Afleveringen
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Get it here: found.ee/crowd011
CROWD welcomes Gina Demarchi with 'Other Side', a driving 4-track EP that adds a new voice to the label's growing roster. Born and raised in Buenos Aires, Gina Demarchi has spent the last nine years refining her signature hypnotic blend of tribal-infused grooves, rolling percussion and emotionally charged energy, showcasing a sound rooted in 2000s techno and dubbed chords. As a resident at the event series Fungi and founder of her own label Seduction, she has built a strong reputation through performances all across South America, Europe, Australia, Asia and beyond.
Opening track 'Never Enough' immediately sets the tone. Powered by a tom-driven bassline, huge open hats and uplifting chord melodies, it moves with a propulsive forward energy that plants the listener firmly on the dancefloor from the first bar. Next up on the A-side is 'I'm In Love', where endlessly echoing warm chords churn above a pulsing low end while marching claps and driving percussion lock the track into pure peak-time territory, serving as a reliable anchor for any uncompromising techno set. The title track 'Other Side' leans deeper and groovier, combining a gliding bassline with swinging chord stabs and crisp percussion that give full focus to the track's powerful low-end movement. Sitting somewhere between hypnotic and relentless, it is perhaps the clearest expression of what makes Gina Demarchi's sound so compelling. Closing cut 'Lonely' strips things back but lands with maximum impact: fast-paced chord repetitions, tight closed hats and sub-heavy drums generate a sense of momentum, creating a track that feels explosive and intense without relying on excessive speed.
With 'Other Side’, Gina Demarchi delivers a high-impact debut that reflects both the raw spirit of her unmistakable sound and the identity of the CROWD universe. The 11th release of the label is another statement from a label that has consistently refused to follow trends, instead carving out a singular identity rooted in raw energy. Join us for a high energy release party on July 5th 2026 al Le Sucre in Lyon! -
Get it here: found.ee/crowd011
CROWD welcomes Gina Demarchi with 'Other Side', a driving 4-track EP that adds a new voice to the label's growing roster. Born and raised in Buenos Aires, Gina Demarchi has spent the last nine years refining her signature hypnotic blend of tribal-infused grooves, rolling percussion and emotionally charged energy, showcasing a sound rooted in 2000s techno and dubbed chords. As a resident at the event series Fungi and founder of her own label Seduction, she has built a strong reputation through performances all across South America, Europe, Australia, Asia and beyond.
Opening track 'Never Enough' immediately sets the tone. Powered by a tom-driven bassline, huge open hats and uplifting chord melodies, it moves with a propulsive forward energy that plants the listener firmly on the dancefloor from the first bar. Next up on the A-side is 'I'm In Love', where endlessly echoing warm chords churn above a pulsing low end while marching claps and driving percussion lock the track into pure peak-time territory, serving as a reliable anchor for any uncompromising techno set. The title track 'Other Side' leans deeper and groovier, combining a gliding bassline with swinging chord stabs and crisp percussion that give full focus to the track's powerful low-end movement. Sitting somewhere between hypnotic and relentless, it is perhaps the clearest expression of what makes Gina Demarchi's sound so compelling. Closing cut 'Lonely' strips things back but lands with maximum impact: fast-paced chord repetitions, tight closed hats and sub-heavy drums generate a sense of momentum, creating a track that feels explosive and intense without relying on excessive speed.
With 'Other Side’, Gina Demarchi delivers a high-impact debut that reflects both the raw spirit of her unmistakable sound and the identity of the CROWD universe. The 11th release of the label is another statement from a label that has consistently refused to follow trends, instead carving out a singular identity rooted in raw energy. Join us for a high energy release party on July 5th 2026 al Le Sucre in Lyon! -
Zijn er afleveringen die ontbreken?
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Get it here: found.ee/crowd011
CROWD welcomes Gina Demarchi with 'Other Side', a driving 4-track EP that adds a new voice to the label's growing roster. Born and raised in Buenos Aires, Gina Demarchi has spent the last nine years refining her signature hypnotic blend of tribal-infused grooves, rolling percussion and emotionally charged energy, showcasing a sound rooted in 2000s techno and dubbed chords. As a resident at the event series Fungi and founder of her own label Seduction, she has built a strong reputation through performances all across South America, Europe, Australia, Asia and beyond.
