Afleveringen
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Anna Rasche's debut novel A Stone Witch of Florence (2024, Park Row) brings reader on a historical fiction adventure to Florence. As the Black Plague ravages Italy, Ginevra di Gasparo is summoned to Florence after nearly a decade of lonely exile. Ginevra has a gift--harnessing the hidden powers of gemstones, she can heal the sick. But when word spread of her unusual abilities, she was condemned as a witch and banished. Now the same men who expelled Ginevra are begging for her return. Ginevra obliges, assuming the city's leaders are finally ready to accept her unorthodox cures amid a pandemic. But upon arrival, she is tasked with a much different mission: she must use her collection of jewels to track down a ruthless thief who is ransacking Florence's churches for priceless relics--the city's only hope for protection. If she succeeds, she'll be a recognized physician and never accused of witchcraft again. But as her investigation progresses, Ginevra discovers she's merely a pawn in a much larger scheme than the one she's been hired to solve. And the dangerous men behind this conspiracy won't think twice about killing a stone witch to get what they want...
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Theo Williams’ Making the Revolution Global: Black Radicalism and the British Socialist Movement before Decolonisation (Verso, 2022) shows how black radicals transformed socialist politics in Britain in the years before decolonisation. A history that runs from 1929 to the years after WWII here we see a number of significant activists and intellectuals such as George Padmore, C.L.R. James, Jomo Kenyatta and Amy Ashwood Garvey, establish significant groups on the British Left and how they related to the dominant groups in this field, most notably the Communist Party of Great Britian (CPGB) and the Independent Labour Party (ILP). As Williams shows, while these activists continually emphasised the need to combine international socialism with colonial liberation, these other groups were often resistant to this, with the CPGB responding to the shifting demands of international communism and the ILP facing internal splits on the role of colonialism. Despite these frustrations, these activists develop a significant radical tradition which doesn’t reject the British Left, but rather changes it, as the events during, and after WWII show.
As our conversation discusses Williams is encouraging us to reconsider this history, not just in order to correct the historical record and more fully account for the place of this black radical tradition within the British left, but also to think about the continuing impacts of decolonisation and what this may mean for contemporary demands to ‘decolonise the university’.
Your host Matt Dawson is Professor of Sociology at the University of Glasgow with research interests in social theory and the history of sociology. He is the author of a number of books, including G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan)
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Zijn er afleveringen die ontbreken?
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Is there such a thing as a timeless classic? More than a decade ago, Dr. Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true.
Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, in Written in Water: The Ephemeral Life of the Classic in Art (Yale University Press, 2024) Dr. Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Over the course of the 20th century, the South African state attempted to construct a “White Man’s Country” on the African continent using the biopolitical tools and spatial and economic planning strategies that characterized modern statecraft. My guest today, the geographer Sharad Chari, examines how racialized subaltern populations of Blacks, Indians, and coloureds resisted and circumvented these efforts to construct a racialized social order. At the same time, the book also examines how the legacies of Apartheid shape the experiences of denizens of South Africa’s cities today. Focusing on the Indian Ocean city of Durban from the turn of the 20th century, Apartheid Remains (Duke UP, 2024) is a rich historical and ethnographic account of racialized capitalist space-making and the resistance that it continues to provoke.
Sharad Chari is Associate Professor of Geography at UC Berkeley. He is also the author of Fraternal Capital: Peasant-workers, self-made men and globalization in provincial India (Stanford, 2004) and Gramsci at Sea (Minnesota, 2023).
You can download Apartheid Remains for free here: https://library.oapen.org/hand...
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Today I talked to Aliza Arzt about Turning the Pages: Conversations Through Time with Rabbi Isador Signer (Ben Yehuda Press, 2024)
In 1924, Rabbi Isidor Signer was ordained by the Jewish Theological Seminary of America in New York City. He had been born in Romania and raised in Montreal. He would go on to lead congregations in Bethlehem, Pennsylvania; Somerville, Massachusetts; and Manhattan Beach, New York, until his death at age 53.
A century later, his granddaughter has selected and annotated two dozen of Rabbi Signer's sermons, delivered between the years 1923 and 1949. She has also solicited a contemporary response to each sermon, reflecting on Rabbi Signer's words from the perspective of a century's hindsight. Respondents include rabbis, professors, writers, and other deeply engaged Jews.
