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Should You Buy or Build Soundproof Windows?
đ Book Your Free Call:https://www.soundproofyourstudio.com/Step1A Soundproof Studio Designerâs Guide to Making the Right Choice
by Wilson HarwoodWhen designing a professional studio, one question I get asked all the time is:
âShould I buy pre-made soundproof windows or build them myself?âItâs a great questionâand the answer depends on your goals, your budget, and your DIY chops. In this article, Iâll walk you through both options from the perspective of a soundproof studio designer and acoustician. Whether you're outfitting a garage, backyard studio, or basement setup, this guide will help you make an informed choice.
đ Introduction to Soundproof WindowsSoundproof windows are essential for keeping your studio quiet, controlled, and pro-level. Theyâre a key barrier between your music (or podcast, or film work) and the noisy world outside.
As someone whoâs spent years designing studiosâfrom full commercial spaces to home buildsâIâve seen the pros and cons of buying vs. building. Letâs dive into how to evaluate both.
đ Free Resource: Watch My Soundproofing WorkshopBefore we go deeper, I want to offer you something thatâll level up your studio game:
đ Free Soundproofing WorkshopIn it, I cover:
How to design soundproof studios in garages, basements, and backyard spaces
Real-world examples from clients I've worked with
My top strategies for acoustic isolation
You can sign up right hereâtotally free.
𧹠Case Study: A Nashville Studio DesignOne of my recent clients in Nashville faced this exact question: build or buy?
We ended up using both pre-made and custom-built windows in different parts of the studio. For certain areas, high-STC pre-made windows from Soundproof Windows Inc. made sense. In other sections, we needed custom builds to match the framing and layout. Flexibility was key.
đ Buy vs. Build: Whatâs Best?Hereâs the quick rule of thumb:
đ Buy if you already have existing windows and want to improve isolation fast.
đĄ Pros of Buying:
đ Build if youâre starting from scratch and want full control over size, materials, and performance.Products like those from Soundproof Windows Inc. offer STC ratings up to 64.
You can get operable soundproof windowsâa big win if you want ventilation.
Installation is fast and often easier for beginners.
đ˘ Spotlight: Soundproof Windows Inc.If you go the pre-made route, check out Soundproof Windows Inc..
Their catalog includes:
Sliding glass doors
Studio-grade windows in multiple thicknesses
Options for custom sizing
I've used their products in client studios with great results, especially when time is tight.
đ¨ Custom Windows: What You Need to KnowCustom windows can be a great choice if you:
Want to optimize every inch of your soundproofing
Need specific sizes or designs
Prefer to DIY and control costs
Key Design Tips:
Stick to straight window frames. Angled windows look cool but are tough to isolate effectively.
Always use hardwoods, not softwoods like pine. You want strength and mass.
Use thick glass in two different sizes to avoid resonant frequencies.
Apply acoustic sealant and insulate thoroughly.
Pro Tip: Make sure your interior and exterior windows are fully decoupled. Any structural connection is a sound leak waiting to happen.
đ§ Final Verdict: Should You Buy or Build?Factor Buy Pre-Made Build Custom Cost đ° Higher đ¸ Potentially Lower Speed đ Faster 𧹠Takes Time Customization đ Limited đ§ Fully Custom DIY Friendliness đ¤ Beginner Friendly đ Intermediate+
Thereâs no wrong answerâjust the right one for your situation.đŻ Want Personalized Help?If youâre still not sure whatâs best for your studio, I offer a free Soundproof Clarity Call where we can talk through your specific setup.
đ Thanks for Tuning In
Book your spot at soundproofyourstudio.com.Iâm Wilson Harwood, and I hope this helped you feel more confident about one of the most critical parts of studio design.
â Remember:
Always decouple your window assemblies.
Avoid pineâuse hardwood.
Consider both time and cost before deciding.
Happy building (or buying)!
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How to Build a Soundproof Home OfficeA Practical Guide to Focus, Peaceâand Getting Stuff Done
Letâs be honest: working from home is great⌠until it isnât. Barking dogs, leaf blowers, the neighborâs 8 a.m. drum practiceânone of these belong in your Zoom meetings or creative flow.
In todayâs remote-first world, a quiet, distraction-free space isnât just nice to have. Itâs essential.
Whether youâre running virtual meetings, recording a podcast, producing content, or just need to focus without interruptions, soundproofing your home office is one of the smartest investments you can make in your workâand your sanity.
Hereâs how to do it right, step by step, based on real-world principles I use when designing professional studios for clients around the globe.
Step 1: Design FirstâAlwaysBefore you touch a tool or buy a single panel, step back and ask:
Whereâs the noise coming from? Street traffic, upstairs neighbors, loud bass next door?
Whatâs your current wall constructionâbrick, drywall, concrete?
Do you have windows or doors facing noisy areas?
Soundproofing isnât about slapping foam on the walls. A solid plan is what separates a room thatâs âkind of quieterâ from one that truly blocks sound. Take the time to understand your space. Itâll save you headaches (and money) later.
Step 2: Build Walls That BlockThe key to stopping sound? Mass, separation, and absorption.
Hereâs what that looks like:
Use existing brick or concrete as your base mass layer. Great start.
Frame a new wall 30mm away from the originalâthis air gap reduces vibration transfer.
Opt for metal studs for better acoustic separation.
Add two layers of 12mm gypsum board (or 5/8â drywall) for even more mass.
Fill the cavity with mineral wool or fiberglass insulation to trap mid and high frequencies.
These layers work like a team: blocking, separating, and absorbing unwanted sound before it ever reaches your ears.
Step 3: Donât Skip the CeilingSound travels in all directionsâincluding above.
To isolate your ceiling:
Use metal joists and OSB sheathing to create a suspended layer beneath the original slab.
This creates a decoupled ceiling system that dampens both impact noise (footsteps, dragging chairs) and airborne noise (TVs, voices).
Itâs a game-changer if youâve got upstairs neighbors or a family of elephants living above you.
Step 4: Treat the Inside for ClarityOnce youâve blocked the outside world, itâs time to make your room sound great on the inside.
Use broadband acoustic panels to reduce echo and flutter.
