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  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    VINCE POPE

    Vince Pope, a Royal Television Society and BAFTA-nominated composer has gained recognition for his unique blend of sophisticated neo-classical melodies and flawless electronics in noteworthy projects like Undercover, Black Mirror, Tigers Are Not Afraid, and the cult favorite, Misfits. In 2024, he is collaborating again with director Issa Lopez on HBO’s critically acclaimed True Detective: Night Country, starring Jodie Foster and Kali Reis. Streaming on HBO and MAX, this promises to be another highlight in Vince’s impressive career.

    Vince secured a place in the hearts of audiences with his work on the beloved Misfits, earning him a BAFTA nomination and ultimately winning the RTS Award for Best Original Score. Further, he expanded his repertoire to include scoring feature films, such as My Angel, starring Timothy Spall and Brenda Blethyn.

    Vince’s knack for creating captivating music led him to projects like Wallander, Undercover (BBC One), and the groundbreaking Netflix dark sci-fi series Black Mirror with episode ‘Be Right Back.’ His collaboration with Writer/Director Issa Lopez resulted in the psychological feature Tigers Are Not Afraid in 2017, showcasing the diversity of his talent. Continuing to accumulate accolades, Vince has contributed to projects like BBC’s My Name Is Leon, Sky’s Wolfe, Aisling Bea’s This Way Up, Amazon Prime’s Riches, and Channel 4’s flagship prison drama, Screw.

    CHRIS BENSTEAD

    Academy and BAFTA award winner Chris Benstead, is a British composer with a distinct and captivating voice. His remarkable career spans a multitude of noteworthy projects.

    Collaborating extensively with director Guy Ritchie, Chris composed the score for the upcoming feature The Ministry Of Ungentlemanly Warfare starring Henry Cavil, and recently finished the much-anticipated NETFLIX series The Gentlemen, a follow up to the 2019 film that Chris also scored. His music for Guy Ritchie’s The Covenant (starring Jake Gyllenhaal) and the Jason Statham thrillers Operation Fortune: Ruse de Guerre and Wrath of Man were received to much critical acclaim.

    Recent additions to his impressive portfolio include scoring the action thrillers Jericho Ridge and Rupture directed by Hamzah Jamjoom.

    Chris received OSCAR and BAFTA awards for his work as re-recording mixer on Alfonso Cuaron’s masterpiece Gravity, starring Sandra Bullock and George Clooney.

    Chris is a versatile multi-instrumentalist and achieved a First-Class honours in music and sound recording from the University of Surrey. He was also named as Alumni of the year for his ground-breaking achievement in music mixing on ‘Gravity.’

    TRACKLIST:


    Vince Pope (feat. Tanya Tagaq) – The Bodies – True Detective: Night Country (Soundtrack from the HBO Original Series)
    Chris Benstead – Stan’s Soiree – The Gentlemen (Soundtrack from the Netflix Series)
    Chris Benstead – Susie Glass – The Gentlemen (Soundtrack from the Netflix Series)
    Vince Pope – Ashes – True Detective: Night Country (Soundtrack from the HBO Original Series)
    Chris Benstead – Operation Postmaster – The Ministry of Ungentlemanly Warfare
    Vince Pope (feat. Tanya Tagaq) – Your Story Never Told – True Detective: Night Country (Soundtrack from the HBO Original Series)
    Chris Benstead – Freddy Not Happy – The Gentlemen (Soundtrack from the Netflix Series)

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    THE NEWTON BROTHERS

    The Newton Brothers, Andy Grush and Taylor Newton Stewart, are acclaimed composers in film and TV, known for blending orchestration with electronics to create impactful scores. They’re currently bringing their innovative sound to Marvel’s “X-Men ’97,” promising a modern twist on the classic series. Their work on “Five Nights at Freddy’s” highlighted their skill in enhancing horror with music, contributing to its widespread success. Additionally, their scoring for Netflix’s “The Fall of the House of Usher” has been celebrated for its emotional depth, showcasing their versatility and influence in storytelling through music. As they approach “X-Men ’97,” the Newton Brothers’ proven track record suggests a compelling score that will engage both long-standing fans and new viewers.

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  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    DAVE PORTER

    Dave Porter is a Los Angeles based composer for film and television. He began his classical musical training at the piano at age five, but it was his interest in electronic music as a teen that led him to start composing his own music. He studied both classical and electronic music composition at Sarah Lawrence College under John Yannelli and started his professional career as an assistant in Philip Glass’ recording studio in New York City.

    Dave is perhaps best known for his enduring creative relationship with one of Hollywood’s most respected figures – Vince Gilligan. Since the remarkable pilot episode of Breaking Bad in 2007, Dave has written the original music for all of Gilligan’s projects. He scored all 62 episodes of that groundbreaking series and created its iconic opening theme. Actor/Producer Bryan Cranston stated: “With his music, Dave Porter has created another character for Breaking Bad. Evocative and meaningful, Dave’s work is an essential part of the storytelling.” Since then, Dave has also been behind all of the original music for Breaking Bad’s equally acclaimed spin-off, Better Call Saul, and helped bring the Breaking Bad universe to the big screen with his original score to Gilligan’s feature film El Camino: A Breaking Bad Movie.

    2024 will kick off a new chapter In Dave’s career — his first collaboration with Marvel Studios, Echo, will release on January 10th. The first project to be released under the new Marvel Spotlight banner, it will also be the first Marvel series with a TV-MA rating. “The Marvel team made me feel at home right away and have created a television series full of all of the hallmarks that inspire me — real stakes, emotions, consequences, and a world in which all of the characters are always learning and evolving,” said Porter on his collaboration with Marvel.