Opening track 'Never Enough' immediately sets the tone. Powered by a tom-driven bassline, huge open hats and uplifting chord melodies, it moves with a propulsive forward energy that plants the listener firmly on the dancefloor from the first bar. Next up on the A-side is 'I'm In Love', where endlessly echoing warm chords churn above a pulsing low end while marching claps and driving percussion lock the track into pure peak-time territory, serving as a reliable anchor for any uncompromising techno set. The title track 'Other Side' leans deeper and groovier, combining a gliding bassline with swinging chord stabs and crisp percussion that give full focus to the track's powerful low-end movement. Sitting somewhere between hypnotic and relentless, it is perhaps the clearest expression of what makes Gina Demarchi's sound so compelling. Closing cut 'Lonely' strips things back but lands with maximum impact: fast-paced chord repetitions, tight closed hats and sub-heavy drums generate a sense of momentum, creating a track that feels explosive and intense without relying on excessive speed.
With 'Other Side’, Gina Demarchi delivers a high-impact debut that reflects both the raw spirit of her unmistakable sound and the identity of the CROWD universe. The 11th release of the label is another statement from a label that has consistently refused to follow trends, instead carving out a singular identity rooted in raw energy. Join us for a high energy release party on July 5th 2026 al Le Sucre in Lyon! -
Get it here: found.ee/crowd011
CROWD welcomes Gina Demarchi with 'Other Side', a driving 4-track EP that adds a new voice to the label's growing roster. Born and raised in Buenos Aires, Gina Demarchi has spent the last nine years refining her signature hypnotic blend of tribal-infused grooves, rolling percussion and emotionally charged energy, showcasing a sound rooted in 2000s techno and dubbed chords. As a resident at the event series Fungi and founder of her own label Seduction, she has built a strong reputation through performances all across South America, Europe, Australia, Asia and beyond.
Opening track 'Never Enough' immediately sets the tone. Powered by a tom-driven bassline, huge open hats and uplifting chord melodies, it moves with a propulsive forward energy that plants the listener firmly on the dancefloor from the first bar. Next up on the A-side is 'I'm In Love', where endlessly echoing warm chords churn above a pulsing low end while marching claps and driving percussion lock the track into pure peak-time territory, serving as a reliable anchor for any uncompromising techno set. The title track 'Other Side' leans deeper and groovier, combining a gliding bassline with swinging chord stabs and crisp percussion that give full focus to the track's powerful low-end movement. Sitting somewhere between hypnotic and relentless, it is perhaps the clearest expression of what makes Gina Demarchi's sound so compelling. Closing cut 'Lonely' strips things back but lands with maximum impact: fast-paced chord repetitions, tight closed hats and sub-heavy drums generate a sense of momentum, creating a track that feels explosive and intense without relying on excessive speed.
With 'Other Side’, Gina Demarchi delivers a high-impact debut that reflects both the raw spirit of her unmistakable sound and the identity of the CROWD universe. The 11th release of the label is another statement from a label that has consistently refused to follow trends, instead carving out a singular identity rooted in raw energy. Join us for a high energy release party on July 5th 2026 al Le Sucre in Lyon! -
Get it here: https://found.ee/spandau20-012
SPANDAU20 returns, bridging Berlin and UK lineage, with new material from Mr. G, Elli Acula, FJAAK and Dajusch, continuing to showcase the many shades of contemporary club music through its forward-facing approach. On its 12th release, the Berlin label presents a record that reflects individual artistry as much as the unmistakable identity of the SPANDAU20 sound.
Opening the release is Mr. G with 'I Came To See You'. The track is a true embodiment of his distinctive production style, unfolding through bouncing basslines, swinging percussion and hypnotic looping vocals and capturing the raw spirit of old-school dance music with fresh spirit. Sitting somewhere between house and techno, it sets the tone with a particular kind of hypnosis, taking the listeners deep into the endlessly circling groove. Elli Acula follows with ‘Take One Higher’, a fierce and uncompromising techno track that perfectly reflects the label’s hallmark aesthetic. She channels the raw energy of the 90s through a modern lens, pairing rough edged stabs, cavernous kicks and gritty percussion programmed with unfiltered dancefloor intensity in mind. The result is a high-pressure track designed to fully consume the room.
