Afleveringen
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How do election campaigns in South Korea look like? Why have satellite parties become an important instrument of power politics? What do the election results mean for the Yoon government’s ability to implement its policy agenda? In April 2024, South Koreans went to the polls to elect a new parliament but many regarded the elections also as a referendum on President Yoon Suk-yeol and opposition leader Lee Jae-myung. In this episode, Outi Luova talks to Sabine Burghart about her observations during the election campaign in Seoul and Jeonju, the government’s controversial medical reform plans, new political actors and gender differences in voting behavior.
Sabine Burghart is University Lecturer and Academic Director of the Master’s Degree Programme in East Asian Studies at the Center for East Asian Studies (CEAS), University of Turku, Finland.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Asianettverket, University of Oslo (Norway), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland) and Centre for East and South-East Asian Studies, Lund University (Sweden).
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Histories of North Korea typically focus on one man — Kim Il Sung — and one narrative — his grand rise to absolute power. Andre Schmid’s new book, North Korea's Mundane Revolution: Socialist Living and the Rise of Kim Il Sung, 1953-1965 (University of California Press, 2024), tells a much more complex and richly textured story. Moving away from the focus on Kim Il Sung, Schmid looks at how the Korean population participated in party-state projects to create “New Living”: a quest for a better life, realized through socialism. Each part of North Korea’s Mundane Revolution focuses on a question that was central to a different aspect of New Living: How to self-improve? How to build more efficiently? How to make a happy family home? How to consume properly? In exploring these questions, Schmid looks at a wide range of overlooked sources, especially North Korean magazines and journals, complete with tongue-in-cheek cartoons and photographs. Wonderfully nuanced, empirically rich, and utterly compelling, this book not only sheds light on the origins of North Korea's durability, but it does so through a fascinating history of unhappy housewives and prefabricated apartments.
North Korea’s Mundane Revolution is sure to appeal to those interested in Korean history and global histories of gender, socialist revolution, and print culture, as well as anyone who has ever wondered "How do you do North Korean history?"
And if you want to read more about this book before diving in, you should check out how it fares at the ‘The Page 99 Test,’ here.
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Zijn er afleveringen die ontbreken?
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Dr. SunAh M. Laybourn’s Out of Place: The Lives of Korean Adoptee Immigrants (NYU Press, 2024) explores the experiences of Korean adoptees, the largest population of adult transnational adoptees in the United States. Over 125,000 Korean children have been adopted into primarily white US families since the 1950s, and despite being raised as US citizens, still experience both legal and social barriers to national belonging.
Drawing on in-depth interviews with Korean adoptee adults, online surveys, and participant observation at Korean adoptee events across the US and in Korea, Out of Place illustrates how Korean adoptees come to understand their racial positions, reconcile competing expectations of citizenship and racial and ethnic group membership, and actively work to redefine belonging both individually and collectively. In considering when and how Korean adoptees have been remade, rejected, and celebrated as exceptional citizens, Out of Place brings to the fore the features of the race-making process.
Dr. SunAh M. Laybourn is an Assistant Professor of Sociology at the University of Memphis. She received her PhD from the University of Maryland in 2018. Her areas of interest include race and ethnicity, identity development, and Asian America/ns.
Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities at https://twitter.com/AJuseyo.
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Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S.
Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors.
In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
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“The things that are happening to North Korea are happening to all of us…they are part of the human community. To say that this is just a problem for North Korea is to say that North Koreans are not part of the human community.” In her new book, Dying for Rights: Putting North Korea’s Human Rights Abuses on the Record (Columbia University Press, 2019), Sandra Fahy gives a thorough and compelling analysis of testimonies and reports on North Korea. Fahy explores the United Nation’s report as well as North Korea’s response to the report. The book also tackles issues of famine and hunger, information control, movement within the country and outside it, in addition to other pertinent issues. The book is full of detailed reporting on the issues but is still written in an accessible way in order to help readers understand more about North Korea and its people.
Sarah E. Patterson is a Postdoctoral Fellow at the University of Michigan.
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Dr. Andy Jackson’s The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry.
Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University’s Korean Studies Research Hub here.
Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.
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The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices.
Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies.
The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation.
Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at [email protected]
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Even in states where borders and sovereignty are supposedly well established, large movements of transnational migrants are seen to present problems, as today’s crises show the world over. But as Alyssa Park’s book Sovereignty Experiments: Korean Migrants and the Building of Borders in Northeast Asia, 1860-1945 (Cornell University Press, 2019) shows, when both peoples and whole political paradigms are on the move simultaneously, we are able to look in very new ways at how governance works and how it interrelates with issues of human mobility.
