Afleveringen
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Video Game book Club by Pixelated Playgrounds covering Esoteric Ebb by Christoffer Bodegård.
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In this episode of Pixelated Playgrounds, Bryan and Josh suit up for Dispatch, the 2025 superhero workplace comedy developed and published by AdHoc Studio, originally released on PlayStation 5 and Windows. Founded by Telltale Games alumni including Michael Choung, Nick Herman, Dennis Lenart, and Pierre Shorette AdHoc brings their episodic storytelling DNA to a story about Robert Robertson, a powerless third-generation hero who, after the destruction of his Mecha Man suit, lands a job as a dispatcher for the Superhero Dispatching Network, managing a team of dysfunctional, reformed villains known as the Z-Team. It's a tale as old as time featuring a group of screw-ups slowly becoming a found family, but Dispatch pulls it off with so much craft and confidence that it feels fresh all over again.
We dig into what makes Dispatch tick as both a game and an interactive series, examining its tight episodic structure, its gorgeous animation, and the way its licensed needle drops lend it the rhythm and credibility of a prestige streaming show. We also talk through the tension at the heart of the experience: this is a game that is, at times, less played than watched, and we explore whether the dispatching mini-game with its spiderweb stat graphs, skill-matching, and ongoing mission storylines does enough to make you feel meaningfully invested in the heroes you're sending into the field. Standout voice performances, particularly Aaron Paul's restrained but surprisingly expressive take on Robert Robertson, and a genuinely well-written ensemble help carry the load. The humor occasionally veers crude or cliché, but that's half the charm. So clock in with Bryan and Josh as we take the call on AdHoc's confident, polished, and wonderfully familiar Dispatch.
Three Word Reviews:
Bryan — Clichés Executed Flawlessly
Josh — Its Super Effective
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Zijn er afleveringen die ontbreken?
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In this episode of Pixelated Playgrounds, Bryan and Josh journey through the afterlife in Death Howl! Developed by The Outer Zone and published by 11 Bit Studios, Death Howl is a deckbuilder that merges deliberate exploration, demanding combat, and stark, minimalist storytelling. Set in Mesolithic Scandinavia, the game features a mother named Ro who ventures into the spirit world to reclaim her lost son. Death Howl sets its self apart aesthetically with a rough, impressionistic pixel art and vibey sound design to its layered mechanics and themes. Interestingly its often billed as a “souls-like deckbuilder” a label that originated with the community rather than the developers. As ambiguous as the ‘souls-like’ term can be the game captures the spirit of the genre in meaningful ways: its bonfire-like sacred groves, its tense death mechanics that are both punishing and forgiving, and its constant encouragement to explore every corner for secrets and advantages, among other things.
With tense combat focused on positioning, deckbuilding strategies, and the satisfaction of repeatedly crafting powerful synergies rather than settling into just one, Death Howl also succeeds on a mechanical level. The aesthetics and mechanics all stand in service to a game that is telling a story about death, loss, and what it means to confront sorrow. By blending its aesthetic and mechanical strengths to suit this story, Death Howl leaves a lasting emotional impression. So listen in as we go on a journey worth remembering in Death Howl!
Three Word Reviews:Josh - Constrained Card Crafter
Bryan - Soulslike, Not Derogatory
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In this episode of Pixelated Playgrounds Bryan and Clint are diving into Resident Evil Requiem, and coming at it from two angles: Bryan jumped on board with the series starting at Resident Evil 7, while Clint has been a lifelong devotee. Developed and published by Capcom, the game showcases a studio operating at full strength. We were struck immediately by the visual fidelity and the sound design, which is as tense and reactive as anything in the genre. The story follows FBI analyst Grace Ashcroft and returning series icon Leon S. Kennedy as they investigate deaths tied to Raccoon City, and right away we get a sense of the game’s defining idea: two protagonists, two playstyles, and a deliberate split between survival horror dread and full-throttle action.
