Afleveringen
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The remarkable political ascent of Donald J. Trump and his sustained grip on a certain segment of American society have given fresh life to a question as old as Tocqueville’s visit to Jacksonian America a century ago: How do foreigners regard America, Americans and the American experiment? I explore this question in a conversation with Madeline Schwartz, founder and editor in chief of The Dial, an online publication. She wrote the Introduction to a collection of essays featuring work commissioned by The Dial, the new book titled How We See It: The World Looks at America in the Age of Trump (The New Press, 2026). We discuss perspectives from Italy, Argentina and South Africa, among other places
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British
daily newspapers transformed rapidly at the turn of the nineteenth
century, ballooning in size and radically reorganizing staffing and
production decade by decade. By mid-century, newspapers had grown from
the folded single sheets of the previous century to large multi-page
broadsheets, so impressive in the quantity of print they held and their
speed of production that one of their nicknames was 'the daily miracle'.
Traditional
news history has overlooked a key fact for understanding this era of
news: that Victorian daily newspapers were high-pressure systems. As
demand for newspapers outpaced their original production capacity,
newspaper organizations began to build complex technical and production
mechanisms to continue to grow and compete. As these systems expanded,
newspapers became dependent on them, and decisions about how daily
journalism should develop began to pass from editorial choice to
systemic necessity. The previously untold story of Victorian daily news
is that the personalities of editors and owners and the larger social
forces at work in that era were not the only (or even primary) drivers
of its history. Once set in motion, the systems of Victorian news gained
major shaping agency over their own development.
Combining deep archival research and traditional historical analysis with modern data mining methods, News Machines: The Systems of Daily Journalism in Britain, 1785–1885
(Oxford University Press, 2026) by Dr. Dallas Liddle reconstructs the
systemic workings of Victorian daily news in unprecedented detail,
offering new and counterintuitive accounts of when and why daily papers
expanded, how and why steam-powered printing machines developed, how
specialized news discourses evolved, and how newspaper leadership was
organized.
This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Zijn er afleveringen die ontbreken?
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In 1897 when the Forverts was founded, the need for a Jewish newspaper—a Yiddish newspaper that is—was self-evident: millions of Yiddish speaking Jewish immigrants needed a reliable daily source of news in their own language. In the first few decades of the 20th century the Yiddish press blossomed in New York, peaking at five different daily papers and an estimated daily readership of approximately one million in New York City alone in the early 1920s. The major form of media for immigrant Jews and their offspring, the Yiddish press provided its readers with everything from international, national, and local news, to original and translated literature, both high and low, literary and theater criticism, politics, humor, advice columns, and more. Yiddish newspapers taught immigrants how to vote and even how to play baseball.
Today, nearly 125 years after the first issue of the Forverts, the vast majority of American Jews speak and read English and can get their news from the mainstream English language press. And yet, the Jewish press—now mostly in English—remains an important journalistic outlet for topics of particular interest to the Jewish community. From Jewish TV shows, movies, books, music, and restaurants to the happenings of Jewish institutions and communities; from the Jewish angles and stories behind the news, to in-depth focus on topics such as Israel and antisemitism; Jewish publications fill the gaps of the mainstream press for a Jewish readership hungry for today's Jewish stories.
Join us for a conversation with editors of today's major American Jewish publications about the role they play in the Jewish world. Moderated by Gal Beckerman (The New York Times Book Review) this panel will feature Alana Newhouse (Tablet Magazine), Jodi Rudoren (The Forward), and Philissa Cramer (Jewish Telegraphic Agency). This panel will explore questions including: Now that American Jews have so clearly assimilated into American society what is the need for a Jewish press? What audience do the editors of these publications target? How do they serve the American Jewish community as it grows diverse and diffuse?
This panel was originally held on September 13, 2021.
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The COVID-19 pandemic delivered its first and most devastating strike in the United States in New York City in the Spring of 2020. Closely connected to the world by air travel, with a virus able to circle the globe in a single flight, and with a population always living life largely in public spaces, sickness swept through the city, with the daily death toll reaching, at its worst point in April 2020, almost 800 persons per day.
