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In this episode Adam and Charlotte discuss the later years of Technicolor with their special guest, author Bob Hoffman. Bob wrote a book that focuses on the post-1950s era of Technicolor, after they had abandoned their film cameras and embraced film print manufacture. Bob's book Alchemy In Technicolor also examines Technicolor's forays into other countries and the downfall of physical prints. And of course, you cannot discuss Technicolor without discussing Natalie Kalmus, along with several other heroes of the company that aren't as well known.
This is the third part to our larger Technicolor narrative, which includes episodes THE UNTOLD STORY OF TECHNICOLOR and NATALIE KALMUS: THE WOMAN THAT ALMOSST RUINED TECHNICOLOR.
You can buy Alchemy In Technicolor here: https://moviealchemy.com/Contact Us At:
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Adam and Charlotte had a wonderful opportunity to introduce Charlotte's amazing new Restoration of Popeye (1980) at the American Cinematheque's Friend of the Fest movie festival in August. Now in celebration of that restoration appearing on the Criterion Channel, we want to share it with you.
So grab some popcorn and wine, sit back and watch our intro, and then head over to the Criterion Channel to check out Popeye. It will be just like you were there in Los Angeles at the screening.Contact Us At:
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VistaVision is backâand you wonât believe how epic it looks on the big screen! In this episode of Perf Damage, we break down every way you can watch Paul Thomas Anderson's new film One Battle After Another: the ultra-rare 8-perf horizontal VistaVision screenings (only four theaters in the world!), massive 70mm, towering IMAX 15-perf film, and DCP. Charlotteârecently quoted as the VistaVision expertâexplains why this is a historic film event that hasnât happened since Strategic Air Command in 1955, and what makes VistaVision different from every other format. Adam shares his favorite line from the movie, we compare formats head-to-head, and we give you the inside scoop on the best way to see this must-watch release.
Charlotte's "VistaVision Expert" IndieWire Article:
https://www.indiewire.com/features/craft/how-to-watch-one-battle-after-another-vistavision-1235151416/Contact Us At:
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Step into the world of faded glory and timeless brilliance as Charlotte and Adam dive into the restoration of Billy Wilderâs masterpiece, Sunset Blvd. (1950). Charlotte takes you behind the scenes of the meticulous restoration processâsharing the challenges with picture and audio, and triumphs of bringing this classic back to lifeâwhile Adam peels back the curtain on the original production, with tales of Wilder, Swanson, Holden, and the making of one of Hollywoodâs sharpest portraits of itself.
This episode also features a special recreation of the filmâs long-lost original openingâand a few surprises along the way. Itâs film restoration the way youâve come to expect from Perf Damage: equal parts history, storytelling, and movie magic.Contact Us At:
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Ever wondered how lost directorâs cuts are uncovered in a studio archive? Or how deleted scenes and forgotten footage resurface decades later? In this episode, we go deep with film librarian Jeffrey Osmer from the Paramount Archives, the behind-the-scenes legend who helps bring hidden film history back to life.
We reveal how the directorâs cut of William Friedkinâs Jade was reconstructed, and we break down the painstaking process it took to finding each shot for Star Trek: The Motion Picture â The Directorâs Edition. Jeffrey even shares an emotional story behind restoring the Twin Towers to Zoolander!
If you're a fan of film restoration, Star Trek, directorâs cuts, or you love hearing stories about how archivists rescue lost films, track down alternate versions, and rare footage, this episode is for you!Contact Us At:
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We just got back from Il Cinema Ritrovato in Bologna, and it wasnât just a vacationâit was a full-blown film restoration adventure. In this episode, weâre sharing what itâs like to not only attend one of the most beloved film festivals in the world, but to be part of it!
Charlotte shares what it was like to introduce the brand-new restorations of Sunset Boulevard (1950), Danger: Diabolik (1968), and the world premiere of Artists and Models (1955), plus she gave a 45-minute talk on the history of VistaVision (in Italy! In July!). We include clips from her intros and the presentation, and talk about the surreal joy of seeing these restorations on the big screen with audiences from around the world.