Rabbi Signer's career and sermons span the period from the aftermath of the first World War (one from 1924 eulogizes President Woodrow Wilson) to the aftermath of the Holocaust and the creation of the State of Israel. Taken together, the sermons and responses in this volume provide an illuminating window on American Judaism in both the early 20th and early 21st centuries.
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In October 2010, Eric Klinenberg, NYU professor of Sociology and Director of the Institute for Public Knowledge, spoke about his work on Rebuild by Design.
Klinenberg has been studying cities and climate change since the 1990s, when he published his first book, Heat Wave: A Social Autopsy of Disaster in Chicago. Klinenberg is currently leading a major research project on climate change and the future of cities. Part of this work involves a sociological investigation of Superstorm Sandy and the challenge of adapting to the emerging age of extreme, dangerous weather. “Adaptation,” the first article from this research, appeared in the New Yorker in 2013. His most recent book is 2020: One City, Seven People, and the Year Everything Changed.
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Today we speak to East-West Psychology adjunct faculty Susana Bustos, about growing up in Chile and how her roots in music and psychology lead her to study music therapy. We then discuss how South American Indigenous healing practices can be considered as a forms of earth-bound spirituality, and how that gives rise to alternative notions of relationality bound by a local ethics of care. Susana speaks about plant medicine as psycho-integrators and we discuss the importance of integration in Indigenous healing practices. The discussion ends developing ideas about sonic ecology in which Susana shares an experience of singing as mystical encounter with sentience, and we explore immanent approaches to learning the ethics of cross-cultural confluence through deep listening.
Susana Bustos, Ph.D. (CIIS, 2008), M.A in Clinical Psychology and in Music Therapy from Chilean universities, is adjunct faculty at the California Institute of Integral Studies and other schools in the Bay Area and abroad. Susana also conducts independent research on entheogenic shamanic traditions of the Americas and holds a private practice in Berkeley, CA. Her teaching, research, and clinical work focus mainly on the healing potential of non-ordinary states of consciousness, their integration into ordinary life, and on the quest for adequately bridging Amerindian cosmologies and practices into the West. Susana has written articles and book contributions on the interphase of shamanic song and healing and on entheogenic integration, and she lectures internationally on these topics. She directed the Spiritual Emergence Network in the US between 2016 and 2020.
The EWP Podcast credits
East-West Psychology Podcast Website
Connect with EWP: Website • Youtube • Facebook
Hosted by Stephen Julich (EWP Core Faculty) and Jonathan Kay (PhD candidate)
Produced by: Stephen Julich and Jonathan Kay
Edited and Mixed by: Jonathan Kay
Introduction music: Mosaic, by Monsoon on the album Mandala
Music at the end of the episode: Magic Stones, on the album Forest Dwellers by Jonathan Kay and Andrew Kay
Introduction Voiceover: Roche Wadehra
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Neighborhoods have the power to form significant parts of our worlds and identities. A neighborhood's reputation, however, doesn't always match up to how residents see themselves or wish to be seen. The distance between residents' desires and their environment can profoundly shape neighborhood life.
In A Good Reputation: How Residents Fight for an American Barrio (U Chicago Press, 2024), sociologists Elizabeth Korver-Glenn and Sarah Mayorga delve into the development and transformation of the reputation of Northside, a predominantly Latinx barrio in Houston. Drawing on two years of ethnographic research and in-depth interviews with residents, developers, and other neighborhood stakeholders, the authors show that people's perceptions of their neighborhoods are essential to understanding urban inequality and poverty. Korver-Glenn and Mayorga's empirically detailed account of disputes over neighborhood reputation helps readers understand the complexity of high-poverty urban neighborhoods, demonstrating that gentrification is a more complicated and irregular process than existing accounts of urban inequality would suggest. Offering insightful theoretical analysis and compelling narrative threads from understudied communities, A Good Reputation will yield insights for scholars of race and ethnicity, urban planning, and beyond.
