Afleveringen

  • Hello and welcome to the last special episode of the 4th season of the Early Music Podcast, dedicated to the impressions shared by the participants of the Early Music Summit with host Darina Ablogina.  

    CREDITS

    guests Richard Lorber, WDR and the Early Music Days in Herne

    Mélanie Froehly, ZAMUS

    Thomas Höft and Georg Kroneis, Kunsthaus 17

    Lila Hajosi, Ensemble Irini

    Jorge Losana, ECOS Festival 

    Sofie Vanden Eynde, Imago Mundi Ensemble

    Jurgen De bruyn, Zefiro Torna Ensemble

    Karin Cuéllar Rendón, Early Music America

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    Nocturne in E major, Frédéric Chopin

    performed by Raoul Koczalski

    Historical recording, 1938

    ¡Cucú, cucú!, Juan del Enzina

    performed by Ensemble Cantoria

    2021

    Ensemble Irini at La Cité de la Voix

    2017

    The White Rose, Florence Beatrice Price

    performed by Reginald Mobley and Agave

    American Orignals: A New World, A New Canon, Acis 2021

    Introduction, Sofie Vanden Eynde

    Mistress Elizabeth Davenant, Her Songes, 2012

    The Nutcracker Suite, op. 71a, Piotr Ilitch Tchaikovsky

    Symphony No. 41 & Symphony No. 41 in C 'Jupiter', K. 551, Wolfgang Amadeus Mozart

  • In a branch of music where research plays such a central role, how can there be such a disconnection between research and performance? How can we create cooperation between both fields? These themes, according to Rebekah Ahrendt, are central in "EarlyMuse", a research action funded by the European Cooperation in Science and Technology (COST). Listen to her describe her ideal world in this final episode of the 4th season of the Early Music Podcast! 

    CREDITS

    guest Rebekah Ahrendt, Utrecht University 

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    String Quartet No. 7 in F Major, Op. 59 No. 1, "Razumovsky": III. Adagio molto e mesto, Ludwig van Beethoven

    performed by Quatuor Ébène

    Beethoven around the World, Erato 2019

    The White Rose, Florence Beatrice Price

    performed by Reginald Mobley and Agave

    American Orignals: A New World, A New Canon, Acis 2021

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  • How early music can be specific in its approach to new audiences? How are conservatoires tackling this issue? Isaac Alonso de Molina shares his views on the need for conservatoires to teach audience development, as the first step to develop the artists' skills to engage with society, and a focal point of the European Association of Conservatoires' Early Music working group discussions. 

    CREDITS

    guest Isaac Alonso de Molina, Koninklijk Conservatorium Den Haag 

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    Ave verum corpus, O sacrum convivium

    performed by La Academia de los Nocturnos and Ensemble La Danserye

    2023

  • What’s the situation of inclusion in the Early Music sector? In this episode, countertenor Reginald Mobley puts the issues of race, gender, and more generally, identity under the spotlight. He talks about the challenges and discrimination he faced as an Afro-American singer, and opens our eyes to the progress that still needs to be made to make the sector more inclusive.   

    CREDITS

    guest Reginald Mobley, countertenor

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    Music for a while, Henry Purcell

    performed by Reginald Mobley and Brandon Acker

    2022

    The White Rose, Florence Beatrice Price

    performed by Reginald Mobley and Agave

    American Orignals: A New World, A New Canon, Acis 2021

  • What’s the current situation of recordings in Early Music? How can we innovate in a sector that has undergone such change in recent years? Listen to Hannelore Guittet’s view on the topic: starting as co-founder of recording label NomadMusic, she had to adapt to drastic changes in the recording industry and created interactive application NomadPlay. She shares some of her processes and reflects on the perks of this creative mindset!

    CREDITS

    guest Hannelore Guittet, NomadPlay

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    Partita No.1 in B-flat major, BWV 825, Johann Sebastian Bach

    performed by Jean-Luc Ho

    Intégrale des Partitas pour clavecin, NoMadMusic 2018

  • In this episode, Tiago Simas Freire discusses how research is also a means of connecting the past with present emotions. More than historically informed, Early Music can be culturally informed and resonate with our own experiences. And that’s the first step for successful research projects that will breach the market! 