Adam and Charlotte talk about their favorite non-Paramount film of the festival, Duel in the Sun (1946).
From spontaneous meetings with fellow film nerds to late-night pasta-fueled movie debates, this episode captures the heart of Ritrovato and why weâre already dreaming about going back. Stick around until the end because Adam grabbed a few "Diabolik-ly" cool tote bags to give away!
Pop in your earbuds, pour yourself an Aperol Spritz, and join us for a cinematic postcard from Bologna, Italy - no airfare required.Contact Us At:
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In this episode of Perf Damage, weâre joined by Paramount Film Preservation Manager Graham, who shares some of his favorite restoration projectsâfrom a high-seas adventure to animated antics. We dive into the silent epic Old Ironsides (1926), explore the innovative Magnascope system used for its original release, and discuss the filmâs re-edit and re-release in the 1950s.
Then we shift gears to cartoons, as Graham walks us through his collaborative work restoring classic Fleischer Studios shorts! Known for creating cartoons with characters like Koko the Clown, Betty Boop, Superman, Bimbo, and more! Along the way, we touch on some of the pioneering techniques used by Inkwell Imps and Famous Studios and discuss what makes these early animated films so special. Itâs a journey through two very different corners of film history, united by the art of restoration!
Go to Rockin Pins for officially licensed Fleischer Merchandise:
https://www.rockinpins.com/
Check out the restored Fleischer Cartoons here:
https://fleischertoons.com/
Vote for REDS (1981) to be inducted into the NATIONAL FILM REGISTRY! (Voting is open through August 15, 2025)
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This week on Perf Damage, we're going behind the mask of the new 4K HDR release of Danger: Diabolik (1968) â coming soon from Kino Lorber!
Charlotte walks us through the work behind the new transfer from the original 35mm camera negativeâwhat was done, what wasnât, and why it looks better than ever. She shares behind-the-scenes stories of how some of the original opticals were updated, how a long-missing outro was rediscovered, and why this version is the most faithful to the original Italian release we've ever seen on U.S. home video.
Meanwhile, Adam dives into the wild world of production dramaâfrom casting clashes to Dino De Laurentiis being... well, Dino. Expect pulp, politics, and plenty of behind-the-scenes chaos.
If you're a fan of Mario Bava, deep cuts in film restoration, or just want to know how Diabolik got his groove back in 4K, this episode is for you.
Subscribe for more deep dives, restorations, and film nerdery.
The new 4K HDR disc is coming soon from Kino Lorber!
Note: This episode is not affiliated with or sponsored by Kino Lorber. We're just excited to talk about the work that went into this release and share what went on behind the scenes and we recommend that you pre-order a copy of the disc!Contact Us At:
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Join us for an exclusive behind-the-scenes look at the 2025 TCM Classic Film Festival, where VistaVision made a spectacular return to the big screen!
We take you inside the magic of the festival, from the installation of VistaVision projectors in the legendary Chinese Theatre to the building of rare 8-perf film prints for Gunfight at the O.K. Corral and We're No Angels. Weâve got stories, secrets, and stunning footage of these screenings coming together.
Charlotte shares clips from her standing-room-only History of VistaVision presentation, and Adam ambushes her with red carpet footage she definitely didnât approve!
Whether you're a film nerd, restoration geek, or just love classic Hollywood, this episode is packed with widescreen drama, archival magic, and movie love.Subscribe for more Perf Damage episodes, restoration deep-dives, and behind-the-scenes stories from the world of film.
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In this episode of Perf Damage, we sit down with Jeff McCarty, a Senior Preservation Manager on Charlotteâs team at Paramount, to talk about his incredible journey to get into film preservation. Jeff shares the story of how he got his start from attending the USC film school, to working at Technicolor and he walks us through the many twists and turns that led him to Paramount. Along the way, heâs worked on some major restorations, including The Godfather (1972), the silent classic It (1927), The Day of the Locust (1975), and King Kong (1976).