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Women Writing Antiquity: Gender and Learning in Early Modern France (Oxford UP, 2024) recounts women authors' struggle to define the female intellectual through their engagement with the classical world in early modern France. Bringing together the fields of classical reception and women writers, Helena Taylor looks at various female novelists, translators, poets, playwrights, and essayists to see how they both reacted to and in turn shaped cultural discourses, especially around learned women and the Quarrel between Ancients and Moderns. From Marie de Gournay's polemic translations to the conteuses fairy tales, Greco-Roman culture provided inspiration, authorization, and means of self-fashioning for a wide range of women writers.
Women Writing Antiquity is perfect for readers interested in classical reception, women's writers, authorial strategies, gender history, and French literature.
Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.
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In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state.
Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants.
Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings.
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The 13 essays collected in Cities and Strongholds of Middle-earth: Essays on the Habitations of Tolkien's Legendarium (Mythopoeic Press, 2024) foreground processes of making and constructing Arda -- either within the Secondary world or for readers/viewers -- and thus continually assert that the habitations form a vital part of the tales within that world. Because they assume a complex arrangement complete with social, familial, artistic, and political relations, cities and strongholds often define their inhabitants as crafting boundaries between themselves and the outside, the visitor, and the unknown. These essays reveal that all cities and strongholds of the legendarium function as makers of meaning, containers of relations, outposts of history, and evocations of the Past.
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Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely.
With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.
Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.
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Are you ready for the story of a credit card that takes cash on a spending spree? In my interview with picture book author Kimberly Wilson, we celebrate brand new book, A Credit Card Takes Charge, published just last week by Page Street Kids (Oct. 1st, 2024). It's third in her series of hilarious, punniful picture books dealing with all things monetary, with a fourth (a piggy bank book) coming out next year. Kimberly talks about her journey, from the eight year-old story writer, through a career in marketing, and returning to her passion of writing stories for children. One intriguing tip from this exciting interview - considering writing the pitch of your picture book story before you sit down and write the story.
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A key part of the experience of migration is not being in full control of one’s circumstances and doing. In this episode, Ingrid Piller speaks with Marco Santello about his research with Gambian migrants in Italy. The focus is on Marco’s recent article in Language in Society about migrant experiences of constraints and suffering.
For additional resources, show notes, and transcripts, go here.
Reference:
Santello, M. (2024). Constraints, suffering, and surfacing repertoires among Gambian migrants in Italy. Language in Society, 1-23.
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In The Politics of Collecting: Race and the Aestheticization of Property (Duke University Press, 2024), Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
Eunsong Kim is Associate Professor of English at Northeastern University.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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Dr. Dexter Gabriel is an associate professor of history at the University of Connecticut. He’s published and taught widely on the histories of slavery, resistance, and freedom, including teaching a superb class on slavery in popular culture, particularly film. He’s the author of the 2023 book Jubilee’s Experiment: The British West Indies and American Abolitionism (Cambridge UP, 2023).
But in addition to this, Professor Gabriel conducts a second, equally impressive intellectual and creative life in a wholly different register. As P. Djèlí Clark, he’s the author of acclaimed and award-winning speculative fiction, including the much-loved Dead Djinn universe books, Ring Shout, and his most recent, The Dead Cat Tail Assassins.
We have a really rich and deep conversation with Dexter, about how he juggles such an array of interests and pursuits, the question of whether there can be a “good” portrayal of slavery on film and what that would look like, whether there are lessons for our future with AI from our past with slavery.
In part two of this conversation, coming soon on this feed, we speak with P. Djèlí Clark about his speculative fiction.
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In the US we are nearing four million road deaths since we began counting them in 1899. The numbers are getting worse in recent years, yet we continue to accept these deaths as part of doing business. There has been no examination of why we engineer roads that are literally killing us.
In Killed by a Traffic Engineer: Shattering the Delusion that Science Underlies our Transportation System (Island Press, 2024), civil engineering professor Dr. Wes Marshall shines a spotlight on how little science there is behind the way that our streets are engineered, which leaves safety as an afterthought. While traffic engineers are not trying to cause deliberate harm to anyone, he explains, they are guilty of creating a transportation system whose designs remain largely based on plausible, but unproven, conjecture.