In this richly informative and captivating book, Park focuses on the movement of Koreans around the point where China, Russia and Korea converged from the mid-19th century onwards. Deftly moving between intimate migrant experiences and higher-level government activity, the author’s interweaving of the personal and the political gives us a newly grounded perspective on several large empire-states and how they came to understand sovereignty, population and loyalty in the 19th and 20th centuries. These understandings continued to reverberate in the decades that followed, and many remain with us in the present.
Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.
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Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building.
Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Kōran / Yamaguchi Yoshiko.
Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies.
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In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best.
But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023)
In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy.
Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Migration is a theme intertwined with hopes and dreams. In Borderland Dreams: The Transnational Lives of Korean Chinese Workers (Duke UP, 2023), June Hee Kwon explores the trajectory of the “Korean dream” that has fueled the massive migration of Korean Chinese workers from the Yanbian Korean Autonomous Prefecture in northeast China to South Korea since the early 1990s. Charting the interplay of bodies, money, and time, the ethnography reveals how these migrant workers, in the course of pursuing their borderland dreams, are transformed into a transnational ethicized class. Kwon analyzes the persistent desire of Korean Chinese to “leave to live better” at the intersection between the neoliberalizing regimes of post-socialist China and post–Cold War South Korea. Scrutinizing the tensions and affinities among the Korean Chinese, North and South Koreans, and Han Chinese whose lives intertwine in the borderland, Kwon captures the diverse and multifaceted aspirations of Korean Chinese workers caught between the ascendant Chinese dream and the waning Korean dream.
June Hee Kwon is Associate Professor in the Asian Studies Program at California State University Sacramento. Her research and teaching focuses include Korean diaspora and transnational migration, borderlands and political ecology, materiality and affect, gendered labor and class formation, and human suffering and memories. Her area of expertise spans contemporary Korea (North and South), China, and Japan and includes postcolonial and post-Cold War culture and political economy across East Asia. She received my Ph.D. from the Department of Cultural Anthropology at Duke University.
Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Constructing Student Mobility: How Universities Recruit Students and Shape Pathways between Berkeley and Seoul (MIT Press, 2023) challenges the popular image of the international student in the American imagination, an image of affluence, access, and privilege. In this provocative book, higher education scholar Stephanie Kim argues that universities -- not the students -- create the paths that allow students their international mobility. Focusing on universities in the United States and South Korea that aggressively grew their student pools in the aftermath of the Great Recession, Kim shows the lengths to which universities will go to expand enrollments as they draw from the same pool of top South Korean students.
Using ethnographic research gathered over a ten-year period in which international admissions were impacted by the Great Recession, changes in US presidential administrations, and the COVID-19 pandemic, Constructing Student Mobility provides crucial insights into the purpose, effects, and future of student recruitment across the Pacific.
Constructing Student Mobility received the Best Book Award from the Association for the Study of Higher Education Council on International Higher Education.
Stephanie Kim is a scholar, educator, author, and practitioner in the field of comparative and international higher education. She teaches at Georgetown University, where she is an Associate Professor of the Practice and Faculty Director of Higher Education Administration in the School of Continuing Studies. She is also an affiliated faculty member of the Asian Studies Program in the School of Foreign Service.
Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities here.
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From the 1850s until the mid-twentieth century, a period marked by global conflicts and anxiety about dwindling resources and closing opportunities after decades of expansion, the frontier became a mirror for historically and geographically specific hopes and fears. From Asia to Europe and the Americas, countries around the world engaged with new interpretations of empire and the deployment of science and technology to aid frontier development in extreme environments. Through a century of political turmoil and war, China nevertheless is the only nation to successfully navigate the twentieth century with its imperial territorial expanse largely intact.
In Birth of the Geopolitical Age: Global Frontiers and the Making of Modern China (Stanford University Press, 2023), Dr. Shellen Xiao Wu demonstrates how global examples of frontier settlements refracted through China's unique history and informed the making of the modern Chinese state. Dr. Wu weaves a narrative that moves through time and space, the lives of individuals, and empires' rise and fall and rebirth, to show how the subsequent reshaping of Chinese geopolitical ambitions in the twentieth century, and the global transformation of frontiers into colonial laboratories, continues to reorder global power dynamics in East Asia and the wider world to this day.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Sae, former journalist turned a young mother of two in 1992 Seoul, is waiting for her husband, an engineer for a small construction company. He’s late. A neighbor rushes down with the news: a high-rise downtown has collapsed, trapping hundreds inside–the same high-rise that Sae’s husband is working.
That disaster, which parallels the real-life Sampoong Department Store collapse in 1995, starts the story of Hannah Michell’s novel Excavations (One World: 2023). Sae and the book’s other characters try to uncover the mystery of why this high-rise, the jewel of Seoul’s skyline, unexpectedly collapsed–and who might be to blame.