Jeff gives us an inside look at what it really takes to preserve and restore filmsâfrom the technical challenges to the unexpected surprises in the archive, and reflects on what it means to care for cinematic history. Itâs a conversation packed with behind-the-scenes stories, deep knowledge, and a whole lot of film love.
Plus, Charlotte and Adam geek out about nitrate, color timing, and what itâs like to work with someone who knows his way around a vault reel like nobody else.Contact Us At:
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We can finally share the news we've been teasing for months - Charlotte is heading to the TCM Film Festival to give a talk on The History of VistaVision alongside Craig Barron! In this special mini-episode, weâre breaking down everything you need to know about this widescreen deep dive, the classic films sheâll be introducing, and how this whole crazy project came to life. From behind-the-scenes stories to the magic of VistaVision on the big screen, weâre giving you a sneak peek at whatâs in store. See you at TCMFF (and yeah, this oneâs totally our fault)!
Head over to https://filmfestival.tcm.com/programs/vistavision/ for more info on the VistaVision film prints.
Charlotte's Presentation "Bigger, Sharper, Better: The History of VistaVision" can be found here: https://filmfestival.tcm.com/schedule/bigger-sharper-better-the-history-of-vistavision/
Charlotte's TCM page can be found here: https://filmfestival.tcm.com/programs/special-guests/charlotte-barker/Contact Us At:
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Building on our last episode about widescreen formats in the 1950s, weâre taking you inside a virtual restoration room for a hands-on look at how we determined the correct aspect ratio for The Country Girl (1954). You'll see clips of the film in multiple aspect ratios so you can decide for yourselfâwas it meant to be seen in 1.66:1 or 1.85:1? If youâve ever wanted to be a film restorationist for a day, this is your chance to experience what the job is really like. Join us as we compare the film side by side, break down the visual and historical evidence, and reveal how the final decision was madeâno lab coat required!
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Join us for an eye-opening (and hilarious) deep dive into the wild world of Hollywood aspect ratios! Weâre thrilled to welcome Bob Furmanek and Jack Theakston from the 3D Film Archive, who share their extensive research and experience restoring classic films and solving aspect ratio mysteries.
We discuss some fascinating case studies from their recent restorations, including "The Glass Web (1953)" and "Gog (1954)," and Charlotte shares the challenges of finding the correct aspect ratio for "The Country Girl (1954)." Along the way, we crack jokes, geek out over widescreen formats, and have a great time unraveling the history of how Hollywood framed its biggest films.
PLUSâdonât miss an exclusive premiere of a newly restored clip from "Money From Home (1953)," coming soon from Kino Lorber!
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The original widescreen articles referenced in this episode can be found archived on the Wayback Machine here:
https://web.archive.org/web/202201260...
https://web.archive.org/web/202201260...
Check out 3dfilmarchive.com for more news from Bob, Jack and the rest of the 3D Archive gang!Contact Us At:
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In this episode, weâre diving into the world of Republic Pictures and the two brothers who turned a B-studio into an A-list innovator: Howard and Theodore Lydecker. Known as the masters of miniature effects, the Lydecker brothers created jaw-dropping special effects that set Republic Pictures apart in the 1930s through the 1950s. Their groundbreaking work inspired generations of filmmakers, including Steven Spielberg and George Lucas.
Join us as we tell the story of these unsung heroes of Hollywood, explore their creative process, and showcase some of Republicâs best miniature workâfrom rocket-fueled serials to daring action sequences. Discover how the Lydecker brothers brought big ideas to life on small scales and cemented their legacy in film history.Contact Us At:
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Perf Damage returns to White Christmas for a third time, but in this episode, we're diving deep into the dazzling 2024 restoration that breathes new life into this holiday classic. Join us as we unpack the unique challenges of restoring a VistaVision film, from tackling flickering and stabilizing stock shots to managing color breathing and other quirks of the original negative. Weâll reveal how crucial detailed notes from past transfers were in shaping this restoration, helping to capture every frameâs brilliance. And because this ambitious project involved so many skilled hands, weâre giving special shoutouts to everyone who played a part in making this restoration a reality.
