Afleveringen
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In the 1930s the style known as "jazz manouche" took over France and soon spread around the world, led by musicians like the legendary guitarist Django Reinhardt and the violinist Stephane Grappelli. That hot swinging style, a combination of American jazz elements and more traditional Romani music, has endured for almost a century. Over the past four decades that has been in part because of Dorado Schmitt, the French musician who plays both the violin and the guitar. In what is now a family affair, Schmitt leads the band on violin, joined by his sons Amati and Samson Schmitt on guitar, cousins on upright bass, and rhythm guitar, and Ludovic Beier on accordion, all of whom trade fiery solos, in-studio.
Set list: 1. Miro Django 2. Piazza Italia 3. El Dorado 4. The Light of God
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The Australian-born, California-based singer/songwriter and producer RY X seems to have multiple careers: writing intimate, diaphanous folk/pop songs that offer connection and vulnerability; collaborating as a producer, singer, or DJ with some of the biggest names in electronic dance and pop, like Drake, Diplo, and the band Odesza; and performing with orchestras, including the LA Phil, and the London Philharmonic. RY X spent the pandemic time looking inward and listening to nature. He walks on the quiet wild side, with regular collaborator Gene Evaro Jr., playing recent songs, in-studio.
Set list: 1. Only 2. You 3. Howling
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Zijn er afleveringen die ontbreken?
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Philadelphia-based garage band Low Cut Connie is led by pianist, and songwriter Adam Weiner, who has been sexing up piano-based party rockenroll for quite some time. Along the way, critics anointed them with either or both the words “scuzz(ball)” and “sleaze”, later amplified by a Nashville local paper, who called them “Sultans of Sleaze” in a cover story. Their latest full-length, Art Dealers, celebrates hard at the intersection of sleazy and soulful, and “is all kink and no shame,” says Weiner in the press release. It sees the singer and pianist looking back at his early days in New York, -and to the gritty New York of Lou Reed and Patti Smith- with reckless abandon. Low Cut Connie lets loose with some of their wild, passionate rockenroll, in-studio.
Set list: 1. Sleaze Me On 2. Are You Gonna Run? 3. Whips and Chains
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Danielia Cotton is a singer, guitarist, cancer survivor and marathon runner. The sounds of classic country and soul are at the heart of Cotton’s music, although her last couple of releases have seen her incorporating everything from indie rock to blues to rap as well. Her latest EP is Charley’s Pride: A Tribute to Black Country Music, and it brings Danielia Cotton and her band to play new songs in-studio.
Set list: 1. Good Day 2. Bring Out The Country in Me 3. Follow Me
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English singer, songwriter, and producer Nick Lowe came out of the so-called pub rock scene in the UK in the 70s, and made his mark as a producer (Elvis Costello, Graham Parker, The Pretenders, The Damned), had a "short-lived career as a pop star, and a lengthy term as a musicians’ musician", (Bandcamp.) But in his current ‘second act’ as a silver-haired, tender-hearted but sharp-tongued singer-songwriter, he’s released a new set of songs full of more "cool tunes" and rockabilly-inspired guitar playing on a record called, Indoor Safari. Nick Lowe plays a solo set, in-studio.
Set list: 1. Love Starvation 2. Different Kind of Blue 3. Cruel to Be Kind
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Brazilian pianist and composer Amaro Freitas is from the city of Recife, on the northeastern edge of Brazil, a city rooted in African culture. But his latest album, Y’Y, looks in a different direction. The title, spelled Y’Y, is an indigenous Amazonian word for river, and the album is celebration of nature in its musical journey down the Amazon - the water, the rainforest, the Indigenous people of the region, and the exotic wildlife. There’s also perhaps a warning that our connection to nature is more important than we may think. Freitas found that the usual piano sounds weren’t always enough, and enhances his sonic palette by preparing the piano and playing the insides for his visionary and futuristic decolonized Brazilian jazz. For example, in his piece, “Uiara,” an Indigenous name for the pink river dolphins of the Amazon, Freitas uses an electric magnet to bow some strings inside the instrument, and uses adhesive tape to give other strings a more earthy sound. Elsewhere, there are plucked strings and an echo-laden rattle as his polyrhythms shake the body of the piano - “it’s as though my left hand is Africa and my right hand is Europe,” he recently told The New York Times.
“Trying to rescue things that came before coloniality," he notes, is a theme that has been woven into Freitas's work for years, (National Sawdust). While his connection to the earth and the ancestors is an undercurrent on the record Y'Y, there is also a strong connection to and showcasing of the global Black avant-jazz community, as he recorded with woodwind and flute virtuoso Shabaka Hutchings (London), harpist Brandee Younger (New York), bassist Aniel Someillan (of Cuban descent), along with guitarist Jeff Parker and drummer Hamid Drake (Chicago). For this live set in the studio, Amaro has prepared our piano and performs some of these works live. - Caryn Havlik
Set list: 1. Uiara/Viva Naná 2. Angico 3. Dança dos Martelos
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The story of Fantastic Negrito is one of those stranger-than-fiction tales – born Xavier Dphrepaulezz and raised in a strict Muslim home, he had an aborted career as an R&B star under the name Xavier, a near-fatal car accident, a seven year break from music, and then came roaring back with what he called “Black roots music for Everyone.” As Fantastic Negrito, he won the first NPR Tiny Desk Concert and then three Grammys for his stomping, blues-rockin’ albums. But the story has taken another unexpected twist, and that has led to Fantastic Negrito’s new album, Son Of A Broken Man.
