Afleveringen
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It is easy to believe that manners are empty gestures, little more than social artifice or practiced etiquette whose sole purpose is to project civility and facilitate social interaction. But if we look more closely, they can tell us much more than we might first suppose, revealing what conventional accounts of state, economy, and religion often ignore. With Empire of Manners: Ottoman Sociability and War-Making in the Long Eighteenth Century (Stanford UP, 2025), Dr. James Grehan offers a panoramic view of manners and sociability across the eighteenth-century Ottoman Empire, from the Balkans to the Middle East to North Africa. Studying chronicles, biographical dictionaries, and travel accounts, he throws new light on the inner dynamics of Ottoman society during a transitional period in Ottoman history which has too often been misunderstood.
Empire of Manners proposes a new way of thinking about the history of manners, arguing that violence and war-making, as much as civility and etiquette, have a central role in shaping them. The eighteenth century proved to be a turning point in this paradoxical relationship between violence and manners as war-making turned into a substantially more complex and costly enterprise, leaving a deeper and wider social footprint. The interplay between violence and manners, an unlikely couple, unexpectedly narrates the Ottoman path to the modern age.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In 1923, archaeologist Leonard Woolley stumbled upon a room that dated back to 530BC, the time of the Babylonians. Oddly, the room was filled with artifacts that were thousands of years older. A clay drum led Woolley to speculate that he might have stumbled across the world’s first museum.
Whether that was really the case is still somewhat unknown. But this room is the inspiration behind Moudhy Al-Rashid’s book Between Two Rivers: Ancient Mesopotamia and the Birth of History (W.W. Norton / Hodder, 2025) which dives into the many different aspects of life and society across the many states that governed Mesopotamia.
Moudhy Al-Rashid is an honorary fellow at the University of Oxford’s Wolfson College, where she specializes in the languages and history of ancient Mesopotamia.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Between Two Rivers. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Zijn er afleveringen die ontbreken?
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In this episode, we speak with Hamid Dabashi about his new book, After Savagery: Gaza, Genocide, and the Illusion of Western Civilization (Haymarket, 2025), published by Haymarket Books. Written amid the ongoing war in Gaza, the book confronts what Dabashi describes as the moral and philosophical crisis of the modern West.
After Savagery challenges long-standing traditions of Western thought, arguing that their universal claims often conceal a history of exclusion and erasure. Dabashi calls for readers to reckon with the intellectual foundations that have shaped contemporary understandings of humanity, violence, and colonialism.
At the same time, he finds hope in art, literature, and film — works that, in his view, keep alive the possibility of a shared and liberated imagination. For Dabashi, Palestine becomes both a specific struggle and a universal metaphor for resistance and renewal.Joe WilliamsHistory PhD researcher at the University of Coimbra and translator website- Censorship and Sacralisation of Politics in the Portuguese Press during the Spanish Civil War- "Year X of the National Revolution" — Salazarist Palingenetic Myth in the Diário da Manhã
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Beginning in the late nineteenth century, British companies used the resources of empire to create an imperial oil industry that controlled 20% of global oil reserves by 1939 and allowed for the movement of capital and labor between regions and companies. The imperial oil complex encompassed colonies—Burma and Trinidad—and dependent states-Iraq and Iraq. In both, the imperial state used its political and military power to support British oil interests. The oil complex drew on the resources of empire but also bolstered it with profits and tax revenues while a global set of oil sites supplied the British military and civilian consumers. British companies built an infrastructure of oil production that gave them quasi-state power in oil regions while connecting these areas to global and imperial networks of communication and transportation.Fuelling Empire: The British Imperial Oil Complex, 1886-1945 (Oxford UP, 2025) highlights the significance of Britain to the development of the global oil industry. It demonstrates the ways in which the global histories of oil and empire are inextricably interlinked. The imperial oil complex relied on a racially stratified hierarchy of labor where white supervisors managed indigenous and migrant workers. The harsh conditions of work and low pay fueled labor conflicts that resonated with emerging colonial nationalist movements that sought to limit the power of oil companies. Despite robust private and state security operations, the imperial oil complex faced greater insecurity before World War II. While the imperial oil complex survived the war, in the postwar era decolonization and Britain's financial weakness led to its decline.
