Afleveringen
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This week on Rough Cut weâre joined by animators and filmmakers Lizzy Hogenson and Zach Dorn, who, with host Sean David Christensen, delve into how animation lends itself to emotional intensity in nonfiction stories.
All three filmmakers use a myriad of artistic mediums in their films. For Lizzy itâs needle-felting and claymation, among other mediums. For Zach itâs puppets and illustrations, and for Sean itâs miniature sets and other unique storytelling techniques. Sean talks with Lizzy and Zach about their creative processes and how these mediums and techniques evoke emotional intimacy for the viewer.
Show Links
Sean David Christensen: https://videoconsortium.org/members/seandchristensen
Zach Dorn: https://zachdorn.com
Lizzy Hogenson: www.lizzyhogenson.com
Lizzyâs film âDaniâ: https://www.youtube.com/watch?v=GWH8iDhkwbs
Credits
Host Sean David Christensen
Guests Lizzy Hogenson and Zach Dorn
Executive Produced by Sky Dylan-Robbins and Kat Vecchio
Produced by Monica Gokey
Music by Zack Wright
Click here to join or support the Video Consortium -
Quincy Ledbetter and Mito Habe-Evans met on NPRâs video desk, when Mito hired Quincy after a refreshingly casual and candid interview. On this episode of Rough Cut, Quincy, an independent filmmaker and artist, and Mito, a Creative Director and Supervising Video Producer at NPR, talk about what it takes to build a creative team and foster a positive work culture. We dive into the âvibe check,â how the punk scene shaped Mitoâs creative outlook, and other ways Mito thinks about creating teams and connecting with collaborators.
Show LinksQuincy Ledbetter: https://videoconsortium.org/members/qledbetter
Mito Habe-Evans: https://videoconsortium.org/members/mito-habe-evans
NPR Video: https://www.npr.org/series/718730324/video
CreditsHost Quincy Ledbetter
Guests Mito Habe-Evans
Executive Produced by Sky Dylan-Robbins and Kat Vecchio
Produced by Monica Gokey
Music by Zack Wright
Click here to join or support the Video Consortium -
Zijn er afleveringen die ontbreken?
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In this episode of Rough Cut, we dive into the story of Joss Fong and Adam Cole, two journalists and former Vox production desk partners. After working together for years, they embarked on the exciting journey of jumpstarting their own YouTube channel, âHowtown,â where they explore the question: How do we know what we know?
Join us as their former colleague, Vox Video co-founder, and long-time VC member Joe Posner checks in with Joss and Adam just four months after their launch. Theyâll share their journey, from figuring out how to get discovered with a new channel, building a loyal audience, and the art of finding a niche the video world (and whole world) is missing.
Show Links
Joe Posner: https://videoconsortium.org/members/joe-posner
Adam Cole: https://videoconsortium.org/members/adam-mathias-cole
Joss Fong: https://videoconsortium.org/members/jocelyn-fong
Howtown: https://www.youtube.com/@Howtown
âA Campaign Mao, Morphed By Moneyâ by Adam Cole: https://www.npr.org/sections/itsallpolitics/2012/11/01/163632378/a-campaign-map-morphed-by-money
Howtown short - âNoah Lyles won the 100m by point zero zero five secondsâ: https://www.youtube.com/shorts/7SkiLnZJO-E
Credits
Host Joe Posner
Guests Joss Fong and Adam Cole
Executive Produced by Sky Dylan-Robbins and Kat Vecchio
Produced by Monica Gokey
Music by Zack WrightClick here to join or support the Video Consortium (https://videoconsortium.org)
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In this monthâs episode of Rough Cut Podcast, filmmaker and curator Stephanie Owens talks with Oscar-winning director Ben Proudfoot about the art of short documentary. Growing up in Nova Scotia, Ben was a young magician with a youth championship win, but after a trip to Los Angelis his goals changed, setting him on a new path.
Stephanie and Ben start at the beginning and this conversation is an engaging journey through Benâs unique career path from magician to celebrated filmmaker. Now the founder and CEO of Breakwater Studios, Ben leads a team of artists who make both brand-funded and independent short documentaries. Together, theyâre redefining and championing the short documentary as its own unique storytelling format.
A fun and engaging episode for anyone who loves short documentaries, and for those who follow their curiosity and embrace the twists and turns of creative work!
