHO WRITE, © Rough Trade Books, 2020.
© 4 BROWN GIRLS WHO WRITE
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Ăcoutez la journaliste Lauren Bastide en conversation avec JosĂ©phine Tassy, autrice dâun premier roman, « LâIndĂ©sir », publiĂ© par LâIconoclaste en 2023, dans lequel elle explore les thĂšmes du deuil et de la quĂȘte identitaire au travers du personnage de Nouria. Au fil de la conversation, Lauren Bastide et JosĂ©phine Tassy Ă©voquent le style de lâautrice, mĂȘlant prose et poĂ©sie, et lâimportance du travail sur la forme. Elles reviennent Ă©galement sur sa newsletter, « LĂ©zarde », une initiative originale destinĂ©e Ă maintenir un lien avec ses lecteurs.
En marge des Rendez-vous littĂ©raires rue Cambon, le podcast « les Rencontres » met en lumiĂšre lâacte de naissance dâune Ă©crivaine dans une sĂ©rie imaginĂ©e par CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison.
(00:00) Introduction
(00:53) PrĂ©sentation de JosĂ©phine Tassy et de « LâIndĂ©sir » par Lauren Bastide
(02:24) Ă propos de sa vocation dâĂ©crivaine
(03:45) Ă propos de son style dâĂ©criture : entre prose et poĂ©sie
(05:42) à propos de son métier de chercheuse en économie du développement
(07:42) Les auteurs et autrices qui lâont inspirĂ©e
(09:55) Ă propos du processus de publication de son roman
(11:31) Lecture dâun extrait de « LâIndĂ©sir » par JosĂ©phine Tassy
(14:19) Ă propos du processus dâĂ©criture de son roman
(20:43) Ă propos du titre du roman
(22:30) à propos de ses personnages principaux, et de leurs singularités
(26:50) à propos de la réception du roman
(28:13) à propos de sa newsletter, « Lézarde »
(29:53) Le questionnaire de fin du podcast « Les Rencontres »
Joséphine Tassy, L'Indésir, © L'Iconoclaste, 2023.
© L'Iconoclaste.
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Primary vocation of the House, CHANEL Haute Couture allows all dreams and creative audacities. In this second episode, recorded in the apartment of Gabrielle Chanel at the 31, rue Cambon ahead of the Spring-Summer 2024 Haute Couture show, actress and House ambassador Margaret Qualley shares her personal experience of CHANEL Haute Couture, the emotions it encloses, and opens up about her artistic career and relationship to time.
A conversation led by GĂ©raldine Sarratia.
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Listen to author and critic Erica Wagner in conversation with Huma Qureshi, writer of âPlaying Gamesâ, her first novel published by Sceptre in 2023. In her novel, the author draws a nuanced portrait of sisterhood, family, love and loss through the arc of two main characters, Hana and Mira. Throughout the conversation, Erica Wagner and Huma Qureshi evoke Alice Munro, Ann Patchett or even Ann Taylor, feminine writers who deeply inspired her to write about quiet, but significant, everyday moments. They also discuss how the author returns to the subject of real life informing fiction in âPlaying Gamesâ, a recurrent theme in her writing.
As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.
(00:00) Introduction
(00:54) Presentation of Huma Qureshi by Erica Wagner
(04:34) On the authorâs vocation as a writer
(06:50) The female writers that inspire her
(08:10) Writing about quiet, but significant, everyday moments
(09:47) On the writing and publication process
(12:10) Reading an extract of âPlaying Gamesâ by Huma Qureshi
(14:05) On the authorâs approach to writing and her creative process
(16:27) : On her main characters
(18:37) The writerâs block
(20:33) Her first reader
(22:15) On real life informing fiction and the bookâs reception
(27:56) The ending questionnaire of âles Rencontresâ
Huma Qureshi, Playing Games, © Sceptre, 2023.
© Huma Qureshi, Playing Games, 2023.
Cover: © Charlotte Ager.
âPlaying Games by Huma Qureshi review â a poignant sisterhood story" par Sana Goyal, © Guardian News & Media Ltd, 2024.
© The University of Warwick.
© Sciences PO.
Huma Qureshi, In Spite of Oceans: Migrant Voices, © The History Press, 2014.
© Harperâs Bazaar.
Huma Qureshi, The Jam Maker, © Harper's Bazaar, 2020.
Huma Qureshi, How We Met: A Memoir of Love and Other Misadventures, © Elliott & Thompson, 2021.
Huma Qureshi, Things We Do Not Tell the People We Love, © Sceptre, 2021.
© Books Are My Bag Indie Book Awards.
© The Jhalak Prize.
© The Edge Hill Prize, Edge Hill University
"In conversation with Huma Qureshi", © Sonder & Tell, 2021.
© The Financial Times.
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Listen to author and critic Erica Wagner in conversation with Selby Wynn Schwartz, writer of âAfter Sapphoâ, her first novel published by Galley Beggar Press in 2022. Together, they talk about her insatiable appetite for literature as a child and the way it led her to becoming a writer. They also evoke Lina Poletti, Sarah Bernhardt, Virginia Woolf or even Nathalie Barney, the women artists who inspired âAfter Sapphoâ, the book in which Selby Wynn Schwartz pays tribute to them.
As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.
Selby Wynn Schwartz, After Sappho, © Selby Wynn Schwartz 2002, first published by Galley Beggar Press, 2022.