In this interview, Hannah and I talk about the Sampoong Department Store and how it parallels her novel, and what current-day events inspired the development of her book
Hannah Michell grew up in Seoul. She studied anthropology and philosophy at Cambridge University and now lives in California with her husband and children. She teaches in the Asian American and Asian Diaspora Studies Program at the University of California, Berkeley. You can follow her on Instagram at @_hannahmichell.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Excavations. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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“[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, Warring Genealogies: Race, Kinship, and the Korean War (Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War.
Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020).
Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected].
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Before South Korea became the democracy and media powerhouse that it is today, it underwent several decades of authoritarian rule during the Cold War from the late 1940s to late 1980s. Amidst this authoritarian period, South Korea’s filmmakers, distributors, and exhibitors nevertheless found ways to push the boundaries of both cinema and politics. This is the topic of Hieyoon Kim’s Celluloid Democracy: Cinema and Politics in Cold War South Korea (University of California Press, 2023).
Kim is an Assistant Professor at the University of Wisconsin-Madison’s Department of Asian Cultures and Languages. She specializes in the intersections of dissident culture and media with a focus on Korea and has myriad publications on topics ranging from film archives, historiography, and memory.
As the global popularity of South Korean cinema continues unabated, Celluloid Democracy helps readers dive deeper into a historical context that runs deeply through many contemporary K-media artifacts, yet doesn’t receive ample coverage in English-language discourse. Listen to this episode to learn more, and stay tuned until the end for some great film recommendations.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
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Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.
Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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In Among Women across Worlds: North Korea in the Global Cold War (Cornell University Press, 2023), Suzy Kim follows Korean women’s engagement in a broader international women’s movement from the beginnings of the Korean War in the 1940s until International Women’s Year in 1975. Obscured by layers of “cascading erasures,” the communist women of North Korea have been overlooked in traditional narratives of Asian and feminist history. By tracing their participation in global networks like the Women’s International Democratic Federation, Kim excavates their ideas about work and family, war and peace, and imperialism and capitalism. Turning to women’s magazines, traditional dance, socialist films, and the archives of international organizations, the book resurrects figures like Pak Chong-ae and the Korean Democratic Women’s Union and the transnational circulation of their political, economic, and cultural contributions. Many of their ideas remain strikingly contemporary—from the equitable distribution of domestic labor to an intersectional understanding of justice—and presage debates that feminists continue to grapple with today.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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K-pop Dance: Fandoming Yourself on Social Media (Routledge, 2022) is about K-pop dance and the evolution and presence of its dance fandom on social media.
Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies.
Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.
Chuyun Oh is an Assistant Professor of Dance at San Diego State University. As a Fulbright scholar and former professional dancer, she studies racial and gender identities in performance. She is a co-author of Candlelight Movement, Democracy and Communication in Korea (Routledge 2021).
Leslie Hickman is a translator and writer who earned her MA in Korean Studies from Yonsei University. On Twitter.
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Today I talked to Don J. Wyatt about his book Slavery in East Asia (Cambridge UP, 2022).
In premodern China, Korea, Japan, and Vietnam, just as in the far less culturally cohesive countries composing the West of the Middle Ages, enslavement was an assumed condition of servitude warranting little examination, as the power and profits it afforded to the slaver made it a convention pursued unreflectively. Slavery in medieval East Asia shared with the West the commonplace assumption that nearly all humans were potential chattel, that once they had become owned beings, they could then be either sold or inherited. Yet, despite being representative of perhaps the most universalizable human practice of that age, slavery in medieval East Asia was also endowed with its own distinctive traits and traditions. Our awareness of these features of distinction contributes immeasurably to a more nuanced understanding of slavery as the ubiquitous and openly practiced institution that it once was and the now illicit and surreptitious one that it intractably remains.
Don J. Wyatt (Ph.D. Harvard University) is the John M. McCardell, Jr. Distinguished Professor at Middlebury College, in Middlebury, Vermont, USA, where he has taught history and philosophy since 1986. He specializes in the intellectual history of China, with research interests most currently focused on the intersections between identity and violence and the nexuses between ethnicity and slavery.
Dong Wang is collection editor of Asian Studies books at Lived Places Publishing (New York & the UK), H-Diplo review editor, incoming visiting fellow at Freie Universität Berlin, research associate at Harvard Fairbank Center (since 2002), a member of the Royal Institute of International Affairs, director of the Wellington Koo Institute for Modern China in World History (Germany & USA), and an elected Fellow of the Royal Asiatic Society of Great Britain and Ireland.
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