Afleveringen
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Jacob hosts Eve Bianco, Ana Radice-Morras, and Violet Levinson of Red Door Productions to talk about their upcoming production of "Crimes of the Heart" by Beth Henley.
See the show at Theatre 154 on Christopher Street in NYC (July 15-26, 2026).
Get tickets here: https://www.eventbrite.com/e/red-door-productions-presents-crimes-of-the-heart-by-beth-henley-tickets-1991060722218
Listen to our previous conversation about Crimes of the Heart (Season 8, Episode 19): https://open.spotify.com/episode/5A4qNrmbsOqmNabWI129bi
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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Director Cora Therber joins the podcast to talk about "untitled hamlet play" by Rory O'Neill, which opens this weekend by LOVECHILD Theater in NYC.
See the show at the John DeSotelle Studio, May 29 - 31, 2026.
Get tickets through the LOVECHILD Insta (@lovechildtheaterco) or here: https://www.eventbrite.com/e/lovechild-presents-untitled-hamlet-play-tickets-1988245208942
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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-
Zijn er afleveringen die ontbreken?
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Jackson and Jacob discuss Dave Malloy's hit musical "Natasha, Pierre & the Great Comet of 1812." This fiery piece adapts a small segment of Tolstoy's "War and Peace." Listen in to this final episode of Season 16!
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
Thanks so much for listening! We’ll see you next week.
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Rajiv Joseph's play "Mr. Wolf" follows the family of a kidnapped child when that child returns home. It's a poignant, theatrical story in which Joseph assembles the most complicated possible cast of characters to undergo this highly unlikely event. Listen in as Jackson and Jacob discuss Joseph's exploration of messy human relationship... and infinity?
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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This season's Themed Month, Paula Vogel Month, wraps up with her most famous play. The incomparable "How I Learned to Drive" is a haunting, hilarious piece of theatre. Listen in as Jackson and Jacob revisit its whirling theatricality and specificity.
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Please enjoy these other conversations on "How I Learned to Drive":
Playwright Sarah Ruhl's essay on the play: https://www.3viewstheater.com/views/how-i-learned-from-how-i-learned-to-drive
Paula Vogel's essay on the play for American Theatre: https://playmakersrep.org/enduring-lesson-learned-drive/
Vogel's video essay when the Broadway run was cancelled due to Covid: https://www.youtube.com/watch?v=uEGTp8542LE
Interviews with the Second Stage cast: https://www.broadway.com/videos/153901/beyond-broadway-how-i-learned-to-drive/
Cleveland Play House Artistic Director Laura Kepley on the play: https://www.youtube.com/watch?v=AEb5KIYg5_E
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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Jackson and Jacob discuss Paula Vogel's play on "Othello." "Desdemona, A Play About a Handkerchief" (great title!) explores the behind-the-scenes action of "Othello." It contains Vogel's characteristic humor and irreverence, while also asking important questions about our relationship to Shakespeare's famous play. Listen in!
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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Paula Vogel Month continues! Jackson and Jackson discuss Vogel's hauntingly brilliant one-act play "The Long Christmas Ride Home." The story follows one family across a particularly memorable Christmas holiday. Vogel deploys her characteristic sense of theatrical intimacy, using puppets alongside narrative actors to bring the supernatural to bear on the play. Listen in!
------------------------------
Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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We kick off Paula Vogel Month with her newest play, "Mother Play: A Play in Five Evictions." Jackson and Jacob discuss this theatrical look at a family across time. A semi-autobiographical piece, "Mother Play" is described by Vogel as her way of saying "Hi Mom." Listen in!
------------------------------
Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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Lauren Gunderson's adaptation of JM Barrie's famous Peter Pan stories is full of humor, imagination, and robust stage challenges! Listen in as Jackson and Jacob discuss "Peter Pan and Wendy," a play in which Gunderson refocuses the narrative on Wendy and Tiger Lily, even while she delivers much of what audience's expect from the story of Neverland.
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Our first episode about Lauren Gunderson was Season 5, Episode 12, her play "I and You" -- https://noscriptpodcast.podbean.com/e/no-script-the-podcast-s5-episode-12-i-and-you-by-lauren-gunderson
------------------------------
Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.
https://www.patreon.com/noscriptpodcast
-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
Thanks so much for listening! We’ll see you next week.
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This week on No Script, Jackson and Jacob discuss a play which has been called a combination of "Death of a Salesman" and "Our Town." Emily Feldman, a sharp and theatrical emerging playwright, has always wanted to write a play with a Stage Manager character, like in Thorton Wilder's famous play. Now she has. Her play "The Best We Could" explores some of the same themes and structure as Arthur Miller's classic, while taking place in a highly contemporary world. Listen in.
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
Thanks so much for listening! We’ll see you next week.
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In this episode of No Script, Jackson and Jacob discuss Irish playwright Marina Carr. Her play "Woman and Scarecrow" is a gallows comedy about a woman on her death bed, and the strange figures (some supernatural!) which surround her. Listen in!
------------------------------
Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
Thanks so much for listening! We’ll see you next week.
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Jackson and Jacob discuss a play from a pair of plays by popular contemporary playwright Samuel D. Hunter. "Clarkston" is set in a small town along the Lewis and Clark Trail. It follows two men working night shift at a Costco. Listen in as J&J discuss the play's complicated discussions of legacy and society.