On the flip side, FJAAK unleash 'Drip Code', showcasing the duo's signature blend of powerful low-end pressure and analogue grooves. Having spent over a decade shaping Berlin's techno landscape through their machine-driven approach, the pair deliver crisp percussion, huge open hi-hats and teeth-rattling drum machine combinations, while racing chords and looping vocals propel the track forward. It is a direct and highly effective example of the energy that has come to define the SPANDAU20 universe. Closing the release is Dajusch with 'Tongue In Cheek'. Deeply influenced by the foundational sounds of Detroit and Chicago, the classically trained producer leans into warmer, more uplifting territory. The track combines grooving basslines, saturated 909 percussion and piano-led melodies with disco-tinged vocal loops that glide effortlessly across the arrangement. This closer highlights Dajusch's refined understanding of groove, texture and atmosphere, rounding off the release with a distinctly euphoric touch.
SPANDAU20 012 is another example of classy production skills merged with genuine dancefloor purpose. As ever, the label lets the music speak for itself. The many shades of sound are on full display, bound together by the singular identity that has made SPANDAU20 one of Berlin's most distinctive voices in the electronic music landscape. -
Get it here: https://found.ee/spandau20-012
SPANDAU20 returns, bridging Berlin and UK lineage, with new material from Mr. G, Elli Acula, FJAAK and Dajusch, continuing to showcase the many shades of contemporary club music through its forward-facing approach. On its 12th release, the Berlin label presents a record that reflects individual artistry as much as the unmistakable identity of the SPANDAU20 sound.
Opening the release is Mr. G with 'I Came To See You'. The track is a true embodiment of his distinctive production style, unfolding through bouncing basslines, swinging percussion and hypnotic looping vocals and capturing the raw spirit of old-school dance music with fresh spirit. Sitting somewhere between house and techno, it sets the tone with a particular kind of hypnosis, taking the listeners deep into the endlessly circling groove. Elli Acula follows with ‘Take One Higher’, a fierce and uncompromising techno track that perfectly reflects the label’s hallmark aesthetic. She channels the raw energy of the 90s through a modern lens, pairing rough edged stabs, cavernous kicks and gritty percussion programmed with unfiltered dancefloor intensity in mind. The result is a high-pressure track designed to fully consume the room.
On the flip side, FJAAK unleash 'Drip Code', showcasing the duo's signature blend of powerful low-end pressure and analogue grooves. Having spent over a decade shaping Berlin's techno landscape through their machine-driven approach, the pair deliver crisp percussion, huge open hi-hats and teeth-rattling drum machine combinations, while racing chords and looping vocals propel the track forward. It is a direct and highly effective example of the energy that has come to define the SPANDAU20 universe. Closing the release is Dajusch with 'Tongue In Cheek'. Deeply influenced by the foundational sounds of Detroit and Chicago, the classically trained producer leans into warmer, more uplifting territory. The track combines grooving basslines, saturated 909 percussion and piano-led melodies with disco-tinged vocal loops that glide effortlessly across the arrangement. This closer highlights Dajusch's refined understanding of groove, texture and atmosphere, rounding off the release with a distinctly euphoric touch.
SPANDAU20 012 is another example of classy production skills merged with genuine dancefloor purpose. As ever, the label lets the music speak for itself. The many shades of sound are on full display, bound together by the singular identity that has made SPANDAU20 one of Berlin's most distinctive voices in the electronic music landscape. -
Get it here: https://found.ee/spandau20-012
SPANDAU20 returns, bridging Berlin and UK lineage, with new material from Mr. G, Elli Acula, FJAAK and Dajusch, continuing to showcase the many shades of contemporary club music through its forward-facing approach. On its 12th release, the Berlin label presents a record that reflects individual artistry as much as the unmistakable identity of the SPANDAU20 sound.