    CREDITS

    guest Tiago Simas Freire, "Per esercitarsi nella dispositione di gorgia" (CNSMDL, Schola Cantorum Basiliensis, HEM Geneva)

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    Ad Tenebras - Jerusalem surge - Responsório II, Dizidme qual de los dos, Requiem aeternam - Graduale - Anonyme, Zente Pleto - Vilancico Negro a2 & a6 

    performed by Capella Sanctae Crucis and Tiago Simas Freire

    Ad Tenebras, Artway Records / University of Coimbra 2023

  • How do we create and innovate in early music today? How do we reappropriate music that has been played thousands of times? Raphaël Pichon puts honesty, generosity, objectivity and responsibility at the heart of his work with the Pygmalion ensemble. In this 4th episode, he shares his views on the challenges faced by each generation, the need for an open mind and artistic responsibility. 

    CREDITS

    guest Raphaël Pichon, Ensemble Pygmalion

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    Les Boréades, RCT 31, Act IV, Scene 4: Entrée de Polymnie, Jean-Philippe Rameau

    performed by Ensemble Pygmalion and Raphaël Pichon

    Enfers, Harmonia Mundi 2018

    Cantata BWV82 - Ich Habe Genug, Johann Sebastian Bach

    performed by Ensemble Pygmalion and Raphaël Pichon

    live performance, Philharmonie de Paris 2018

  • What role do agents play in promoting early music? How can they help the sector evolve? Management, digitization, new expectations, news skills... Clémentine Richard from l'Agence Artist Management shares her views on the changes in the management business in this third episode of the Early Music Podcast. 

    CREDITS

    guest Clementine Richard, Agence Artist Management

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    Aria, Nicola Matteis

    performed by Gli Incogniti and Amandine Beyer

    False Consonances of Melancholy, Alpha Classics 2019

    III. Adagio molto e mesto

    String Quartet No. 7 in F Major, Op. 59 No. 1, "Razumovsky", Ludwig Van Beethoven

    performed by Quatuor Ébène

    Beethoven around the world, Warner Classics 2020

    Symphonie No. 3 Eroica, Op. 55

    Ludwig Van Beethoven

    performed by Orchestre Elektra

    live performance, Paris 2023

  • What’s the scope of early music? This unanswerable question impacts our practices and our approaches to the sector. Since reaching a common definition seems idealistic, why not embrace the different meanings given to these words, and what they imply for their supporters and their activities? In this second episode, Romina Lischka shares her specific vision of early music, influenced by an intercultural approach and a desire to pass on and broaden horizons by mixing oral and written traditions, early and contemporary music. 

    CREDITS

    guest Romina Lischka, leader of the Hathor Consort

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    King of Denmark’s Galliard

    Raga Bhairavi: Alap

    In Nomine

    When Daphne from fair Phoebus did fly

    performed by Hathor Consort and Uday Bhawalkar

    Dhrupad Fantasia, Fuga libera 2020

  • How can Europe contribute to strenghten the early music scene? How can cultural policies be regulated at European level when culture is so specific to one country? What are the concrete impacts of European policies at the level of a country, a network, a town, etc.? In this first episode, Rarita Zbranca explains the repercussions of EU policies on the Romanian cultural scene, using the Cluj Cultural Center (Romania) as an example.  

    CREDITS

    guest Rarita Zbranca, program director at the Cluj Cultural Center

    interview & editing Darina Ablogina

    production REMA

    design Doretta Rinaldi

    music

    Music for a while, Henry Purcell

    performed by Reginald Mobley and Brandon Acker

    2022

    Musical excerpts

    performed by local artists

    Baroque Festival in Cluj 2010

  • Does music get suddenly better when it’s linked to the Borgia family, or are we ok with anonymously composed pieces?

    In this final episode of the season, musicologist Laurie Stras introduces us to an enigmatic composer: Suor Maria Celeste (1600-1634), illegitimate daughter of the Italian scientist Galileo, and a Florentine nun of the early 17th century. She was the illegitimate daughter of the Italian scientist Galileo and a Florentine nun in the early 17th century. She wrote some magnificent polyphonic compositions, found by the researcher in the Biffoli-Sostegni Manuscript and performed by her all-female ensemble, Musica Secreta: discover the story of this crazy adventure in the search for these lost scores! 