In When the City Stopped: Stories from New York’s Essential Workers (Cornell UP, 2026) author Robert W. Snyder offers readers the voices of 45 New Yorkers, recorded in real time during the pandemic, people whose names we would likely not know or recognize. Snyder centers the “oral histories” of these 45 -- transit workers, ambulance drivers, grocery store clerks, firefighters, police officers, “deliveristas” of take-out food, nurses, and doctors. These 45 also speak for thousands of others, the people we came to know as “essential workers.” They could not work from home. They showed up to do their jobs every day during the most dangerous weeks of early Spring 2020, and beyond. Their dedication cost some of them their lives, but their courage, perseverance, and endurance ensured that the city and its people would be saved, in the author’s words, “from the bottom up.”
This interview was conducted by James Melchiorre, a journalist, documentary producer, and teacher of English as a Second Language. Melchiorre lives in New York City.
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From Pulitzer and National Book Award finalist Anand Gopal, an epic and enthralling account of six Syrians fighting for a better world, in the tradition of classic works by Philip Gourevitch and Katherine Boo.In 2011, in a northern Syrian city, a small group of men and women began a movement that overthrew a brutal dictatorship. For the next eighteen months, many of the citizens of Manbij carried out one of the most remarkable experiments in democracy in modern times.Days of Love and Rage (Viking, 2026) details the powerfully intimate narratives of the men and women who led this struggle, and who experienced the highs of camaraderie and the lows of betrayal. Among them: a pair of best friends torn apart by political polarization, a mother who stands up to male dominance, and a worker who risks everything for the dream of equality.Anand Gopal immerses you in the world of a single city in the throes of revolution, and lays bare the danger that inequality poses to democracy. But this book transcends the particulars of one terrible conflict to tell the broader story of rising authoritarianism in our times. Days of Love and Rage has the force, sweep, and artistry of a great novel, and is ultimately a story of our enduring human need for dignity and hope.
Anand Gopal is a writer for The New Yorker. He is the author of No Good Men Among the Living and writes about democracy, inequality, and conflict.
Recommended Books:
Loubna Mrie, Defiance
Walter Ang, Orality and Literacy
Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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How Western media shapes public understanding of Gaza, Palestine, and conflict through language, political narratives, and global power structures.
In this Nordic Asia Podcast episode, Khaled Ezzelarab, Director of the Middle East Institute Program at the American University in Cairo and a former journalist, discusses how Western media narratives shape public understanding of the Gaza war and the broader Israeli–Palestinian conflict. He argues that mainstream Western outlets such as the BBC, CNN, and The New York Times have gradually changed their coverage over time, although dominant narratives still frame the conflict primarily as a cycle of “mutual violence” rather than addressing the deeper realities of occupation and structural inequality faced by Palestinians.
Ezzelarab explains that media language plays a crucial role in shaping public perception. Terms such as “genocide,” despite being used by international experts and human rights organisations, are often avoided by major Western media outlets. At the same time, emotionally charged language is more frequently used when describing Israeli suffering than Palestinian suffering. According to Ezzelarab, these editorial choices significantly influence how audiences interpret violence and responsibility in the conflict.
The discussion also explores the relationship between journalism, audience expectations, and political power. Media organisations tend to follow dominant political narratives, especially in foreign affairs, while also responding to pressure from audiences and social movements. Ezzelarab notes that pro-Palestinian activism, especially among younger generations and on social media platforms such as TikTok, has increasingly challenged traditional media framing and forced mainstream outlets to adapt.
Finally, the episode highlights how global power structures shape media attention and representation, not only in Gaza but also in conflicts such as Sudan and Iraq. Ezzelarab concludes that younger generations of journalists and audiences may gradually reshape media narratives through more diverse perspectives and alternative digital platforms.