    Dave has twice been awarded ASCAP’s Composer’s Choice Award for Best Television Composer — at the inaugural event for the award in 2013, and once again in 2017. He was also bestowed the 2019 Citation Award by his alma mater Sarah Lawrence College for his creative achievements.

    DAVID FLEMING

    David Fleming is an American composer who has written music for film and television. His signature sound is rooted in a synth-heavy design that subverts traditional scores and creates unique soundscapes for each project, including HBO’s The Last of Us, the Top 5 debut Amazon series, Mr. & Mrs. Smith, starring Donald Glover, and the upcoming Netflix epic fantasy feature Damsel, starring Millie Bobby Brown.

    Blue Planet II marked the start of a collaborative relationship with David and Academy Award-winning composer Hans Zimmer, encompassing music for films such as Dune and Top Gun: Maverick.

    David has also collaborated with popular recording artists such as Lady Gaga, Elton John, Pharrell Williams, Camilla Cabello and Beyoncé, with whom he worked on the Grammy-nominated song Spirit, for The Lion King soundtrack.

    He is currently composing the score for Barry Levinson’s Alto Knights, starring Robert De Niro as well as the documentary Jim Henson: Idea Man, directed by Ron Howard. All three films are slated for 2024 releases.

    TRACKLIST:


    Dave Porter – The First Choctaw (ECHO)
    David Fleming – Hi Hi (MR. & MRS. SMITH)
    Dave Porter – Birth of a Villain (ECHO)
    David Fleming – Kingdom of Aurea (DAMSEL)
    David Fleming – Elodie’s Maze (DAMSEL)
    Dave Porter – Kingpin (ECHO)

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    ABOUT DYNAMIC MUSIC PARTNERS:

    Emmy Award-winning composers Michael McCuistion, Lolita Ritmanis and Kristopher Carter, collectively known as Dynamic Music Partners, have created hundreds of hours of music for a variety of different genres, including TV series, independent films, video games and live performance events. They have collectively earned twenty-eight Emmy Award nominations and six Annie Award nominations as composers for Marvel’s Avengers Assemble, Batman: The Brave And The Bold, Justice League, Teen Titans, Batman Beyond, The Zeta Project and The New Batman Superman Adventures. Original concert works and suites of their scores have been performed in festivals and special events; from New York’s Lincoln Center to The Hollywood Bowl, The Kennedy Center, The Griffith Observatory in Los Angeles, Tenerife – Spain and beyond, their music has received critical acclaim. Their Prime-time Emmy Award nominated musical Batman: The Brave and the Bold: Mayhem of the Music Meister, starring Neil Patrick Harris was a historic first Batman musical to ever be composed.

    They began their careers composing music for Batman: The Animated Series, Superman: The Animated Series and Batman Beyond, for which they each received the Emmy Award in Music Direction and Composition. As orchestrators they have worked with many of Hollywood’s A-list composers, including Michael Kamen, Basil Poledouris, Howard Shore, Carter Burwell, Elliot Goldenthal, Mark Snow and Shirley Walker. Kristopher, Michael and Lolita are currently working on the third season of Marvel’s Avengers Assemble. They recently completed scoring a feature length documentary An Act of Love, which received the silver award at the Mill Valley Film Festival, as well as composed 4 hours of original music for radio-play audio book Rain of the Ghosts. Their feature film Marvel Superhero Adventures: Frost Fight will premiere in December 2015. They are working on 3 top secret feature length animated projects, with announcements coming in 2016.

    Kristopher, Michael and Lolita work both collectively and individually. Kristopher recently completed the score to the Webby-nominated short film The Birds Of Anger for G4TV and just returned from a series of lectures at the North Carolina School of the Arts. Michael recently scored the latest Griffith Observatory production Time’s Up which is now playing at the observatory in the Samuel Oschin Planetarium. Lolita has been very active in the concert music arena this past season, having had works performed at The Kennedy Center in Washington, D.C, 2 original musicals – receiving performances in Latvia throughout 2014-2015, as well as the premiere of her symphonic work Overture to Light. This remarkable and very contemporary trio of composers and performers is an example of creative collaboration, business savvy, and artistic expression of the highest, most original level. They are currently working in today’s industry and are examples and role models for aspiring film composers everywhere.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    Happy 2024! Studio Soundtracks is celebrating the Best of 2023 with four special guest hosts who will explore their favorite music from media in 2024, their favorite of all time, and some of their own work from 2023. Plus, show host Chandler Poling adds his own picks to the list. Join Chandler alongside composers Pierre Charles, Emilie Levienaise-Farrouch, Austin Wintory, and Carlos Rafael Rivera, as they recollect music from this past year and beyond.

    Studio Soundtracks is made possible in part by the generous support of Spitfire Audio, makers of inspiring sounds and scoring tools for film, in collaboration with the world’s best composers, musicians and engineers. More details available at spitfireaudio.com.

    TRACKLIST:
    Ludwig Göransson from OPPENHEIMER – Can You Hear the Music?
    John Williams from HARRY POTTER franchise – Hedwig’s Theme
    Pierre Charles from STORY AVE – Kadir and Malik’s Theme
    Ryuichi Sakamoto from MONSTER – Monster 2
    Vangelis from BLADE RUNNER – Main Titles
    Emilie Levienaise-Farrouch from ALL OF US STRANGERS – Diner
    Borislav Slavov from BALDER’S GATE 3 – Down by the River
    Peter McConnell from GRIM FANDANGO – Casino Calavera
    Austin Wintory, Tripod, Montaigne from STRAY GODS – Adrift
    Siddhartha Khosla from ONLY MURDERS IN THE BUILDING – Cake
    Jerry Goldsmith from THE GREAT TRAIN ROBBERY – End Titles
    Carlos Rafael Rivera from LESSONS IN CHEMISTRY – Lessons in Chemistry
    Christopher Bear & Daniel Rossen from PAST LIVES – See You
    Mychael Danna from MONSOON WEDDING – Baraat
    The New Standards from 7 SONGS FOR COMFORT AND JOY – What Child Is This?