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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This week on No Script, Jackson and Jacob (finally) discuss a play by Terrence McNally. "Mothers and Sons" is a small, intimate play about two people meeting nearly two decades after they both lost someone close to them. The play also tracks how the world has changed since the AIDS crisis. Listen in!
------------------------------
Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
Thanks so much for listening! We’ll see you next week.
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Jackson and Jacob discuss one of America's most influential, profound playwrights: August Wilson. Wilson's play "Two Trains Running" is part of the Century Cycle. This play follows a group of regular's at a diner in the Hill District, a diner which is about to be torn down. Listen in!
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Check out these other voices and their discussions of "Two Trains Running":
Interview with the cast of the 2019 Royal and Derngate production (https://www.youtube.com/watch?v=Wc3g35R_vr0)
Director Lou Bellamy talks about the play (https://www.youtube.com/watch?v=p6rOBnytq_0)
1991 Interview with August Wilson for the LA Times (https://www.latimes.com/archives/la-xpm-1991-01-01-ca-7570-story.html)
------------------------------
Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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-
In this episode of No Script, Jackson is joined by Hope College professor Eric Van Tassell and director Dr. Daina Robins in a conversation about Hope's upcoming production of "The Night Witches," a powerful drama by Rachel Bublitz. The play follows the real-life bravery of the Soviet Union’s all-female 588th Night Bomber Regiment during World War II. Listen in!
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Get your tickets to Hope College's production of "The Night Witches" here: https://hope.edu/offices/events-conferences/tickets/index.html.
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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-
This time on No Script, Jackson and Jacob explore Philip Kan Gotanda's play "Ballad of Yachiyo." This powerful and poetic drama is set in the early 19th century in Hawaii. The play follows a young Japanese-American woman whose life is shaped by cultural expectations and personal yearning. She leaves home to live with a family who will teach her the graces of traditional Japanese arts like the tea ceremony. J&J discuss how the play weaves ritual, pottery, and puppetry into its narrative texture.
Listen in!
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Check out these other voices and their discussions of "Ballad of Yachiyo":
The LATW production
Gotanda's interview with American Theatre
The LA Times Review by Laurie Winer
------------------------------
Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.
https://www.patreon.com/noscriptpodcast
-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
Thanks so much for listening! We’ll see you next week.
-
In this episode of No Script, we dive into the fascinating world of "Merrily We Roll Along" — Stephen Sondheim and George Furth’s bold musical that turns the traditional Broadway story backward. Based on the 1934 play by George S. Kaufman and Moss Hart, the show traces the lives of three friends over two decades, but with a twist: it starts at the end and moves in reverse. We explore this reverse chronological structure, the repeated and transformed refrains, and how these three friends' relationship evolves (and devolves) over time.
Whether you love Sondheim, innovative storytelling, or musical theatre’s ability to explore life’s big questions, this episode offers insight into a bold, big musical that asks: What happens when we look back at our choices — and the friends we were once closest to?
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
Thanks so much for listening! We’ll see you next week.
-
In the final episode of the season, No Script turns its attention to one of Broadway’s sharpest, wittiest, and most unsettling musical comedies: How to Succeed in Business Without Really Trying.
Based on Shepherd Mead’s satirical guidebook, How to Succeed skewers mid-century corporate culture while exposing timeless truths about ambition, power, masculinity, and conformity. Jacob and Jackson unpack how the musical’s bright score and buoyant humor mask a biting critique of the American workplace — and the myth of meritocracy itself.
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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This week on No Script, Jacob sits down with singer-songwriter, composer, and emerging theatre-maker Grace Yurchuk for a rich conversation about Julius Caesar. They, of course, discuss the power of rhetoric in Shakespeare’s original political thriller and how Grace’s bold musical adaptation takes on that challenge.
Together, Jacob and Grace unpack what makes Julius Caesar such a gripping and surprisingly contemporary play: its uneasy relationship with power, the psychology of persuasion, the danger of rhetoric, and the shifting loyalties that drive the story toward tragedy. Grace shares her process of transforming a Roman tragedy into modern musical language.
Whether you’re a Shakespeare lover, a musical theatre fan, or an artist fascinated by adaptation, this episode offers a vibrant look at how old stories become new again — and how young theatre-makers like Grace Yurchuk are reshaping the classical canon with fresh perspectives and fearless creativity.
Tune in for a conversation full of insight, artistry, and the thrill of reinventing Shakespeare.
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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This week on No Script: The Podcast, Jackson and Jacob dive into Tina Howe’s lyrical memory play Pride’s Crossing — winner of the New York Drama Critics’ Circle Award for Best American Play and a finalist for the 1997 Pulitzer Prize for Drama.
The play centers on 90-year-old Mabel Tidings Bigelow, once the first woman to swim the English Channel from England to France. From her croquet party in Pride’s Crossing, Massachusetts, time flows backward and forward as Mabel revisits a lifetime of opportunity seized and missed. Listen in as Jackson and Jacob unpack Howe’s impressionistic structure, the challenges of staging Mabel at multiple ages, and the opportunities this script offers directors, actors, and teachers—especially those interested in complex female protagonists, non-linear storytelling, and intimate ensemble work in a “big” memory play. They’ll also touch on where Pride’s Crossing sits alongside Howe’s other major works, like Painting Churches and Coastal Disturbances, in the landscape of contemporary American drama.
------------------------------
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-----------------------------
We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:
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------------------------------
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- Laat meer zien