Its a novel approach to solving the problem that often causes Survival horror games to fall flat as the player becomes more powerful. Grace’s sections lean into vulnerability, limited resources, puzzle-solving, and slow, nerve-wracking exploration, while Leon’s segments let us cut loose with bigger weapons and chaotic combat. That push and pull gives the game a rhythm we found incredibly compelling, constantly resetting tension and payoff. Resident Evil Requiem doesn’t reinvent the series so much as perfect its modern form, elevated zombie camp executed with precision, and a reminder that Capcom has been quietly mastering this formula for years.
Three Word Reviews:Clint - Old Meets New
Bryan - Elevated Zombie Camp
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In this episode, Bryan and Josh check into the Hotel Letztes Jahr to discuss Lorelei and the Laser Eyes. Developed by Simogo and published by Annapurna Interactive, the game marks a clear step in the studio’s evolution from mobile hits like Sayonara Wild Hearts toward a slower, more contemplative experience inspired by survival horror and art-house cinema. Following Lorelei Weiss through the hotel’s labyrinthine halls, we dig into its nonlinear progression, dense numerical puzzles, and layered storytelling. From the intricate mansion layout to its striking black, white, and magenta aesthetic (and the unsettling presence of the maze men) the game creates a constant sense of discovery as each puzzle leads to several more.
The conversation also explores the game’s deeper structure and themes, including its puzzle design, the necessity (and chaos) of note-taking, and the friction created by its one-button interface. More than just a puzzle game, Lorelei and the Laser Eyes emerges as a meditation on art itself, particularly the tension between creative expression and commercial pressure. So listen in as we reflect on an experience defined by confusion, discovery, and creeping unease… a discussion that aims to be as thoughtful and layered as the game we’re unpacking.
Three Word Reviews:
Josh - Fractal, Fracture, Forgiveness
Bryan - Puzzles Beget Puzzles
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In this episode of Pixelated Playgrounds, Bryan and Clint begin our ascent with Cairn, the 2026 climbing survival game from The Game Bakers. Drawn in by early buzz, we both quickly found ourselves absorbed in its uniquely demanding approach to traversal, one that treats climbing not as spectacle, but as a deliberate, moment-to-moment act of decision-making. At the center of this unexpectedly introspective game is Aava’s ascent of Mount Kami, a journey defined by precise limb placement, resource management, and a constant negotiation between control and chaos. The game’s tactile mechanics balancing grip, stamina, and positioning create an intense gameplay loop that feels both physically and mentally immersive, often pushing players into a near-meditative flow state.
We also talk through Cairn’s effectiveness as a narrative and thematic experience, examining its sparse storytelling and emotionally distant protagonist. Aava’s motivations, her strained relationships, and the ambiguity surrounding whether her climb is driven by ambition, obsession, or something closer to depression kept us guessing. Cairn is a powerful meditation on freedom and control, but the game’s greatest achievement is how it makes the player’s personal journey inseparable from Aava’s, turning every slip, recovery, and decision into a story that feels uniquely your own. So climb up to the existential peaks of Kami with Clint and Bryan as we plot our route through the harrowing journey that is Cairn.
Three Word Reviews:Clint - Can’t Stop Now
Bryan - Control and Freedom
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In this episode of Pixelated Playgrounds, Bryan and Josh dive into Donkey Kong (1994) for the Game Boy, a game that begins as a nostalgic homage to the original arcade classic before quickly transforming into something far more ambitious. After briefly revisiting the familiar opening stages from the 1981 Donkey Kong, the hosts explore how the game expands into a sprawling puzzle-platformer with nearly one hundred additional stages across nine distinct worlds. What makes Donkey Kong ’94 unique is Mario’s surprisingly expansive moveset and the game’s inventive level design. From handstands and backflips to wire spins and careful key-carrying mechanics, we examine how the game encourages experimentation and player expression long before such ideas became common in platformers.
Each world introduces new mechanics such as ropes, switches, wind, slippery ice, or environmental puzzles; while intermittent boss encounters with Donkey Kong echo the arcade roots of the series. Its an early expressive platformer and its emphasis on movement mastery and player creativity foreshadows later titles like Super Mario 64. So listen in as we reflect on the legacy of Donkey Kong 94 as a quietly foundational handheld title and a fantastic experience even three decades later.