Add bass traps in corners if you record or edit audio.
Install baffle boxes to keep your HVAC from sounding like a wind tunnel.
The result? Crystal-clear calls, better recordings, and a space that just feels calm.
Step 5: Seal Your Weak PointsâDoors and WindowsDoors and windows are notorious for letting in sound.
Install high-performance acoustic doors (like ISO Store models) and make sure theyâre properly sealed.
Use custom double-glazed or laminated glass windows designed for sound isolation.
Pro tip: Even the best soundproof door wonât help if itâs installed like a regular one. Pay attention to the frame and seal.
Step 6: Keep the Air Moving (Quietly)Good air = good focus. But fans and vents? Theyâre sneaky sound highways.
Use an Energy Recovery Ventilator (ERV) to bring in fresh air without opening windows.
Build baffle boxes over your HVAC vents to reduce sound transfer through ducts.
Fresh air, no noise. Best of both worlds.
Step 7: Final Touches MatterSoundproofing is all about detail.
Seal outlets, light switches, and junction boxes.
Double-check for gaps or cracksâeven a small one can ruin the whole system.
Make sure everything is fire-safe and up to code. Safety first.
Quick Wins to Save Time and BudgetSketch your layout firstâand stick to it. Rework is expensive.
Buy materials in bulk to cut costs.
Know when to DIY and when to delegate. HVAC, electrical, or advanced builds? Bring in a pro.
Want Help From the Guy Who Designs Pro Studios?HiâIâm Wilson.
Iâve spent years designing high-performance studios, home offices, and creative spaces that actually block sound and really feel good to work in. No gimmicks. Just solid design built on experience and results.
If youâre serious about getting your space right the first timeâor if you just want to avoid costly trial-and-errorâIâd be happy to help.
đ Book a free discovery call with me and letâs talk about your space, your goals, and the smartest way to get you working in peace.
Because in a world full of noise, your focus is worth protecting.
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FREE Acoustic Treatment Guide: https://www.soundproofyourstudio.com/acoustic
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đ§ This Fixed My Bass Problem!
(And It Can Fix Yours Too)If youâve ever sat in your studio wondering why your low-end sounds muddy, hollow, or just offâyouâre not alone. I used to struggle with unreliable bass response, which made mixing feel more like guesswork than art. But after diving into acoustic principles and a few practical steps, I finally fixed my bass problemâand I want to share how you can too.
Letâs break it down.
đ Understanding SBIR (Speaker Boundary Interference Response)
First, you need to understand the enemy: SBIR, or Speaker Boundary Interference Response. It happens when your speakerâs sound reflects off nearby surfacesâmost often wallsâand interferes with itself. This leads to phase issues and noticeable dips or boosts in certain frequencies, especially the bass.
Yes, pulling your monitors away from the wall might seem like the solution. But that can introduce a new problem: comb filtering. So, what's the right move?
đ Identifying Comb Filtering
Comb filtering occurs when direct and reflected sound waves arrive at your ears out of phase. The result? Peaks and nulls across the frequency spectrum. Some bass notes vanish, others boom unnaturally. Itâs incredibly frustratingâand incredibly common.
If your mixes sound great in your studio but fall apart elsewhere, comb filtering might be the culprit.
đ Using Sonarworks for Room Correction
I used Sonarworks to help flatten my room response, and it made a difference. But hereâs the kicker: software correction isnât a substitute for physical treatment.
Think of Sonarworks like a polish. Itâs great after the foundationâyour acoustic treatmentâis in place. Relying on it too early? Youâre building on sand.
đŻ The Bass Hunter Technique
One of the biggest breakthroughs came from a technique I now swear by: the Bass Hunter Method.
Hereâs how to do it:
Clear everything out from your listening position.
Place your speakers in the corners of the room (yes, temporarily).
Sit in different spots, listen to your favorite bass-heavy reference tracks, and feel where the bass sounds most consistent.
Based on what you hear, move the speakers gradually into position while preserving that solid low-end.
Itâs old-school, ear-driven, and it works.
𧹠Adjusting Speaker Position Relative to the Wall
After finding the sweet spot using the Bass Hunter technique, I pushed the speakers closer to the wall. Why? Because minimizing the gap between the speaker and wall can reduce SBIR effectsâas long as your wall is treated.
An added bonus: being near the wall naturally extends your bass response. Use it to your advantage.
đ Making EQ Adjustments
Now that your placement is dialed in, fine-tune with care. Use the trim controls on your monitors to adjust the low-endânot to fix the whole room, but to finesse the response. Small, smart tweaks lead to a more balanced sound.
đ§ Setting the Dry-Wet Mix Knob
Many speaker correction systems, including Sonarworks, offer a dry-wet mix. This lets you blend between your untreated and corrected sound. I found that a 60-70% wet mix, calibrated with trusted reference tracks, struck the perfect balance for me.
Donât be afraid to experiment here. Your ears are the best tool you have.
đ Finalizing Room Treatment Before Calibration
Before you run that Sonarworks calibration, make sure your room is treated properly. That means:
Bass traps in the corners.
Absorption panels at first reflection points.
A well-thought-out layout.
Treat the room first, then measure. You'll get a much more honest and helpful result.
đŞ Evaluating Listening Position
I used to assume that the standard equilateral triangle setup was always bestâbut narrowing my listening position slightly improved direct sound and reduced reflections. Your room might benefit from a similar tweak.
Donât be afraid to adjust speaker spacing based on your room and what sounds right.
đ Continuous Improvement and Testing
Lastly, donât treat this as a one-time fix. Your room, gear, and ears evolve. Keep testing, adjusting, and listening. I started keeping a log of every change I madeâand itâs been invaluable for tracking progress and avoiding past mistakes.
â ď¸ Cautionary Notes
Donât rely on software alone. Acoustic treatment is king.
Avoid heavy EQingâit may introduce phase issues that cause more harm than good.
đĄ Tips for Efficiency
Revisit your setup every few months.
Log your speaker settings, room tweaks, and calibration results.
Use reference tracks you know and trust.
đ Conclusion
Fixing my bass issues wasnât about buying new gearâit was about understanding my room, trusting my ears, and being methodical with every change. If youâre dealing with unclear low-end, these steps can save you the same frustration I faced.
