Afleveringen
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Cops have challenging jobs. One day, you're dealing with ghost parties and a possessed dog, and the next you've stumbled through a portal to hell. This week, we patrol the not-so-mean New Zealand streets with Wellington Paranormal (2018-2022) and get pulled into Turkish nightmare fuel with Baskin (2015). We also get swarmed by skittering spiders and an uneven tones with Infested (France & USA, 2023. Plus, a thirty-year-old Danish crime horror and its new sequel hit Shuddre this week along with the most vicious elevator in all of Amsterdam.
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Grab your JNCOs and bleach your hair - the 90s called to say hello this week. We chat about the What Is Buried Must Remain (Lebanon, 2022), a found footage flick with all the turn-of-the-century vibes, and marvel at the gravitas of the legendary "Mystery Guest Star" in the so-bad-it's-good stab-fest Mute Witness (United Kingdom, Russia & Germany, 1995). Plus - Abigail is surprisingly affirming, the ending of Late Night with the Devil slaps and the next week is crawling with kaiju and spiders.
Articles mentioned on this episode:
"Exclusive Interview: Elias Matar (What Is Buried Must Remain)," by Peter "Witchfinder" Hopkins for Horror Asylum
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Zijn er afleveringen die ontbreken?
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Last week, we saw the moon blot out the afternoon sun. It made us spiral out of control into a binge of cringe, frustration and the worst sequel you've never heard of. Grady unpacks Spiral (Japan, 1998), which begins as an also-ran sequel to Ring and descends into weird softcore porn. Marcus struggles with math in Spiral (Canada, 2019), a queer horror with a clever ending but a frustrating and unlikeable protagonist. Melissa is baffled by the upcoming American remake of Speak No Evil (Denmark & The Netherlands, 2022). Can she look at James McAvoy the same way ever again? Plus - The First Omen is the more satisfying Coke to Immaculate's Pepsi, a spinoff of the manga Parasyte hits Netflix and Late Night with the Devil finally hits Shudder.
Articles mentioned in this episode:
"I'm Afraid of Other People and Myself: Christian Tafdrup on Speak No Evil," by Isaac Feldberg for RogerEbert.com
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Creepy convents, ghoulish nostalgia and full frontal science fiction - we've got something for everyone this week. We give an enthusiastic recommendation for Late Night with the Devil (Australia & United Arab Emirates, 2023) even though a movie theater fire robbed us of the ending, and we debate the Twitter crossfire about its brief use of generative AI. We unpack the chills and flaws of Immaculate (Italy & USA, 2024) and consider how personal religious experiences shape our contrasting interpretations of its disturbing ending. Marcus also gets nerdy talking about Lifeforce (United Kingdom, 1985) with Duane Barry and Jean Luc Picard.
Articles Mentioned in this Episode:
"‘Late Night With the Devil’ Directors Explain Using AI Art in the Film, Say They ‘Experimented’ With Three Images Only (EXCLUSIVE)" by William Earl for Variety
"Immaculate star Sydney Sweeney explains that 'animatronic thing' and the gonzo, bloody ending" by Lauren Huff for Entertainment Weekly
"Let's Talk About The Shocking Ending of Immaculate" by Dais Johnson for Inverse
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If we had a nickel for every time we watched a movie with a demonic feline this week, we'd have two nickels - which isn't a lot, but it's weird that it happened twice. This week, Grady and Melissa try to explain the fathomless House (Japan, 1977), an unspeakably weird cult classic from the nightmares of a ten-year-old girl. Marcus unpacks The Legend of the Demon Cat (China, 2017), which has a killer hook - a spectral black feline with a penchant for eating eyeballs - but uses it for historical fantasy rather than horror. Also, we swim with crocs in Rogue (Australia and USA, 2007) and plan a weekend double feature with Immaculate and Late Night with the Devil.
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What would you do if a ghost joined you in the bathtub, or if a demon judged your sex life? Find out this week as we explore the occult with Extra Ordinary (Ireland & Belgium, 2019), jump from a super-scary procedural to a super-okay exorcism in Belzebuth (Mexico, 2017), act surprised when a record player skips in the short film Antikk (Norway, 2020) and get down with the sickness with short film The Plague (Uruguay, 2017). Also - is Satanic Hispanics the anthology to beat this year, and does a Netflix gnome movie really belong on Tubi?
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Why do haters gotta hate? Was Lucio Fulci full of crap? Who would you bribe to slap a TV-MA label on a PG parody? Find out this week as we discuss the Mexican and Native American roots of True Detective: Night Country, Hammer fanfic and "action" in Wrath of Dracula (United Kingdom, 2023) and influential classic horror in The House that Screamed (Spain, 1969). Plus - we get some help from Elvira: Mistress of the Dark, learn why you shouldn't adopt a ghost and/or vampire and get distracted by Elmo's preemo slasher villian potential.
"How Mexico City influenced the icy Alaska mystery of ‘True Detective: Night Country’" by Bernice Vautista for the Associated Press
"True Detective: Night Country’s indigenous representation offers hope for decolonising television," by Agata Lulkowska for the Conversation
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We've got something for everyone this week. Grady gets blood splatter on his shoes with The Witch Part 1: The Subversion (South Korea, 2018), a John Wick-y action horror that pulls no punches. Melissa watched the French short film 3:36 (2017) four times and swears she had a different interpretation every time. Marcus loved the raw ambition of Out of Darkness (United Kingdom, 2022), a Stone Age monster flick with spectacular drone shots.
Plus - Scandinavian disasters, Scottish killers wearing pig masks and campy desert monsters are all dropping on streaming this week.