Ready to uncover the secrets behind this restoration? Press play and celebrate White Christmas like never before!Contact Us At:
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In this episode of Perf Damage, Adam and Charlotte take a deep dive into the 2024 Film Restoration of Alfred Hitchcock's To Catch a Thief, overseen by Charlotte herself! They discuss the painstaking process of sourcing materials for the restoration, the unique challenges presented by the VistaVision format, and how modern technology was used to address issues with the original film elements. Along the way, they share some fascinating lesser-known trivia about the production and discuss why VistaVision played a crucial role in capturing the film's stunning visuals. If you're a classic cinema and film restoration fan, this episode is not to be missed!
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In this exclusive interview, Charlotte talks to Heath Holland from Cereal at Midnight, about her job as the Director of Film Preservation and Restoration at Paramount Pictures. She takes us behind the scenes of the fascinating world of film restoration. Check out this sneak peek and head over to @CerealAtMidnight to see the full interview!
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This is the audio from our recent YouTube version of "TECHNICOLOR PART II: THE DRAMA." This version is slightly different than the original audio-only version.
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In this episode of Perf Damage, we dive deeper into the fascinating world of Technicolor by focusing on the dynamic husband-and-wife team behind the company: Herbert and Natalie Kalmus. This companion piece to our episode, THE UNTOLD STORY OF TECHNICOLOR, explores the coupleâs innovative partnership, their influence on the film industry, and the complexities of their personal and professional relationship.
Natalie Kalmus wasn't just Herbert's wifeâshe was a force to be reckoned with in Hollywood. Known for her strict artistic control over the Technicolor process, she famously clashed with legendary filmmakers like Cecil B. DeMille, Michael Curtiz, David O. Selznick, and Michael Powell. Behind the scenes, her influence was valued and dreaded as she fiercely defended Technicolorâs vision. After her and Herbertâs relationship soured, she spent years in court, making his life a living hell and adding drama to an already colorful legacy.Contact Us At:
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In this episode of Perf Damage, we dive into the world of classic cinema with Bryan Cooper, co-producer of the Cinecon Film Festivalâan unmissable hidden gem for film buffs and a must-have on your festival bucket list! Bryan, a staple of Cinecon for years, reveals his behind-the-scenes secrets and discusses the meticulous selection process for the festivalâs lineup which includes the world premiere of many rare, recently restored classics from Paramount. Hear how he collaborates with Charlotte to bring you films that are virtually unseen anywhere else. With its star-studded atmosphere and unpretentious charm, Cineconâheld every Labor Day weekendâis a mecca for classic film aficionados. From previously lost Clara Bow films like "The Pill Pounder" with a live score to Roy Rogers gems like "Song of Arizona" Cinecon has something for everyone.
Join us for an engaging conversation about this iconic festival and the magic that makes it a haven for lovers of timeless cinema!Contact Us At:
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In Part Two of our examination of the Westmore family, the founders of makeup in the movies.
We delve deeper into the extraordinary saga of the Westmore family, and we focus on the four brothersâErn, Wally, Frank, and Budâwho inherited their father George's passion for makeup artistry and left an indelible mark on Hollywood.
Join us as we explore each brother's unique contribution: Ern's time as one of the âBundy Boysâ alongside Errol Flynn, John Barrymore and W.C. Fields, Wally's incredible transformation in Dr. Jekyll and Mr. Hyde, Budâs work on Universal horror films and Frank's irrepressible story about his first encounter with Jiggs the Chimp.
Witness their professional triumphs and the occasional strains in their familial bonds, all against the backdrop of Hollywood's golden age. Their story is one of passion, resilience, and the enduring legacy of the Westmore name in shaping the magic of makeup in cinema.Contact Us At:
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