Afleveringen
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The actress and producer Mayan Lopez has seen a majority of her life play out on television.
Her father, the comedian George Lopez, produced and starred in a hit ’90s sitcom based on his real-life relationship with Ann Serrano, Mayan’s mother. But their fictionalized story became a reality when she watched her parents go through a very messy, public divorce.
The experience could have shattered the family beyond repair. But more than a decade later, Mayan and her father have turned their painful experience into another sitcom on NBC, based on their relationship. It’s all very meta. The show is called “Lopez vs. Lopez.”
Mayan reads a Modern Love essay about a daughter who also watched her parents’ marriage fall apart, but then as an adult sees them repair their relationship. The essay, “The Original Conscious Uncouplers,” by Cole Kazdin, explores what it means to redefine what a family means after divorce.
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Madeline de Figueiredo lost her husband, Eli, just a year after they married. After his death, she tried everything she could to reconnect with him: cooking from his recipe book, dancing to playlists he made, watching videos of him and listening to voice mail messages he left her. But her grief persisted.
Then, on what was supposed to be Eli’s 27th birthday, Madeline realized she could use A.I. to recreate his voice and try to talk to him again. On this episode of the “Modern Love” podcast, Madeline tells us what it felt like to hear that recreation of Eli’s voice, and how it changed the way she reconnects with him.
This episode is adapted from Madeline’s Modern Love essay from 2024, “Our Last, Impossible Conversation.”
We want to hear from you! We’re looking for stories, thoughts and feelings about egg freezing. Are you planning to freeze your eggs? What are you considering? Have you frozen your eggs? What happened, and how do you feel about it now? Leave us a voice mail message on the Modern Love hotline at (212) 589-8962. Please include your name, hometown and a callback number.
Want to submit your own Modern Love essay to The New York Times? Read how, or consider submitting a Tiny Love Story.
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Zijn er afleveringen die ontbreken?
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Whether it’s Cher or Paul Mescal, Amelia Dimoldenberg can turn her “dates” at a fast-food restaurant into chemistry-fueled, revealing interviews. The dates may be fake, but viewers are always left with the impression that the celebrity guest would probably be game for a second one.
Amelia reads a Modern Love essay from Rachel Fields, who is not sure how her last date has gone. After sending a risky text message, Rachel’s insecurities cloud her morning routine as she waits for a response. Amelia offers tips on how to soothe the anxieties that creep up in the early phases of dating, and how to feel confident throughout the process.
Her show, “Chicken Shop Date” is celebrating its 10th anniversary this month.
Want to leave us a voice mail message on the Modern Love hotline? Call (212) 589-8962 and please include your name, hometown, and a callback number in your message.
How to submit a Modern Love Essay to The New York Times
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In the new movie “We Live in Time,” the actor Andrew Garfield plays a newly divorced man named Tobias who falls in love with a chef named Almut, played by Florence Pugh. Their story feels epic and expansive, but still intimate. It focuses on the small, everyday moments that make up a love story: washing dishes together after a dinner party, sharing biscuits, smelling fruit at a farmers’ market. These are the moments that sustain them through Almut’s excruciatingly difficult medical crisis.
In this episode, Garfield reads the Modern Love essay “Learning to Measure Time in Love and Loss,” by Chris Huntington. His reading was unlike any other in the history of this show. Mr. Garfield was so moved by Mr. Huntington’s essay that he spoke in a surprisingly raw way with the host Anna Martin about the need for art to crack us all open, including himself.
We want to hear from you! This year is the 20th anniversary of the Modern Love column, and we want to know what impact reading the column has had on you. Has reading Modern Love made a difference in how you think about your own relationships? How? Tell us by leaving a voice mail message at (212) 589-8962. Please include your name, hometown and a callback number, and you might hear yourself on a future episode.