Thoroughly researched and compellingly written, Killed by a Traffic Engineer shows how traffic engineering “research” is outdated and unexamined (at its best) and often steered by an industry and culture considering only how to get from point A to B the fastest way possible, to the detriment of safety, quality of life, equality, and planetary health. Dr. Marshall examines our need for speed and how traffic engineers disconnected it from safety, the focus on capacity and how it influences design, blaming human error, relying on faulty data, how liability drives reporting, measuring road safety outcomes, and the education (and reeducation) of traffic engineers.
Killed by a Traffic Engineer is ultimately hopeful about what is possible once we shift our thinking and demand streets engineered for the safety of people, both outside and inside of cars. It will make you look at your city and streets—and traffic engineers— in a new light and inspire you to take action.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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James Dunnigan’s memorable phrase serves as the first part of a title for this book, where it seeks to be applicable not just to analog wargames, but also to board games exploring non-expressly military history, that is, to political, diplomatic, social, economic, or other forms of history. Don’t board games about history, made predominantly out of (layered) paper, permit a kind of time travel powered by our imagination?
Paper Time Machines: Critical Game Design and Historical Board Games (Routledge, 2024) is for those who consider this a largely rhetorical question; primarily for designers of historical board games, directed in its more practice-focused sections (Parts Two, Three, and Four) toward those just commencing their journeys through time and space and engaged in learning how to deconstruct and to construct paper time machines.
More experienced designers may find something here for them, too, perhaps to refresh themselves or as an aid to instruction to mentees in whatever capacity. But it is also intended for practitioners of all levels of experience to find value in the surrounding historical contexts and theoretical debates pertinent to the creation of and the thinking around the making of historical board games (Parts One and Five). In addition, it is intended that the book might redirect some of the attention of the field of game studies, so preoccupied with digital games, toward this hitherto generally much neglected area of research.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Capitalism is a revolutionary situation of the last stage of pre-history, and the potential and possibility for freedom, or else it is just what Hegel said history has always been: the slaughter-bench of everything good and virtuous humanity has ever achieved. Marxism defined itself as the critical self-consciousness of this task of socialism in capitalism, but this has been eclipsed by the mere moral condemnation of catastrophe. This happened as a result of Marxism's own failure, over a hundred years ago, to make good on the crisis. This pattern has repeated itself since then, in ever more obscure ways.
Chris Cutrone's Marxism and Politics: Essays on Critical Theory 2006-2024 (Sublation Media, 2024) span the time of the Millennial Left's abortive search to rediscover a true politics for socialism in the history of Marxism: the attempted recovery of a lost revolutionary tradition. Cutrone's participation as a teacher alongside this journey into the heart of Marxism was guided by the Millennial investigation into controversial and divisive figures such as Vladimir Lenin, Rosa Luxembourg, Leon Trotsky, Georg Lukacs, Theodor Adorno and the Frankfurt School, and Marx himself. The question of a political party for socialism loomed large--but was abandoned. Readers of these essays will find no taboo unchallenged, as every aspect of Marxism's accumulated wreckage is underwritten by the red thread and haunting memory of what was once the world-historical character of socialist revolution. Can this Marxist "message in a bottle" cast adrift by hisotry yet be received?
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Listen to this interview of Dimitrios Tsoukalas, Postdoctoral Researcher at the Information Technologies Institute of the Centre for Research and Technology Hellas (CERTH), Greece; and Alexander Chatzigeorgiou, Professor and Vice Rector, University of Macedonia, Greece. We talk about their two coauthored papers, Machine Learning for Technical Debt Identification, and Local and Global Explainability for Technical Debt Identification.
Alexander Chatzigeorgiou : "I think that it is important in every research endeavor — regardless of whether or not the outcome is what you expected at the start — to outline all steps of the journey for the reader. Because, you can’t know, there might be something in there that’s intriguing for someone, something that inspires further research in some other domain — what I mean to say is, the problem which you (the authors) have decided is unfeasible may actually have an answer which some reader can provide from their own area of expertise.”
Link to Tsoukalas et al. Machine Learning for Technical Debt Identification (TSE 2022)
Link to Tsoukalas et al. Local and Global Explainability for Technical Debt Identification (TSE 2024)
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