Itâs not magic. Itâs science, mixed with a bit of patience and a whole lot of listening.
Want to go deeper or need help diagnosing your setup?
đ Book Your Free Call with Wilson â and get expert advice tailored to your room. -
FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
đ Book Your Free Call: https://www.soundproofyourstudio.com/Step1Are you designing a soundproof studio and struggling to manage airflow without compromising noise control? Enter the baffle boxâa professional-grade solution that allows ventilation while minimizing sound transmission.
What Are Baffle Boxes?Baffle boxes are custom-built soundproof enclosures that allow air to pass through ventilation systems while dramatically reducing sound transmission. These are essential for home recording studios, vocal booths, or any quiet room where ventilation can't compromise acoustic isolation.
Whether you're a DIY enthusiast or a professional studio builder, understanding how to build baffle boxes correctly ensures your studio stays quiet and ventilated.
𧰠Materials Youâll NeedTo get started, gather the following materials:
Duct Board â HVAC-friendly, moisture-resistant, and mold-preventive.
Echo Verb Liner â Cotton-based, breathable insulation for better air quality. (We recommend Second Skin Audio)
3/4â Plywood â For the exterior structure of the baffle box.
Concrete Masonry Screws â To mount your box securely to concrete or block walls.
5/8â Drywall â Adds mass to stop sound from escaping.
Make sure all materials are cut precisely to fit your planned dimensions.
đ Step-by-Step Design BreakdownThe magic of a baffle box lies in its internal airflow pathway. Hereâs how it works:
Air Intake: Fresh air enters the box.
Sound Maze: Air weaves through several angled baffles inside the box.
Exit: The air exits into your studio, now with minimal noise transmission.
This "zigzag" path forces sound to reflect and dissipate within the box, while air flows freely.
đ Calculating Your Airflow NeedsBefore building, calculate how much air your room needs:
ERV System: Use the CFM (Cubic Feet per Minute) rating of your equipment.
Without ERV: Use this formula:
CFM = (Room Volume à Air Changes per Hour) á 60
For example:
A 221 sq ft room with 6.75 ft ceiling = ~150 CFM airflow.This ensures your studio stays ventilated without overheating or sounding like a wind tunnel.
đ˘ Use Online Tools Like a Proâ Ventilation CalculatorInput your roomâs square footage and ceiling height to find the correct CFM.
â Ductilator.comMatch your airflow needs to the right duct size. Aim for air velocity under 300 FPM (feet per minute) to keep noise down.
đŚ Final Tips for BuildingBuild the box tight and denseâair leaks = sound leaks.
Use acoustic sealant to close any gaps inside and around the box.
Add a layer of drywall inside the box for extra mass.
Keep baffles staggered and fully lined with insulation.
Always test airflow before sealing everything up.
đ§ Why This MattersMost studio noise problems stem from ventilation leaks. Baffle boxes solve this elegantly. With the right airflow design and materials, your studio can breathe quietlyâwithout ruining your soundproofing.
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The Insulation Myth: Rockwool vs. Fiberglass in Double-Stud Soundproof Wall AssembliesIn the realm of building acoustics, the quest for superior soundproofing has led many to believe that Rockwool SafeânâSound, a mineral wool insulation, offers significantly better performance than standard fiberglass insulation. This perception is especially common in the construction of high-STC-rated double-stud walls. However, controlled lab data and manufacturer tests do not support this claim. In fact, insulation type plays a relatively minor role in the overall STC rating of a properly constructed double-stud wall. When examining test results and authoritative sources, it becomes clear that the commonly held beliefâthat Rockwool substantially improves STC over fiberglassâis a myth.
A typical high-performance double-stud wall comprises two separate 2Ă4 stud walls, with a 1-inch air gap between them, filled with insulation, and finished with two layers of 5/8-inch drywall on both the inner and outer faces. This assembly is designed to maximize mass, decoupling, and dampingâall core principles in soundproof construction. Industry sources and acoustical consultants consistently report that this configuration achieves an STC of approximately 63 when filled with standard fiberglass batt insulation (WoodWorks 18).
A key misconception arises when comparing Rockwool to fiberglass in this context. Rockwool is often marketed as a superior acoustic product, but lab comparisons reveal that the performance difference is negligible. For example, Johns Manville, a manufacturer of both fiberglass and mineral wool products, states directly: âFor both sound transmission and sound absorption, mineral wool and fiberglass are nearly identical. The tiny differences are undetectable to the human earâ (Johns Manville 3).
Acoustic consultant Russ Berger, whose firm has overseen testing of various wall assemblies, reinforces this point. In one study, a double-stud wall filled with fiberglass insulation and finished with one layer of 5/8-inch drywall per side achieved an STC of 56. Adding a second layer of drywall increased the STC to 63 (Berger 5). The improvement resulted from increased massânot from a change in insulation type. Berger emphasizes that âhow the materials are put together is often more important than what materials are selectedâ (Berger 6).
The notion that Rockwool offers a measurable STC advantage is further dispelled by Soundproofing Company, a respected acoustic consulting firm. In its technical literature, the firm notes that âfiber insulations work very similarlyâ and recommends standard fiberglass as a cost-effective and acoustically valid option (Soundproofing Company). Moreover, they assert that fiberglass can outperform higher-density materials at certain frequencies, particularly in low-frequency damping.
Even Rockwoolâs own published testing does not demonstrate a marked STC improvement in double-stud walls. One example, based on data from Riverbank Acoustical Laboratories (Report No. TL95-195), shows a single-stud wall with 5/8-inch gypsum and Rockwool AFB insulation achieving STC 52ârespectable, but not substantially different from fiberglass in comparable conditions (âAFB Acoustical Fire Battâ).
Critically, experts agree that an STC difference of fewer than 3 points is generally imperceptible to most occupants (Owens Corning 7). Variations of 1â2 points in STC between assemblies are often within the margin of testing error and environmental conditions. Thus, any claim that Rockwool SafeânâSound boosts STC by more than a couple points compared to fiberglass is not substantiated by data and would not lead to a noticeable difference in real-world performance.