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Courtenay Hameister worked hard to stop feeling shame about her body size, but she also had a cruel inner monologue that just wouldn’t leave her alone. At times, her internalized fatphobia was so powerful, she couldn’t think about romance at all. But when Courtenay started dating Jason, everything felt different. He was fat, too, as well as smart, funny, and handsome.
When Courtenay realized she was starting to gain weight again, though, she became obsessed with the idea that other people were judging her and Jason, and she made a decision she would immediately regret.
This episode is adapted from her 2023 essay “Were We the ‘Fat Couple’?”
Leave a message on the Modern Love hotline! This year (2024) is the 20th anniversary of the Modern Love column, and we want to know what impact it has had on you. Has reading Modern Love made a difference in how you think about your own relationships? How? Tell us in a voice mail message at (212) 589-8962. Please include your name, location and callback number, and you might hear yourself on a future episode.
How to submit a Modern Love Essay to The New York Times
How to submit a Tiny Love Story
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
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On the HBO high finance drama “Industry,” basically everyone serves cruel insults. It’s part of the culture at their bank, Pierpoint. But Myha’la’s character, Harper Stern, goes after friends and enemies with deep, cutting verbal attacks.
Myha’la reads a Modern Love essay by a woman with the opposite problem: Laura Pritchett and her husband have avoided conflict for so long, she writes, that the fights they’re not having are tearing them apart. Myha’la also tells the host, Anna Martin, about the kind of communication style she strives to maintain, and what it’s like when she and her fiancé, Armando Rivera, find themselves in a fight.
The Season 3 finale of “Industry” drops Sunday night on HBO.
Laura Pritchett has written seven novels, including her latest, “Three Keys.”
Want to leave us a voice mail message on the Modern Love hotline? If so, please include your name, your hometown and a callback number in your message: (212) 589-8962
How to submit a Modern Love essay to The New York Times
How to submit a Tiny Love Story
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The actor Gillian Anderson (“The X-Files,” “The Fall,” “Sex Education”) has become an advocate for sexual openness, whether through her on-screen personas, launching a libido-boosting soda brand, attending the Golden Globes in a vulva-embroidered dress or through her new book, “Want: Sexual Fantasies by Anonymous,” which showcases the secret fantasies of anonymous women, curated by Ms. Anderson herself.
Today, Ms. Anderson reads and discusses the Modern Love essay “On Tinder, Off Sex,” which follows a woman who becomes unintentionally celibate after a painful breakup. The author fantasizes about past and potential loves but can’t seem to break out of what her doctor has called “secondary abstinence.” Ms. Anderson tells us about a time she felt similarly, and how a good yoga practice snapped her out of it.
We want to hear from you. Tell us how love is showing up in your own life. Call in at (212) 589-8962 with your name, location and story.
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Actor Peter Gallagher (Sex, Lies, & Videotape and The O.C.) met his wife, Paula Harwood, over forty years ago in college in a stairwell meet-cute. Since then, they’ve maintained a loving marriage and managed to raise a family while navigating the world of show business.
We talked to Peter on his 41st wedding anniversary, and he read us the Modern Love essay “Failing in Marriage Does Not Mean Failing at Marriage” by Joe Blair. Despite the essayist being kicked out of the house by his wife five times, the couple managed to remain married and learn that a relationship can mean trying together and failing together. Reflecting on the essay, Peter gave us his advice for staying the course.
Peter Gallagher will be performing on Broadway this fall in Delia Ephron’s play ‘Left on Tenth.’
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On the Emmy- and Peabody-winning series “The Bear,” Liza Colón-Zayas plays Tina Marrero, a cook at the Chicago restaurant at the center of the story. Tina and her fellow workers are in a constant struggle for the survival of their restaurant, and they fight just as fiercely with one another. Only at rare moments do we see them drop the tough exterior and show one another love or respect.