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    MARTIN PHIPPS

    Coming from a musical background (he is Benjamin Britten’s godson), Martin read drama at Manchester University and fortunately for the acting profession, he decided to concentrate his energies on writing music. Since scoring his first TV drama, Eureka Street in 2002, he has won 2 BAFTAs, 5 Ivor Novello Awards and received multiple Emmy nominations for writing music to many of the most interesting series of recent years. These include the BBC’s War and Peace, Hugo Blick’s The Honourable Woman, Peaky Blinders, Black Mirror and season 3 through 6 of the acclaimed Netflix series The Crown.

    ANTHONY WILLIS

    Anthony Willis is a BAFTA-nominated composer, known for his evocative scores for Emerald Fennel’s Oscar’s Winning Promising Young Woman Blumhouse’s Ai hit M3gan, and Fennell’s latest psychological thriller Saltburn from MGM/Amazon starring Barry Keoghan & Jacob Elordi. He was named one of Variety’s Top 10 Artisans to Watch in 2023 at the SCAD Savannah Film Festival. His recent projects also include Dreamworks’ Animation’s Annie award-winning How To Train Your Dragon: Homecoming, Seasons 6-8 of Epic’s video game sensation Fortnite, and Michelle Morgan’s comedy It Happened in L.A.

    As a protege of Oscar-nominated composer John Powell and Henry Jackman, Anthony has also contributed additional music to many of Hollywood’s most beloved franchises including: How to Train your Dragon, Jumanji, Wreck it Ralph, Solo: A Star Wars Story, Pirates of the Caribbean and Rio.

    Originally from London England, Anthony trained as a chorister of St. George’s chapel, Windsor Castle, UK before earning a First class honors degree in Music from the University of Bristol and a later graduate degree in Film Scoring from University of Southern California.

    Recently Martin has scored Sir Ridley Scott’s Napoleon, Ed Perkins’ The Princess, and Amazon Studios’ series Solos starring Morgan Freeman. Other film credits include Woman In Gold (scored with Hans Zimmer), starring Ryan Reynolds and Helen Mirren, Fox Searchlight’s The Aftermath, starring Keira Knightley, Alexander Skarsgård, Harry Brown and Brighton Rock.

    Studio Soundtracks is made possible in part by the generous support of Spitfire Audio, makers of inspiring sounds and scoring tools for film, in collaboration with the world’s best composers, musicians and engineers. More details available at spitfireaudio.com.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    BRENDAN ANGELIDES

    Brendan Angelides’ (formerly known as ESKMO) arrival at the world of scoring in 2016 was exactly the opportunity he had been hoping for. It felt conducive to the narrative process and sonic aesthetic he had developed in his work as a recording artist, being deeply in the mindset of The Echo Society, a collaborative of local Los Angeles artists and composer, at the time and recognizing the potential of his sound within a visual framework. Since 2016, Angelides has written the soundtracks for seven seasons of Billions, as well as Echoes (Netflix), Super Pumped (Showtime) and the 2021 film Naked Singularity. While scoring the four seasons of Netflix’s celebrated 13 Reasons Why, he collaborated with Selena Gomez to produce a cover of Yazoo’s “Only You.”

    In 2023, Angelides’ embrace of new creative territories expands again as he presents his first video game score with Assassin’s Creed: Mirage. Bringing his electronic artistry to the Ubisoft adventure set in ninth century Baghdad, Angelides worked with musicians connected with the region and culture including the New York Arabic Orchestra and Tunisian artist Emel Mathlouthi, whose viral protest song during the Arab Spring inspired the theme for Mirage’s courageous female lead.

    The year also marks Angelides’ most ambitious project with The Echo Society to date. Their soundtrack to director Darren Aronofsky’s forthcoming film ‘Postcard from Earth’ was showcased at the world’s largest 4K screen at the Sphere, Las Vegas, across 160,000 speakers and 1600 subwoofers.

    NIMA FAKHRARA

    Iranian-born composer Nima Fakhrara has honed his craft for nearly twenty years by scoring more than 100 feature films, multiple AAA game franchises and international television shows, as well as crafting commercial music for boutique brands. This massive body of work led acclaimed director Anna Forester to tap Nima as composer for Bad Robot’s latest feature film LOU (2022, starring Academy Award winner Allison Janney).

    His unique blend of East-meets-West and command of striking, sonic textures and timbres led gaming legend David Cage to select him to compose the music for 2018’s wildly successful and critically acclaimed DETROIT BECOME HUMAN and the announcement to the Star Wars video game franchise ECLIPSE. Other gaming credits include WARHAMMER: SPACE MARINES 2, RESIDENT EVIL: REVELATIONS 2 and 1979 REVOLUTION.

    While his music is found all over the American media landscape, the composer’s musical journey started back in Tehran at age five. Young Nima lugged his santur up six flights of stairs for each lesson with a master instructor. This early education imbued Fakhrara with a firm grasp of Persian classical music, an unyielding discipline, and a knack for complex rhythms. After moving to the Washington DC area at age 12, Fakhrara later earned a degree in composition from California State University while simultaneously studying ethnomusicology and Music Anthropology.