In conclusion, while both fiberglass and Rockwool provide effective cavity damping in double-stud wall systems, the type of insulation used does not meaningfully affect the STC rating when other construction variables are held constant. The superior performance of a double-stud wallâtypically STC 63âresults from its decoupled framing, multiple layers of drywall, and air-tight construction. The evidence clearly shows that swapping fiberglass for Rockwool does not yield a âmagicâ increase in soundproofing performance.
Works Cited
Berger, Russ. âHigh STC Wall Assemblies: Testing and Field Results.â Russ Berger Design Group, 2015. Presentation.
Johns Manville. âComparing Fiberglass and Mineral Wool for Sound Control.â Johns Manville Acoustics Bulletin, 2019, https://www.jm.com/en/blog/2019/october/sound-control-mineral-wool-vs-fiberglass/.
Owens Corning. Sound Control Solutions: Design Considerations and STC Performance. Owens Corning, 2018.
Riverbank Acoustical Laboratories. âTest Report TL95-195: Rockwool AFB Wall Assembly.â Riverbank Acoustical Labs, 1995. Referenced by Rockwool. https://www.rockwool.com/siteassets/o2-rockwool/documentation/brochures/commercial/afb-acoustical-fire-batts-steel-studs-brochure.pdf
Soundproofing Company. âInsulation in Soundproof Walls.â SoundproofingCompany.com, 2020, https://www.soundproofingcompany.com.
WoodWorks. âAcoustic Assemblies and STC Ratings.â WoodWorks Acoustics Guide, 2020.
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Have you ever dreamed of turning your unfinished basement into a fully soundproof music studio?Maybe you're a producer tired of recording with background noise. Or a drummer who wants to go full volumeâwithout waking the house. Or maybe you're just done with "acoustic foam" and DIY hacks that donât actually isolate sound.
Well, you're in the right place.
Why Your Basement Is the Perfect Place for a Pro StudioYour basement isnât just extra square footageâitâs a soundproofing goldmine. With concrete walls, natural separation from the rest of the house, and total design control, itâs the perfect blank canvas for building a truly isolated, great-sounding space.
But thereâs a right way to do itâand itâs not as simple as slapping up some insulation and hoping for the best.
Our Proven Blueprint for Basement SoundproofingAt Soundproof Your Studio, weâve developed a step-by-step system for turning unfinished basements into small, sleek, and truly soundproof music studios. Here's a sneak peek at what goes into it:
â Soundproof Ceiling DesignWe start at the topâliterally. Using TGI joists, pink insulation, and a hush frame raft ceiling (with two layers of mass-loaded drywall), we isolate your space from the floor above. No more upstairs footsteps ruining your mix.
â Wall Isolation That WorksGenie Clips, furring channels, and sealed drywall layers create a wall system that blocks both airborne and structural sound. Bonus: it also keeps your low end tight and clean.
â Room Within a RoomWhen space allows, we go the extra mile with double wall constructionâcreating a floating room that traps sound inside and keeps outside noise out.
â Proper Ventilation & ElectricalWhat good is a sealed room if you canât breathe? We design baffled ventilation systems and balanced fans that maintain airflow without leaking sound. And donât worryâwe make room for all your gear with isolated outlets and sleek lighting solutions.
â Acoustic PerfectionCeiling clouds, custom panels, and smart layout make sure your studio sounds as good as it looks. No flutter echoes. No standing waves. Just clean, controlled audio.
đ Want the Full Blueprint?Weâve documented everything in a detailed free training and downloadable SOP so you can follow along, plan your build, and avoid the biggest mistakes we see home studio builders make.
đ Access the full workshop here
Final Thoughts
đ Or book a free Clarity Call with Wilson to talk about your project.Building a basement music studio thatâs small, sleek, and truly soundproof is totally doableâif you know the science and strategy behind it.
Whether you're recording vocals, tracking drums, or just want a space to get creative without limits, this is your chance to build a studio that looks great, sounds even better, and keeps the peace with the rest of the house.
Letâs make your dream studio a reality.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
Are you dreaming of a professional podcast setupâright in your basement?
Turning an unfinished space into a fully soundproofed podcast studio isnât just possibleâit can be efficient, stunning, and high-performing if done right.In this guide, weâll walk you through the exact steps to transform a raw, echoey space into a soundproof, acoustically treated podcast studio. These are real techniques we use in our client projects, backed by design software and expert know-how.
Step 1: Start with a Solid PlanBefore you pick up a hammer, itâs crucial to understand soundproofing and room acoustics. Soundproofing isnât just about foam on the wallsâitâs about isolating sound from the outside and controlling how it behaves inside your space.
Step 2: Visualize with 3D RenderingWe use tools like Enscape to create a virtual walkthrough of the studio before building begins. This helps you (and contractors) see the layout, lighting, and even the feel of the room before a single panel goes up.
Step 3: Studio Layout & Acoustic DesignPlan everything: where your podcast desk will go, where guests will sit, and even the lighting for your video recordings. We minimize wall penetrations to maintain sound isolation and add mood-setting features like track lights and backlit acoustic panels.
Step 4: Insulation & Ceiling SoundproofingPink insulation or Rockwool? We use both, depending on your budget and needs. The real magic happens with our hush-dream raft systemâa method that decouples the ceiling from the joists to prevent sound transmission.
Step 5: Walls Built for Silence & SafetyOur walls include a 2-inch EPS foam layer, 2x4 framing, and vertical fire stops to ensure both sound control and safety.
Step 6: Electrical & Audio SystemsWe plan an isolated electrical system with star grounding, ensuring your audio setup is free from unwanted hums or interference. Cables run through conduits for a clean, organized finish.
Step 7: Quiet HVAC That Actually WorksA podcast studio thatâs either stuffy or noisy? No thanks. We integrate baffle boxes into your HVAC system so you can breathe easyâwithout hearing the fan in your recordings.
Step 8: Acoustic Treatment Like the ProsWe install GIK panels and bass traps to control echo and low-end rumble. This is what makes your studio sound rich and professional.
Step 9: Final Construction PlansYouâll receive detailed visuals, a material list, and clear instructions for your contractors. Itâs like having a studio blueprint made just for your space.