Watch the interview: https://youtube.com/@videoconsortiumShow Links
Breakwater Studios
https://breakwaterstudios.com/The Last Repair Shop, Directed by Ben Proudfoot and Kris Bowers
https://breakwaterstudios.com/film/the-last-repair-shop/Stephanie Owens
https://www.sowenstapes.com/
Credits
Host Stephanie Owens
Guest Ben Proudfoot
Executive Produced by Sky Dylan-Robbins and Kat Vecchio
Produced by Monica Gokey
Music by Zack Wright
Click here to join or support the Video Consortium -
In this episode of Rough Cut, filmmakers and longtime collaborators Scott Faris and Meg Griffiths talk about what it means to make work with a purpose and why they chose to create their production company, Universe Creative.
Scott interviews Meg about her journey from photojournalist to filmmaker, working with non-profit clients, and their first feature documentary, Impossible Town. They also discuss how their companyâs core values trickle down into everything they do and the importance of having a clear vision and process for their work.
This is a canât miss episode for producers and anyone thinking about creating their own company.
Be sure to subscribe and leave a rating or a comment to help this podcast reach more filmmakers around the globe!
Watch the interview: https://youtube.com/@videoconsortiumShow Links
Impossible Town, Directed by Meg Griffiths and Scott Faris
https://www.impossibletown.com/
Universe Creative
https://universecreative.org/
Credits
Host Scott Faris
Guest Meg Griffiths
Executive Produced by Sky Dylan-Robbins and Kat Vecchio
Produced by Monica Gokey
Music by Zack Wright
Click here to join or support the Video Consortium
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Rough Cut Podcast is back! Did you miss us? After a brief hiatus, Rough Cut returns in a new, community-driven format, with alternating Video Consortium members hosting each episode.
For our first episode back, join longtime friends, filmmakers, and photojournalists Ed Ou and Amanda Mustard as they reunite in this eye-opening episode about the transition from photo to video, the enduring principles of journalism ethics, and the challenges of sustaining a career in high-risk journalism. Amanda also discusses the release of her first feature-length documentary Great Photo, Lovely Life, a poignant HBO film about her journey to confront familial trauma.
Wherever you are in your career, this candid conversation about Ed and Amanda's professional evolution and the profound impact of storytelling through film is a must-listen.
Be sure to subscribe and leave a rating or a comment to help this podcast reach more filmmakers around the globe!
Watch the interview: https://youtube.com/@videoconsortium
Please note: This episode contains brief conversations about SA and family trauma.
Show Links
Great Photo, Lovely Life, Directed by Amanda Mustard and Rachel Beth Anderson
Credits
Host Ed Ou
Guest Amanda Mustard
Executive Produced by Sky Dylan-Robbins and Kat Vecchio
Produced by Monica Gokey
Music by Zack Wright
Click here to join or support the Video Consortium!
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The documentary industry has seen huge changes in the last decade. So where does the industry stand today? What are some of the greatest challenges documentary filmmakers face? And what kind of work do industry gatekeepers want to support?
Our guest, Sara Archambault, is leading a new initiative at Harvard Universityâs Shorenstein Center that is trying to answer these questions. The program, âDocumentary in the Public Interestâ, surveys scholars, filmmakers, journalists, and industry leaders to find out the most prominent trends in the doc industry and the biggest challenges filmmakers face.
Sara Archambault has been a documentary producer and programmer for more than a decade. She was Program Director at LEF Foundation for 10 years, and was the Founder/Programmer of The DocYard.
Note that is the last episode with Rough Cut's Creator and Host Jennie Butler. If you'd like to get in touch, she can be reached at [email protected]
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Caley Fox Shannon on Instagram
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
Aisha Jamal is a filmmaker, programmer and college professor. She is Canadian film programmer at Hot Docs Documentary Festival and previously worked for TIFF and Syria Film Festival Toronto, among others.
In this episode, Aisha talks about her path to programming, how her work as a filmmaker and film teacher informs her programming, and how programming decisions at Hot Docs are made.
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Amy DiGiacomo on Instagram and Twitter
Producer Caley Fox Shannon on Instagram
Producer Abhishyant Kidangoor
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
When filmmaker Amanda Kim discovered the artist Nam June Paik, she knew she wanted to make a documentary about him. Five years later, Amanda's debut film Nam June Paik: Moon is the Oldest TV premiered at the Sundance Film Festival.
Amanda came on the pod to talk about what she learned as a first time filmmaker â from bringing on producers, to fundraising, to navigating the edit.