During the quarantine part of the pandemic, Fantastic Negrito dug into his family’s past on one of the ancestry sites. He’d found that he was the son of a “yarn-spinning” father who claimed roots in East Africa, but whose lineage actually went back several generations to a tobacco plantation in Virginia. Between the large number of siblings and the “punk rock story” of mixed marriage in his family, he uncovered a lot of inconsistencies with the stories of the past, and a whole lot of loving. Fantastic Negrito “hides behind the flashy jacket” and turns his trauma into art, playing some of his blues-stomp-and-roll music for everyone, in-studio. - Caryn Havlik
Set list: 1. Devil In My Pocket 2. Crooked Road 3. I Hope Somebody's Loving You 4. Son of a Broken Man
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Hermanos Gutierrez is a band formed of the brothers Alejandro and Estevan Gutiérrez, based in Switzerland, who make instrumental music that looks to mid-century Mexican popular song, draws on the sounds of 60s surf guitar and the nocturnal landscapes of ambient music. Their 2022 album, El Bueno Y El Malo (The Good & The Bad) was definitely a nod to the Ennio Morricone soundtracks for those old spaghetti westerns, like The Good The Bad & The Ugly . Their 2024 release Sonido Cósmico looks to the desert for their spacious and spiritual fingerpicking, with one of the tracks specifically taking its inspiration from the Wim Wenders film, Paris, Texas. They play songs from their latest, Sonido Cósmico, in a special event, recorded at the GRAMMY Museum’s “A New York Evening With" at National Sawdust this past fall. - Caryn Havlik
Set list: 1. Sonido Cósmico 2. Low Sun, 3. Until We Meet Again 4. Cumbia Lunar
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The Cristal Baschet is a very rare and delicate otherworldly-sounding glass organ comprised of 56 chromatically-tuned glass rods. Only a handful of musicians on this planet play the instrument professionally; one of them is Loup Barrow, a French musician and composer. Barrow has been a committed instrumentalist since first taking violin lessons at age 5; he’s also focused on drums, Moroccan percussion, steel pan, and the glass harp. He features the Cristal Baschet, with piano and orchestra, on a striking album called Immineo, which might bring to mind Arvo Pärt or the 11th-century German composer, mystic, and abbess Hildegard Von Bingen. Recently, Loup Barrow spent a few hours here in our studio assembling this sound sculpture to play it, in-studio. - Caryn Havlik
Set list: 1. Northern Lights 2. Passio
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Scottish composer Erland Cooper writes ambient classical works that celebrate nature and create a strong sense of place. These days there are lots of musicians doing that sort of thing, but Cooper has gone all-in. His piece Carve The Runes and Be Content With Silence was composed and recorded in 2021, and then the only copy of the master tape was buried in the Scottish soil, to be recomposed, Cooper says, by the earth itself. There followed a kind of treasure hunt with Cooper leaving clues every solstice or equinox until a year and a half later the tape was discovered - and there’s a lot more to the story. Erland Cooper and his ensemble play excerpts from Carve The Runes And Be Content With Silence, in-studio.
Set list: 1. With Silence Mvt 3, part 2 2. Music For Growing Flowers (radio edit) 3. Shalder
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The trio Heavy MakeUp uses voice, synths, drum machines, and brass to improvise songs on the spot. Together, the band is singer and songwriter Edie Brickell and brass & electronic musicians CJ Camerieri and Trever Hagen, who have created music as side-people, songwriters, and producers. They bring all of those skills to bear and play, creating songs as a collective, somehow "beautifully constructing metaphorical stories with concrete sections", in the moment, (Camerieri, in a Relix interview). They freely and enthusiastically make up new songs, and play music from their album Here It Comes, in-studio. - Caryn Havlik
Set list: 1. Here It Comes 2. So Emotional 3. 160 Varick 4. Song for John 5. Stay and Play
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The Norwegian sextet Kaizers Orchestra combines rock, opera, Balkan music, and a kind of punk cabaret with character studies and heavy drinking to great effect. Many of their albums, and videos, are chapters in a Faust-like story, and though they sing in their local western dialect of Norwegian, somehow the sense of an unsettling narrative comes through. In 2013, they played at the Met Museum in what was billed as their first – and last- American performance. But this theatrical, indefinable band, are touring their live show in the US and they brought their car parts, concert trash barrels, pump organ, and hip flasks to play live in The Greene Space.
