Afleveringen
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âIt had to involve more than just a slim volume of verse,â says Kimberly Campanello about MOTHERBABYHOME, her ongoing visual poetry project which centers the 796 infants and children who died at the St. Mary's Mother and Baby Home in Tuam, in the west of Ireland, between 1926 and 1961. So it consists of 796 sheets of vellum with text from archival and contemporary sources that sheâs shaped into a work that blends documentation and lamentation, reportage and rite. In this Zoom conversation between Kimberly and PĂĄdraig Ă Tuama â part two of two â recorded in 2025, Kimberly reads an excerpt from MOTHERBABYHOME, and then she and PĂĄdraig discuss whether all poets want to be priests and how poetry is the ultimate DIY activity. Or, as Kimberly puts it, âYou don't have to learn an instrument to be a poet.â
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Kimberly Campanello is a poet, translator, and performance artist. Her most recent projects are the poetry collection An Interesting Detail, the novel Use the Words You Have, and MOTHERBABYHOME. She is Professor of Poetry at the University of Leeds.
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âIt's about seeing, through reading, whether where you are going has been or is now or will be written, or not.â This deliciously twisty line is from Kimberly Campanelloâs ongoing versioning of Danteâs Inferno, and as in that sentence, she is translating and reconfiguring the 700-year-old work of poetry to reflect her life, her familyâs lives, your life, our life, and, indeed, our lives today. We are delighted to bring you this exhilarating conversation â part one of two â between Kimberly and PĂĄdraig Ă Tuama that was recorded over Zoom in 2025. In addition to reading excerpts from her redone Dante, she and PĂĄdraig talk about the English teacher who made an indelible impression on her, the roles of love and time in the Inferno, and how an early-onset Parkinsonâs diagnosis has shaped her thinking and writing.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Kimberly Campanello's recent projects are the poetry collection An Interesting Detail, the novel Use the Words You Have, and MOTHERBABYHOME. She is Professor of Poetry at the University of Leeds.
Find the transcript for this show at onbeing.org.
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Zijn er afleveringen die ontbreken?
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âPoetry should be horrifying,â says Rachel Mann. âIt should be ⌠on the edge of the edge of what could be said.â We are delighted to bring you this vibrant conversation featuring Rachel and Yomi ᚢode speaking with PĂĄdraig Ă Tuama at the 2024 StAnza Poetry Festival in Scotland. Rachel and Yomi each read poems, and then go on to discuss grace, who receives it, and who deserves it; the place of grief and remembrance in their work; and how writing about historical figures is a way to disrupt and re-vision both the past and the present.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Rachel Mann is a priest, writer, and broadcaster. Her second poetry collection, Eleanor Among the Saints, was published by Carcanet in January of 2024.
Yomi ᚢode is an award-winning Nigerian-British writer. His debut poetry collection, Manorism, was published by Penguin in October of 2022.
Find the transcript for this show at onbeing.org.
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From a young age, says Palestinian American poet and physician Fady Joudah, âI had such a fascination with the way the alphabet makes music in the mind.â We are thrilled to offer this thoughtful conversation between PĂĄdraig and Fady, recorded when Fady received the 2024 Jackson Poetry Prize. Fady reads several poems â including two with the same name! â and speaks of how memory, time, history, faith, love, violence, and difference figure in his work. He says, âUltimately for my existence as a Palestinian in the 20th or 21st century ⌠I am also always, particularly in English, bridging a gap.â
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Fady Joudah is the author of six collections of poems and has translated several collections of poetry from Arabic. He is the editor and co-founder of the Etel Adnan Poetry Prize, and his most recent collection, [ ⌠], was published in 2024 by Milkweed Editions. This interview was recorded on the occasion of him receiving the 2024 Jackson Poetry Prize.
Find the transcript for this show at onbeing.org.
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âI still have the best three-point shot of any Canadian poet born before 1943â is one of the first things that acclaimed poet Don McKay says in this expansive and intimate exchange. We are thrilled to offer this conversation between Padraig and Don, recorded from a virtual interview held on the occasion of Don receiving the 2024 Lifetime Achievement Award from the Griffin Poetry Prizes. After touching on his early devotion to basketball, Don speaks of his lifelong passion for geology and birds, how Newfoundland is considered âopera for geologistsâ, and why he favors membership over mastery when it comes to relating to Earthâs other living creatures.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Don McKay has published 10 previous works of poetry. He's been shortlisted twice for the Griffin Poetry Prize, and in 2024 won the Lifetime Achievement Award from the Griffin Poetry Prizes. He lives in Newfoundland, Canada.