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Life of an Enslaved African in the Ottoman Empire and Iran: The Autobiography of Mahboob Qirvanian provides a translation of a compelling autobiography that chronicles the life of Mahboob Qirvanian, from childhood and enslavement in North Africa and the Ottoman Empire to his eventual liberation in Iran.
The Life of an Enslaved African in the Ottoman Empire and Iran is a poignant and compelling account of one man’s journey through struggle, resilience, and unimaginable suffering. In the early twentieth century, Mahboob Qirvanian recorded his personal experiences of forced migration and enslavement as he navigated his path from captivity in Africa to full citizenship and a reconstructed identity in Iran. Written in Persian and Arabic, this remarkable autobiography serves as a powerful testament to Mahboob’s endurance, suffering, and ultimate transformation. Through insightful analysis, Behnaz A. Mirzai places Mahboob’s narrative – the only known account by a former African slave in Iran – within the context of the political upheavals of the Constitutional Revolution in Iran and the Tanzimat reforms of the Ottoman Empire. This book not only sheds light on Mahboob’s personal story and the historical injustices of slavery but also engages with broader themes of displacement, identity, and social justice. In doing so, it invites readers to reflect on the enduring legacies of racial inequality and the ongoing struggles for freedom and dignity in the modern world.
Behnaz A. Mirzai is a professor of Middle Eastern history at Brock University and senior guest researcher at Bonn Center for Dependency and Slavery Studies at University of Bonn.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
YouTube Channel: here
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In this double interview I talked to Michael Kinnamon, author of A Rooftop in Jerusalem and Philip Graubart author of Here There Is No Why.
A Rooftop In Jerusalem: When Daniel Jacobs decides to spend his junior year abroad in Israel, he never dreams he'll fall in love with both Jerusalem's Old City and an Israeli woman, Shoshana. It's the year religion becomes a part of his identity, from the heights of a simple rooftop. A year he encounters the tragic complexity of the Israeli-Palestinian struggle. A year that begins a four-decade-long love affair, as complicated and heartbreaking as the political conflict with which it's intertwined. As Daniel moves through life-through marriage and divorce, career and travel-he returns periodically to Jerusalem, where his heart faithfully remains. A Rooftop in Jerusalem brings the Old City's walls, holy sites, and inhabitants to life, while putting a human face on headlines from the Middle East.
Here There Is No Why: Did Chaim Lerner, acclaimed Israeli author and Holocaust survivor, kill himself in 1983, thirty-eight years after surviving Auschwitz? If so, was it traumatic memories finally catching up to him? Or despair over Holocaust denialism? Or ordinary, difficult health issues-an aching hip, a damaged knee? Or simply a deadly episode of depression? Or was it murder? In 2005, Judah Loeb, Lerner's former student and now a struggling American journalist and single father, travels to Jerusalem to investigate Lerner's death. He drags along his fifteen-year-old daughter, Hannah, and they team up with Charlie, Judah's former Hebrew University roommate, now a Jerusalem homicide detective. Their investigation takes them through the darker corners of the Israeli psyche, where they uncover secrets that threaten to destroy Lerner's reputation and alter Jewish history. While probing the mysteries of Israel's past, they encounter personal betrayal, heartbreak, and the fragile possibilities of forgiveness and redemption.
Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Blusky and IG: @robbyref
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To seek asylum, people often have to cross borders undocumented, embarking on perilous trajectories. Due to the war in Afghanistan, the rule of the Taliban, and severe human rights violations, over the past decades thousands of people have risked their lives to seek safety. By what means do they make these journeys, especially when they lack money and passports?Over the course of three years, Hannah Pool accompanied a group of Afghan friends and families as they attempted "The Game" - Game zadan: the route to Europe to seek asylum. The resulting ethnography follows them across their entire trajectories: through Iran, Turkey, Greece, and along the so-called Balkan route. In each place, Pool details the economic interactions and social relationships essential for acquiring, saving, borrowing, spending, and exchanging money to facilitate their undocumented migration routes.The Game: The Economy of Undocumented Migration from Afghanistan to Europe (Oxford UP, 2025) bridges economic sociology and migration studies to illustrate how migrants decide to trust people to facilitate their movement along these routes, focusing particularly on debt, special monies, bribes, donations, and gift-giving. Throughout the migration trajectory, relationships with family, fellow migrants, smugglers, humanitarian actors, and border control officials shape and are shaped by access to financial resources.Ultimately, the book highlights the dangers in undocumented border-crossing and delves into the core of what it means to flee: Who has the means to escape dangerous conditions to seek asylum?