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What if Footloose was secretly about Slovakian witches? What if Daren Aronofsky - or Alfred Hitchcock - directed a twisty Mongolian flick? What if a tire came to life and killed you with psionic powers? Talk a walk on the weird side with us this week as we discuss Nightsiren (Slovakia & The Czech Republic, 2022), Aberrance (Mongolia, 2022) and Rubber (France, 2010). Plus, a chanty Thai horror movie drops on Netflix this week.
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We've got something for everyone this week. Grady gets his face melted off by an evil doctor with Eyes Without A Face (France & Italy, 1960), a noire chiller that works with classic film censors, not in spite of them. We fall out of tune with PussyCake (Argentina, 2021), a punk rock scifi horror with killer ideas that can't quite find its own beat, and Marcus kicks some ass with former UFC star Brandon Vera in Day Zero (Philippines, 2022). Also, a movie called Werewolf Santa drops on Tubi this week, and it's got a cameo from everyone's favorite drive-in movie critic.
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Lucio Fulci - the man, the myth, the legend. We stroll down Bourbon street towards the gates of hell with The Beyond (Italy, 1981), a vintage gorefest with no thoughts but plenty of drippy grindhouse vibes. Melissa gets spooked and emotionally wrecked by the short film The Shop of Eternal Life (China & USA, 2016), Marcus gets underwhelmed by Huesera: The Bone Woman and Mongolia's first horror movie hits VOD. Plus, we chat about the just-announced film adaptation of Until Dawn, a fantastic horror video game that could really flop as a movie.
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What's scarier: Islamic horror, Anglican horror, or a Japanese teenager with a chainsaw? What about all three in one podcast episode? This week, we dive into Shudder exclusives Kandisha (France, 2020) and Martyrs Lane (United Kingdom, 2021), two spiritual hauntings with very different vibes, and then chainsaw our way into something completely different with the Japanese manga Saitama Chainsaw Shoujo. Also, we unpack our wildly subjective favorites from 2023 and get confused by excitable doggos in an upcoming streaming drop.
Articles mentioned in this episode:
Saitama Chainsaw Shoujo, unofficial English translation on MangaKakaLot
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We're back! Melissa checks out neighborly horror Nail (Mexico, 2017) on YouTube, Marcus gets himself to a freaky nunnery with Sister Death (Spain, 2023) on Netflix and Grady sees right through efforts to prank him with Mad Spider Sea (Taiwan, 2020). Also, will True Detective: Night Country be a return to form?
Sites mentioned in this episode:
Wicked Worldwide: International Horror Shorts on Alter Horror's YouTube Chanel
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We interrupt your holiday cheer to bring you tales of the gothic, monstrous and macabre. This week, the posse unpacks tentacled dream horror in Housewife (Turkey, 2017) and uncanny puppet violence in Don't Hug Me I'm Scared (United Kingrom, 2022). We're also overwhelmed by the triumphant return of everybody's favorite kaiju in Godzilla Minus One (Japan, 2023) and underwhelmed by a spiteful demon in When Evil Lurks (Argentina & USA, 2023).
Big shout out to Faith, our gateway gargoyle and friend of the podcast. Feel better! We've got a Letterboxd list of gateway horror flicks to cheer you on.
We'll be back full time on January 11, 2024.
Websites mentioned in this episode:
16 days 16 films
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Stick a fork in Thanksgiving. Listen to our blooper reel instead. We'll be back with actual episodes in December.
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Is it a slow burn if every character is unlikeable? This week, we're pining for the fjords as we trek to Norway for Sacrifice (United Kingdom, 2020), an underwhelming Lovecrafty horror with too much angst and too few tentacles. We also watch a graphic betentacled affair between an alien and the protagonist of The Untamed (Mexico & others, 2016) and look forward to chilling goats and benthic arachnids as When Evil Lurks (Argentina & USA, 2023) and Mad Spider Sea (Taiwan, 2020) drop on streaming this week.
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Do you have big feelings about divorce and tentacles? Have you ever writhed in agony on the floor of a subway? If so, Possession (France and West Germany, 1981) is the cult horror classic for you! We thought it was overrated, to be honest. Also, Chinese crocodiles Eastern European kidnappers and Japanese slashers are all dropping this week, plus a cursed ring tries to Final Destination Melissa's cat.
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It's your last week as chief of police and a gnarly body floats down the river in a canoe. Better head into the hinterlands with your ex-girlfriend and her ex-boyfriend and check it out - there might be cosmic body horror afoot. This week, we trek into the Great White North with The Breach (Canada, 2022), the best horror film to ever be scored and produced by Slash. Also, Melissa dives into international short films on the Alter Horror channel on YouTube and Tubi and we discuss Mongolia's first horror flick.
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Welcome to Cthuluween! We're celebrating the most wonderful time of the year with a month-long series of cosmic tentacles. First up is Dagon (Spain, 2001), a fun low-budger romp with fish people and a horny water god. You'll never guess what HP Lovecraft story it's based on. We also review Blood Glacier (Austria, 2013), a Thing adaptation that peaks with the Asylum-y line, "Stop eating that banana while you're crying!" before nose-diving with a super uncomfortable pet death scene and odd choices. Also, British werewolves, Thai monsters and a slasher wearing a lamb costume are all dropping this week, plus the triumphant return of the Funk Bot.
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Horror doesn't just happen. It takes devoted special effects artists and a quirky sense of humor. This week, we head south of the border to answer the question, "What if Portlandia, but horror?" with Los Espookys (Mexico & The United States, 2018-2022), an offbeat NBC-ish horror comedy about making spooky happen. We also review Folklore, a pan-Asian anthology series, get distracted by The Perfect Host and No One Will Save You, and look forward to dream and classic gateway horrors dropping this week.
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