Moon is the Oldest TV is currently screening at Film Forum in NYC.
Find Amanda Kim on Instagram.
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Amy DiGiacomo on Instagram and Twitter
Producer Caley Fox Shannon on Instagram
Producer Abhishyant Kidangoor
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
The Oscar-nominated documentary All That Breathes has a distinct visual style: long, beautiful, perfectly-constructed shots akin to narrative films. How can one stay true to this style in the unpredictable, often chaotic environments that define documentary filmmaking?
Director Shaunak Sen came on the pod to discuss his film's visual style, how he was able to capture so many unique, organic moments, and his approach to the edit.
You can watch All That Breathes now on HBO MAX.
Find Saunak on Instagram
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Amy DiGiacomo on Instagram and Twitter
Producer Caley Fox Shannon on Instagram
Producer Abhishyant Kidangoor
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
In this episode, we sit down with director, producer, and cinematographer Rita Baghdadi, who's latest film Sirens premiered at the 2022 Sundance Film Festival and went on to win the Grand Jury Prize at Outfest.
Rita talks about how she transitioned from competitive horse jumping to documentary filmmaking, her process in making the film Sirens, how she was able to bring Maya Rudolph and Natasha Lyonne on as Executive Producers, her collaboration with the composer Para One, how she was able to juggle verité shooting and directing, and more.
Find Rita on Instagram
Check out the film Sirens on Instagram and sirensdocumentary.com
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Amy DiGiacomo on Instagram and Twitter
Producer Caley Fox Shannon on Instagram
Producer Abhishyant Kidangoor
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
Indian filmmakers Rintu Thomas and Sushmit Ghosh were pleasantly surprised when their independent feature doc Writing with Fire swept up awards, including at Sundance, and became the first Indian feature doc to ever be nominated for an Oscar.
But they were shocked when the film's subjects, after traveling with and celebrating the film for 14-months, suddenly pulled back from the project, releasing a statement saying that the film oversimplifies their work.
In this episode, Rintu and Sushmit talk about how they maintain the delicate balance between filmmaker and participant, as well as the stakes and challenges of storytelling in a dynamically evolving and complex democracy.
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Amy DiGiacomo on Instagram and Twitter
Producer Caley Fox Shannon on Instagram
Producer Abhishyant Kidangoor
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
What Do Filmmakers Owe Their Subjects?
Souki Mehdaoui is a documentary filmmaker, DP, and subject coordinator. Her cinematography can be seen on Netflix, HBO, New York Times, and the Sundance-premiering documentaries The Great Hack and Mucho Mucho Amor.
Souki was a subject in the HBO doc series The Vow, and she brought her experiences as a documentary participant into her work as a subject coordinator for the Showtime documentary Cusp.
In this episode, Souki talks about what sheâs learned from being on both sides of the camera and how filmmakers can create a transparent and ethical relationship with their filmâs participants.
Follow Souki on instagram and check out her work here.
Rough Cut on Instagram
Video Consortium on Instagram
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Amy DiGiacomo on Instagram and Twitter
Producer Caley Fox Shannon on Instagram
Producer Abhishyant Kidangoor
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
It's a scenario most documentary filmmakers dread: someone else is covering the same story. Dueling documentaries are becoming more common, but is competition always bad for filmmakers?
Director Jenner Furst came on the pod to talk about this phenomenon, which he's experienced several times throughout his career. Jenner and his filmmaking partner Julia Willoughby Nason and Michael Gasparro directed Hulu's Fyre Fraud, which came out days before Netflix's FYRE, as well as LulaRich, released just prior to another film on the same subject, The Rise and Fall of LuLaRoe.
Jenner talks about how he approached these stories knowing there was a competing doc in progress, how he was able to gain access to some of the films' more controversial participants, and his advice for pitching to streamers.
Rough Cut on Instagram
Video Consortium on Instagram
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Amy DiGiacomo on Instagram and Twitter
Producer Caley Fox Shannon on Instagram
Producer Abhishyant Kidangoor
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
A documentary filmmaker's relationship with their film's participants, or "subjects", is one of the most important but challenging parts of making a film. The director might have to consider: What are the boundaries of my relationship with the subject? Should the subjects be paid? What effects will my film have on the subjects' lives?
These questions are at the heart of the new documentary, SUBJECT, from directors Jennifer Tiexiera and Camilla Hall. The film examines the ethics of documentary filmmaking through interviews with industry gatekeepers, as well as subjects of some of the most notable documentaries like Hoop Dreams, Capturing the Friedmans, The Square, and The Staircase.