Three Word Reviews:Josh - Bingeable Harbinger Platformer
Bryan - Expressive Platformer Blueprint
Show Notes:
90’s advertisement for Donkey Kong 94
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In this episode Bryan and Clint dive into Astro Bot, the 2024 PlayStation 5 platformer developed by Team Asobi and published by Sony Interactive Entertainment. Building on the foundation of the pack-in hit Astro's Playroom, the studio expands the concept into a full-scale adventure that celebrates three decades of PlayStation history. The guys explore how the game blends inventive platforming, playful level design, and clever uses of the DualSense controller into a tightly paced quest where players rescue lost robots and rebuild their PS5 mothership so the Astro Bots can get their interstellar dance party back on track.
Astro Bot balances nostalgia with accessibility, appealing to longtime gamers while remaining instantly readable for kids and newcomers. Listen in as we revisit the game’s joyful structure, colorful hub worlds, creative abilities, spectacular boss battles, and homage levels inspired by iconic PlayStation franchises like God of War, Horizon Zero Dawn, Uncharted, and Ape Escape. Astro Bot is a rare AAA platformer bursting with wonder, a game that captures the pure joy of play and bridges generations of players through curiosity, creativity, and delight.
Join for the dancing robots, stay for the testimonials from budding, young gamers (AKA Clint’s sons)!
Three Word Reviews:
Clint - Pure Gaming Joy
Bryan - Wide Eyed Wonder
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On this episode Bryan and Josh drive into Promise Mascot Agency, developed by Kaizen Game Works, the team behind Paradise Killer. Released in April 2025 for Windows, Switch, PS5, and Xbox Series X/S, the game blends open-world driving, management sim mechanics, visual novel storytelling, and crime drama into an experience Bryan called his Game of the Year 2025. Set in the cursed town of Kaso-Machi, the story follows exiled yakuza lieutenant Michizane “Michi” Sugawara (voiced by Takaya Kuroda) as he attempts to repay a debt by rebuilding a failing mascot agency alongside his chaotic, foul-mouthed assistant Pink, a literal severed finger with a heart of gold. We explore how the game’s “PS2-feeling” open world, bizarre truck physics, card-battling support system, and management mechanics shouldn’t work on paper but absolutely do in practice. Buoyed by an infectious east-meets-west soundtrack from Alpha Chrome Yayo and Ryo Koike, Promise Mascot Agency delivers a potent dose of earnest absurdity.
From negotiating mascot wages and launching Pinky out of a truck-mounted cannon to debating civic policy and upgrading town landmarks, every system feeds into a larger story about found family, labor, accountability, and rebuilding community. So hop into your mascot laden truck and listen in as Bryan and Josh discuss Promise Mascot Agency!
Three Word Reviews:
Bryan - Uplifting Offbeat Sincerity
Josh - A Rambling Tale
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In this episode, Bryan and Clint ride off into Kingdom Come: Deliverance II. Picking up directly after the first game, Warhorse Studios’ historical RPG returns us to early 15th-century Bohemia, following Henry’s journey from blacksmith’s son to reluctant man-at-arms amid political chaos, feudal power struggles, and deeply human moral choices. Along the way, we examine how KCD2’s simulation-driven design—living villages, reputation systems, punishing swordplay, and obsessive historical detail—creates a world where the player always feels like a small cog in a very large, uncaring machine.
We also examine the series’ fixation on historical accuracy, immersion, and realism, and how its simulation of everyday medieval life firmly grounds the game’s themes. Bryan and Clint unpack the game’s uneasy relationship with war, its unflinching portrayals of atrocity, religion, and power, and its often uncomfortable parallels to modern politics and class structures. Through character studies of Henry, Hans Capon, Jan Žižka, Father Godwin, and a sprawling ensemble cast, the game strips away fantasy and leans into human truth. Kingdom Come: Deliverance II tells a story that doesn’t just feel real, but revealing.