    To go further >

    CREDITS

    guest Laurie Stras, musicologist and performer

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    cover score Folio, Biffoli-Sostegni Manuscript, 1560 (Bibliothèque du Conservatoire Royal, Bruxelles, MS 27766)

    music

    Selection from Mother Sister Daughter

    performed by Musica Secreta, Laurie Stras

    Lucky Music 2022

  • Probably a XIXth century woman couldn’t contribute significantly as an artist, composer or concert organizer, right?

    And if we apply the critical eye of early music to more recent times, what do we get? Here we take a step aside to discover the work of Clara Wieck-Schumann (1819-1896), a genius pianist and talented composer, overshadowed by a composer husband at a time when married women were kept out of the public sphere. Natasha Loges, professor of musicology, tells us about her career as a pianist after her husband's death and how concerts were scheduled in the 19th century, at the height of the Romantic period.

    To go further >

    CREDITS

    guest Natasha Loges, musicologist

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    cover score Folio, An einem lichten Morgen, op. 23, 1872 (Library of Congress, ML96.S4148)

    music

    Piano Sonata in G Minor 2. : Adagio, Scherzo & Rondo - Robert Schumann

    performed by Franz Vorraber

    Hommage à Schumann, Thorofon 2012

    Romanze, Leidenschaftlich schnell - Clara Schumann

    performed by Flóra Fábri, Martin Jantzen

    live recording, 2021

    Piano Sonata No. 11 in A major, K.331. I. Tema con variazione - Wolfgang Amadeus Mozart

    Improvisation 3

    Moments musicaux Op. 94 D. 780: III. Allegro moderato in F Minor - Franz Schubert

    composed and performed by Josep Colom

    Moments musicaux, MarchVivo 2022

  • How are you an artist when you are just following a tradition and reading a score?

    With this eighth episode, Björn Schmelzer takes us on a journey of discovery of medieval sacred music and the oral tradition. This episode a dive into the revival of early music in the XXᵉ century and is dedicated to the French composer and writer Guillaume de Machaut from the XIVᵉ century, whose famous Messe de Nostre Dame performed by the ensemble Graindelavoix will musically illustrate the speaker's point.

    To go further >

    CREDITS

    guest Björn Schmelzer, founder and artistic director of Graindelavoix

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    cover score Folio, Lais, motets, ballades, rondeaux et virelais, ca. 1350-1355 (Bibliothèque nationale de France, Français 1584) 

    music

    Salve sancta parens [Introitus], Agnus Dei & Ite missa est - Guillaume de Machaut

    Performed by Björn Schmelzer, Graindelavoix

    Messe de Nostre Dame, Glossa 2016

    Miserere - Coro della Confraternita di Santa Croce 

    Live recording, 2014

  • How could we possibly top the perfection that is a masterpiece like Purcell’s Dido & Aeneas?

    In this seventh episode, composer Errollyn Wallen presents her opera Dido's Ghost, a sequel to Henry Purcell's (1659-1695) semi-opera Dido and Æneas. At a time when the Baroque and the performing arts were flourishing in England, Purcell's work offered his contemporaries a delightful spectacle that continues to inspire artists and musicians today. Prepare to be immersed in the world of this incredible baroque opera and the tumultuous story of these two lovers, taken straight from Virgil's Aeneid.

    To go further >

    CREDITS

    guest Errollyn Wallen, composer

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    cover score Folio, When on my sick bed I languish Z.144, 1678 (British Library, Add MS 30930)

    music

    Wayward sisters, you that fright…, 

    The Witches' Dance, 

    Thy hand, Belinda, darkness shades me 

    With drooping wings ye Cupids come - Henry Purcell

    Performed by Le Concert Spirituel, Hervé Niquet

    Dido and Aeneas, Glossa 2001

    Dido’s Ghost - Errollyn Wallen

    performed by Dunedin Consort

    Live recording 

    Courtesy of the Barbican, 2021

  • What is so fascinating about some medieval nun’s songs?

    Better known for her important work as a naturalist and physician, Abbess Hildegard von Bingen (1098-1179) also composed more than one hundred and fifty liturgical songs and melodies, which were rediscovered in the late 1970s by the ensemble Sequentia and its two directors, Barbara Thornton and Benjamin Bagby. In this sixth episode, Bagby tells us about the rediscovery of early music in the second half of the twentieth century, a movement to which he and his ensemble contributed greatly. 