Quote from the interview "The Galley Beggar Q&A: Selby Wynn Schwartz", © Galley Beggar Press, 2022.
Quote from the article "After Sappho by Selby Wynn Schwartz review â in praise of visionary women" written by Lara Feigel, © Guardian News & Media Ltd 2023.
© Booker Prize Foundation.
© The Orwell Prize for Political Fiction 2023.
© University of Edinburgh.
Selby Wynn Schwartz, The Bodies of Others: Drag Dances and their Afterlives, © Selby Wynn Schwartz University of Michigan Press, 2019.
© Lambda Literary.
© American Society for Theatre Research.
Selby Wynn Schwartz, A Life in Chameleons, © Selby Wynn Schwartz, 2023.
© Reflex Press.
© University of California, Berkeley.
© Les Ballets Trockadero de Monte Carlo.
The Great Art Of Light And Shadow: Archaeology of the Cinema by Laurent Mannoni, translated by Richard Crangle. Translation © University of Exeter Press, 2000.
Anne Carson, Short Talks, © Brick Books, 2015.
Sappho, If Not, Winter: Fragments of Sappho, Translated by Anne Carson, © Virago, 2003.
© Galley Beggar Press.
Sappho, If Not, Winter: Fragments of Sappho, Translated by Anne Carson, © Virago, 2003.
Assia Djebar, Women of Algiers in their apartments, © Caraf Books, 1999.
Assia Djebar, Femmes dâAlger dans leur appartement © Ăditions des femmes, 1980.
Igiaba Scego, The Color Line, Translated by John Cullen and Gregory Conti, first published in the English language by Other Press in 2022.
Igiaba Scego, La linea del colore, first published in Italy in 2020 by Bompiani, © Igiaba Scego, 2020.
Dionne Brand, The Blue Clerk: Ars Poetica in 59 Versos. © 2018 Dionne Brand. All rights reserved.
Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals, © WW Norton & Company, 2019.
T. Denean Sharpley-Whiting, Bricktop's Paris: African American Women in Paris between the Two World Wars, © SUNY Press, 2015.
Alessandra Cenni, Gli Occhi Eroici : Sibilla Aleramo, Eleonora Duse, Cordula Poletti : una storia d'amore nell'Italia della belle époque, © Mursia, 2011.
Cordula « Lina » Poletti, Il Poema Della Guerra, © Nicola Zanichelli, 1918. All rights reserved.
Virginia Woolf, Orlando, 1928.
© LASTESIS
© Non Una Di Meno. All rights reserved.
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At the heart of the three-day exhibition Manchestermodern: past present future, curated by Factory International and CHAOS SixtyNine with the support of CHANEL, a special edition of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon] was held at the Victoria Baths in Manchester.
In conversation with writer and critic Erica Wagner, author Jeanette Winterson, CHANEL ambassador and spokesperson Charlotte Casiraghi along with actress and CHANEL ambassador Kristen Stewart reveal what constitutes, according to them, the powers of literature. Together, they also talk about the books that are dear to them and the female literary figures who inspire them.
© 2023 by Cities of Literature. All rights reserved.
© 2023 Manchester Literature Festival. All rights reserved.
© Jeanette Winterson. All rights reserved.
Jeanette Winterson, Oranges Are Not the Only Fruit, © Grove Press, 1997.
Jeanette Winterson, Oranges Are Not the Only Fruit, Vintage, 1997.
Jeanette Winterson, The Passion, © Grove Press, 1997.
Jeanette Winterson, The Passion, Vintage, 1997.
Jeanette Winterson, Frankissstein: A Love Story, © Grove Press, 2019.
Jeanette Winterson, Frankissstein: A Love Story, Vintage, 2019.
Jeanette Winterson, 12 Bytes, © Grove Press, 2021.
Jeanette Winterson, 12 Bytes, Vintage, 2021.
Jeanette Winterson, Night Side of the River: Ghost Stories, © Grove Press, 2023.
Jeanette Winterson, Night Side of the River: Ghost Stories, Vintage, 2023.
© UK Honours System.
© University of Oxford. All rights reserved.
© The University of Manchester.
© Toronto International Film Festival. All rights reserved.
Into the Wild, © Paramount, 2007. Courtesy of River Road Entertainment, LLC.
PANIC ROOM © 2002 Columbia Pictures Industries, Inc. All Rights Reserved. Courtesy of Columbia Pictures
Catherine Hardwicke, Bill Condon, Chris Weitz, David Slade, Twilight, © Summit Entertainment, 2008-2012. All rights reserved.
Pablo Larrain, Spencer, © Shoebox Films, 2021. A Fabula, Komplizen, Shoebox Films Production, 2021.
© Academy of Motion Picture Arts and Sciences. All rights reserved.
© Académie des Césars. All rights reserved.
Olivier Assayas, Clouds of Sils Maria, © CG Cinéma, 2014.
Kristen Stewart, The Chronology of Water, © Scott Free Productions. All rights reserved.
Jeanette Winterson, Why Be Happy When You Could Be Normal?, Vintage, 2012.
Jeanette Winterson, Why Be Happy When You Could Be Normal?, © Grove Press, 2012.
Kate Zambreno, Heroines, © Semiotext(e), 2012.
© Theatre Royal Stratford East.
© ITN / Getty images.
Shelagh Delaney, A Taste of Honey, © Grove Press, 1994.
Virginia Woolf, A Room of One's Own, 1929.
Virginia Woolf, Orlando, 1928.
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