Bonus Tips for DIYers:
Use pre-made acoustic panels to save time.
Check in regularly with your contractors to stay aligned with the design.
Always double-check measurements!
Ready to design your dream podcast studio? Letâs talk about how we can help you make it a reality.
đ Book a Consultation Now -
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đ ď¸ Why Soundproofing Your Basement Ceiling Actually Matters (And How to Do It Right)Letâs be honestâbasements seem like the perfect space for a studio, theater, or quiet home office... until you hear every single footstep, toilet flush, or floorboard creak from above. đľâđŤ
Thatâs where proper ceiling soundproofing comes in.
This blog isnât just a list of materialsâitâs a complete strategy.
Youâll learn how to build a ceiling system that actually works by focusing on:đš TGI Joists + Hush-Frame Rafts to stop structural vibration
đš OSB Sheathing for strength and easy acoustic treatment
đš Load-conscious layout for safe, long-term installs
đš Backer rod + acoustic sealant for airtight sound blocking
đš Double wall construction for room-to-room isolationAnd yesâwe even talk about testing methods to make sure your build isnât just theory, but results you can hear (or not hear, actually đ).
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This week on the podcast, I had an awesome conversation with Drewsky, one of my clients who turned his garage into a professional recording studio. If youâve ever thought about building your own soundproof space, this episode is packed with insights on what it takes to make it happen.Drewsky walks us through his journeyâfrom choosing the garage as the best location, to tackling the challenges of soundproofing, ventilation, and budgeting. He also shares how having a dedicated creative space has transformed his workflow and music production.
Here are some key takeaways from our conversation:
đľ The garage was a great choice â It provided enough space and separation for soundproofing.
đ Soundproofing made a huge difference â Recording is now free from unwanted noise.
đ Acoustic treatment is just as important â The studioâs dimensions and treatment dramatically impact sound quality.
đ¨ Ventilation matters â A well-designed system keeps the space comfortable without compromising soundproofing.
đ° Budgeting is crucial â Building a studio requires planning, but the investment pays off.
đś A dedicated studio fuels creativity â Having a private space allows for deeper focus and better recordings.
We also dive into the technical side of thingsâhow studio dimensions affect usability, why team dynamics are key to a smooth build, and the long-term value of investing in professional soundproofing.
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Want to achieve pro-level sound control in your studio? Last week, I had the privilege of working with Alex McVey of McVey Acoustics in Nashville to install a massive 8x8â acoustic cloudâa game-changer for my space!
In this episode, Iâll walk you through:
â The step-by-step process of hanging an acoustic cloud
â Pro techniques I learned from Alex
â How upgrading to a larger cloud transformed my roomâs acousticsWhether youâre building a new studio or upgrading your setup, this episode is packed with valuable insights to help you get the best sound possible.
đ§ Watch, listen, and optimize your studio today!
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FREE Soundproofing Workshop: https://whttps://www.soundproofyourstudio.com/workshop
We all love a good deal. If you can put some elbow grease into a project and fix it yourself, awesome! You just saved a bunch of money... or did you?Let me tell you a story.
Greg loves mowing his lawn. He invested $3,000 into a state-of-the-art mower. Every weekend, he mows his lawn, maintains his mower, and keeps everything looking pristine. Need an oil change? No problemâhe finds a YouTube video. Carburetor issues? Another video and a few replacement parts later, heâs back on track. Gregâs yard is immaculate, and he takes pride in mowing those perfect pro-soccer-field lines.
Greg is the king of DIY lawn care!
One day, I asked him, âGreg, you love mowing your lawn so muchâwhy not mow your neighborâs lawn too?â
He laughed. âOf course not, Wilson! I donât have the time. Plus, the most theyâd pay me is $60. I make way more than that at my job.â
I told Greg, âIf you arenât willing to mow your neighborâs lawn for $60, thereâs no reason you should mow your own. Your time is simply too valuable.â
Mowing the lawn might be a classic American pastime, but it can also be a huge waste of time. And when it comes to researching and building a soundproof studio, the same logic applies.
What Is Your Time Worth?Chances are you have a job. And chances are it pays you well. Letâs say you earn $75,000 a year. The average person works about 2,000 hours annually. That means your time is worth roughly $37.50 per hour.
So, if youâre doing anything you could pay someone less than $37.50 per hour to do, youâre actually losing money. Youâre working below your pay grade and sacrificing your time and income.
How Many Hours Have You Spent Researching Soundproofing?If youâre like most people I talk to, youâve watched all my YouTube videos, read Rod Gervaisâs book, and still feel uncertain about how to build your soundproof studio.
Letâs do the math. Watching my content alone takes around 81 hours. Add another 20 hours from other sources. Thatâs over 100 hours of research.
At $37.50 per hour, thatâs $3,750 of your time. And you probably still havenât built your studio.
Do You Know How Long It Takes to Build?Letâs say you feel confident after all that research. You decide to skip hiring a professional and jump straight into building. You do most of the work yourself because youâre a true DIY warrior.
Youâve never built a studio before, and you underestimate the timeline by about six months. Instead of six months, it takes a year. You work full-time, so you give up every weekend for that year. You pull some late nights too, because the project is dragging.
Thatâs 8 hours every Saturday and Sunday for 50 weeks. 800 hours. Thatâs $30,000 of your time.
But hey, you saved $30,000 in labor, right? Who cares if you missed weddings, birthday parties, and time with your kids? Who cares if you lost your weekends and your chance to relax?
What If Itâs Not Soundproof?After all that, you close the door to your finished studio... and you hear your kids running around upstairs. The ductwork you tied into is noisy, and the sound of the vacuum cleaner travels right into your room. The acoustics are off; your homemade panels didnât quite do the trick.
Letâs recap:
Research: $3,750
Sweat Equity: $30,000
Materials: $25,000
And it still didnât work. You wasted $58,750 and a year of your life.
The Better PathSure, this is an extreme example, but it happens more often than youâd think. Can you build a studio perfectly on your first try? Maybe. But is your time really that cheap?
Would you build your own house? Remodel your own kitchen? Fix your car instead of taking it to a mechanic? Fly your own plane instead of buying a ticket?