On this episode, Jennifer and Camilla talk about the experiences that inspired them to make SUBJECT, and how filmmakers can apply the film's themes to their own work.
To learn more about SUBJECT visit https://www.subject.film/
Rough Cut on Instagram
Video Consortium on Instagram
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Amy DiGiacomo on Instagram and Twitter
Producer Caley Fox Shannon
Producer Abhishyant Kidangoor
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
This episode is all about music in filmâchoosing the right tracks, licensing music, music supervision, and more.
We sat down with all star Music Supervisor Justin Feldman, whose credits include The Last Dance, Silicon Valley, Biggie: I Got a Story to Tell, and Untrapped: The Story of Lil Baby. Justin rose through the ranks at Hit The Ground Running, an LA-based, full-service music supervision company, and shares his deep knowledge on music in film.
To learn more about Hit The Ground Running, visit htgr.net
Get in touch with Justin Feldman at [email protected] or on Twitter @JT_Feldman
Rough Cut on Instagram
Video Consortium on Instagram
Host Jennie Butler on Instagram
Executive Producer Sky Dylan-Robbins
Producer Amy DiGiacomo on Instagram and Twitter
Producer Caley Fox Shannon
Producer Abhishyant Kidangoor
Editor Audrey Horowitz on Instagram
Got an idea for an episode? Email [email protected]
Click here to support the Video Consortium -
You've finished a film. Now how do you get it programmed at your preferred festival?
Samah Ali is a film festival strategist, meaning she works with documentary directors and producers to achieve their film festival goals. Samah is also a distributor and film programmer at Academy Award-qualifying festivals like Hot Docs, DOC NYC, Hot Springs Documentary Film Festival.
In this episode, Samah discusses how to think about premiere status, submission vs solicitation-based film festivals, and what a strategist like herself can bring to the table.
Check out Samah's blog: https://stratali.net/
Samah Ali on Twitter
Rough Cut on Instagram
Jennie Butler on Instagram
Sky Dylan-Robbins on Instagram
Video Consortium on Instagram
Click here to support the Video Consortium
*Special thanks to Amy DiGiacomo for helping us produce this episode* -
Jon Gerberg is an award-winning video journalist on the national and investigative beats. He joined The Washington Post in 2017 and was previously a foreign affairs producer at the âPBS NewsHour.â He has reported overseas for the New York Times, TIME, Associated Press and others. Countries heâs covered include Syria, Iraq, Afghanistan, Israel and the Palestinian territories, Egypt, Venezuela, Brazil, Mexico, as well as across Europe and throughout the United States.
In this episode, Jon and Jennie talk about how to stay focused on the craft in a chaotic environment, how Jon choses what stories to pursue, and how to get into a workflow while on the go.
Jon Gerberg on Instagram and Twitter
Rough Cut on Instagram
Jennie Butler on Instagram
Sky Dylan-Robbins on Instagram
Video Consortium on Instagram
Click here to support the Video Consortium -
*Republishing an old favorite*
Chloe Gbai is the director of If/Then, a Tribeca Film Institute initiative that gives grants and provides mentorship to filmmakers creating short documentaries. She was previously a programmer at PBS POV Shorts.In this episode, Chloe gives advice on how to put together a strong grant application, and shares her insight on what makes a good shot doc. She is based in NYC.
Mentioned in the episode:
The Balloonfest That Went Horribly Wrong
For more info visit https://www.roughcutpodcast.com/
Find Chloe on Instagram
Find Rough Cut on Instagram
Find Host Jennie Butler on Instagram
Find Producer Sky Dylan-Robbins on Instagram
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Poh Si Teng is a documentary filmmaker and the Funds and Enterprise Program Director at IDA, one of the largest documentary grant funders. Before IDA, Poh worked as an independent filmmaker in India, a staff reporter at the New York Times, and as the documentary commissioner and senior producer for Al Jazeera Englishâs flagship strand Witness. She also commissioned and produced the Academy Award-nominated St. Louis Superman.
In this episode, Poh gives advice on what makes a strong grant application, what documentary filmmakers should think about when they're starting a new project, and how her experiences as a filmmaker and journalist inform her work at IDA.
Rough Cut on Instagram
Jennie Butler on Instagram
Sky Dylan-Robbins on Instagram
Video Consortium on Instagram
Click here to support the Video Consortium - Laat meer zien