    Studio Soundtracks is made possible in part by the generous support of Spitfire Audio, makers of inspiring sounds and scoring tools for film, in collaboration with the world’s best composers, musicians and engineers. More details available at spitfireaudio.com.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    KAY HANLEY

    Kay Hanley is an Emmy and Peabody Award winning songwriter for TV animation, music copyright advocate/activist with Songwriters Of North America, singer of Boston-based rock band Letters To Cleo

    Hanley began her career in music as the lead singer of Boston-based alternative rock band Letters to Cleo, releasing 3 acclaimed albums between 1990-2000, and spawning such hits as Awake and Here and Now.

    In 2002, Hanley released her first full length solo album, Cherry Marmalade, produced by longtime Cleo producer, Mike Denneen at Q Division Studios in Boston. The record has recently been remastered for a double album 20th anniversary vinyl re-release.

    Subsequent solo releases were The Babydoll EP (2005) and Weaponize (2009)

    After a 16-year hiatus, Letters To Cleo reunited in 2016 to release new music and embark on several sold-out US tours. They are currently writing their 4th full length studio album.

    In the late 90’s, Ms. Hanley began expanding her work as a singer and songwriter into the TV and film world, writing songs for WB’s animated series Generation O, providing the singing voice for Rachael Leigh Cook’s character Josie in Universal Pictures’ feature film Josie and the Pussycats and performing cover versions of Nick Lowe’s Cruel to be Kind and Cheap Trick’s I Want You To Want Me in Touchstone Pictures’ hit film, 10 Things I Hate About You.

    Today, Ms. Hanley spends most of her time writing music for animated television, penning original songs for shows like Disney Junior’s hit series Vampirina and Doc McStuffins (for which she won a Peabody Award in 2014), Dreamworks’ Harvey Street Kids, WB/Cartoon Network’s DC Super Hero Girls and Netflix series, Ada Twist, Scientist and becoming a first time Emmy winner in 2022 for We The People. Her latest animated project is Kindergarten The Musical, which she developed with writing partners Michelle Lewis, Dan Petty, and Charlton Pettus. She serves as composer and executive producer for the series, which will debut in Fall 2024 on Disney Junior.

    Ms. Hanley is co-founder of Songwriters Of North America (SONA), a non-profit advocacy organization that fights for the protection and value of songs and songwriters in the streaming music marketplace. As a result of her advocacy work, Hanley was chosen to represent songwriters on the Mechanical Licensing Collective, serving as vice-chair of the Unclaimed Royalties Oversight Committee.

    TOM POLCE

    Tom is a multi-instrumentalist/ composer/ producer and mixer. He has been working in the Los Angeles entertainment industry for over 15 years. First as Head of A&R/ Staff Producer for CBS Records and then transitioning to Staff Producer/ Composer for CBS Studios and currently fulfilling the same role at Paramount Global. Tom spends his time composing original music, producing and mixing. From scoring Crazy Ex-Girlfriend to writing musicals for the Star Trek franchise, Tom enjoys producing, composing and mixing a wide breadth of styles.

    A Connecticut native before moving to Boston, Tom studied at NEC and Berklee College of music as a Jazz Performance Major and then became a fixture in the 90’s Boston music scene as a musician and producer, performing as a member in bands and solo artists such as Letters to Cleo, Senor Happy, Loveless, Bill Janovitz and many more.

    Studio Soundtracks is made possible in part by the generous support of Spitfire Audio, makers of inspiring sounds and scoring tools for film, in collaboration with the world’s best composers, musicians and engineers. More details available at spitfireaudio.com.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    SONYA BELOUSOVA & GIONA OSTINELLI

    Billboard chart-topping artists Sonya Belousova & Giona Ostinelli are the composers, songwriters & music producers behind Netflix’s highly anticipated ONE PIECE live action adaptation of the best-selling manga series in history. Belousova & Ostinelli continue to push barriers whilst retaining their trademark expansive sound with their epic soundtrack ranging from songs to virtuosic flamenco guitar, hip-hop to big band jazz funk fusion, folk to circus, rap to big epic swashbuckling orchestra, featuring pop sensation AURORA, guitar wunderkind MARCIN, and hip-hop artist FLAWLESS REAL TALK.

    Belousova & Ostinelli have signed a record deal with Sony Music Masterworks. Two multi-genre album releases will feature songs written & produced by Belousova & Ostinelli with vocals by SERJ TANKIAN of System of a Down, DL of Bad Wolves, heavy metal soprano and former lead of Nightwish TARJA, American Idol finalist SOPHIA JAMES, guitar wunderkind MARCIN, and BELOUSOVA herself.

    Belousova & Ostinelli created a sensation with their music from the mega-hit, THE WITCHER. With close to HALF A BILLION album streams, Belousova & Ostinelli’s soundtrack album charted on Billboard’s Top 10 Soundtrack Albums, Top 20 Current Albums and Top 20 Album Sales, and rose to No. 1 on iTunes in every major territory in the world. Belousova & Ostinelli’s hit single Toss a Coin to Your Witcher reached No. 1 on Billboard’s Rock Song Sales chart and No. 8 on Billboard’s Hot Rock Songs chart and became a global phenomenon and a viral sensation.

    Some of Belousova & Ostinelli’s previous scoring projects include NBC drama THE THING ABOUT PAM Oscar winner starring Renée Zellweger, Amazon’s THE ROMANOFFS featuring a star-studded cast: Christina Hendricks, Isabelle Huppert, Aaron Eckhart, Amanda Peet, and Diane Lane; Peacock’s SACRED LIES starring Juliette Lewis; THE MIST, Paramount’s adaptation of the Stephen King novel; among other series and films.