Today, Colón-Zayas reads “A Web Between Her Body and Mine,” by Karen Paul. It’s a Modern Love essay about two friends who also met at work, but have a different kind of bond: Karen has no problem showing affection to her best friend, Miriam. But after Miriam has a terrible accident, Karen finds herself in uncharted territory, not certain when, or how, to support her. It’s a story Colón-Zayas says she relates to personally, and her reaction to it takes her by surprise.
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John Paul Brammer writes the “¡Hola Papi!” advice column for The Cut at New York magazine, answering questions like, “Why am I dreaming about sex with a man when I’m a lesbian?” Or, “What if my partner judges me for writing smut?” This candor has given John Paul an intimate connection with his readers. However, as today’s episode reveals, he doesn’t think we necessarily need that level of openness with all of our loved ones.
Ahead of Mother’s Day, Brammer reads an essay about a recent college graduate who sets out to spend the summer exploring his sexuality, but whose plans are derailed by his duty to his grandmother. It’s called “Young, Gay and Single Among the Nuns and Widows” by Kevin Hershey. Brammer says it’s “bizarre” how much this essay resonates with his own life.
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Emily Ratajkowski is doing a balancing act many famously beautiful women have to perform. In her 2021 book “My Body,” she reflects on what it’s been like to build a career based on her public image, and her struggle to control that image in an industry largely run by men. Since getting divorced a few years ago, she’s been thinking a lot about gender dynamics and the type of agency she wants to have in dating, too.
Today, Ratajkowski reads “Why I Fell for an ‘I’m the Man’ Man,” by Susan Forray. Forray is also a successful, self-sufficient woman, dating after divorce. She’s surprised to find herself falling for a man with old-fashioned ideas about who does what in a relationship. (He pays for dinner, handles the finances and initiates sex). As a single mom who handles everything, Ratajkowski says, she can relate to the desire to be cared for once in a while. And that doesn’t have to mean playing into a sexist stereotype.
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Laufey, the 25-year-old singer-songwriter, has risen to prominence by taking the trials of today’s dating world — casual relationships, no labels and seemingly endless swiping on apps — and turning them into timeless love songs.
Today, Laufey reads Coco Mellors’s essay, “An Anxious Person Tries to Be Chill,” which is about a woman trying to work through her deep-seated relationship anxieties and attachment issues in an on-again, off-again situationship. Laufey says she, too, has been an anxious partner. While she thinks a toxic relationship, like the one in the essay, can make for a great love song, she now knows secure relationships can make beautiful music, too.
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The actor John Magaro is picky about whom he goes to dinner with. Magaro is an adventurous eater. So whether he’s buying offal from the butcher, making stews from the 1800s or falling in love over a plate of rabbit, he says it’s important to him that the people he shares a meal with are willing to be curious. For Magaro, it’s about more than personal preferences. Sharing a meal and connecting with other people, he says, is the bedrock of society.
Magaro played Arthur in “Past Lives,” one of our favorite movies last year. His character is constantly working to understand his wife on a deeper level. And Magaro sees that quality in “My Dinners With Andrew,” by Sara Pepitone, a Modern Love essay about food as a love language, and a series of dinners that make, and break, two relationships.
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Over the last two decades, Esther Perel has become a world-famous couples therapist by persistently advocating frank conversations about infidelity, sex and intimacy. Today, Perel reads one of the most provocative Modern Love essays ever published: “What Sleeping With Married Men Taught Me About Infidelity,” by Karin Jones.
In her 2018 essay, Jones wrote about her experience seeking out no-strings-attached flings with married men after her divorce. What she found, to her surprise, was how much the men missed having sex with their own wives, and how afraid they were to tell them.
Jones faced a heavy backlash after the essay was published. Perel reflects on why conversations around infidelity are still so difficult and why she thinks Jones deserves more credit.
Esther Perel is on tour in the U.S. Her show is called “An Evening With Esther Perel: The Future of Relationships, Love & Desire.” Check her website for more details.