Set list: 1. Aldri Vodka, Violeta 2. Bøn Fra Helvete 3. En For Orgelet, En For Meg
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My Brightest Diamond is the project led by singer, multi-instrumentalist, songwriter and composer Shara Nova (formerly Worden), who has continued to weave her own way through pop, experimental and classical worlds. Her latest, Fight The Real Terror, strips things down to just Shara and her guitar, and is full of the raw emotion that erupted from her upon learning about Sinéad O'Connor's passing in 2023. Shara Nova plays some of these new My Brightest Diamond songs, in-studio, and wields an autoharp besides.
Set list: 1. Fight the Real Terror 2. Safe House 3. Have You Ever Seen An Angel
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Geordie Greep was the lead singer and guitarist for the celebrated British rock band black midi. With that band on indefinite hiatus, Greep is now focused on his own songs, which range freely across the musical landscape, encompassing jazz-rock and blues, but also country and Brazilian music. Hold on tight, for there are "stop-starts, blasts and bangs, and whispered soliloquies as [the listener] is never quite sure when, or whether, [one is] supposed to be shocked; or laugh", (Rough Trade Records). Geordie Greep and his band play new music from his debut solo album called The New Sound, in-studio.
Set list: 1. Holy, Holy 2. Terra 3. The New Sound
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Lollise is a musician, fashion designer, and visual artist from Botswana in southern Africa, now based here in New York. After many years of recording and touring with Underground System and the FELA! band, Lollise steps forward with her own bold Afro-futurist pop, rich with layers of kinetic, danceable percussion and gentle waves of ambient noise. Drawing on Setswana folk song, the sounds of nature, and infectious dance beats, she plays some of the hybrid songs from her debut LP, I Hit The Water, in-studio.
Set list: 1. Semang Mang 2. eDube 3. Mme Mma Ndi
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The Heavy Heavy is a band out of Brighton, England – but they sound like a band that’s been time-shifted straight out of 1975. Led by lifelong musicians Will Turner and Georgie Fuller, they breathe an incandescent new energy into sounds from decades ago, "transcending eras with a hypnotic ease" (Bandcamp.) Their sound might be a sweet and starry-eyed collision of psychedelia and blues, acid rock and sunshine pop all at once. The Heavy Heavy play in-studio.
Set list: 1. One of a Kind 2. Lovestruck 3. Happiness
One Of A Kind by The Heavy Heavy
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Moira Smiley refers to herself as a song collector; she's also a singer, multi-instrumentalist (banjo, accordion, piano, and hand & body percussion), and songwriter. Smiley has sung in arenas, cathedrals, kitchens, back porches, sound stages, and on glaciers with the likes of Ladysmith Black Mambazo, Tune-Yards, Tim O’Brien, Eric Whitacre, Los Angeles Master Chorale, New World Symphony and Solas. But she’s spent a good portion of her career collecting, arranging and performing traditional songs from Appalachia, The Balkans, The Republic of Georgia, Wales, and more. Her latest album is called The Rhizome Project, and features a string quartet along with many guests. Moira Smiley and a string quartet [Sara Caswell (violin), Dana Lyn (violin), Josh Henderson (viola), Jody Redhage-Ferber (cello)] perform in-studio.
Set list: 1. Go Dig My Grave 2. Mourning Dove 3.Now Is The Cool Of The Day
The Rhizome Project by Moira Smiley
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The singer, songwriter, and multi instrumentalist Joan Wasser is "not a cop" and has been recording for the past twenty years under the name Joan As Police Woman – a saucy reference to the 1970s cop show that starred Angie Dickinson. She’s also collaborated with a huge range of musicians, from the worlds of rock, funk, folk, and experimental music. Her new album, called Lemons, Limes and Orchids, has a mostly nocturnal, understated quality while it celebrates joy and love in the face of extremely difficult times. Joan plays some stripped down versions of some of the songs, including the extraordinary title track, in-studio.
Set list: 1. Full-Time Heist 2. Lemons, Limes and Orchids 3. Remember the Voice
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Yemen Blues is a band led by Israeli singer and songwriter Ravid Kahalani. For more than a decade now, the group has incorporated the sounds of Moroccan trance, Arab and Bedouin folk, and Western funk and rock into a high energy, groove-filled dance party. But behind that sound is a social conscience, and the band’s latest album is pointedly called Only Love Remains. Yemen Blues plays in-studio.
Set list: 1. Ma'Ahla Asalam. 2. Greatest Man /Prayers 3. Allenby 4. Lfouq Lfouq
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Born in Guatemala but active in Mexico City’s bustling music scene, cellist, electronic music producer, and singer Mabe Fratti has been making music for several years that could lean toward the experimental and the avant-garde on the one hand, and what seems to be a flair for pop melodies on the other. She writes songs that encompass chamber music, electronic music, soundscapes, and hard rock, -perhaps with jazz overtones- without ever settling into any one of them. Fratti and her collaborators have such talent for risk-taking, for playfulness with sound and its manipulation, and for endless riffs - whether cello (amplified and with pedals) or vocal processors, and artfully using feedback, field recordings, and loops. Her latest album is called Sentir que no Sabes, or Feel like you don’t know. Mabe Fratti and her trio play some of these songs in-studio. - Caryn Havlik
Set list: 1. Quieras o No 2. Kravitz 3. Oidos
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