    Studio Soundtracks is made possible in part by the generous support of Spitfire Audio, makers of inspiring sounds and scoring tools for film, in collaboration with the world’s best composers, musicians and engineers. More details available at spitfireaudio.com.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    ARIEL MARX

    An Emmy- nominated composer and multi-instrumentalist, Ariel Marx draws from many genres and often combines orchestral and rare instruments with electronics to create unique worlds of sound. Her scores have premiered in films at Sundance, TIFF, SXSW, Tribeca, Woodstock, Criterion Channel, as well as films and shows on Amazon, Netflix, Hulu, Peacock, FX, HBO, Mubi, Discovery+ and more. She is a member of the music branch of the Academy of Motion Picture Arts and Sciences, the Television Academy, and is a Sundance Film Music and Sound Design Lab alumn.

    Some of Ariel’s most recent projects include Disney+/ABC series A Small Light , Neon’s Sanctuary, UCP/Peacock’s A Friend of the Family, UCP/Hulu’s Candy (ranked number 3 in Indiewire’s Best TV scores of 2022), and FX/Hulu’s American Horror Stories. Her other works for film and television also include Utopia’s Shiva Baby, HBO’s The Tale, Shudder’s Birth/Rebirth, Magnolia’s Next Exit, Discovery+’s Rebel Hearts, Amazon’s Ted Bundy: Falling For A Killer, FX/Hulu’s Children of the Underground, and Good Deed Entertainments To Dust, among others. As a solo artist, Ariel recently released her solo album Luthier with Node Records.

    TONY MORALES

    EMMY-nominated composer Tony Morales is known for his sweeping symphonic scores and textural cinematic sound for feature films and television. His orchestral compositions range from dramas and crime thrillers to documentaries, comedies, and animation.

    His work includes countless hours of music for television on shows such as Amazon Prime’s Reacher, Eva Longoria: Searching For Mexico on CNN and the NBC heist thriller The Endgame. His latest project is Netflix’s Fubar, a spy action comedy series starring Arnold Schwarzenegger in his live-action television debut.

    Morales has composed music for several documentaries including the Eva Longoria directed feature documentary La Guerra Civil which premiered at the 2022 Sundance Film Festival which he was EMMY-nominated for “Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score)” this year. He also wrote the music for 30 For 30’s The Dominican Dream which premiered at the Tribeca Film Festival and tells the story of young immigrant Felipe Lopez, the “Dominican Michael Jordan”.

    Morales earned a Primetime EMMY nomination for the mini-series Hatfields & McCoys (co-composed with John Debney). He is also known for his score on all three seasons of Disney’s Elena Of Avalor for which he received multiple Daytime EMMY nominations as well as an Annie Award nomination. For the music of Elena he mixed various Latin music genres, as well as instrumentation, with the traditional Disney orchestral sound. Tony has collaborated on several projects writing additional music for titles such as Iron Man 3, Fast Five, The Change-Up and Now You See Me.

    Born in Southern California, Morales grew up all over the US and now resides in Los Angeles with his wife and two daughters.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    CRAIG WEDREN
    Craig Wedren first gained notice as the dynamic, multi-octave-wielding frontman of Shudder to Think. With its eccentric song structures and complex time signatures, Shudder to Think would prove a significant influence on math rock, post-hardcore, and emo. Since the band wound down in the late-’90s, Wedren has released a series of solo albums and related collaborative projects, and his music has become an essential part of some of film and television’s most popular and lauded shows.

    Beginning with the soundtracks for the late-’90s films High Art and First Love, Last Rites along with his Shudder to Think bandmates, Craig’s composing resume has gone on to include extensively working with director Lisa Cholodenko (The Kids Are All Right) and David Wain (Role Models, Wet Hot American Summer). Wedren would go on to create evocative, decidedly contemporary scores for cultural-touchstone films and television series including The School of Rock, Laurel Canyon, Reno 911!, GLOW (Netflix), Fresh Off the Boat (ABC), Shrill (Hulu), New Amsterdam (NBC) and, most recently, the wildly popular Showtime series YELLOWJACKETS.

    ANNA WARONKER
    Anna Waronker is a composer, songwriter, singer and artist. Well known as the front woman and songwriter for the Los Angeles based band that dog., Anna has taken her unique melodic and harmonic sensibility and personal lyrical wit into composing for film and television.

    Notable scores and soundtracks include the limited series adaptation of Tegan & Sara’s best-selling memoir, High School (FreeVee), Shrill (Hulu) with whom she co-composed with Craig Wedren, I Love That For You (Paramount+ with Showtime), the animated series Harriet The Spy (Apple), the cult classic Josie And The Pussycats, Nick & Norah’s Infinite Playlist, and many more.

    Anna has also worked in theater as a composer penning the music, book and lyrics with Charlotte Caffey (Go-Go’s) for Lovelace A Rock Opera (The Hayworth Theater, Edinburgh Fringe Festival) and songs and score for a musical adaptation of Hit The Wall and Lily Tomlin and Jane Wagner’s The Search for Signs of Intelligent Life in the Universe (Los Angeles LGBT Center/Davidson/Valentini Theatre).

    As a singer, performer and recording artist, Anna has produced and released two solo albums and four albums with that dog., most recently the critically acclaimed Old LP (UMe) in 2019.

    Recently, Anna has been busy working on the third season of Call Me Kat (Fox) and the young adult mystery School Spirits (Paramount+). Anna is currently working on the second season of the Emmy nominated and Critic’s Choice winner Yellowjackets (Paramount+ with Showtime) with Craig Wedren. The duo write and perform a very unique and celebrated score. For season two of Yellowjackets, Anna and Craig have written an original song that features Hedwig and the Angry Inch’s John Cameron Mitchell and collaborated with Alanis Morrisette on an alternate version of their Hollywood Music in Media Awards winning main title of Yellowjackets entitled “No Return.”