Elo Süld, Head of the University of Tartu Asia Centre and Associate Professor of Islamic Studies She is one of the leading scholars of Islam in Estonia, focusing on Islam and Islamic pluralism, and more broadly on the Middle East within the wider Asian context.
Khaled Ezzelarab, Director of the Middle East Studies Program at the American University in Cairo (AUC) and Associate Professor of Practice in Journalism and Mass Communication. He has spent seventeen years as a journalist with international and pan-Arab media, including the BBC World Service, covering major regional events such as the Gaza wars, the Egyptian uprising, and the Syrian conflict. Ezzelarab presented his research at the University of Tartu Asia Centre annual Asia Update conference in April 2026. His session was titled “Beyond Bias: Structural and Cultural Determinants of Western Media Coverage of Gaza”.
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Robin Andersen's latest book, The Complicit Lens: US Media Coverage of Israel's Genocide in Gaza (OR Books, 2026), is a forensic and unflinching examination of how establishment media abandoned journalistic integrity to manufacture consent for the genocide in Gaza, creating an environment in which unprecedented escalations and war crimes have become a terrifying new normal.
Since October 7th 2023, the story of what was to become the genocide in Gaza was immediately shaped by the mobilisation of a very particular narrative: one of unprovoked terror, of Israel's right to defend itself, of a war between equals. What was not made clear, and what Andersen's book documents in meticulous detail, was the extent to which those attacks would be used by Western elites, the global military industrial complex, and US legacy media to condone a full-scale genocide, including horrors that continue as this book goes to print, despite a ceasefire.
The Complicit Lens is published by OR Books in collaboration with the Institute for Palestine Studies, and features an introduction by the Palestinian historian Rashid Khalidi, who writes: "This book does not make for easy reading. Andersen walks us through the mainstream media's misleading coverage, its bland and unquestioning repetition of lies and distortions by spokespersons for the Israeli and US governments, and its racist defamation of the Palestinians, when it is not ignoring their voices entirely. In analyzing this dereliction of the most basic duties of journalists, she offers detailed alternative and independent media accounts of Israel's massacres, its intentional destruction of the infrastructure necessary for normal life, and its starvation of over two million people, obscured by this almost universal mainstream media malpractice."
About the Author
Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting, where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media.
About the Host
Stuti Roy is currently an editor at Oxford University Press. She has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford and holds a BA in Political Science from the University of Toronto.
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Jeremy Harding has long been one of the premier essayists and journalists of our day. Elegant, committed and free of cant, Harding's writing has often appeared in the London Review of Books, from which a number of these essays were drawn. Harding explores the intersection of politics and culture on the African continent, and unearths stories that explain the dialectical relations between the two spheres during the colonial and post-colonial moments. Never heavy-handed, Harding's mode is the exploratory, and one comes away from his nuanced narratives edified. Discussed in the podcast are several of Harding's pieces, including the complicated and unanticipated journey of Kamel Daoud in his rewriting of Camus's The Stranger, and Camus's own ambivalent legacy around colonial rule.
Read the transcript here.
Leonard Benardo is a vice president for the Open Society Foundations.
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In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today?
The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In U.S. Militarism and the Terrain of Memory: Negotiating Dead Space (Taylor & Francis, 2024), John Bechtold examines how the US military understands information and the media as a contested terrain. Focusing on the assaults on the Iraqi city of Fallujah in 2004, Bechtold shows the efforts the US military went through to make sure it was able maintain control over the battles’ narrative. This effort is more than public affairs and trying to shape how others understand the operations. Just like the military will fight over physical terrain, Bechtold argues that the military understands the information space and the news media as places of contestation that it must work to control. Using examples ranging from official memorialization efforts by the military to Luis Sinco’s photograph of James Blake Miller (the “Marlboro Marine”) to Gary Trudeau’s Doonesbury, this book shows how the assaults on Fallujah are remembered in US military history. Moreover, Bechtold shows how the military set the conditions for the Battle for Fallujah to remembered.