Find the transcript for this show at onbeing.org.
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Host PĂĄdraig Ă Tuama shares âThe Listenersâ by Walter de la Mare, a favorite childhood poem of his, and offers an audio postscript to Season 10 of Poetry Unbound. Later in 2026, he will bring us more Poetry Unbound to look forward to â find out what and when here. In the meantime, you can listen to past episodes of Poetry Unbound or to new episodes of On Being with Krista Tippett, out now.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Walter de la Mare was born on April 25, 1873, in London. He is the author of numerous books, including The Veil and Other Poems (Constable & Company, 1921) and The Listeners (Constable & Company, 1912). He died on June 22, 1956, in Twickenham, England.
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Have you ever watched, in awe, as a skilled gymnast or skater lifts off and completes a dizzying number of revolutions in less than a second before landing safely back down? Thatâs how you may feel upon reading the great Leonard Cohenâs urgent, dreamlike poem âI, 8â from Book of Mercy. In his telling of a manâs fall âfrom his high placeâ into âdisgraceâ, Cohen sends us on a short, 206-word journey that seamlessly weaves together narration, fiction, meditation, devotion, and prayer.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Leonard Cohen had an artistic career that began in 1956 with the publication of his first book of poetry, Let Us Compare Mythologies. He published two novels, The Favourite Game and Beautiful Losers, and 10 books of poetry, most recently Stranger Music: Selected Poems and Songs and Book of Longing. During a recording career that spanned almost 50 years, he released 14 studio albums, the last of which, You Want It Darker, was released in 2016. Cohen was inducted into the Rock and Roll Hall of Fame in 2008, received a Grammy Lifetime Achievement Award in 2010, and was awarded the Glenn Gould Prize in 2011. He died on November 7, 2016.
Find the transcript for this show at onbeing.org.
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Will you leave this episode feeling uplifted, envious, curious, or something else entirely? Yes. Billy-Ray Belcourtâs poem âSubarcticaâ transports you to a vividly specific time â âthe coldest December / on record, I havenât left my motherâs / house in over a weekâ â where the primary view is of poplars in âa tiny schoolyardâ. Amid the simplicity and snow, the speaker shifts their perspective, seeing beyond their past and towards the wonder in their present and in what is to come.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Billy-Ray Belcourt is a writer from the Driftpile Cree Nation. He is the author of six books, including the Griffin Poetry Prize-winning debut This Wound Is a World. Belcourt serves as the Canada Research Chair in Queer Indigenous Cultural Production at the University of British Columbia and also edits poetry for Hazlitt.
Find the transcript for this show at onbeing.org.
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Ruth IrupĂŠ Sanabriaâs delicious and dexterous âCarneâ begins with these lines: âI've eaten pork from / pernil to chuletas to chitterlings.â And just in case you were wondering â and even if youâre not â the speaker goes on to list much more of the seafood, poultry, and animal parts that have been consumed and how they were cooked. Lest you think this poem is simply a meat-eaterâs manifesto, savor its final turn towards what else the speaker is really hungry for.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Ruth IrupĂŠ Sanabriaâs first collection of poetry, The Strange House Testifies, was published by Bilingual Review Press. Her second collection, Beasts Behave in Foreign Land, received the Letras Latinas/Red Hen Press Prize. She is a Dodge Poet, a CantoMundo Fellow, and holds an MFA in poetry from NYU. She works as a high school English teacher in New Jersey.
Find the transcript for this show at onbeing.org.
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Loving in the face of violence, danger, and distress is an act of defiance, as demonstrated in Lena Khalaf Tuffahaâs achingly beautiful poem âDukkaâ. The Palestinian American writer spotlights seven aspects of love in action â between father and newborn, for example, a journalist and her audience, a pair of intimates dining out. She shows us the âmillion ways to loveâ flowing through her community and cascading through generations, centuries, millennia, as inexorable and constant as the ocean and as bright and surprising as a rare meteor shower.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Lena Khalaf Tuffaha is a poet, essayist, and translator. She is author of three books of poetry: Something About Living (The University of Akron Press, 2024), winner of the 2024 National Book Award for Poetry and the 2022 Akron Poetry Prize; Kaan & Her Sisters (Trio House Press), finalist for the 2024 CLMP Firecracker Award and honorable mention for the 2024 Arab American Book Award; and Water & Salt (Red Hen Press), winner of the 2018 Washington State Book Award and honorable mention of the 2018 Arab American Book Award. She is also the author of two chapbooks: Arab in Newsland, winner of the 2016 Two Sylvias Press Chapbook Prize, and Letters from the Interior, finalist for the 2020 Jean Pedrick Chapbook Prize.