Opening the release is Mr. G with 'I Came To See You'. The track is a true embodiment of his distinctive production style, unfolding through bouncing basslines, swinging percussion and hypnotic looping vocals and capturing the raw spirit of old-school dance music with fresh spirit. Sitting somewhere between house and techno, it sets the tone with a particular kind of hypnosis, taking the listeners deep into the endlessly circling groove. Elli Acula follows with ‘Take One Higher’, a fierce and uncompromising techno track that perfectly reflects the label’s hallmark aesthetic. She channels the raw energy of the 90s through a modern lens, pairing rough edged stabs, cavernous kicks and gritty percussion programmed with unfiltered dancefloor intensity in mind. The result is a high-pressure track designed to fully consume the room.
On the flip side, FJAAK unleash 'Drip Code', showcasing the duo's signature blend of powerful low-end pressure and analogue grooves. Having spent over a decade shaping Berlin's techno landscape through their machine-driven approach, the pair deliver crisp percussion, huge open hi-hats and teeth-rattling drum machine combinations, while racing chords and looping vocals propel the track forward. It is a direct and highly effective example of the energy that has come to define the SPANDAU20 universe. Closing the release is Dajusch with 'Tongue In Cheek'. Deeply influenced by the foundational sounds of Detroit and Chicago, the classically trained producer leans into warmer, more uplifting territory. The track combines grooving basslines, saturated 909 percussion and piano-led melodies with disco-tinged vocal loops that glide effortlessly across the arrangement. This closer highlights Dajusch's refined understanding of groove, texture and atmosphere, rounding off the release with a distinctly euphoric touch.
SPANDAU20 012 is another example of classy production skills merged with genuine dancefloor purpose. As ever, the label lets the music speak for itself. The many shades of sound are on full display, bound together by the singular identity that has made SPANDAU20 one of Berlin's most distinctive voices in the electronic music landscape. -
Get it here: found.ee/spandau20-012
SPANDAU20 returns, bridging Berlin and UK lineage, with new material from Mr. G, Elli Acula, FJAAK and Dajusch, continuing to showcase the many shades of contemporary club music through its forward-facing approach. On its 12th release, the Berlin label presents a record that
reflects individual artistry as much as the unmistakable identity of the SPANDAU20 sound.
Opening the release is Mr. G with 'I Came To See You'. The track is a true embodiment of his distinctive production style, unfolding through bouncing basslines, swinging percussion and
hypnotic looping vocals and capturing the raw spirit of old-school dance music with fresh spirit. Sitting somewhere between house and techno, it sets the tone with a particular kind of hypnosis, taking the listeners deep into the endlessly circling groove. Elli Acula follows with 'Take One Higher', a fierce and uncompromising techno track that perfectly reflects the label's hallmark aesthetic. She channels the raw energy of the 90s through a modern lens, pairing rough edged stabs, cavernous kicks and gritty percussion programmed with unfiltered dancefloor intensity in mind. The result is a high-pressure track designed to fully consume the
room.
On the flip side, FJAAK unleash 'Drip Code', showcasing the duo's signature blend of powerful low-end pressure and analogue grooves. Having spent over a decade shaping Berlin's techno
landscape through their machine-driven approach, the pair deliver crisp percussion, huge open hi-hats and teeth-rattling drum machine combinations, while racing chords and looping vocals propel the track forward. It is a direct and highly effective example of the energy that has come to define the SPANDAU20 universe. Closing the release is Dajusch with 'Tongue In Cheek'. Deeply influenced by the foundational sounds of Detroit and Chicago, the classically trained producer leans into warmer, more uplifting territory. The track combines grooving basslines, saturated 909 percussion and piano-led melodies with disco-tinged vocal loops that glide effortlessly across the arrangement. This closer highlights Dajusch's refined understanding of groove, texture and atmosphere, rounding off the release with a distinctly euphoric touch.
SPANDAU20 012 is another example of classy production skills merged with genuine dancefloor purpose. As ever, the label lets the music speak for itself. The many shades of sound are on full display, bound together by the singular identity that has made SPANDAU20 one of Berlin's most distinctive voices in the electronic music landscape. -
Next up in our Mixtape series is @dj_tasha 📼
Few DJs move through genres with the same ease as Tasha. Emerging from London’s Drum & Bass scene with early support from DJ Flight and a residency at DJ Storm’s legendary Feline nights, she gradually expanded her sound through years immersed in the city’s underground - from behind the counter at BM Soho to shaping dancefloors across Europe.