You can find a transcript of our interview here.
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Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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How the rise of the culture wars afflicts the politics of education.
On August 9, 2022, the Denton Independent School District held a meeting to address complaints about its libraries. Like so many districts in Texas and across the country, Denton had been responding to accusations that children had access to inappropriate books at school. During the public comment session, a local man stood up to the podium and read a sexually explicit passage from a book that he wanted removed from Denton’s school libraries. But beguiled by the prospect of securing a political win, he had confused the title of the lurid psychological thriller he read aloud with a young adult fiction series about mermaids. While his attempt to ban a book that was never in Denton’s school libraries in the first place received a few laughs, it also reflects a deeply serious and troubling culture of conflict that has taken over the politics of education and now divides people so completely as to make public education as a shared endeavor seem impossible.
In Willing Warriors, Mark Hlavacik shows how the culture wars have redefined the politics of US schooling from the 1970s to the present through vivid accounts of public controversies featuring Allan Bloom, Oprah Winfrey, Lynne Cheney, Rush Limbaugh, Betsy DeVos, Nikole Hannah-Jones, and others. Beginning in the 1970s, Hlavacik shows, efforts at innovation in schooling have increasingly been met by attempts to discredit them through exposé. As the culture wars have accelerated and exploded, this cycle of innovation and exposé has embroiled public schools in increasingly heated debates. He explains the dynamics that make curriculum controversies so intractable and confronts the delicate question of whether raucous public arguments are bad for education. With clarity and insight, Hlavacik reveals why bitter contests between educational ideologies not only add another burden for the schools, but also for the people—the willing warriors—who devote their lives to fighting for their betterment.
Mark Hlavacik is assistant professor in the Department of Communication and Journalism at Texas A&M University. He is the author of Assigning Blame: The Rhetoric of Education Reform.
Laura Beth Kelly is an associate professor of Educational Studies at Rhodes College in Memphis, Tennessee.
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The philosopher G.W.F. Hegel “viewed history as consisting of stages punctuated by times of upheaval,” the author John B. Judis wrote in a recent essay for NOTUS, and “assigned to what he called ‘world-historical individuals’ a special role in spurring the transition from one era to another.” Trump, Judis posited, “is exactly such an individual,” comparable in this respect to Alexander the Great, Caesar and Napoleon. In our conversation, we discuss this proposition—including the forces that brought Trump to this role and the bleak destiny that typically greets “world-historical individuals.” Judis is the author of a number of books, including The Populist Explosion (Columbia Global Reports, 2016).
John B. Judis is an author and American journalist, a contributing editor at Talking Points Memo, a former senior writer at the National Journal, and a former senior editor at The New Republic
Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. His companion Substack newsletter, America and Beyond,” offers commentary and insights on the podcast. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His most recent book is Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports, 2024).
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In Making the Liberal Media: How Conservatives Built a Movement Against The Press (Columbia UP, 2026), A.J. Bauer examines the history of the idea of a “liberal media bias.” Rather than trying to show whether or not “liberal media bias” is an accurate description, Bauer shows how this idea has been an animating force for conservative political activists and media figures. Bauer shows the lineage of “liberal media bias” criticism going back to early leaders in the modern conservative movement and press, as well as the conservative and right-wing grassroots. In addition to promoting this idea of media bias, these early conservative media pioneers taught their audiences how to be media critics themselves, a tradition that is still practiced today.
A.J. Bauer is an Assistant Professor in the Department of Journalism and Creative Media at the University of Alabama.
You can find a transcript of the interview here.
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This is a special edition of the New York Institute for the Humanities’ Vault podcast. On October 10, 2025, NYU’s Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.
In this third, and final, panel, Robert Boynton moderates a conversation which asks, “Can podcasts save the university?” In it, Joy Connolly, Barry Lam, and Dr. Aurora Hutchinson discuss what role podcasts might play in the university’s system of hiring, promotion and tenure.