    To go further >

    CREDITS

    guest Benjamin Bagby, founder of Ensemble Sequentia

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    cover score Folio, Riesencodex, 1175–1190 (Landesbibliothek Wiesbaden, BM 3600 FY 29451)

    music

    Instrumental dance I & II & Instrumental lament - Hildegard von Bingen

    performed by Ensemble Sequentia

    Ordo Virtutum, Sony 1998

    Instrumental piece II - Hildegard von Bingen

    performed by Ensemble Sequentia

    O Jerusalem, Sony 1997 

    Instrumental piece II - Hildegard von Bingen

    performed by Ensemble Sequentia

    Geistliche Gesänge, BMG 1985 

  • Don’t you sometimes wish you could just ask Beethoven what he meant in that peculiar passage?

    This fifth episode is devoted to one of the most famous composers in classical music: Ludwig van Beethoven (1770-1827), presented by Olga Pashchenko. While this one is not obviously early music, it does allow us to look back at the history of the piano, the instrument of choice of the great composer. Do not hesitate to consult the resources below to discover more about the mechanism of the piano and its ancestors. 

    To go further >

    CREDITS

    guest Olga Pashchenko, historical keyboardist

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    cover score Folio, Sonatas for piano no. 30, op 109, E Major, 1820 (Library of Congress - Gertrude Clarke Whittall Foundation, 87752609)

    music

    Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les adieux": III. Das Wiedersehen. Vivacissimamente, Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio, Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": II. Andante con moto & Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto - Ludwig van Beethoven

    performed by Olga Pashchenko

    Beethoven: Appassionata, Les Adieux & Waldstein, Alpha Classics 2017

    Der Tag, der ist so freudenreich, BWV 605, Wir Christenleut, BWV 612 - Johann Sebastian Bach

    performed by Ton Koopman

    Organ works, vol. 8 & 9, Warner Classics 2022

    Concerto in D Major, BWW 972 - Johann Sebastian Bach

    performed by Jovanka Marville

    Keyboard works, Passacaille 2012

    Suite in G Major: X. Chaconne rondeau - Jean-Henry d’Anglebert 

    performed by Céline Frisch, 

    Pièces de clavecin & airs d’ après M. de Lully, Alpha Classics 2005

  • Why do you care so much about what sort of keyboard Johan Sebastian Bach used to play on?

    This fourth episode is devoted to the fifteenth-century Flemish composer Guillaume Dufay, but also to a work of art that is as mythical as it is mystical, The Adoration of the Mystic Lamb (1432, Saint Bavo Cathedral, Ghent) by the Van Eyck brothers. Catalina Vicens takes us on a journey of discovery of this timeless work and, more generally, the textual or figurative sources that point researchers and musicians to the way music was played before the eighteenth century and what the musical instruments used looked like. 

     

    To go further >

    CREDITS

    guest Catalina Vicens, musician specialising in historical keyboard instruments

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    cover score Folio, L'homme armé in the Mellon Chansonnier, around 1470 (Yale University Library, Beinecke MS 91)

    music

    Procurans Odium, Presul Nostri Temporis, Organum & Honte, Paour, Doubtance

    performed by Catalina Vicens

    Organic Creatures, Consouling Sounds 2020

    Belle, bonne, sage, plaisante et gente - Baude Cordier

    performed by Ensemble Servir Antico, Catalina Vicens

    The City of Ladies, 2021

    Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai - Johann Sebastian Bach

    performed by Evgeni Koroliov, Kammerakademie Potsdam

    Concertos for piano, Alpha Classics 2019

    Actus Tragicus - Sonatina

    Gottes Zeit ist die allerbeste Zeit in E-Flat Major, BWV 106 - Johann Sebastian Bach

    performed by Lionel Meunier, Vox Luminis

    Actus Tragicus, Alpha Classics 2016

    Ave regina celorum - Gilles Binchois

    performed by La Reverdie

    Lux Laetitiae, Arcana 2022

    Lasse ! Comment - Se j'aim - Pour quoi me bat mes maris ?- Guillaume Dufay

    performed by Crawford YoungFerrara Ensemble

    Merci ou Mort, Arcana 2001

  • What happens when a piece by Monteverdi finds its way to its original concert hall?