Since joining Rinse FM in 2009, Tasha has continued to refine a style entirely her own, weaving together bass weight, broken rhythms, hypnotic techno and straight-up rollers with total control. Alongside her work as a DJ, she also founded the influential Neighbourhood party and label, built on uncompromising curation and a deep love for underground music.🔊
Her SPANDAU20 mixtape captures that same spirit: a one-take recording built from recent obsessions, forthcoming Neighbourhood material and productions by close friends. Raw, fluid and fully locked-in from start to finish. Don’t miss out 🖤 -
New mixtape in session: @altinbas steps up. 📼
A key figure within Brussels’ new wave, the Fuse resident and curator has been shaping a sound built on tension, detail and movement. His sets operate in constant motion - deep, layered and hypnotic, locking dancers into evolving grooves while carefully bending atmosphere and pace. Whether in dark basement hours or peak-time pressure. 🔊
For this mixtape, the Belgian-Turkish artist dives deep into narrative-driven mixing. Built around flow, texture and subtle shifts in dynamics, this session moves through different shades of contemporary techno while never losing its sense of direction. Dubby low-end pressure, rolling percussion and psychedelic moments are tightly woven into transitions that melt together into one fluid ride.
Some tracks hit stripped and functional, others open into warmer and more emotional territory - but the mix stays fully locked from beginning to end. Every blend feels intentional and carefully placed. Even familiar cuts take on a different weight inside the journey he builds here.
Recorded at home and driven by pure instinct, the setup mirrors Altinbas’ approach behind the decks: focused, patient and deeply connected to groove.
A light-footed but immersive session made for fog-filled rooms, late-night train rides and those stretched-out early morning hours.
Press play and lock in. -
New SPANDAU20 Mixtape just in - @perc joins the collection.📼
Perc stands as one of techno’s defining figures, shaping the sound from multiple angles: as a DJ, live act and founder of the long-running Perc Trax label. His work moves between classic foundations and more experimental edges, always grounded in the physicality of the dancefloor. Decades deep, his approach remains in motion - evolving without losing focus.
For his SPANDAU20 mixtape, Perc opens up the full range of his club sound. Starting stripped back and gradually building into more percussive territory, the mix is held together by atmosphere - echoing vocals, deep pads and textures that balance weight with space.
Mixed in classic Perc style: multiple tracks running, layered with additional percussion and effects, constantly shifting and adding movement. A snapshot of where he’s at right now - direct, detailed and built for the floor.
Lock in and let it unfold. 🖤 -
We’ve got a new SPANDAU20 Mixtape in the collection - welcome @djmellg! 📼
Frankfurt-based DJ, producer and JUICY GANG RECORDS founder DJ MELL G has carved out a sharp lane between electro, breakbeat, techno and EBM. Her sound is precise, fast-moving and unmistakably her own - dark, bouncy and wired with dystopian energy. Since committing fully to music in 2020, she’s been pushing that signature style across clubs and festivals worldwide, while building her label and releasing a steady stream of forward-leaning productions.
For her SPANDAU20 mixtape, DJ MELL G delivers a high-energy ride through her world of dystopian electro and techno. Expect tightly wound rhythms, bouncing pressure and a selection that moves between recent favorites and fresh material - including tracks from CYRK and EMENT, cuts by underrated electro pioneer Nasty Boxes, and her own new track “FOREVER” closing the mix.
Fast, punchy and built to make you sweat. Press play and dive in. 🖤 -
New SPANDAU20 Mixtape in session: @skudge-1 steps in with a live recording 📼
Built on rhythm, groove and a deep trust in simplicity, Skudge has carved out a distinct space in modern techno since the project first emerged in 2009. What began as a duo from Stockholm has since evolved into a solo venture, but the core remains unchanged: stripped-back, functional and driven by the power of repetition.
For this SPANDAU20 Mixtape, Skudge delivers a live set recorded at Globus, Tresor on January 30th, 2026. A hardware-heavy session packed with drum machine rhythms, jams and a stack of new and unreleased material. Raw, direct and locked into the moment.🔊
Music for body and soul, recorded straight from the floor.