Hannah Pool is a Senior Researcher at the Max Planck Institute for the Study of Societies.
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Orthodox Choreographies: Boundaries, Borders and Materiality in Jerusalem's Old City (Gorgias Press, 2024) offers a comprehensive anthropological study of lived Christianity in Jerusalem’s Old City, with a special focus on the Church of the Holy Sepulchre or the Church of the Anastasis. Based on in-depth ethnographic fieldwork, the study explores the experiences of the Rum Orthodox community, examining their internal dynamics and relationships with other Christian groups. Within the Church of the Anastasis, complex interplays emerge, as fragile legal agreements intermingle with ethnic and theological considerations, resulting in a complex reality of shared spaces and coexistence. A materialist lens is employed to study these dynamics, suggesting that the material aspects of religious practices play a crucial role in shaping borders and influencing perceptions of similarities and differences across them. Outside the Church's confines, in the Old City of Jerusalem, lay Christians, especially the local Palestinian Orthodox, engage in 'border-crossing practices', which often deviate from the Orthodox Church's approved practice. These practices reflect the flexible strategies local Christians adopt in their everyday lives in Israel, challenging established norms and boundaries. By capturing these dynamics, the book provides valuable insights into shared sacred spaces and offers a significant contribution to debates in the anthropology of Christianity and its material culture.
Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Blusky and IG: @robbyref
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The Unforgotten Women of the Islamic State (Oxford University Press, 2024) by Dr. Gina Vale explores the governance of the Islamic State (IS) terrorist organization through the lives and words of local Iraqi, Syrian, and Kurdish women. While the roles and activities of foreign (predominantly Western), pro-IS women have garnered significant attention, the experiences and insights of local civilian populations have been largely overlooked.
Drawing on the testimonies of 63 local Sunni Muslim and Yazidi women, Dr. Vale exposes the group's intra-gender stratified system of governance. Eligibility for the group's protection, security, 'citizenship', and entrance into the (semi-)public sphere were not universal, but required convergence with the gender norms of IS, through permanent erasure or at least temporary disguise of certain markers of difference. In some cases, this was directed by a pre-meditated 'divide and conquer' strategy, while in others, it manifested as unregulated violences at the hands of individual group members, including women.
The structure follows the trajectory of IS's increasing control over its 'citizens' and captive populations: its militarization of society; imposition of law and order; provision of goods and services; and intervention in civilians' private lives. Analysis of diverse first-hand accounts and the group's documentation reveals that the presence, exclusion, and victimization of local civilian women were necessary to the functioning and legitimation of IS's 'caliphate' project, and the supremacy of affiliated men - and women. As a fledgling proto-state, IS needed local Iraqi, Syrian, and Kurdish women. Though far from represented or protected, they were by no means forgotten.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Dr. Rosemary Admiral provides a groundbreaking history of women’s legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women’s relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics.
Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs.
Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women’s engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women’s agency and power.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Landscapes of Warfare: Urartu and Assyria in the Ancient Middle East (University Press of Colorado, 2025) offers an in-depth exploration of the Urartian empire, which occupied the highlands of present-day Turkey, Armenia, and Iran in the early first millennium BCE. Lesser known than its rival, the Neo-Assyrian empire, Urartu presents a unique case of imperial power distributed among mountain fortresses rather than centralized in cities. Through spatial analysis, the book demonstrates how systematic warfare, driven by imperial ambitions, shaped Urartian and Assyrian territories, creating symbolically and materially powerful landscapes.
Tiffany Earley-Spadoni challenges traditional views by emphasizing warfare’s role in organizing ancient landscapes, suggesting that Urartu’s strength lay in its strategic optimization of terrain through fortified regional networks. Using an interdisciplinary approach that includes GIS-enabled studies and integrates archaeological, historical, and art-historical evidence, she illustrates how warfare was a generative force in structuring space and society in the ancient Middle East. Landscapes of Warfare situates Urartu’s developments within the broader context of regional empires, providing insights into the mechanisms of warfare, governance, and cultural identity formation.