You pay experts for expert results. You pay them to save time, money, and frustration. You pay them to get it right the first time.
So, do you still want to DIY your home studio? If so, more power to you. But if you donât want to metaphorically mow your neighborâs lawn, thereâs a better way.
I call it DIT: Do It Together.
If you value your time and want to work with someone who can guide you through the process, letâs talk. Book a 30-minute Soundproof Clarity Call with me to see how I can help you build your dream home studioâthe right way.
Apply here: Soundproof Clarity Call Application
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In this video I am sharing my insights into the true cost of building a home recording studio in 2025. I am using my budget calculator (which you can download here: Budget Calculator - https://www.soundproofyourstudio.com/calculator) as well as my insight into my own client projects to teach you how much soundproofing costs in 2025.
I will go over typical studio sizes for a 300 square foot studio and a multi-room (live room/control room) studio. I will also talk about the cost of building in an existing studio vs. in your backyard.
If you are interested in DIT (Do It Together) than stop the endless research and Youtube rabbit holes and join me for a 30 min consulting call to see if I would be a key asset on your team for building your dream home recording studio. If you value your time and money than fill out the application below:
Soundproof Clarity Call Application - https://www.soundproofyourstudio.com/consulting
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FREE Acoustic Treatment Guide: https://www.soundproofyourstudio.com/acoustic
Are you struggling to make your home recording studio sound better? Do you want a tight, accurate low end? Are you frustrated by all the conflicting advice on the internet?If you answered yes to these questions, youâre in the right place. In this article, Iâll simplify and demystify the process of acoustically treating your home studio so you can get professional results without the confusion. Letâs dive in!
1. Itâs All About That BassThe hardest thing to get right in a home recording studio is an accurate low end. However, you donât have to lose sleep over itâjust follow these steps:
⢠Install floor-to-ceiling bass traps in all four corners of your room.
⢠Add soffit bass traps along the perimeter where your walls meet the ceiling.The deeper the air gap behind your bass traps, the lower the frequencies they will absorb. However, thereâs a limit to this, which is why broadband absorption is key.
Most people overlook the top corners of their rooms, which is a major reason their bass response remains uneven. Adding bass traps in the upper corners significantly improves control over low frequencies.
As for panel thickness, 4-inch insulation is the sweet spot. Anything thicker provides diminishing returns, so I prioritize maximizing air gaps instead of increasing panel thickness beyond 4 inches.
2. Cover the Back WallMany people install diffusion on their back wall, but without adequate bass trapping, this is a mistake. Instead of spending money on expensive diffusers, cover the back wall with more acoustic panels.
⢠Use 4-inch-thick insulation (I recommend Knauf ECOSE Insulation from GIK Acoustics).
⢠Leave at least a 1-inch air gap behind the panels.
⢠If possible, increase the air gap to 2-6 inches for even better absorption, though this depends on how much space youâre willing to sacrifice.
3. Treat the CeilingAcoustic clouds are your best friend. These are simply panels that hang from your ceiling.
⢠The lower the panel hangs, the better the low-end absorption due to the increased air gap.
⢠Cover as much of the ceiling as possible while maintaining an acceptable ceiling height.This setup dramatically improves low-frequency response and overall clarity in your room.
4. Treat the Left and Right WallsYour left and right walls are crucial for creating a reflection-free zone at your listening position.
⢠Use 4-inch-thick insulation with at least a 1-inch air gap.
⢠Cover the entire area to the left and right of your listening position.
⢠Add additional panels to the back half of your room to reduce flutter echo and further absorb low frequencies.This setup minimizes unwanted reflections, allowing you to hear your mixes more accurately.
5. What About the Front Wall?
⢠Position your speakers right up against the front wall to reduce speaker boundary interference response (SBIR).
⢠Avoid adding absorption to the front wall initially.Once youâve treated your room as described above, test the low-end response using Room EQ Wizard (REW) or a similar tool. If youâre happy with the results, leave the front wall untreated to preserve some natural liveliness in the room.
If the room feels too dead, you can introduce diffusion to add brightness and balance.
6. Why I Donât Recommend Diaphragmatic Absorbers or Helmholtz ResonatorsSome people believe that pressure-based traps like diaphragmatic absorbers and Helmholtz resonators are the best way to absorb low frequencies. While they can target specific frequencies down to 20Hz, they are highly inefficient, requiring a large amount of space and money to be effective.
Why I Avoid These Methods:
⢠High cost: You need a lot of these traps to make a significant impact.
⢠Space limitations: They take up too much room to be practical for most home studios.
⢠Difficult to build correctly: Small mistakes in construction can worsen your roomâs acoustics instead of improving them.For these reasons, I stick to broadband absorption, which is more efficient and cost-effective.
The only time I would consider using pressure-based traps is after my room is fully treated with broadband bass traps and I need to fix a specific low-frequency issue. For example, if my room had a 68Hz peak, I could install four 68Hz diaphragmatic absorbers at key points to target that specific frequency.
ConclusionTo get an accurate and well-balanced studio:
â Install bass traps in all four corners and along the top perimeter of the ceiling.
â Cover the back wall with broadband absorption instead of diffusion.
â Hang acoustic clouds from the ceiling.
â Treat the left and right walls to create a reflection-free zone.
â Leave the front wall untreated at first.Once youâve done all this, test your room and tweak as needed. If the room feels too dead, add diffusion gradually to bring some liveliness back.
Follow these steps, and I guarantee youâll achieve a great-sounding studioâwithout losing sleep over bad advice from the internet.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
A while back, during a Soundproof Clarity call, a client shared a story that really hit home for me. He had tried fixing his carâs brakes on his own, figuring heâd save some money and learn something in the process. But instead, he made a mistakeâone that cost him more in repairs than if he had just gone to a mechanic in the first place. It was a frustrating and expensive lesson, but one I think a lot of us can relate to. And honestly, it reminded me a lot of what I see happen with studio soundproofing all the time.
Learning from MistakesIâve been there myself. When I built my first home recording studio, I tried to do everything on my own. I mean, how hard could it be? I read a ton, watched all the videos, and thought I had it figured out. But looking back now, I see just how many costly mistakes I madeâmistakes that could have been avoided if I had consulted with an expert from the start.