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When Maya Hawke’s famous parents got divorced, she was just a little kid trying to navigate their newly separate worlds. Paparazzi aside, Maya’s experience of shuttling between two homes was still more common than the arrangement described in the essay Maya reads: “Our Kinder, Gentler, Nobody-Moves-Out Divorce,” by Jordana Jacobs.
By staying under one roof, Jacobs and her ex-husband spared their young son the distress of having to go back and forth. But this “dad upstairs, mom downstairs” arrangement also meant that Jacobs had to overhear her ex falling in love with his new partner.
Today, Hawke reflects on the bittersweet family portrait in Jacobs’s essay, and on divorce’s role in Hawke’s own upbringing.
Maya’s latest album, “Chaos Angel,” drops May 31.
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Penn Badgley has made a career out of playing deeply troubled characters. From his role as Joe Goldberg on the Netflix series “You” to Dan Humphrey on “Gossip Girl,” Badgley has shown many times over how obsession and delusion can destroy love.
In his personal life, though, Badgley says he’s not doing too much brooding. He’s a father and a stepfather, and he opens up about the importance of being vulnerable with his kids. Badgley reads “Watching Them Watching Me” by Dean E. Murphy, an essay about a father who can no longer hide his emotions from his sons after they all experience a devastating loss.
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The chef Samin Nosrat lives by the idea that food is love. Her Netflix series, “Salt, Fat, Acid, Heat,” and the James Beard Award-winning cookbook that inspired it, were about using food to build community and forge connections. Since then, all of her creative projects and collaborations have focused on inspiring people to cook, and eat, with their friends and loved ones.
After the recent loss of her father, Samin has gained an even deeper understanding of what it means to savor a meal — or even an hour — with loved ones. This week, she reads an essay about exactly that: “You May Want to Marry My Husband” by Amy Krouse Rosenthal. It’s one of the most-read Modern Love essays ever.
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Brittany Howard, the five-time Grammy Award-winning singer, makes vibrant, dynamic music about love.
As the frontwoman of the band Alabama Shakes, she was celebrated for the power and emotionality of her voice. When she began her solo career in 2019 with “Jaime,” an album named after and dedicated to her older sister, who died at 13, Howard revealed new dimensions of her songwriting and herself.
Her latest album, “What Now,” captures the intensity of processing the past and starting anew. Today, Howard reads a Modern Love essay about the courage it takes to fall back in love: “Was She Just Another Nicely Packaged Pain Delivery System?” by Judith Fetterley.
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Before Celeste Ng became a best-selling author, she had a side hustle selling miniatures on eBay — dollhouse-size recreations of food were her specialty. Even after the publication of “Little Fires Everywhere,” “Everything I Never Told You,” and, most recently, “Our Missing Hearts,” Celeste still makes tiny things — now, as a hobby. She’s come to realize the parallels between making small things and writing: Both give her a chance to look closely at the world.
Today, Celeste kicks off our special podcast series, which celebrates 20 years of the Modern Love column, by reading Betsy MacWhinney’s essay “Bringing a Daughter Back From the Brink With Poems.” She discusses her own deep-rooted relationship to poetry — and the lessons, large and small, that poems can offer parents and children in uncertain times.
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When Daniel Jones started the Modern Love column in 2004, he opened the call for submissions and hoped the idea would catch on. Twenty years later, over a thousand Modern Love essays have been published in The New York Times, and the column is a trove of real-life love stories.
Dan has put so much of himself into editing the column over the years, but as he tells our host, Anna Martin, the column has influenced him, too. Today, Dan shares three Modern Love essays that have changed the way he thinks about love and relationships in his own life.
Also, Anna announces the beginning of a special series of episodes celebrating Modern Love’s 20th anniversary.
The Modern Love essays mentioned in this episode are:
One Bouquet of Fleeting Beauty, Please
Nursing a Wound in an Appropriate Setting
My First Lesson in MotherhoodUnlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
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