Find the transcript for this show at onbeing.org.
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Rachel Mannâs â#TDORâ manages to turn a depiction of one side of a conversation about marking Trans Day of Remembrance into a poem that is both empathic and uncompromising. Mann captures the verbal stammers and stumbles of the well-meaning but leaves us to reckon whether the words land as mirror, mockery, or cry for action.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Rachel Mann is a priest, writer, and broadcaster. She is the author of 13 books, including her debut poetry collection, A Kingdom of Love, and the acclaimed nonfiction, Fierce Imaginings: The Great War, Ritual, Memory, and God. She is a Visiting Teaching Fellow at Manchester Writing School and broadcasts regularly, including as a contributor to Thought For The Day.
Find the transcript for this show at onbeing.org.
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Sanah Ahsanâs evocative âRamadanâs Greetingâ brings us into the thoughts and experiences of a person observing the holiest month in Islam. In nine brief couplets, the poet deftly directs our attention towards some of the rich contrasts that emerge at this time â between light and dark, desire and abstinence, self and community â as well as the abiding satisfactions and joys.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Sanah Ahsan is a poet, liberation psychologist, and educator. Sanahâs work plays in the wild terrain of woundedness, the sacred landscapes of falling apart, centering compassion and embracing each other's madness. Their work draws on therapeutics, psychospirituality, embodiment, and poetics as life-affirming practices. Some of Sanahâs media work includes writing for The Guardian, delivering a TEDx Talk, and presenting a Channel 4 documentary on the overmedicalization of peopleâs distress. Sanah is working on a nonfiction book about the politics of distress, and societyâs relationship with unruly emotions. As a poet, Sanah won the Out-Spoken Poetry Performance Prize and has been shortlisted for the Queen Mary Wasafiri New Writing Prize, The White Review Poetry Prize, and Bridport Poetry Prize. Sanahâs debut poetry collection, I cannot be good until you say it, is a meditation on Islam, queerness, and goodness. It was shortlisted for The Forward Prize for Best First Collection and Polari Prize, and selected as one of The Guardianâs Best Poetry Books.
Find the transcript for this show at onbeing.org.
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âO come, in any way you wantâ is the first line in Kevin Hartâs marvelous, mystical âPrayerâ. So come to this poem â whether for its deliciously sensual language (âbouts of rainâ, âwind that wrapsâ, âraw and ragged smells / [o]f gumleavesâ, and more), its air of mystery, or its unabashed aching for a âyouâ â and then linger for a while. Stay with it, or let it stay with you, and see what emerges.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Kevin Hart's most recent collections of poetry are Firefly (Pitt St. Poetry, 2026) and Carnets (Cascade, 2025). Other collections include Wild Track: New and Selected Poems (Notre Dame UP, 2015) and Barefoot (Notre Dame UP, 2018). A collection of new selected poems, 101 Poems, is forthcoming from Pitt St. Poetry. He teaches at Duke University in Durham, NC.
Find the transcript for this show at onbeing.org.
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Too many of us left high school thinking that a poem could be taken seriously only if it was difficult to understand, subdued in its use of rhyme and alliteration, and addressed lofty topics. Harryette Mullenâs saucy, suggestive âLVTOFUâ bulldozes through convention, all the while revelling in its own rhythms, references, and humor.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Harryette Mullen is the author of eight books of poetry, including Urban Tumbleweed, Recyclopedia, and Sleeping with the Dictionary, which was a finalist for the National Book Award, the National Book Critics Circle Award, and the Los Angeles Times Book Prize. She is Professor of English and African American Studies at the University of California-Los Angeles.
Find the transcript for this show at onbeing.org.
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What is there to say or do when the life of a loved one has been upended and devastated? Stewart Hendersonâs poem âHow To Speak Love In A Storm?â offers a tender masterclass in how you can accompany someone â or even just yourself â through a time of tumult and pain.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Stewart Henderson is a Liverpool-born, best-selling poet, song lyricist, and award-winning broadcaster. He has published over a dozen poetry collections, including A Poetâs Notebook: with new poems, obviously (2018), Urban Angel (2000), and Assembled in Britain (1986). Henderson has also authored three volumes of poetry for children, with poems from those books included on the UK National Education Curriculum. He hosted the program Questions, Questions on BBC Radio 4 for eight years.