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Following the British conquest of Ottoman Palestine, Jews across the British Empire—from Jerusalem to Johannesburg, London to Calcutta—found themselves at the heart of global Jewish political discourse. As these intellectuals, politicians, activists, and communal elites navigated shifting political landscapes, some envisioned Palestine as a British dominion, leveraging imperial power for Jewish state-building, while others fostered ties with anticolonial movements, contemplating independent national aspirations. Uncertain Empire: Jews, Nationalism, and the Fate of British Imperialism (Stanford University Press, 2025)Context considers this intricate interplay between British imperialism, Zionism, and anticolonial movements from the 1917 British conquest of Palestine to the establishment of the state of Israel in 1948.
Elizabeth Imber highlights diverse and sometimes conflicting visions of Jewish political futures, offering detailed case studies of key figures including Chaim Arlosoroff, Moshe Shertok, Helen Bentwich, Rachel Ezra, and Hermann Kallenbach. She explores a "politics of uncertainty" in which Jews engaged with both imperial stability and the rise of anticolonial mobilization, when many were likewise forced to reconsider Palestine as a viable refuge and political solution. Ultimately, this book provides a nuanced understanding of how the British Empire's fate became central to Zionist and broader Jewish political thought, revealing the complex intersections of empire, state power, and Jewish politics during a time marked by profound urgency and exigency.
Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Blusky and IG: @robbyref
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The Business of Transition: Jewish and Greek Merchants of Salonica from Ottoman to Greek Rule (Stanford UP, 2024) examines how the cosmopolitan bourgeoisie of the Eastern Mediterranean navigated the transition from empire to nation-state in the early twentieth century. In this social and cultural history, Paris Papamichos Chronakis shows how the Jewish and Greek merchants of Salonica (present-day Thessaloniki) skillfully managed the tumultuous shift from Ottoman to Greek rule amidst revolution and war, rising ethnic tensions, and heightened class conflict. Bringing their once powerful voices back into the historical narrative, he traces their entangled trajectories as businessmen, community members, and civic leaders to illustrate how the self-reinvention of a Jewish-led bourgeoisie made a city Greek.
Papamichos Chronakis draws on previously untapped local archival material to weave a rich narrative of individual portraits, introducing us to revered philanthropists and committed patriots as well as vilified profiteers and victimized Salonicans. Offering a kaleidoscopic view of a city in transition, this book reveals how the collapse of empire shook all the constitutive elements of Jewish and Greek identities, and how Jews and Greeks reinvented themselves amidst these larger political and economic disruptions.
2024: National Jewish Book Awards
Winner of the 2024 National Jewish Book Awards - JDC-Herbert Katzki Award (Writing Based on Archival Material), sponsored by the Jewish Book Council.
Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at by email. Blusky and IG: @robbyref
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Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With A Movement's Promise: The Making of Contemporary Palestinian Theater (Stanford UP, 2025), Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation.
The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below.
Samer Al-Saber is Assistant Professor of Theatre at Williams College.
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Turkey is among a league of revisionist powers who are challenging the world order. Erdogan and his Islamist movement have aimed to create the “New Turkey”, preparing for a future that is less dependent on Western treaty allies and with an alliance structure of its own. In New Turkey and the Far Right: How Reactionary Nationalism Remade a Country (I. B. Tauris, 2025), Selim Koru discusses the political ideas driving Turkey's regime change and foreign policy. It de-exceptionalizes Turkish politics, arguing that the “New Turkey” is part of a global trend of far-right nationalist movements like that of Donald Trump in the United States or Narendra Modi in India. In particular, the book reveals how far-right nationalist strands in Turkey have been nurtured by an existential resentment of the West, similar to those we are seeing in Russia. In tracing this resentment and its historical roots, the book invites policymakers and experts to better understand the new relationships Turkey is building with fellow revisionists including China and Russia, as well as Turkey's involvement in the wars in Syria and Ukraine and Erdogan's grand strategy for expansion. The book is based on interviews with senior politicians and civil servants from across the country's political spectrum. It also benefits from the author's personal knowledge of Turkey's far-right and Islamist traditions. His work can be regularly found at his Substack, Kulturkampf.
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Textual Life: Islam, Africa, and the Fate of the Humanities (Columbia University Press, 2025), is a groundbreaking book that recasts the role of knowledge in the making of a colonial and postcolonial nation. It makes a case for a new literary and intellectual-historical approach to Islam in Africa.
