Afleveringen
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In Africa, a combination of cultural and religious practices, repressive laws instituted during the colonial period, and homophobic nationalisms have ensured that individuals who identify as queer experience their difference in private spaces and at the margins of societies. African people who identify as queer navigate different forms of social silence and this has an important impact on how they toggle between invisibility and visibility and ultimately how they experience embodiment and relationality. Given such a situation, Gibson Ncube explores queer lived experiences in Africa through the lens of the body in films. The body in films is a powerful model for understanding the complexities of identity, desire, and gender within diverse African communities. By examining how queer individuals navigate their physical selves in relation to societal norms, it is possible to gain insight into the intersectionality of gender, sexuality, and cultural contexts. Drawing mainly on the work Ncube did in the book Queer Bodies in African Films (2022), he contends that the filmed body as a model serves as a canvas upon which societal expectations and personal expressions of gender and sexual identities collide. By zooming in on the body, Ncube is interested in how the filmed queer body is invested with multiple and often intersecting discourses and narratives. It is inscribed with more than just desire, eroticism, and sexuality. It is as a disruptive figure whose materiality calls for a rethinking not just of how gender and sexual identities are performed and staged but also how they are constructed and embodied. Thus, considering the body as a model allows for a rich understanding of the multifaceted tapestry of queer lived experiences in Africa.
Gibson Ncube lectures at Stellenbosch University (South Africa). He has held fellowships supported by the Stellenbosch Institute for Advanced Study, the National Humanities Center (USA) and Leeds University Centre for African Studies (UK). He is currently an AfOx Visiting Fellow at Oxford University. He has published widely in the fields of comparative literature, gender and queer studies as well as cultural studies. He co-convened the Queer African Studies Association (2020-2022) and was the 2021 Mary Kingsley Zochonis Distinguished Lecturer (African Studies Association, UK). He currently sits on the Editorial Boards of the following journals: Journal of Literary Studies, the Canadian Journal of African Studies, and the Nordic Journal of African Studies. He is currently the Assistant Editor of the South African Journal of African Languages and the French Book Review Editor for the Canadian Journal of African Studies. -
Full video: https://www.ici-berlin.org/events/teresa-fankhaenel/
Theodore Conrad was an architect and master craftsman. His miniatures of Plexiglas and aluminum modelled a post-war landscape of glass-and-steel skyscrapers, sprawling business campuses, and domestic mid-century modernism from the 1930s onward. With the help of electrified tools and cameras, a vision of a world in Kodachrome arose long before it existed. Architectural modelling — long before the digital turn — became a powerful tool for testing, constructing, rendering, and selling novel architectural ideas.
Teresa Fankhänel is an associate curator at the Eli and Edythe Broad Art Museum at Michigan State University and editor-in-chief of the Architectural Exhibition Review. Her recent exhibitions include African Mobilities (2018), The Architecture Machine (2020–21), Built Together (2021), Shouldn’t You Be Working?(2023), and Andrea Canepa: As We Dwell in the Fold (2023). Among her interests are the use of technology and media for architectural design, and the history, theory, and practice of architecture exhibitions. She was a curatorial assistant for the exhibition The Architectural Model (Deutsches Architekturmuseum, 2012) and has published two books on models: The Architectural Models of Theodore Conrad (2021) and An Alphabet of Architectural Models (2021). She is co-editor of the book Are You A Model?, a collection of new research on analog and digital models, which will be published in 2023. -
Zijn er afleveringen die ontbreken?
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Rather than take up the literary world’s on and off obsession with classifications and genre demarcations, this talk will center on the relationship between ideas, things, forms, and shapes — how writing can be a practice of, as poet A. R. Ammons once put it, looking for ‘the forms|things want to come as’. What does it mean for a thing to want to come as a form? What is the relationship between the content of an idea and its shape on the page? To examine such questions, Nelson will read from a variety of her works and think about how they relate (or don’t) to poet Robert Creeley’s famous contention, ‘form is never more than an extension of content’. Possible tributary lines of thought include: the literary nature of (some) philosophy; the question of ‘vernacular scholarship’ (a term coined by Eileen Myles), various strategies of performing the self in writing; and the value of never settling, of staying on the move.Maggie Nelson is the author of several acclaimed books of poetry and prose, including the forthcoming collection Like Love: Essays and Conversations (2024), the national bestseller On Freedom: Four Songs of Care and Constraint (2021), the National Book Critics Circle Award winner The Argonauts (2015), The Art of Cruelty: A Reckoning (2011), Bluets (2009; named by Bookforum as one of the top 10 best books of the past 20 years), The Red Parts (2007), Women, the New York School, and Other True Abstractions (2007), and Jane: A Murder (2005). In 2016 she received a MacArthur ‘genius’ Fellowship. She currently teaches at the University of Southern California and lives in Los Angeles, CA.In English, with Maggie Nelson, Introduction by Mark Anthony CayananThe talk will be followed by a Q&A with Marta Aleksandrowicz and Ruth Ramsden-KarelseFull video: https://www.ici-berlin.org/events/maggie-nelson/