    In the third episode of season 3 of the Early Music Podcast, Tim Carter introduces us to Claudio Monteverdi (1567-1643), an Italian composer and contemporary of Girolamo Frescobaldi, who is considered one of the creators of opera and, with Orfeo, the author of the first masterpiece of the genre. From Florence to Venice, passing through Mantua, this third episode evokes the privileged link between architecture and music and evokes the scenic dimension of the works of Monteverdi and his contemporaries.

    To go further >

    CREDITS

    guest Tim Carter, musicologist

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    cover score Folio, Alto part of the Magnificat from the vespers for Marian feast days, 1610, (Museo internazionale e biblioteca della musica, Bologna, M-3478)

    music

    Cruda morte, hai! Pur potresti & Poi che gl'eterni imperi - Jacopo Peri

    performed by Les Arts Baroques, Mireille Podeur

    Euridice, Maguelone Music, 2017

    Toccata, No. 1, Sinfonia (Act 2), No. 10, Sinfonia (Act 3), No. 1 Ritornello (Act 5), No. 6 Sinfonia, (Act 5), No. 9, Ritornello (Act 5) & No. 11 & Moresca (Act 5) - Claudio Monteverdi

    performed by Cappella Mediterranea, Chœur de Chambre de Namur, Leonardo García Alarcón

    L’Orfeo SV 318, Alpha Classics 2021

    Spem in alium - Thomas Tallis

    performed by The Tallis Scholars, Peter Phillips, 

    Spem in alium, Gimell 1985

    Psalmus 126. Nisi Dominus a dieci voci Vespro della Beata Vergine SV 206 - Claudio Monteverdi

    performed by The Tallis Scholars, Peter Phillips

    Vespro della Beata Vergine, Gimell 1985

    Combattimento Di Tancredi E Clorinda - Claudio Monteverdi & Marco Marazzoli

    performed by Le Poème Harmonique, Vincent Dumestre

    Combattimenti!, Alpha Classics 2010

  • Why can’t you just read the score that you want to perform?

    Dedicated to the Italian genius composer Girolamo Frescobaldi (1583-1643), this episode is an introduction to early music performance and textual sources. Francesco Corti, harpsichordist and conductor, explains the principles of musical improvisation and, above all, how composers told their contemporaries how to play their music. We will then go on to discover the cultural and musical revolution that was the 'Seconda Prattica', a revival to which Frescobaldi contributed greatly.

    To go further >

    CREDITS

    guest Francesco Corti, harpsicordist and conductor

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    cover score Folio, Harpsichord pieces, 1607-1637 (Bibliothèque Nationale de France, FRBNF14792481)

    music

    Primo Libro di Toccate: Partite sopra La Monica, Toccate, canzone, versi d'hinni, Magnificat, gagliarde, correnti &Toccata nona, "Non senza fatiga si giunge al fine” - Girolamo Frescobaldi

    performed by Lambert Colson, Alice Foccroulle, Bernard Foccroulle

    Organ Works, Ricercar 2017

  • What is so special about Early Music that it makes people so passionate about it?

    What is it like to “rediscover” today a composer from 1000 years ago? What do you learn about a piece when you search for the ultimate grail of the original concert hall it was first performed in? How can you try to rebuild a long gone Renaissance instrument and not lose your sanity? And, more than everything, what is so fascinating about it that you would want, today, in 2023, to dedicate your life to it? Let’s investigate, in 9 episodes, listening to the 9 speakers we picked for their reputation of being quite particular about one specific character of Early Music. 

    CREDITS

    interview & editing Andrew Burn

    production REMA

    credits music 

    Platée, Act 1, Orage - Jean-Philippe Rameau

    performed by Les Talens Lyriques, dir. Christophe Rousset

    Camera Lucida 2014

    All rights reserved - Courtesy of Les Talens Lyriques

    design Doretta Rinaldi

    original drawings Vincent Flückiger

    music

    Sanctus - Guillaume de Machaut

    performed by Graindelavoix

    Messe de Nostre Dame, Glossa 2016

    Cello Duetto in G Major, ABV 47: I. Allegro Giuseppe Clemente Dall'Abaco

    performed by Elinor Frey, Catherine Jones, Michele Pasotti, Federica Bianchi

    The Cello According to Dall'Abaco, Passacaille 2022

    Canzon La Lusignuola, OP. 1 No. 2 

    performed by Enrico Onofri, Imaginarium Ensemble

    Into Nature. Vivaldi Seasons & Other Sounds from Mother Earth, Passacaille 2019