Three Word Reviews:
Clint - Bohemian Bastard Simulator
Bryan - Veritas Ex Fabula
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In this episode of Pixelated Playgrounds, Josh Galecki and Bryan Skursha tackle Baby Steps, the 2025 overly literal walking simulator developed by Gabe Cuzzillo, Maxi Boch, and Bennett Foddy and published by Devolver Digital. Known for games that turn basic movement into existential comedy (QWOP, Getting Over It, etc.), the team delivers another strange, hilarious experiment in control and patience.
We embody Nate, a 35-year-old basement-dwelling failson, who is dropped into a vast mountain wilderness and must literally learn how to walk using deliberately awkward controls which turn every footstep into a small triumph or a catastrophic pratfall. Along the way we dig into the open-ended world design, the absence of a map, the optional “gamer bullshit” challenges like hats and dares, and why Baby Steps is less about rage and more about embracing failure, exploration, and weird little stories that only happen because you fell down a hill the wrong way. So listen in as we learn about patience, humility, and how sometimes the only way forward is face-planting, laughing, and taking one more careful step on the path.
Three Word Reviews:
Bryan - Victory in Defeat
Josh - Enjoying the Journey
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Happy New Year! To kick things off in 2026 we recorded a quick episode on our individual Top 5 Games of the Year for 2025! So listen in as the guys discuss the top 5 games they enjoyed in 2025 among others, take a look forward to 2026, and just generally chill out and reminisce on a year of gaming!
Here’s what we talked about:
Look back at 2025
The Top 5’s
5’s
4’s
3’s
2’s
1’s
Honorable Mentions
Games you missed in 2025 and still want to play
Things you’re looking forward to in 2026/Games we have our eyes on to cover
Take Care and Keep on Gaming in 2026!!!
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The 5’s
Josh Game #5 - Slay the Princess
Clint Game #5 - Battlefield 6
Bryan Game #5 - and Roger
The 4’s
Josh Game #4 - CYPHER ZERO
Clint Game #4 - Hollow Knight Silksong
Bryan Game #4 - Hollow Knight Silksong
The 3’s
Josh Game #3 - Blue Prince
Clint Game #3 - The First Berzerker: Khazan
Bryan Game #3 - Kingdom Come Deliverance 2
The 2’s
Josh Game #2 - Baby Steps
Clint Game #2 - ARC Raiders
Bryan Game #2 - Clair Obscur: Expedition 33
The 1’s
Josh Game #1 - Hollow Knight Silksong
Clint Game #1- Kingdom Come Deliverance 2
Bryan Game #1 - Promise Mascot Agency
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In this episode of Pixelated Playgrounds, Bryan, Josh, and Clint finally arrive in Pharloom and dive deep into Hollow Knight: Silksong. We all fell in love with Hollow Knight when it launched in 2017 and even covered it on the show back in 2019, making Silksong a long-anticipated return. Team Cherry—Ari Gibson, William Pellen, and Jack Vine—have come a long way since the original Kickstarter, and Silksong’s journey from planned DLC to full sequel reflects a uniquely protracted and unconventional development cycle. Just as notable is the team’s decision to remain intentionally small, preserving creative control, efficiency, and passion while collaborating with key contributors like composer Christopher Larkin to elevate the experience.
Silksong represents a major shift from its predecessor, most notably through Hornet, a fully voiced and evolving protagonist whose presence reshapes both narrative and gameplay. The game emphasizes speed, verticality, and tool-driven combat, with Pharloom’s design flipping Hollow Knight’s downward descent into a constant upward climb. We dig into the game’s layered storytelling—Hornet’s personal arc, the history of Pharloom and its people, and the larger cosmic forces at play—alongside its thematic focus on song, memory, and organized religion. Along the way, we debate difficulty, movement quirks, crest builds, boss design, and the shard system for tools. We also discuss Silksong’s ambitious three-act structure, multiple endings, and whether it not only lives up to the original Hollow Knight. So join us as we close out the year exploring Team Cherry’s world of bugs, beasts, beauty, and bosses.