The Senegalese Muslim scholar Shaykh Musa Kamara (1864–1945) wrote History of the Blacks, a monumental history of West Africa, in a time when colonial discourses asserted that Africans lacked both writing and history. He sought to publish a bilingual Arabic and French edition of the book by working with humanists in colonial institutions, but the project was ultimately undermined by the disregard of the French state.
Textual Life considers Kamara’s story as a parable about the fate of the humanities amid epistemic and technological change. Wendell H. Marsh argues that Kamara’s scholarship reflected what he calls the textual attitude, an orientation to the world mediated by reading. Colonial humanists shared this attitude even while upholding racial and religious hierarchies, and they took an interest in African texts and traditions. The bureaucrats and technocrats who succeeded them, however, disdained such dialogue—for reasons that bear a striking resemblance to the algorithmic antihumanism that is ascendant today.
Drawing on Kamara’s body of work, colonial archival documents, and postcolonial knowledge production within Senegal, Textual Life offers a decolonial vision of the humanities. By engaging with African and Muslim intellectual resources, Marsh shows how thinkers like Kamara who were subjected to colonialism can help us find a future after empire.
Wendell Marsh is Associate Professor of African Literature and Philosophy at Mohammed VI Polytechnic University.
Madina Thiam is Fannie Gaston-Johansson Assistant Professor of History and Africana Studies at Johns Hopkins University.
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Hadi Abdullah's Critical Conditions: My Diary of the Syrian Revolution (DoppelHouse Press, 2025), translated by Alessandro Columbu, is no ordinary diary. It’s a testimony written in the heat of events (demonstrations in Daraa and Homs, the bombardments of Aleppo, sieges, and funerals). Through Hadi’s words, we glimpse the Syrian revolution not through statistics, but through the eyes of someone who was there, who risked his life to record what others tried to silence.
Alessandro’s translation conveys not only the urgency of testimony but also the rhythms of protest chants, the tenderness of Syrian idioms, and the weight of memory. In this episode, we sit down with translator Alessandro Columbu to discuss the challenges of translating a voice born of crisis, the role of grassroots media in preserving truth, and what it means to convey such words into English at a moment when Syria’s story is still unfolding.
Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
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Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas.
Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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A Memory of Violence: Syriac Christianity and the Radicalization of Religious Difference in Late Antiquity (U California Press, 2025) traces the rhetorical strategies of religious radicalization that encouraged fifth- and sixth-century miaphysite Christians to be willing to suffer physical deprivation and harm rather than abandon the church that the late Roman Empire defined as heresy after the Council of Chalcedon in 451. These Syriac texts created genealogies of orthodoxy and heresy, represented their heroes as martyr saints, and reminded their followers of God's coming judgment. Later they gained renewed relevance when they were copied and translated under the emerging 'Umayyad caliphate of Islam. This book reshapes representations of late antiquity by centering Syriac Christianity in these complex and politicized doctrinal conflicts. Tracing these rhetorical strategies not only sheds light on early Christian history in the Middle East, but also provides a rich case study of religious schism, devotion, and survival that continues to resonate today.
New books in late antiquity is sponsored by Ancient Jew Review
Christine Shepardson is Distinguished Professor in the Humanities in the Department of Religious Studies at University of Tennessee Knoxville
Michael Motia teaches in Classics and Religious Studies at UMass Boston
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Lasting from September 1980 to August 1988, the Iran-Iraq War was the longest conventional war fought between two states in the twentieth century. It marked a period that began just after a revolutionary government in Iran became an Islamic Republic and Saddam Hussein consolidated power in Iraq. It ended with both wartime governments still in power, borders unchanged, yet hundreds of thousands of people dead. Neither side emerged as a clear victor, but both sides would eventually claim victory in some form.
Dust That Never Settles: Literary Afterlives of the Iran-Iraq War (Stanford UP, 2025) considers how Iraqi and Iranian writers have wrestled with representing the Iran-Iraq War and its legacy, from wartime to the present. It demonstrates how writers from both countries have transformed once militarized, officially sanctioned war literatures into literatures of mourning, and eventually, into vehicles of protest that presented powerful counternarratives to the official state narratives. In writing the first comparative study of the literary output of this war, Amir Moosavi presents a new paradigm for the study of modern Middle Eastern literatures. He brings Persian and Arabic fiction into conversation with debates on the political importance of cultural production across the Middle East and North Africa, and he puts an important new canon of works in conversation with comparative literary and cultural studies within the Global South.
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