I remember one specific example: the studio doors. I thought, "I'll just build these myself, it can't be that complicated." Well, turns out, it was. I ended up with doors that didn't seal properly, let in way too much noise, and required multiple fixes that wasted time and money. In the end, I could have just gone with a pre-made option and saved myself a whole lot of headache. But hey, you live and you learn.
Know Your LimitsThereâs this temptation, especially if youâre someone who enjoys DIY projects, to think, "I can do this myself and save money." And sure, sometimes that works out. But more often than not, you end up spending way more time than you planned, dealing with unexpected issues, and still needing to call in a professional to fix what went wrong.
At the end of the day, itâs about knowing your strengths. If you're a musician, your time is better spent making music than trying to learn construction, soundproofing, electrical work, and HVAC installation all at once. Trust me, Iâve seen too many people go down that rabbit hole, only to come out the other side frustrated, exhausted, and with a studio that still doesnât sound right.
Do It TogetherInstead of thinking DIY (Do It Yourself), think DITâDo It Together. Hire the right people, consult with experts, and collaborate where it makes sense. That doesnât mean you have to give up control or stop being involvedâit just means youâre setting yourself up for success instead of struggle.
When I work with clients, my goal is to help them avoid the mistakes I made. I want them to walk into their finished studio and feel excited, not regretful. Because at the end of the day, a great studio isnât just about saving moneyâitâs about creating a space that inspires you, functions flawlessly, and allows you to do what you do best: make amazing music.
So, next time youâre thinking about taking on a massive DIY project, ask yourself: is this something I should really be doing alone? Or is it time to bring in some help and do it right the first time?
If you want to DIT then reach out for a Soundproof Clarity Call.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
In a world where noise pollution is an ever-growing concern, finding effective soundproofing solutions has become essential for both residential and commercial spaces. Recently, I had the pleasure of listening to Alan, the founder of Hush Frame Rafts, share his journey and the innovative technology behind his soundproofing products.
The Inspiration Behind Hush Frame Rafts
Alan's journey into the soundproofing industry began with a common problem: noise. He noted that while construction codes provide guidelines for thermal insulation and vapor barriers, they often fall short when it comes to controlling noise. This gap in knowledge led him to explore how to effectively manage sound in building designs.
His initial foray into soundproofing started over a decade ago while collaborating with architects on small housing units. The goal was to eliminate double stud walls, which not only wasted valuable floor space but also added unnecessary material costs. Through trial and error, Alan discovered that noise is essentially vibration, and by controlling this vibration, he could significantly reduce sound transmission between units.
The Unique Technology of Hush Frame Rafts
What sets Hush Frame Rafts apart from traditional soundproofing solutions is their innovative use of silicone. Unlike other products on the market that utilize hard polymers, Hush Frame's connectors feature a soft silicone core with a durometer rating of just 23. This unique material effectively absorbs and dissipates vibration energy, outperforming competitors by a significant margin.
Alan's approach is not just about creating a product; it's about understanding how materials interact within the construction process. His extensive experience as a builder and developer has equipped him with the insights necessary to design effective soundproofing solutions that are both practical and affordable.
A Creative Process Rooted in Experience
Alan emphasizes that his journey into soundproofing was not driven by a formal engineering background but rather by a creative process honed over 50 years in the construction industry. This hands-on experience has allowed him to develop a deep understanding of how materials work together, leading to innovative solutions that challenge conventional methods.
Conclusion
The conversation with Alan was a fascinating glimpse into the world of soundproofing innovation. Hush Frame Rafts exemplifies how creative thinking and practical experience can lead to groundbreaking solutions in an industry that often overlooks the importance of effective noise control. As we continue to navigate the challenges of urban living, products like Hush Frame Rafts offer hope for quieter, more peaceful environments.
For more insights and to learn about Hush Frame Rafts, check out the full interview.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
When we want to learn something where do we go? Google right (or ChatGPT these days)? What if I told you that on the first page of google most of what was there was wrong when it comes to soundproofing.In this lesson I want to teach you to be weary of where you get your information about building a soundproof home recording studio. I will show you some things to look out for and some great resources I recommend.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
We all want the dream studio: epic mix room, all the gear, cool architecture, big control room window, epic live room, tall ceilings, a bathroom, lots of doors... The list goes on and on. I always want you to dream, but at some point we have to stop and face reality.If you have a small budget of $20k-30k to build your soundproof home recording studio, the truth is you can't have every aspect of what you want, but you can still have what you need. In this lesson I am going to break down how to save massively on your studio build and still get what you want.
1) Make A Priorities List
This sounds so basic, but it is often overlooked. I make each of my clients prioritize what they need most in their home recording studio.
This could be sound isolation. It could be space over acoustics. It could be acoustics over sound isolation. It could be a great room for mixing only and recording bands is not that important.
You get the idea. The lower your budget the more you need to design towards that top number one priority over everything else. Yes, you want it all, but you need one or two things max and that will get you where you need to go with limited cash on hand.
2) Square Footage Is the Easiest Way To Save
When a potential client comes to me and says they only have $20k to build their studio I always ask them what the square footage of the usable space in their studio will be. The singe easiest way to shrink a budget is to shrink the studio.
Not what you wanted to hear, but simple saves. Cut out the fluff! You don't need the live room, you don't need the iso-room. The bathroom can wait. Focus on what is most important to do the work you want to do in that room and design with that in mind.
3) Keep It Rectangle
Yes, we all see the fancy angled walls and cool shapes. If you want to save money you must cut out complex angles. Angles = $$$. Construction costs money and basic construction is expensive. Then you add soundproofing on top of it and the price goes up. Then you want to add a ton of complexity to your framing and drive that cost up even more?
If you want to save keep your designed room simple. Keep it a rectangle and you will save.
4) One door, no windows
You want to know what costs a lot of money? Soundproof doors and windows. You want to know what lets out the most sound in soundproofing? Doors and windows! If you want great results at a fraction of the price keep your studio down to one door. Each door adds $3k to the budget and that is on the low end.