Robert S. Boynton is the director of the Literary Reportage program, and associate director of NYU’s Arthur L. Carter Journalism Institute. He is author of The Invitation Only Zone: The True Story of North Korea’ s Abduction Project, and The New New Journalism.
Joy Connolly is president of the American Council of Learned Societies and a scholar of ancient Roman political thought and literature. At ACLS, she has led initiatives such as Doctoral Futures to broaden the scope and reach of humanistic inquiry. She is the author of The State of Speech and The Life of Roman Republicanism, and is completing a new book called All the World’ s Pasts.
Professor Barry Lam earned a Ph.D. in Philosophy from Princeton, taught at Vassar, and recently moved to UC Riverside. He is the host and executive producer of Hi-Phi Nation, a story-driven podcast about philosophy, at Slate magazine. He is also an Associate Director of the Marc Sanders Foundation, which promotes excellence in philosophy and public philosophy.
Dr Lauren Arora Hutchinson, previously a BBC journalist, is an award-winning audio storyteller, an academic, and the inaugural director of the Dracopoulos-Bloomberg iDeas Lab, a studio and incubator for world class stories at the intersection of science, ethics, medicine and public health, at the Johns Hopkins Berman Institute of Bioethics. Lauren’s immersive audio work has premiered at IDFA and the Venice Film Festival. She has a PhD in History of Science with a focus on Oral History, and was a Wellcome Trust Imperial Media Fellow. She is the host of the signal award winning podcast playing god?
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Hitler and My Mother-in-Law (OR Books, 2025) is a riveting memoir that explores the intersection of truth—both familial and political—through the colorful and complex life of the author's mother-in-law.
In a time like our own of intense propaganda and manipulation, the only WWII female correspondent who covered both theaters of war, Pat Hartwell identified Hitler from a pile of ashes for the US military, and the troops awarded her with a million-dollar painting from Hitler's study. Really?
She was the only woman in the CBS news room, assistant to the head of the Office of War Information, VP of one of the largest public relations companies in the world, third in command of UNICEF where she convinced Matisse to provide artwork for free, editor of her own Arizona newspaper where she hustled naïve art on the side, and eventually head of the Hawai’ian arts council, a state of extremely complex political and social stakeholders, where she left a legacy of preventing art fraud. Her story is a fascinating journey through history, art, and deception.
The memoir delves into the art of invention and the shapeshifting of memory and truth, interwoven with humorous yet profound moments. It examines the comical Soviet efforts to conceal Hitler's death, McCarthy's investigations, and the author's own struggle to compete with both her mother and her mother-in-law. Threaded throughout are insights into organizations that malign the word "mother" and, of course, plenty of mother-in-law jokes.
With meticulous research and a unique perspective, Hitler and My Mother-in-Law challenges the boundaries of narrative honesty, offering a powerful exploration of propaganda, identity, and the personal reckoning that defines the art of memoir. It's a gripping mix of history, family, humor, and a biting reflection on the politics of truth—past and present.
New Books in Women’s History Podcast
Jane Scimeca, Professor of History at Brookdale Community College
www.janescimeca.com
@janescimeca.bsky.social
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This is a special edition of the New York Institute for the Humanities’ Vault podcast. On October 10, 2025, NYU’s Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.
In this second panel of the day, Ellen Horne moderates a conversation with Chenjerai Kumanyika, Barry Lam, and Julia Barton, three veterans who have made a specialty of working on creative, idea-informed series.
Professor Ellen Horne directs the Podcasting and Audio Reportage concentration at NYU’s Arthur L. Carter Journalism Institute. She was the executive producer and editor of Admissible: Shreds of Evidence, and was host, reporter, and producer for Luminary’s Lies We Tell. Horne was the executive producer of WNYC’s Radiolab, where she won George Foster Peabody Awards, Third Coast Awards, and the Kavli Science Journalism Award. Her new documentary, Age of Audio, tells the story of the podcast from birth to boom to today.
NYU Professor Chenjerai Kumanyika specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio’s Season 2 “Seeing White,” and Season 4 on the history of American democracy.