Three Word Reviews:
Bryan - Smooth as Silk
Josh - Flight in Fight
Clint - Solid Send Off
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In this episode of Pixelated Playgrounds, Josh and Bryan dive into a Roguelite Roundup double feature with Loop Hero (2021) and Ball x Pit (2025), exploring how each game twists genre conventions in its own eccentric way. They start with Loop Hero, the 2021 auto-battling, world-rebuilding oddity from Four Quarters, unpacking its eerie DOS-inspired aesthetic, its “zero-player” design origins, and its signature loop structure that blurs the line between dungeon-master and adventurer. Bryan and Josh break down the tension between player strategy and character automation, how tile placement shapes risk and reward, and why the game’s intentionally opaque systems are both fascinating and frustrating.
Next we turn to Ball x Pit, the recently released brick-breaker–meets–city-builder from Kenny Sun and Friends. We discuss the game’s gleefully chaotic blend of chunky 3D constructions and crisp pixel effects, its two intertwined gameplay loops, and its ever-expanding roster of characters, buildings, and more than sixty ball types. The conversation digs into the fusion, fission, and evolution mechanics that make every volley unpredictable, the strategic timing involved in choosing upgrades, and the playful experimentation the design encourages. With its brisk metaprogression, flexible buildcrafting, and constant sense of discovery, Ball x Pit feels tightly crafted and refreshingly energetic.
Three Word Reviews:
Loop Hero:
Bryan - Around in Circles
Josh - Loops Within Loops
Ball X Pit:
Bryan - Not the Pits
Josh - Leans Too Far
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In this episode of Pixelated Playgrounds, Bryan and Josh dive into and Roger, a short but emotionally powerful experience from developer TearyHand Studio. Initially framed as a horror story, the game follows a girl who wakes to find a stranger in her home, with disorienting minigames and high-contrast visuals amplifying her fear and confusion. They discuss the game’s unusual narrative delivery, its WarioWare-like micro-interactions, minimal text, and evocative sound design. What begins as a tense mystery gradually reveals deeper questions about the protagonist, hinting at something more intimate than danger.
Later on they explore how the game’s story revelations transforms earlier gameplay into poignant commentary through mechanics rather than exposition. Its notable that while the game concludes with a Bible verse, its message remains universal, human, and deeply felt. And Roger is a memorable, compassionate experience less about fun and more about understanding, which showcases how interactive storytelling can reframe emotions in a remarkable way.
Notes:
Florence
One of 2025's Best Games, And Roger, Is About God, Love, and Loss (Patrick Klepek, Remap)
Three Word Reviews:
Bryan - Revelation and Reframing
Josh - Confusion and Uncertainty
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In this episode, Bryan and Josh dive deep into Clair Obscur: Expedition 33, the 2025 dark fantasy RPG from French studio Sandfall Interactive and published by Kepler Interactive. This is the first outing of director Guillaume Broche, formerly of Ubisoft, featuring a powerhouse voice cast including Jennifer English, Ben Starr, and Charlie Cox, and a wildly eclectic soundtrack by Lorien Testard and Alice Duport-Percier that spans classical to dubstep. If that wasn’t enough to draw you in the premise of the game alone is one of the more intriguing in recent memory: For the last 67 years, the island of Lumière has endured the “Gommage,” a ritual in which an ethereal being known as the Paintress erases everyone older than a mysteriously dwindling number. Expedition 33 sets out to confront the paintress, them embark on an exploration of how art, death, and memory intertwine within the game’s Belle Époque-inspired world.
Bryan and Josh also unpack the game’s richly layered writing and worldbuilding, noting how the prologue perfectly sets the tone and how the setting pulses with French cultural flair, even down to battling a mime in the opening minutes. Clair Obscur features a truly memorable cast, contributing to a story that’s equal parts tragic and hopeful, and while the combat system’s balance of dodge, parry, and unique “Pictos” and “Luminas” mechanics met the challenge of keeping combat snappy and engaging. However, at the end of it all, Clair Obscur’s core themes of death and grief give it both its weight and its beauty, cementing its place as one of 2025’s standout video game experiences.