Press play and step in.🖤 -
Just in: @morelian joins the SPANDAU20 mixtape series. 📼
Berlin-based DJ and producer Mor Elian has carved out a sound shaped by movement: from a decade in Los Angeles to her current base in Berlin, across clubs, studios and long stretches on the road. Co-running the Fever AM label and releasing on imprints like Hypercolour and Radio Matrix, her work has always leaned forward - percussion-driven, rhythmically curious and unconcerned with straight lines. Alongside her club releases, she’s explored sound design and ambient work under her Alloy Sea alias and has now started a new chapter with her debut album on Topo 2.
For SPANDAU20, Elian delivers her most techno-leaning mix in some time. Direct, energetic and built for the floor, it stays grounded in techno while carrying the mutant edge of Fever AM - warped rhythms, shifting intensity and a sense of controlled unpredictability. Mixed at home on her own setup, the mix is tight, physical and made to move.
Tune in and let it roll. 🖤 -
New SPANDAU20 Mixtape in session - @ogazon steps in.📼
Ogazón is an artist who moves with full conviction. Releasing all inhibitions, she pours herself fully into her performances, shaping sets as journeys rather than fixed narratives. Her approach is deeply intuitive and audience-focused, with a sensitivity to context and atmosphere that allows house and techno to merge effortlessly, blurring any perceived boundaries between the two.🔊
For Ogazón, SPANDAU20 equals party, and this mixtape lives exactly there. Imagined as the final hour of a set, it’s the moment where risks feel right: energy rises and falls, moods flip, and unexpected track combinations reshape the room. Recorded at home on a cold, stormy winter day, the mix blends vinyl, dubplates, old favourites and new discoveries.
Expect tribal rhythms, driving but deep grooves and seductive vocals - focused, physical and made for bodies in motion.
Lock in and let it unfold. 🖤 -
New SPANDAU20 Mixtape in rotation - @Jeromehill steps in. 📼
In the scene since 1990, Jerome Hill is one of those figures who shaped techno from the inside out: from illegal London raves and record shops to running cult labels like DON’T, Super Rhythm Trax, Bleeper and more, his path has always been hands-on, curious and rooted in the dancefloor. His style is instantly recognizable. A sharp selections, fearless shifts in mood, and a rare ability to integrate scratching into techno without breaking the flow.
For his SPANDAU20 Mixtape, Jerome delivers a colourful, lived-in journey mixed on vinyl and USB. He moves freely between intensity levels, weaving in tracks he’s been playing out recently and are memorable - sometimes dramatic, sometimes playful, always focused on the energy.
This one’s raw, direct and full of character. Press play and let it run. 🖤 -
New SPND20 Mixtape in the collection! Welcome @lucalozano 📼
Owner, A+R, artist and designer at @Klasse Wrecks, Luca Lozano has long operated where sound, visual language and attitude intersect. With releases on his own label, Sex Tags UFO, Phantasy Sound, Hypercolour, Running Back and beyond, plus his visual universe as planetluke.com, his work has always resisted neat categories, favoring character over convention.
For this SPND20 Mixtape, Luca looks back to formative years in Berlin. New Year’s nights at Arena Berlin in 2004/05, musically the city was a melting pop of minimal, tech house and electro. Genres were undefined and there was a playfulness to the music, a wonky glacial cleanness to the funky grooves. It was an exciting and uncynical time and things felt undiscovered and exciting. It’s also where early connections with FJAAK took shape: studio visits in Neukölln, laptops full of sketches, ideas still embryonic.✨
That spirit runs through the mix. Luca revisits sounds and labels that once shaped him - acid lines, playful grooves, found again in the neglected corners of his own record bag. Woven into a journey that feels loose, curious and alive. For those listening closely, the closing moments hold a special nod to the shared history between FJAAK and Klasse Wrecks.
A mix rooted in memory, made for movement. 🖤 -
Get it here: found.ee/spandau20-011
Spandau20 delivers its eleventh various artists release, a sonically rich and future-facing blend of broken grooves, spatial moods and modern Detroit romanticism. Four tracks, four new angles on the dancefloor.