Windows also cost a fortune. How badly do you need that control room window? Do you really need a ton of natural light? Each window costs about $100/square foot. If you want a lot of windows it will cost you and you will lower the isolation of your room.
Again, it comes back to priorities. If natural light is priority one than add windows. If you need sound isolation on a budget, cut them out.
5) Don't Use Green Glue, Rockwool or Sonopan
Lastly, there are a lot of companies that want to sell you the easy fix. Just buy rockwool and you will have soundproofing for your recording studio. Or Sonopan does everything, you don't need to decouple your walls. What about Green Glue or carpet glue. Just add glue and suddently you get loads more isolation.
If it seems to good to be true it is because it is. There is nothing sexy about soundproofing. It is basic, you only need basic materials like lumber, drywall and a few isolation clips, the rest is just marketing meant to grow your budget and overcomplicate your build.
Conclusion:
If there is one phrase I would hope you repeat like a mantra as you build your studio it is "simple saves." If you keep that in the back of your mind at every phase of your project you will get the studio you need and meet your budget goals. That is a win win all the way around.
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
I recently had the pleasure of interviewing, Dan Ferguson from Riff Haven Audio who recently finished his epic new home recording studio. In this podcast format video we go over his process, key lessons he learned along the way and the amazing outcome he achieved doing this project 100% DIY.Not everybody wants to DIY, so if you watch this episode and decide your time and money is valuable and you want a PRO to help you get your dream studio then sign up for a soundproof clarity call at
Soundproof Clarity Call Application - https://www.soundproofyourstudio.com/Step1
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
***SPECIAL ANNOUNCEMENT***
I am opening up a great new opportunity for those of you wanting professional studio consulting for a fraction of the cost. Until Thursday, January 16th, 2025 at 1pm CST I will have this first beta group open for enrollment. I am only accepting 15 applicants and 2 spot are already taken. This offer will be off the table after Thursday so don't delay. You can sign up at the link below:
Join Group Consulting
This week I am taking you behind the scenes of one of my favorite studio designs so far. This is for a client who has always wanted a studio of his own. His hard work and perseverance pays off with this gorgeous home studio that is an addition to his house.
In this episode you will learn about my soundproofing choices, my acoustic design, and HVAC, Window and door choices.
Let's dive in!
Want a studio like this in your backyard? Sign up for a free soundproof clarity call and let's make your dream recording studio a reality.
Soundproof Clarity Call Application - https://www.soundproofyourstudio.com/Step1
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FREE Soundproofing Workshop: https://www.soundproofyourstudio.com/workshop
Wanna DIT (Do It Together)? Jump on a free 30 minute call with me. Fill out the application here: Soundproof Clarity Call Application - https://www.soundproofyourstudio.com/Step1
Recently, someone in the Soundproof Your Studio community shared this frustration:
âThe more YouTube I watch, the more confused I get about everything.â
Sound familiar? Many of us can relateâespecially when it comes to soundproofing and room acoustics.
One key difference between an expert and an amateur is the ability to sift through information, stick to proven methods, and ignore the noise. YouTube is a fantastic resource, but itâs also a chaotic mix of opinions, which can lead to information overload.
So, whatâs the solution? How do you cut through the clutter and start making progress on your studio?
In this article, Iâll guide you through actionable steps to move beyond endless YouTube searches and start creating a recording studio tailored to your budget. I emphasize budget because it directly impacts whatâs realistic for you right now.
Letâs dive in and find out where you are on your soundproofing journey!
Budget: Under $5KIf youâre working with less than $5,000, true soundproofing is off the tableâitâs just not cost-effective. But you can still dramatically improve your room acoustics.
Hereâs how to allocate your budget:
1. Bass Traps: Start with bass traps in all four corners of your room.
2. Reflection-Free Zone (RFZ): Place acoustic panels to your left and right on the walls and add a ceiling cloud above your listening position.
3. Back Wall Absorption: Invest in as much absorption as you can afford for the rear wall. While diffusion is an option, absorption provides more value for your money.
4. Monitors: Any remaining budget should go toward the best monitors you can afford.
Budget: $20Kâ$30KNotice the big jump? Thatâs because soundproofing requires a significant investment to be effective. Anything less than $20K risks mediocre results.
With this budget, you can build a small studio in your garage or basement (under 300 sq. ft.). Hereâs what to prioritize:
⢠Soundproofing Materials:
⢠Two layers of drywall.
⢠Decoupling (e.g., double-wall systems or hush frame rafts).
⢠HVAC & Ventilation:
⢠A mini split for climate control.
⢠An ERV/HRV for fresh air with a baffle box to reduce noise.
⢠Doors: Stick with a single ISO-Store HDLF doorâno windows.
Youâll likely need to DIY most of the work or hire a handy, resourceful contractor. For acoustics, follow the same approach as the Under $5K budget.
Budget: $50Kâ$100KWith this range, the process becomes more streamlined. Youâll have the freedom to:
⢠Build a small standalone studio in your backyard or a larger studio in your garage or basement.
⢠Hire qualified contractors and even consult a studio designer to avoid costly mistakes.
⢠Invest in custom acoustic treatment for a polished, professional look.
However, the size of the studio remains a limitation. Features like multiple rooms, control windows, or complex HVAC systems will push you closer to $100K. To maximize value, focus on quality and results without overextending yourself.
Budget: $150K+This is where the real fun begins. With this budget:
⢠Hire Experts: Work with a professional studio designer and a top-tier contractor for premium results.
⢠Dream Big: Explore custom acoustics, high-quality isolation, and larger spaces with multiple doors and windows while maintaining performance.
⢠Gear Up: Allocate funds for the best gear to complement your studio.
At this level, most people avoid DIY entirely. Instead, they focus on their craft while the experts handle the heavy lifting.
ConclusionI hope this article helps you find clarity on your studio journey. If your budget is on the smaller side, consider waiting and saving to build your dream studio right. If youâre ready to invest now, I hope this breakdown gives you a roadmap for success.
Ready to do it right the first time?
Fill out the application below to work with a professional studio designer. As I always say, the stakes are too high to DIY.
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If youâre committed to a DIY project, check out my free soundproofing workshop below.
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