  • Our dublab DJs have united for a nonstop marathon of mixes and shows to carry you through the end of our 2023 membership drive.

    This is a special episode by Chandler Poling, who hosts Studio Soundtracks every 1st Tuesday of the month, 9-10am.

    This very special episode of Studio Soundtracks sashays its way into the theme of musicals – specially musicals in television. For years, TV programs often surprise their audiences by having an episode explore the musical genre and have their characters belt out tunes and change up the pace. From Buffy the Vampire Slayer to Scrubs, this has been a trick of the trade, however this show is dedicated to the challenge of embedding musical numbers into the reality of their shows. THE MARVELOUS MRS. MAISEL explores a 60’s Industrial Musical inside the 5th episode of the final season – written by Thomas Mizer and Curtis Moore – and GINNY & GEORGIA had the task of writing a full high school musical – written by Lili Haydn and Ben Bromfield – set within the drama of the show.

    By supporting dublab, you support an ecosystem of generous artists and activists – please consider becoming a sustaining member today!

    THOMAS MIZER & CURTIS MOORE
    Thomas Mizer and Curtis Moore are an accomplished songwriting and storytelling team whose work has appeared on screens and stages around the world. On television, they are best known as the composers for the hit Prime Video series The Marvelous Mrs. Maisel, resulting in two Emmy nominations and a 2022 Hollywood Music in Media Award for Best Original Song Written for TV. Recipients of the prestigious Fred Ebb Award “for excellence in musical theatre songwriting,” Mizer & Moore’s stage credits include the award-winning romantic mystery Triangle and upcoming musicals for Universal Theatrical Group and Michael Cassel Group.

    LILI HAYDN
    2x nominated GRAMMY® winner Lili Haydn is a composer, songwriter, singer, and violinist. Well known for her 6 critically acclaimed major label recordings as a solo artist, and her legendary collaborations with the likes of Herbie Hancock, Jimmy Page & Robert Plant, and George Clinton’s P-Funk All Stars, Lili has taken her unique melodic and harmonic sensibility and emotionally penetrating musical voice into composing for film and television with 18 feature films/documentaries to her credit (including ANITA, The House That Jack Built, Sundance Selects’ DriverX), and the hit Netflix series Ginny & Georgia.

    Lili is a BMI Award winner, won Best Music at the Milan International Film Festival, and is enjoying the recent releases of Oscar winner Freida Mock’s documentary RUTH: Justice Ginsburg in Her Own Words, the powerful Netflix documentary Split at the Root, and the record breaking success of Season 2 of Ginny & Georgia.

    As the daughter of iconic feminist comedienne Lotus Weinstock, and a graduate of Brown University in political science, Lili is a lifelong activist, and believes music and stories have the power to heal and uplift…important now more than ever.

    BEN BROMFIELD
    Ben Bromfield is a four-time BMI-award-winning composer for film, television, and video games out of Boston, MA. A lifelong jazz pianist, Ben graduated Berklee College of Music in 2010 and has lived in Los Angeles ever since. He is known for his score of the Dreamworks television series, Boss Baby: Back in Business, and the Netflix series, Ginny & Georgia. Ben is an expert in animation scoring, having composed the score for the Dreamworks Where’s Waldo? series and Oddballs on Netflix. In film, Ben has made his mark scoring such indies as BOOM!: A Film About The Sonics, a documentary telling the story of one of the most influential 60’s rock bands, The Salzburg Story, a romantic comedy which won ‘Best Feature Film’ at the California International Film Festival, and Borderland, an action/thriller featuring performances by Bruce Dern and Peter.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    FREDERIK WIEDMANN
    Emmy-award winning Frederik Wiedmann is one of the most diverse and cultivated composers working in motion pictures today. With over 150 titles to his name in all realms and genres, Wiedmann has established himself as insightful artist with an enduring passion for storytelling. Recently, Wiedmann composed music for Star Trek: Picard (Season 3) for Paramount+, Women is Losers starring Simu Liu, which premiered at SXWX in early 2021. Wiedmann is the composer behind the acclaimed Netflix animated fantasy series The Dragon Prince, which is from the writers of the popular series Avatar: The Last Airbender, for which he earned an Emmy nomination in the original score category. In 2016, he won a Daytime Emmy Award in the category of “Outstanding Original Song” alongside lyricist Mitch Watson, for the song “True Bromance” from Dreamworks Animation’s Madagascar spinoff All Hail King Julien. Wiedmann has been a main stay in the DC cinematic universe, starting with his work onGreen Lantern: The Animated Series, for which he earned two consecutive Annie Awards nominations. His success on the series led to further popular Warner Bros’ DC projects such as,Justice League: The Flashpoint Paradox, Son of Batman, Death of Superman, Justice League: Gods and Monsters, Batman: Gotham by Gaslight among others. He currently lives in LA with his wife and two wonderful children.