ANNA Z sets the tone with 'Kabeljau', an eclectic, IDM-flirting workout. On the opening track, elastic rhythms stretch and snap while ethereal pads drift overhead, punctured by sudden turns and glitchy surprises. Moody, weird and beautifully unpredictable. Dajusch continues with 'Fallout', diving into shimmering Detroit-inspired chords and pristine production. Clean yet full of soul, its dreamy propulsion moves with effortless optimism. It's a track that lifts heads and hearts without ever losing its club focus. Flip the record and FJAAK welcome you into a breakbeat-infused haze. 'Your Time' pairs groovy percussion and airy atmospheres with those unmistakable powerhouse vocal chops, a warehouse anthem with a gentle cosmic touch, driving yet deeply emotional. Closing the EP, Claus accelerates the pulse. 'Moist Logic' is a faster, more urgent exploration of the techno continuum. Machine funk encoded into a forward-thrusting groove, a sleek atmosphere swirling around a sharp, kinetic core.
With SPANDAU20 011, the West-Berlin collective celebrates a hybrid future, rhythmically adventurous, melodically rich and rooted in a love for the dancefloor's most timeless emotions. This record combines Berlin grit with dream-state techno, balancing rough energy and refined emotion across four cuts that leave their mark on the floor. -
Get it here: found.ee/spandau20-011
Spandau20 delivers its eleventh various artists release, a sonically rich and future-facing blend of broken grooves, spatial moods and modern Detroit romanticism. Four tracks, four new angles on the dancefloor.
ANNA Z sets the tone with 'Kabeljau', an eclectic, IDM-flirting workout. On the opening track, elastic rhythms stretch and snap while ethereal pads drift overhead, punctured by sudden turns and glitchy surprises. Moody, weird and beautifully unpredictable. Dajusch continues with 'Fallout', diving into shimmering Detroit-inspired chords and pristine production. Clean yet full of soul, its dreamy propulsion moves with effortless optimism. It's a track that lifts heads and hearts without ever losing its club focus. Flip the record and FJAAK welcome you into a breakbeat-infused haze. 'Your Time' pairs groovy percussion and airy atmospheres with those unmistakable powerhouse vocal chops, a warehouse anthem with a gentle cosmic touch, driving yet deeply emotional. Closing the EP, Claus accelerates the pulse. 'Moist Logic' is a faster, more urgent exploration of the techno continuum. Machine funk encoded into a forward-thrusting groove, a sleek atmosphere swirling around a sharp, kinetic core.
With SPANDAU20 011, the West-Berlin collective celebrates a hybrid future, rhythmically adventurous, melodically rich and rooted in a love for the dancefloor's most timeless emotions. This record combines Berlin grit with dream-state techno, balancing rough energy and refined emotion across four cuts that leave their mark on the floor. -
Get it here: found.ee/spandau20-011
Spandau20 delivers its eleventh various artists release, a sonically rich and future-facing blend of broken grooves, spatial moods and modern Detroit romanticism. Four tracks, four new angles on the dancefloor.
ANNA Z sets the tone with 'Kabeljau', an eclectic, IDM-flirting workout. On the opening track, elastic rhythms stretch and snap while ethereal pads drift overhead, punctured by sudden turns and glitchy surprises. Moody, weird and beautifully unpredictable. Dajusch continues with 'Fallout', diving into shimmering Detroit-inspired chords and pristine production. Clean yet full of soul, its dreamy propulsion moves with effortless optimism. It's a track that lifts heads and hearts without ever losing its club focus. Flip the record and FJAAK welcome you into a breakbeat-infused haze. 'Your Time' pairs groovy percussion and airy atmospheres with those unmistakable powerhouse vocal chops, a warehouse anthem with a gentle cosmic touch, driving yet deeply emotional. Closing the EP, Claus accelerates the pulse. 'Moist Logic' is a faster, more urgent exploration of the techno continuum. Machine funk encoded into a forward-thrusting groove, a sleek atmosphere swirling around a sharp, kinetic core.
With SPANDAU20 011, the West-Berlin collective celebrates a hybrid future, rhythmically adventurous, melodically rich and rooted in a love for the dancefloor's most timeless emotions. This record combines Berlin grit with dream-state techno, balancing rough energy and refined emotion across four cuts that leave their mark on the floor. - Laat meer zien