Find the transcript for this show at onbeing.org.
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Dante Micheauxâs rich and rollicking poem âTheologies for Korahâ is written on the occasion of an infantâs baptism, but itâs anything but baby talk or bland instruction. Religious figures, rites, and symbols are proffered, not as liturgy or lore to be swallowed whole, eyes shut, but as people, stories, and ideas that cry out to be seen, played with, and engaged with.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Dante Micheaux is the author of Circus, which won the Four Quartets Prize from the Poetry Society of America and the T. S. Eliot Foundation, and Amorous Shepherd. His poems and translations have appeared in African American Review, The American Poetry Review, Callaloo, Literary Imagination, PoemÂ-A-Day, Poetry, and Tongue, among other journals and anthologies. Micheauxâs other honors include the Oscar Wilde Award, an Amy Clampitt Residency, the Ambit Prize, and a fellowship from The New York Times Foundation. He is a Fellow and Artistic Director at Cave Canem Foundation. Micheauxâs most recent work is the libretto, Sky in a Small Cage.
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âHow could there be a war in this city?â is the plaintive question that starts Oksana Makysymchukâs âArguments for Peaceâ. Like ours, the world of her poem holds both the âgoodness of the universeâ and âa foreign leader / warning of invasionâ. She offers no pat answers for what to do in the face of conflict â just a dizzying sense of disbelief and the deep desire to hold tight to the people and life around us.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Oksana Maksymchuk is a bilingual Ukrainian American poet, scholar, and translator. She is the author of poetry collections Xenia and Lovy in Ukrainian. She coedited Words for War: New Poems from Ukraine, an anthology of contemporary poetry and has published a few single-author volumes of translations. Born and raised in Lviv, Ukraine, she has also lived in Chicago, Philadelphia, Budapest, Berlin, Warsaw, and Fayetteville, Arkansas. She currently teaches at the University of Chicago.
Find the transcript for this show at onbeing.org.
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In Armen Davoudianâs casually intimate poem âComing Out of the Showerâ, mother and son perform their morning routines in the small, shared space of their householdâs only bathroom. She chats and puts on her makeup, while he showers and uses her shampoo and robe â oh what rhythm, affection, and ease are to be seen in this dance they both know so well.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Armen Davoudian has an MFA from Johns Hopkins University, and is currently a PhD candidate in English at Stanford University. His poems and translations from Persian appear in Poetry Magazine, the Hopkins Review, the Yale Review, and elsewhere. His chapbook, Swan Song, won the Frost Place Competition. Armen grew up in Isfahan, Iran, and currently lives in California.
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Some religions and some people have very specific ideas about âgraceâ, and that includes poet Orlando Ricardo Menes. In the carefully constructed âGraceâ, he manages to both demystify and remystify what grace is, leaving us with the possibility that at any moment or no moment it could pour down and quench us all. Intrigued? Confused? Give this episode a listen.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Orlando Ricardo Menes teaches in the Creative Writing Program at the University of Notre Dame, where he is a professor of English. He is also the author of several other works of poetry, including Memoria, Fetish, and Heresies. He lives in South Bend, Indiana.
Find the transcript for this show at onbeing.org.
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In fewer than two dozen lines, Cyrus Cassellsâs poem âJasmineâ offers readers a multisensory, cinematic immersion into late spring life in Rome. Not only is the âsweet, steady broadcastâ of jasmine ever-present amid âthe joyous braiding of sun and rainâ, but thereâs also Daria, a âcrone-gloriousâ neighbor, with a story about her romance with the gallant Galliano. Itâs la dolce vita, without overindulgence or artifice.
We invite you to subscribe to PĂĄdraigâs weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Cyrus Cassells, former poet laureate of Texas, is the author of 11 books of poetry, including Is There Room for Another Horse on Your Horse Ranch? (2024), The World That the Shooter Left Us (2022), and More Than Watchmen at Daybreak (2020). Cassellsâs honors include the 2025 Jackson Poetry Prize from Poets & Writers, a Guggenheim fellowship, a Lambda Literary Award, a Lannan Literary Award, an NAACP Image Award nomination, a National Poetry Series selection, two NEA grants, two Pushcart Prizes, and the Poetry Society of Americaâs William Carlos Williams Award. He is a Regentsâ and University Distinguished Professor of English at Texas State University.
Find the transcript for this show at onbeing.org.
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