    STEPHEN BARTON
    Stephen Barton’s extensive credits in film, television and video games include Star Trek: Picard, writing the music for all sixteen seasons of Apex Legends; and penning the scores for both Star Wars: Jedi games, Multiversus, Call of Duty: Modern Warfare, 12 Monkeys, and Unlocked, amongst over four dozen other projects. The live service games he has scored (Apex, Multiversus) have over 300 million regular players worldwide. Born in 1982, at the age of eight he won a prestigious scholarship to sing in Winchester Cathedral Choir, touring the world and performing with numerous orchestras and soloists at venues such as Sydney Opera House, Carnegie Hall and the Royal Albert Hall; and appearing on more than a dozen albums. He began his composing career at 19, as an assistant to Harry Gregson-Williams (Shrek, The Chronicles of Narnia, Kingdom of Heaven), moving to Los Angeles from his native UK, in 2001

    GORDY HAAB
    Gordy Haab is a multi-award-winning film, video game, and television composer who has written music for many well-known titles, including Star Wars: Squadrons, Star Wars Jedi: Fallen Order, Microsoft’s Halo Wars 2, and Star Wars: Battlefront I and II, among others. In 2022, Haab was nominated for an International Film Music Critics award for his work on the feature film My Country, My Parents, and was bestowed the inaugural “Music City Maestro” Award by the Society of Composers and Lyricists for his ongoing support of the Nashville music and recording community. In October 2022, his music from Star Wars: Battlefront I and II was featured as part of DICE’s 30th anniversary concert series and performed by the Royal Swedish Opera in Stockholm.

    Haab is known for his unsurpassed understanding of the orchestra as well as his unique ability to blend contemporary and traditional sounds into one – oftentimes conceiving and creating brand new musical instruments to feature in his scores. He has recorded and conducted his music with orchestras from all around the world, including The London Symphony Orchestra, The San Francisco Symphony, The Nashville Symphony and the Hollywood Studio Orchestra.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    Rachel Portman OBE – British Film Composer and first female composer to win an Academy Award in the category of Best Original Score for Emma (Douglas McGrath). She was also the first female composer to win a Primetime Emmy Award, which she received for the film, Bessie (Dee Rees). She has received two further Academy Nominations for The Cider House Rules and Chocolat (Lasse Hallström), which also earned her a Golden Globe Nomination as well as Bafta nominations for Oranges Are Not the Only Fruit and The Woman in Black. Other films include The Manchurian Candidate (Jonathan Demme), Oliver Twist (Roman Polanski), Beloved (Jonathan Demme), Benny and Joon (Jeremiah Chechik), Life Is Sweet (Mike Leigh), Never Let Me Go (Mark Romanek), Grey Gardens (Michael Sucsy), The Legend of Bagger Vance (Robert Redford), The Duchess (Saul Dibb), One Day (Lone Scherfig), The Lake House (Alejandro Agresti), Mona Lisa Smile (Mike Newell), The Human Stain (Robert Benton), Their Finest (Lone Sherfig), Belle (Amma Asante), A Dog’s Purpose (Lasse Halstrom), Mimi and the Mountain Dragon for the BBC and Godmothered (Sharon Maguire).

    Her classical work includes an opera of Saint Exupery's Little Prince for Houston Grand Opera; The Water Diviner's Tale an oratorio for BBC Proms; Earth Song for the BBC singers; Ask The River, a collection of pieces for piano, violin and cello; The First Morning of The World for Joyce Di Donato's Eden.

  • Studio Soundtracks celebrates International Women’s Day alongside six women working in music for film, television, and video games.  Chanda Dancy, Lili Haydn, Anna Drubich, Taura Stinson, Jessica Rose Weiss, and Dara Taylor all joined the program to talk about the work of six other female composers in support of their colleagues and to champion each other’s work.  Listen to the program to hear works by Yoko Kanno, Jocelyn Pook, Mica Levi, Laura Karpman, Anne Dudley, and Natalie Holt.  You can learn more about women working in film, television, and video games through The Alliance for Women Film Composers - an organization dedicated to advocating for women composers worldwide. www.theawfc.com

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    Four composers from four different films at the 2023 Sundance Film Festival break down a specific track of music linked to their film.  Learn about how these composers approach story and character and how the music changes with influences from the picture and director.  Composers featured in this special are Jordan Dykstra (20 DAYS IN MARIUPOL), Nainita Desai (THE DEEPEST BREATH), Patrick Jonsson (SCRAPPER), and Ryan Rumary (FOOD AND COUNTRY).  Both 20 DAYS IN MARIUPOL and SCRAPPER went on to win Sundance Film Festival awards after this recording.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    TREVOR GURECKIS
    Trevor Gureckis is an award-winning composer and producer based in NYC, with work that spans film, pop, and concert music genres. His music often draws on his classical and production background, fusing electronics and live instruments in unique ways.

    As a film composer, his music often ranges from thrillers and horrors to dramas. A frequent collaborator of M. Night Shyamalan, Trevor has gone on to score four seasons of his hit Apple TV+ show “Servant” as well as recent feature film “Old” (Universal). Trevor’s score for “Servant” and the main title for “Hunters” (Amazon) awarded him a BMI Film, TV & Visual Media Award and he was nominated for Best Original Horror Film Score for “Old” at the 2021 HMMA Awards. Other notable works include John Crowley’s epic drama “The Goldfinch” (Warner Bros. Pictures), Neil Burger’s Sci-fi thriller “Voyagers” (Lionsgate), and Henry Jacobson’s psychological horror film “Bloodline” (Blumhouse).

    Gureckis began work on his first AAA game project in 2022: the highly anticipated remake of the survival horror classic “Dead Space” by EA and Motive Studios. “Dead Space” will be released on next gen. consoles and PC in January 2023.

    While Trevor excels at composing for film, his musical work extends far beyond. He produced the electro-pop band My Great Ghost, which is featured on Beck’s Philip Glass remix album “Rework_”. In 2019, Trevor’s solo album of instrumental and electronic music entitled “Corte” was released on Supertrain Records.

    Trevor is co-founder and executive creative director of Found Objects, a NYC based artist collective and production company.