Professor Barry Lam earned a Ph.D. in Philosophy from Princeton, taught at Vassar, and recently moved to UC Riverside. He is the host and executive producer of Hi-Phi Nation, a story-driven podcast about philosophy, at Slate magazine. He is also an Associate Director of the Marc Sanders Foundation, which promotes excellence in philosophy and public philosophy.
Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She’s the editor of Malcolm Gladwell’s audiobook The Bomber Mafia, Michael Specter’s Fauci, and Michael Lewis’s unabridged Liar’s Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She is the author of the audio history newsletter, Continuous Wave.
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This is a special edition of the New York Institute for the Humanities’ Vault podcast. On October 10, 2025, NYU’s Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.
In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker’s Theory of Everything.
The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization.
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As news reporters, we are in the story-telling business, the eye witnesses to history, writing, it's said, ‘the first draft of history'.
The fall of the Berlin Wall. Lockerbie. Hillsborough. Dunblane. Mad Cow disease. 9/11. These are all events that have entered our national, and international, consciousness. Events so momentous that we can all say where we were, what we were doing, when the Berlin Wall fell, or when the planes hit the Twin Towers. Award-winning television news reporter and political correspondent, Glen Oglaza, can say exactly where he was when these events happened. He was there, he had a front-row seat as history unfolded. And in this informative and fascinating account of those years, he allows the reader to be there too. From Thatcher and the miners' strike, to the Gulf War, the Good Friday Agreement and Tony Blair at Number Ten, captivating national and global events are all given an intriguing new inside angle.
Glen Oglaza is an award-winning television news reporter and political correspondent with more than twenty-five years' experience with ITN and Sky News. At ITN, he covered many of the biggest stories of the 1980s and 1990s, and was part of the award-winning ITN teams covering the Fall of the Berlin Wall, the plight of the Kurds in the wake of the First Gulf War, and the massacre in Dunblane. He was BAFTA-nominated for his coverage of the London Poll Tax riot. As a political correspondent, he covered the governments of Tony Blair, Gordon Brown and David Cameron.
Glen is also an accomplished poet with several volumes of poetry published these Religion Fake News and Misdemeanors, No Words, always and his latest collection Spam and other poems.
In this podcast we discuss Glen's books When I Stories and More When I Stories (Pegasus, 2024), starting in local journalism in Television news with ITN and Sky News, and the great events he covered during his career.
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In Killers of Roe: My Investigation Into the Mysterious Death of Abortion Rights (Legacy Lit, 2026) reporter Amy Littlefield investigates the secret killers and hidden motives behind the death of abortion rights. They are going to kill people, investigative reporter for The Nation Littlefield knew, when the Supreme Court overturned Roe v. Wade. As a journalist covering abortion for more than a decade, she had already chronicled many near-death experiences caused by anti-abortion policy. After the anti-abortion movement's staggering defeat of Roe, she became fascinated with their victory and why they seemed so much better organized than the pro-choice movement. She set out to investigate the murderers of Roe. Killers of Roe chronicles Littlefield's journey into the unexplored corners of the most successful social movement of our time. As in every good murder mystery, the killers turn out to be the people you least suspect, like a disgraced former Congressman obsessed with offshore tax evasion and an unknown suburban bureaucrat who wrote America's most diabolical anti-abortion policy. She reports from a sweaty presidential tour bus in DC, a chaotic Michigan courtroom where a former fetus thief is on trial, and a Texas town that rejects an abortion travel ban. She encounters surprising characters who shed light on how we got to this moment of authoritarian rule: from the pro-choice superfans she meets at the Reagan library to the Senator who couldn't stop kissing every woman he met. Along the way, Amy draws upon the stories of women who have died from anti-abortion policies and on her own experience as a mother to reveal the life-and-death stakes of America's abortion wars. At once clever and poignant reportage, this abortion whodunnit uncovers the deeper story of how we lost Roe--and how we can win back so much more.
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