Notes:
The impossible (true) stories behind the making of Clair Obscur Expedition 33
The Ones Who Walk Away from Omelas
Clair Obscur: Expedition 33 | Lumière
Three Word Reviews:
Bryan - What Comes After
Josh - Overcaffeinated, Moving, Obscure
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In this episode Josh and Bryan are talking about Pyre developed by Supergiant Games and released in 2017 for PC, Mac, Linux, and PlayStation 4. Pyre is considered by some to be Supergiant’s most experimental and heartfelt title, a mystical mix of visual novel and ritualistic sport. From the creators of Bastion, Transistor, and Hades, Pyre stands apart for its boldness a “mournful revolution” where victory means saying goodbye to a beloved comrade, and every loss fuels the greater cause of rebellion. With lush art by Jen Zee, music and sound by Darren Korb and Ashley Barrett, and the powerful writing of Greg Kasavin, Pyre delivers a story of loss and revolution. Join us as we resurrect this lost episode of Pixelated Playgrounds to discuss literacy as rebellion, the beauty of bittersweet freedom, and why even in defeat, there’s purpose in pressing onward.
Show Notes:
Gamedeveloper.com - How Supergiant Games aggressively prototyped its way into Pyre
Darren Korb going hard as usual (Never to Return, Supergiant In Concert)
Three Word Reviews:Bryan - Rites, Remorse, Revolution
Josh - Single Player Sport
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In this episode Bryan and Josh are diving into UFO 50, the long-awaited indie collaboration from Derek Yu, Jon Perry, Eirik Suhrke, Paul Hubans, Ojiro Fumoto, and Tyriq Plummer. It collects fifty original games into one sprawling anthology made by a fictional company called UFO Soft between 1982 and 1989. They explore its meta-narrative, collective authorship, its “lost console” aesthetic, and how its ambitious scope becomes a keen commentary on the experience of creating games across a console generation. From the clever chaos of Party House to the moody depths of Porgy and the sprawling weirdness of Grimstone, we’ll talk about which games could stand alone and which thrive because they exist in conversation with the rest. Not every game shines equally, but together they form a unique love letter to game-making and retro gaming.
Three Word Reviews:
Bryan - Crafty Creative Cornucopia
Josh - A Design Feast
Show Notes:
TIGsource - The Indie Game Source
Eggplant: The Secret Lives of Games
Michael Brough
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In this episode of Pixelated Playgrounds, Bryan and Josh explore the impossible geometry of Monument Valley, the 2014 iOS puzzle classic from ustwo games that transformed the mobile landscape with its serene vibes, minimalist Escher-inspired design, and ingenious visual mechanics. Listen in as the guys dive into the game’s meditative atmosphere, its sparse but evocative storytelling through Princess Ida’s journey, and the meticulous development process that focused on polish over size. They also reflect on how Monument Valley stood apart in an era of noisy, ad-driven free-to-play titles, becoming a landmark “art game” that proved mobile experiences could be elegant, premium, and profoundly moving—all while sparking a legacy that continues to influence indie design today.
Three Word Reviews:Bryan - Platform Perspective Shift
Josh - Delightful Puzzle Box
Show Notes:Relativity, MC. Escher
US Two Interview Article
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In this episode of Pixelated Playgrounds, Bryan and Josh dive into Cipher Zero, the minimalist logic puzzler developed by Boston-based indie studio Zapdot and released in July 2025. Beginning life as a Ludum Dare entrant, Cipher Zero has evolved into a sprawling collection of nearly 400 handcrafted puzzles, each one teaching players through experimentation rather than exposition. With its sleek UI, geometric art, and reactive industrial soundtrack, the game communicates ideas wordlessly, then layers and recombines them to expand what’s possible within its puzzle language. The guys explore its satisfying rule discovery, linear progression, and the elegance of its design choices while also considering where its lack of hints or philosophical pretension set it apart from genre peers. Spoilers abound after the first 29 minutes, so join us as we pick apart how Cipher Zero turns tile toggling into a gamified learning curve full of gratifying “aha” moments.
Three Word Reviews:
Bryan - Gamified Learning Curve
Josh - Start with Silence
Show Notes:
Composer - Will Seegers
Chris Remo
Josh’s Talk for Roguelike Celebration 2023
A Monster’s Expedition: Through Puzzling Exhibitions & Snakebird
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