    GARRY SCHYMAN
    BAFTA-winning composer Garry Schyman is one of the world’s most celebrated voices in video game music as evidenced by his award-winning scores to the BioShock game series, as well as dozens of hit games, films, and television productions. Schyman has most notably given the universe of BioShock (including BioShock 2 and BioShock Infinite) its musical identity, scoring the hugely successful game series with a blend of haunting beauty and terrifying unease. He paid playful homage to ’50s sci-fi with his score for the 2005 game Destroy All Humans! (followed by two sequels), accelerated the heartbeat in action games like Resistance: Retribution and Dante’s Inferno, and gave a nod to the hypnotic style of Bernard Herrmann in the mystery game Voyeur. He has been in the fantasy world of Tolkien for the adventure game Middle-earth: Shadow of Mordor and its sequel Middle-earth: Shadow of War.

    Schyman’s film and television credits span every genre, including classic series like The A-Team and Magnum, P.I., stormy action (Tornado!), thrillers (Horseplayer, starring Brad Dourif), and family horror (Spooky House, starring Ben Kingsley) and more recently Itsy Bitsy.  Among his most recent work is the Square Enix game Forspoken which will be released in January of 2023.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    SON LUX
    From the start, Son Lux has operated as something akin to a sonic test kitchen. The band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux has most recently scored the new Daniels film for A24, Everything Everywhere All at Once. The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    STEPHANIE ECONOMOU
    Grammy-nominated Stephanie Economou is a composer and violinist known for her scores for the Netflix TV series “Jupiter’s Legacy,” “The Chair,” “Manhunt: Deadly Games,” and the LucasFilm/Disney+ documentary feature, “More Than Robots.” She is also the composer of the Assassin’s Creed: Valhalla DLCs “The Siege of Paris” and “Dawn of Ragnarök,” the latter of which earned her a 2023 Grammy nomination in the new “Best Score for Video Games and Other Interactive Media” category.

    Stephanie is a long-time collaborator of Golden Globe-nominated composer, Harry Gregson-Williams, and has composed additional music on scores such as “Mulan,” “The Meg,” “The Equalizer 2,” “Penguins,” “The Martian,” “The Zookeeper’s Wife,” and “Live By Night.”

    AUSTIN WINTORY
    Two-time Grammy-nominated and two-time BAFTA-winning composer Austin Wintory has had a career straddling film, video games and the stage. He has scored over 50 features, including several Sundance hits (Grace, Captain Abu Raed), and over 30 games, netting him 7 BAFTA nominations, 2 wins of the peer-voted ASCAP Composer’s Choice Awards, and a slew of other industry accolades.

    His work, ranging from intimate indies like JOURNEY to massive blockbusters like ALIENS: FIRETEAM ELITE and ASSASSIN’S CREED, is often noted for its unique perspective and unusual approach. Austin’s scores frequently employ the use of experimental ensembles and recording techniques, merged with distinctive solo musicians from around the globe. Many of his game scores have enjoyed success in concert upon release, with performances all over the world including a recent presentation of his music before an audience of nearly 15,000 in Krakow, Poland and performance by the Royal Philharmonic at Royal Albert Hall in London as part of the first-ever BBC Gaming Proms concert. Austin’s most recent feature films include BULLET HEAD starring Adrien Brody and John Malkovich, Burt Reynolds’ final film, THE LAST MOVIE STAR, Ross McCall’s acclaimed prison drama A VIOLENT MAN, and Netflix’s limited series THAI CAVE RESCUE.

  • Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show.

    LUCY BRIGHT:
    Lucy Bright started out at Mute Records working with artists such as Nick Cave and Depeche Mode, before moving to Warner Classics for six years and then leaving to manage composer Michael Nyman. She joined the film and TV department of publisher Music Sales (now Wise Music) in 2008 and worked there for a decade. In 2020 she launched her own music publishing company, Bright Notion Music, signing the composers like Anne Nikitin, Jed Kurzel and Tamar-kali Brown.

    Lucy has supervised some of the most critically-acclaimed British films and TV shows in recent years including The Unloved, The Arbor, Slow West, Southcliffe, McMafia, This is England ‘90, Daphne, The Virtues, The Nest, Life After Life and BAFTA-winning short The Swimmer.

    Most recently, she has worked on Charlotte Wells’ directorial debut AFTERSUN and Todd Field’s TÁR, set within the world of classical music in which Cate Blanchett plays the first female conductor of a German orchestra.

    VOLKER BERTELMANN:
    Volker Bertelmann is an internationally acclaimed pianist, composer and experimental musician. His score for Garth Davis’ Oscar-nominated film Lion, which he composed in collaboration with Dustin O’Halloran, and was nominated for multiple awards, including the 2016 Oscar for Best Original Score, the 2016 Golden Globes for Best Original Score, and Best Film Music at the 2016 British Academy Film Awards, or BAFTAs. He has provided music for several leading films and television series, including the score for Patrick Melrose, Showtime’s Emmy-and BAFTA nominated mini-series, and for Gunpowder, the HBO mini-series starring Kit Harrington, and the 2020 film Ammonite, co-composed with O’Halloran, which received a spot on the Academy Awards short list for Best Original Score.

    In 2022, he scored All Quiet on the Western Front for Netflix, the official Oscar-entry for Germany, and War Sailor, both of which were official selections at the Toronto International Film Festival.

    A uniquely innovative pianist, who in his solo work goes by the name Hauschka, Bertelmann has worked with, among others. the MDR Leipzig Radio Symphony Orchestra, where he was the artist in residence, and the Grammy-winning violinist Hilary Hahn. In 2018, he accepted an invitation to join the Academy of Motion Picture Arts and Sciences.